All I can say about this scene is that I guarantee every guy who watches this will want to cross their legs tight. They may just scream as well just as a reflex action to what happens in the end.
Yet, as one watches this torture scene of the main lead in the film the audience never really sees anything. Everything’s implied and we see signs of what’s about to happen throughout the segment.
The Serpent and The Rainbow continues to be one of my favorite horror films and one of my favorite Wes Craven offerings.
I know some people like and even love the vampire film Daybreakers when it arrived in theaters in early 2010. I’m not one of those who love Daybreakers as my review can attest, but I did like some of the ideas brought up by The Spierig Brothers who wrote and directed the film. One could say that I begrudgingly like the film despite its many flaws.
One of the things I did like about this film was how unabashed it was in keeping the whole affair a rated-R affair. Unlike most vampire films which have come out the last decade or so this one doesn’t shy from the grue that others have. Daybreakers was definitely not of the Twilight branch of the vampiric subgenre.
My favorite scene in the film happens pretty much around the end of it. It saved the film from becoming a total dull, boring affair into one worthy of being talked about if just for this one scene. One could come into the film just at this scene alone and forget that they’re watching a vampire film but a zombie one instead. The gore was just so over-the-top and it’s staging so well-done that I couldn’t stop from having a silly grin of enjoyment from escaping.
Anyone who have gotten to know me throughout the years (decades even) know one indisputable fact and that’s one of my favorite films of all-time is George A. Romero’s classic horror masterpiece, Dawn of the Dead.
This film is not just a great horror film, but just a great film. Sure, some have said that it hasn’t aged well, but those detractors only see the era it was filmed in. If one looks part that then they can see that Dawn of the Dead works just as well now as it did when it premiered in 1978.
One of my favorite scenes in the film is actually the beginning of the film. It’s rare that a film can fully capture and explain an overriding theme in the film’s narrative right from the beginning, but Romero did it and did it well.
The scene I’m talking about is the film’s intro that’s set in a chaotic Pittsburgh TV station. It’s a scene of chaos because the zombie apocalypse is already in full swing and people have begun to lose their trust in the fourth estate. In times of crisis the people depend on the news to bring to them answers or, at the very least, the correct information to survive said crisis. In Dawn of the Dead, the fourth estate has failed as in that they’ve become just as unreliable as the rest of the mechanisms which make civilization operate.
Even when the right information was being relayed by the the guest scientist in the scene, the audience reaction (the tv station crew themselves) was one of exasperation and disbelief. This scene would influence future zombie apocalypse stories both in film, tv and print in that the people would lose faith and trust in the very institution who were supposed to be trusted to be objective and informative.
This is just one of several scenes from Dawn of the Dead which I consider a favorite, but then the entire film I would consider a favorite scene as a whole in a story that hasn’t ended.
I just had to make sure I posted this scene the moment Marvel Studios released it for all to see and enjoy. For those who have already seen the film knows of what scene I speak of. It’s the one scene that cemented for many who have fallen in love with Guardians of the Galaxy why they love it so.
I know that my co-founder Lisa Marie just adores and loves this scene. I would describe the scene itself, but I think there’s still a few people out there who hasn’t seen Guardians of the Galaxy. So, with “spoiler tag” in the title I’ll just let the video speak for itself.
With each passing year I get older and part of that process means many of the people I grew up admiring and looking to for inspiration has passed. They’ve all left an indelible mark on me and continue to push and prod me in making my own mark on the world before my own time comes to pass.
So, it was with a sad heart when I found out that Robin Williams passed away today. As to the manner of his passing I won’t dwell on it, but instead on how he has made an impact on my life and on the world. He might have just been a comedian and an actor known to have entertained several generations of people, but he would always be John Keating to me, first and foremost.
I was already a fan of Williams from watching his hit show Mork & Mindy. I’ve even been a fan of his films, but I truly began to admire the man after his performance as English teach John Keating in 1989’s Dead Poets Society. He was able to take his rapid-fire gift for gab but meld it with such a poignant and emotional performance as a teacher in a tradition-bound prep school who really cared about the kids in his charge.
