Scenes That I Love: Peter Stegman Plays The Piano in Class of 1984


“I am the future!” Peter Stegman (Timothy Van Patten) announced in the 1982 film, Class of 1984, and, in many ways, he was correct.  Though it’s easy to be snarky about the fashion choices made by Stegman’s gang, Class of 1984‘s portrait of a school where teachers have taken to carrying guns to protect themselves is still relevant today.

One thing that set Class of 1984 apart from other exploitation films was that it acknowledged something that most people aren’t willing to admit.  Sometimes, the worst people can create the most beautiful music.  This is a point that was made quite literally in the scene below.

As the scene begins, the new music teacher — Andy Norman (Perry King) — is just trying to start his class when suddenly Stegman and his gang decide to drop in.  At first, Andy tells them to go away but then, suddenly, Stegman sits down at a piano and starts to play.

Timothy Van Patten, who would later go on to become an award-winning television director, reportedly actually played every note heard in this scene.  For a few brief seconds, Peter Stegman is revealed to be something more than just another high school psycho.  When Stegman sits in front of that piano, he becomes an artist and, throughout the film, both Andy Norman and the audience occasionally wonder who Peter Stegman could have been under different circumstances.

Of course, ultimately, it doesn’t matter.  Peter Stegman could have been a concert pianist but instead, he went down a different path.  Over the course of the film, Stegman is responsible for not only Michael J. Fox getting stabbed but Roddy McDowall getting blown up.  When Andy makes one final attempt to reach out to him, Stegman tries to cut his hand off.   Now wonder Andy eventually allowed Stegman to plunge through that skylight.

But even as Stegman falls to his death and discovers that he’s not the future, it’s hard not to think about that beautiful piece of music that he played just a few days earlier and wonder about what could have been.

Peter Stegman.  R.I.P.

Spring Break Scenes That I Love: Plane vs Shark from Mega Shark vs. Giant Octopus


Hopefully this doesn’t happen to anyone on their way home from Spring Break.

Or me, on my way home from my vacation.

Travel safely!

From 2009’s Mega Shark vs. Giant Octopus:

Spring Breaks Scenes That I Love: You Are Not A Summer Love From Horror Of Party Beach


The beach is so much fun that even mom and dad can’t stay away!

Actually, the two beachgoers in this film may look like they’re in their 40s but they were only supposed to be teenagers.  That’s just the type of film that 1964’s Horror Of Party Beach is.

Anyway, in this one, the Del-Aires return and perform You Are Not A Summer Love.  It’s meant to be romantic, though you’ll probably laugh before you swoon.  One thing’s for sure.  It’s all very 1964.

Spring Break Scenes That I Love: The “Which Vinny?” Scene From Jersey Shore Shark Attack


The reason that I’ve picked the scene below for today’s scene of the day is that I want to encourage everyone to exercise caution this Spring Break.

Things can get crazy out there, especially on the Jersey Shore.

From 2012’s Jersey Shore Shark Attack:

Spring Break Scenes That I Love: The Del-Aires Perform The Zombie Stomp in Horror Of Party Beach!


This is from the 1964 film, Horror on Party Beach!  

Can you believe that some people think that they didn’t know how to have fun in the early 60s?

Of course, you did have to look out for the monsters.  I guess that was the only drawback…

(I should admit that I’m not really sure if this movie was supposed to be occurring during spring break but who cares?  It’s got the zombie stomp!  Add to that, I’d be worried about anyone who voluntarily spent their spring break on such a depressing-looking beach.  Not when you can just go down to Galveston.)

Scenes That I Love: Tony Bennett Has A Meltdown in The Oscar


Have you ever wondered what it takes to win an Oscar?  The 1966 film, The Oscar, revealed to audiences just how sleazy a world Hollywood can be.  Frankie Fane (Stephen Boyd) does everything he can to win an Oscar and he doesn’t care who he hurts!

But fear not — Hollywood may not be perfect but it has no room for someone like Frankie Fane!  At the end of the movie, a man named Frank does win the Oscar but his last name is Sinatra and Frankie Fane is left humiliated.  That’ll teach him to try to take advantage of Hollywood!

Yes, The Oscar is an incredibly silly film but it’s also a lot of fun.  In this scene that I love, Frankie’s best friend — played by Tony Bennett of all people — confronts Frankie about the type of star that he’s become.

Scenes That I Love: Celebrate International Polar Bear Day With A Classic Scene From Santa Claus Conquers The Martian!


According to my sister, who does a pretty good of keeping track of these things, today is International Polar Bear Day!

So, I figured that I would honor the polar bears by sharing one of my favorite scenes from Santa Claus Conquers The Martians!  Even better, this video comes with a bonus scene, involving a robot named Tor.

Scenes that I Love: Peter Fonda and Dennis Hopper Do Mardi Gras and Drop Acid in Easy Rider!


Today, a lot of people have traveled to New Orleans to celebrate Mardi Gras.  Here’s hoping that they have a better time in the city than Billy (Dennis Hopper) and Wyatt (Peter Fonda) had in the 1969 film, Easy Rider.

The scenes below, featuring Hopper, Fonda, Karen Black, and the legendary Toni Basil were actually filmed at Mardi Gras in 1968.  These were among the first scenes that Hopper (making his directorial debut) shot for the film and reportedly, filming was so chaotic that they were also nearly the last scenes to be filmed.  As those who have seen Easy Rider know, Billy and Wyatt spend the entire movie trying to get to New Orleans so that they can visit a famous brothel.  Once they get there, they discover that absolutely nothing lives up to the legend.  The brothel is a sleazy mess.  Mardi Gras is full of bad vibes.  Wyatt has an amazingly bad LSD trip.  (Hopper convinced Fonda to really drop acid before filming the scene, which led some harrowing footage.)  After they leave New Orleans, Fonda and Hopper cross the border into Texas and promptly end up getting blown away by two rednecks in a pickup truck.

Welcome to the sixties!

In the scene below, we get actual footage of 1968’s Mardi Gras.  Just watch all the celebrants who stop to stare at the  camera.

And here is the infamous cemetery scene.  Fonda resisted doing it and the end result is not easy to watch but it’s also one of the most powerful moments in the entire film: