Late Night Retro Television Review: 1st & Ten 5.6 “Clean and Sober”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, Billy Cooper gets in trouble.

Episode 5.6 “Clean and Sober”

(Dir by Stan Lathan, originally aired on November 15th, 1989)

This week’s episode features three storylines.

The simplest of the storylines features Denardo’s ex-wife (Arlene Golonka) showing up at his house and saying that she’s hiding from a stalker.  She even changes Denardo’s phone number.  It turns out that her stalker is actually her current husband and they’re just having a minor argument.  They’re reunited while Denardo stands in the background and smiles.

The comedic storyline features an ex-player named Wes (Bob Chandler) asking Dr. Death and Jethro to serve as his bodyguards for a week.  Wes, who left football and got the lead role on a cop show, says that he’s going to have to testify against a mob boss.  Dr. Death and Jethro agree to keep an eye on him.  For instance, they bring him to practice.  They also freak out when someone tosses an unlit stick of dynamite at them.  Eventually, it turns out that Wes set them up to be the victims on a television prank show.  This storyline also featured Zagred begging Wes to put him on his show.  Even TD Parker (OJ Simpson) got in on the spirit, asking Wes if he could help him pitch a television show about a football manager who solves murders.  Uhmm, yeah, that sounds like a great idea, OJ….

The dramatic storyline features Billy getting into an accident while driving drunk.  His companion for the night is nearly killed.  Billy is sentenced to 90 days of alcohol rehab.  The member of the Bulls are not supportive of Billy’s attempt to get sober.  Johnny Gunn resents that he spent six years in prison for something that he did while drunk but Billy is apparently going to get away with just a slap on the wrist.  Billy stops drinking and starts popping pills.

TD is upset to see that Billy is not making a real effort to get sober.  When TD hears an commentator refer to Billy as being a “true professional,” TD replies, “Not in my book.”

Really, OJ?

This episode was all over the place, as is usually the case with 1st & Ten.  I actually found the storyline about Wes to be amusing but it didn’t feel like it belonged on an episode where Billy was trying and failing to get sober.  That said, this episode’s portrayal of Billy as being too rich and too famous to be held responsible for his mistakes was probably pretty close to the truth when it comes to celebrity addicts.  Billy may hate himself but he’s got enough cash to soothe the pain.

I Watched Perry Mason: The Case of the Silenced Singer (1990, Dir. by Ran Satlof)


When singer Terri Knight (Vanessa Williams) is shot and murdered, her husband and manager, Jack (Tim Reid), is arrested.  It’s a good thing that Jack’s professor in law school was Perry Mason (Raymond Burr)!  Perry and Ken Malansky (William R. Moses) take the case and investigate to see who silenced the singer.  (Does Perry know anyone who hasn’t been accused of murder?  Someone even tried to fame Della!)

This Perry Mason movie was slightly different than those that came before it.  It was full of flashbacks, showing how Terri became a star and went from being nice and innocent to being a diva.  Every time that Perry or Ken would interrogate someone, it would lead to scene of Vanessa Williams wearing a wig and playing Terri at a different time in her life and career.  There was also a lot singing and the movie actually seemed to be more focused on the music and showing Terri’s rise to fame than it did on solving the actual mystery.  It was was if Perry Mason got dropped into the middle of a production of Dreamgirls.  It didn’t really work for me because Terri wasn’t an interesting enough character to carry the flashbacks but it was still interesting to see a Perry Mason movie trying to do something different.

The most memorable thing about this movie was Angela Bassett, playing a fellow singer and a former friend of Terri’s. She even told off Perry Mason at one point!  It was early in her career but it was easy to see that, from the start, Angela Bassett was obviously going to be a star.

A Movie A Day #79: Blindman (1971, directed by Ferdinando Baldi)


In the old west, a professional gunman (played by Tony Anthony) has been hired to escort 50 women to a Texas mining town.  The gunman is known as Blindman, precisely because he is a blind man.  He is also a fast and deadly with a gun and has an apparent psychic connection with his horse.  Unfortunately, for Blindman, it turns out that his partners double crossed him and sold the 50 women to a Mexican bandit.  Blindman must go to Mexico to rescue the women from the ruthless Domingo (Lloyd Battista) and his crazy younger brother, Candy (Ringo Starr).

You read that correctly.  This is not only a Spaghetti western about a blind gunslinger who owns a seeing-eye horse.  It’s also a Spaghetti western that co-stars the man who replaced Pete Best.  Of the four Beatles, Ringo was always the best actor and he is surprisingly convincing as a psychotic Mexican bandit.  As for the rest of Blindman, it can not compare to the best Spaghetti westerns but there’s enough novelty in the idea of a blind gunman that it is still interesting to watch.  Tony Anthony may have been one of the lesser known Spaghetti western stars but he probably gave the best performance of his career as Blindman.  Along with being a violent, bloody, and nudity-filled western, Blindman is also a comedy.  Most of the jokes are delivered by Tony Anthony, who spends a lot of time talking to himself and who, despite being blind, stares straight at the camera while doing so.  (Most of the jokes were also written by Tony Anthony.  He’s one of the credited screenwriters.)

Why does Blindman do what he does?  As he puts it in the movie, “To be blind, with no money, now that’s a bitch!”