I would say that his performance and this film was instrumental in opening up the world of literature and the joys of the written word to my teenage self. This film and his work in it showed me that literature shouldn’t be something to be endured, but instead something that should nurture and inspire me.
To say that Robin Williams has been an inspiration to me would be an understatement.
Rest in peace, my captain and you’ve certainly left your verse on this world.
I will have my review of Michael Bay’s latest explosiotravaganza, but until I get that up here’s my favorite scene from the best film made about the Hasbro toys that were more than meets the eye.
On a side note, any kid who grew up during the 80’s would’ve seen or have heard of this animated film. Whether they were scarred for life would depend on how much the Transformers had become part of their day-to-day life. This scene actually shows Optimus Prime at his most badass while remaining a robotic avatar of the John Wayne ideal. Live-action Optimus Prime this one is not and never would be. The live-action version has become somewhat problematic as an onscreen hero and I shall expand more on that in the review.
For now, just enjoy….”One shall stand. One shall fall.”
I just heard that, earlier today, the legendary character actor Eli Wallach passed away at the age of 98. Wallach made his film debut in 1956’s Baby Doll and made his final film appearance 54 years later in Wall Street: Money Never Sleeps. I have to admit that I don’t really remember much about Wall Street or Wallach’s performance in the film. However, I do remember his wonderful cameo appearance in The Ghost Writer.
And, of course, everyone remembers Eli Wallach’s best role, that of Tuco inSergio Leone’s classic spaghetti western The Good, The Bad, and the Ugly. In the role of a comedic yet ruthless bandit, Wallach brought a lot of life to Leone’s epic portrait of greed in the west. His unabashedly flamboyant performance provided a wonderful (and much-needed) contrast to the more stoic performances of Clint Eastwood and Lee Van Cleef.
For me, the best scene in The Good, The Bad, and the Ugly is one in which not a single bullet is fired nor a word uttered. In this scene, Tuco has finally discovered the cemetery where a stolen shipment of gold has been buried. All he has to do is find Arch Stanton’s grave and he’ll be a very rich man. What Tuco did not take into consideration was just how many other graves there would be in the cemetery.
This is a rare moment in the film in which Tuco is not speaking but just watch Wallach’s performance here to see how much a great actor can do with just body language and facial expressions. (Needless to say, Ennio Morricone’s classic score helps out as well.)
In honor of tonight’s episode of Game of Thrones which was once again directed by the great British filmmaker Neil Marshall I’ve chosen a favorite scene from his last film as the latest Scenes I Love.
Tonight’s episode saw the pivotal Battle of Castle Black which showcases the battle of Mance Rayder’s 100,000-strong Wildlling army against the few hundred Night’s Watch defenders of Castle Black and The Wall. It was a very bloody affair that saw more than a few important deaths. It also highlighted the fact that Neil Marshall has to be one of the great action directors of this era. He’s able to work both with CG and practical effects and definitely do so on a budget (yet still making the whole episode look cinematic).
For those who have followed Marshall’s work they won’t be surprised by his work on Game of Thrones. He’s done large-scale battles before and none more bloody, brutal and chaotic as the ambush battle in the forest in Centurion.
I’ve never actually seen The Adventurers but everything that I’ve read about it (and the film is mentioned in just about every “Terrible Movie” book that I own) would seem to suggest that this 1970 film is pretty bad. In fact, just about every review that I’ve read has referred to the film as being lurid, trashy, melodramatic, and over-the-top.
However, that’s not really a problem for me. That’s what a lot of people say about the Valley of the Dollsand that’s one of my favorite movies, precisely because it is so lurid and ludicrous. (Lurid and ludicrous are two Ls that equal love, as far as I’m concerned.)
I was recently doing a YouTube search on The Adventurers and I came across the following video, which is described as being the “amazing fashion show from Lewis Gilbert’s The Adventurers.” Having watched the video, I can agree that this fashion show is pretty amazing. In fact, it pretty much epitomizes everything that I love about the over-the-top, big budget event films of the late 60s and early 70s. As I watched this scene, I especially enjoyed the random jump cut and the unnecessary use of the split screen. It’s just so 1970!
I may not have seen the entire film but this scene from The Adventurers is still a scene that I love.
Through the Shattered Lens 