Today, we wish a happy birthday to Isabella Rossellini.
She’s at the center of today’s scene that I love, which comes from David Lynch’s 1986 masterpiece, Blue Velvet.
Today, we wish a happy birthday to Isabella Rossellini.
She’s at the center of today’s scene that I love, which comes from David Lynch’s 1986 masterpiece, Blue Velvet.
The scene below comes from the 1979 Lucio Fulci masterpiece, Zombi 2.
In this scene, a mysterious boat is floating towards New York City. Two cops are sent to check the boat out and, as they eventually discover, the boat isn’t quite as deserted as they thought it was.
Now, there’s a few reasons why this scene is important. Number one, Zombi 2 is an Italian film that was designed to pass for an American film. (Technically, it was sold as being a prequel to Dawn of the Dead, which was released under the title Zombi in much of Europe.) In order to maintain the illusion, Italian filmmakers would often spend a day or two shooting on location in a recognizable American city. More often than not, that city would turn out to be New York.
Number two, since Zombi 2 was promoted as being a bit of a prequel to Dawn of the Dead, one could argue that this scene shows how the whole zombie apocalypse began in the United States. It wasn’t radiation from space or Hell running out of room. No, instead, it was juts a boat floating from an island in the Caribbean all the way to New York.
This scene is also memorable because of the “boat zombie,” who is one of the best-known of the movie zombies. Even people who have never heard of Lucio Fulci will probably recognize the boat zombie. He’s an icon of the undead!
Finally, this scene sets up one of the greatest closing shots in the history of zombie cinema. New York beware!
Yesterday was Jim Belushi’s birthday!
Here he is, in 1987’s The Principal, delivering one of the greatest speeches ever.
NO MORE!
Here is a scene that should be familiar to anyone who has ever watched anything from Something Weird, the infamous “you’re damaged goods and this is a fire sale!” monologue from Herschell Gordon Lewis’s 1963 expose of the Hollywood smut trade, Scum of the Earth.
Today’s scene that I love comes from 1970’s Patton.
This scene, which occurs at the start of the film, won George C. Scott an Oscar …. which he refused to accept. Scott announced, even before he was nominated, that he wouldn’t accept the Oscar. One gets the feeling that probably made it all the more likely that he would win. To Scott’s credit, he did not send someone else to refuse the Oscar (and take the boos) in his place.
Would George Patton have refused the Oscar? Probably not.
In this scene from 1973’s O Lucky Man, Mick Travis (Malcolm McDowell) comes to the end of his very long journey and finds himself auditioning for a role in a Lindsay Anderson film.
Anderson, of course, was also the director of O Lucky Man! and it’s obvious that the film that Mick is auditioning for is meant to be Anderson’s previous film, If.
McDowell, of course, actually did star in If. In fact, he played a character named Mick Travis.
After all of his surreal adventures, can Mick still smile enough to get the part?
This is from 1978’s Superman. This scene manages to be both earnest and self-aware in a way that few other movies are.
Today, the Shattered Lens wishes a happy one-day late birthday to Johnny Depp!
Here he is, in giving his best performance, as the title character in 1994’s Ed Wood.
This Saturday, while I was live tweeting 2001’s Donnie Darko, I was reminded of how much I enjoy today’s scene that I love. Not only does this scene introduce us to the film’s ensemble cast but it also makes perfect use of a great song.