Tag Archives: scene that I love

Horror Scenes That I Love: After The Changeling’s seance….

Posted on by Lisa Marie Bowman

So, last night, at the TSL offices, Jeff, Leonard, Case, and I watched Insidious!  It was an enjoyable experience.  I think we were all surprised to discover just how well Insidious holds up.  When the film reached the seance scene, in which the ghosts were asked questions and a possessed Lin Shaye would write out their answers, I said, “This scene reminds me of the seance scene from The Changeling!”

And then I thought to myself, “That should be our next horror scene that I love!”

So, I went to YouTube and I searched for the classic (and really scary) seance scene from Peter Medak’s great 1980 ghost story, The Changeling.  And guess what?  I couldn’t find it!  I found a lot of scenes from The Changeling and I found a lot of people talking about how much they love the seance scene but I couldn’t find the scene itself!

So, here’s the best I could do.  This scene that I love takes place immediately after the seance and features George C. Scott listening and re-listening to a tape of the seance until he can finally hear the voice of the child who, years before, was murdered in his house.

Even if it’s not the seance scene, it’s still pretty good.  I personally consider this to be one of George C. Scott’s best performances.  And the sound of the little boy’s voice on the tape is chilling.

The Changeling is really good, by the way.  You should watch it, if you haven’t already!

Horror Scenes That I Love: The Clock Ghosts From Insidious

Posted on by Lisa Marie Bowman

After all of the sequels and the rip-offs, it’s easy to forget just how scary Insidious was when it was first released, way back in 2011.

Believe it or not, it’s still pretty scary.  Take the scene below, for instance.  I screamed the first time I saw it and then I screamed again rewatching it on YouTube.

The reason this scenes works is because, from the start, you know that those two ghosts are going to show up.  You just don’t know when.  With each click, you know you’re getting closer and closer to something bad appearing in that hallway.  And then when they do finally show up and the movie’s soundtrack goes “BOOOOM!” and then you see the smiles on their face — AGCK!  Seriously, this is one of the best jump scares of the past decade.

 

Horror Scenes that I Love: Checking Out The Boat in Lucio Fulci’s Zombi 2

Posted on by Lisa Marie Bowman

The scene below comes from the 1979 Lucio Fulci masterpiece, Zombi 2.

In this scene, a mysterious boat is floating towards New York City.  Two cops are sent to check the boat out and, as they eventually discover, the boat isn’t quite as deserted as they thought it was.

Now, there’s a few reasons why this scene is important.  Number one, Zombi 2 is an Italian film that was designed to pass for an American film.  (Technically, it was sold as being a prequel to Dawn of the Dead, which was released under the title Zombi in much of Europe.)  In order to maintain the illusion, Italian filmmakers would often spend a day or two shooting on location in a recognizable American city.  More often than not, that city would turn out to be New York.

Number two, since Zombi 2 was promoted as being a bit of a prequel to Dawn of the Dead, one could argue that this scene shows how the whole zombie apocalypse began in the United States.  It wasn’t radiation from space or Hell running out of room.  No, instead, it was juts a boat floating from an island in the Caribbean all the way to New York.

This scene is also memorable because of the “boat zombie,” who is one of the best-known of the movie zombies.  Even people who have never heard of Lucio Fulci will probably recognize the boat zombie.  He’s an icon of the undead!

Finally, this scene sets up one of the greatest closing shots in the history of zombie cinema.  New York beware!

Horror Scenes That I Love: Jack Meets Lloyd in The Shining

Posted on by Lisa Marie Bowman

The scene below is, of course, from Stanley Kubrick’s 1980 masterpiece, The Shining.

In this scene, Jack Torrance (Jack Nicholson) stumbles into the Overlook Hotel’s ballroom, still fuming over having been accused of abusing his son.  A recovering alcoholic, Jack sits at the bar and thinks about how he would give up his soul for just one one drink.  And, on cue, Lloyd (Joe Turkel) appears.

As I was watching this scene, it occurred to me that, way back in 1980, there probably was some guy named Lloyd who saw this movie in a theater and was probably totally shocked when Jack suddenly stared straight at him and said, “Hey, Lloyd.”

The brilliance of this scene is that we never actually see Lloyd materialize.  We see him only after Jack has seen him.  So, yes, Lloyd could be a ghost.  But he could also just be a figment of Jack’s imagination.  Jack very well could just be suffering from cabin fever.  Of course, by the end of the movie, we learn the truth.

Everyone always talks about Jack Nicholson’s performance as Jack.  Some people love it and some people hate it.  (I’m in the first camp.)  However, let’s take a minute to appreciate just how totally creepy Joe Turkel is in this scene.  Turkel was a veteran character actor and had appeared in two previous Kubrick films, The Killing and Paths of Glory.  Two years after appearing in The Shining, Turkel played what may be his best-known role, Dr. Eldon Tyrell in Blade Runner.

From Stanley Kubrick’s The Shining, here’s Jack Nicholson and Joe Turkel:

Horror Scenes That I Love: Caleb Meets The Witch

Posted on by Lisa Marie Bowman

First released in 2016, The Witch is one of the best horror films of the past few years.

Based, so the film claimed, on actual historical records, The Witch told the story of a Puritan family living in 17th century New England and finding themselves haunted by not just a billy goat named Black Phillip but also by a baby-eating witch who lives in the forest.

In the scene below, Caleb (Harvey Scrimshaw) meets the Witch (Bathsheba Garnett) herself and they share a rather fateful kiss.  Among my friends, this scene is actually somewhat controversial.  Some of them wish that the film had kept the Witch off-screen for its entirety, the better to leave some ambiguity as to whether the family was truly cursed or just a victim of mass hysteria.  While I see their point, I think this scene works well in the overall scheme of the film.  In this scene, the witch reveals herself to be everything that the Puritans were supposedly against and her seduction of Caleb establishes that the film is ultimately a battle between the desires of the flesh and the piety of the soul.

It’s also interesting that, if The Witch can be viewed as a cinematic folk tale, the witch is wearing a red hood, linking her to the story of Little Red Riding Hood and leaving us to wonder who the wolf really is in this case.

 

Horror Scenes That I Love: Bela Lugosi Introduces Himself In Dracula

Posted on by Lisa Marie Bowman

I swear, nothing annoys me more than when wannabe hipsters go out of their way to trash old movies.

You see that a lot on twitter.  People who, for the most part, haven’t even studied film or cultural history will try to post something snarky about a film that was made decades before they were born.  They either make fun of the acting or the dialogue or they attempt to call out the film for not being properly woke.  It’s an easy way to get likes and retweets but it’s also about as intellectually lazy as you can get.

For instance, there’s a tendency to dismiss the 1931 version of Dracula and Bela Lugosi’s performance in the lead role.  Personally, I do think that Dracula is a bit too stagey (it was, after all, based on a stage play that was based on Bram Stoker’s novel) and I wouldn’t put it up there with director Tod Browning’s best work.  The Spanish-language version of Dracula, which was filmed at the same time, is technically a better film.  But, that being said, I will accept no criticism of Lugosi’s performance.  Lugosi is the perfect Dracula.  If he seems overly theatrical …. well, Dracula’s a pretty theatrical character.  It has to be remembered that Lugosi is playing a character who is supposed to be several hundred years old.  If he acts like a man out-of-time, that’s because that is exactly what he is.

Ultimately, it comes down to this — a lot of actors have played Dracula.  Some of them have been very good in the role.  Some of them have been very bad.  But, if not for Lugosi, none of them would have had the opportunity.

So, in honor of that legacy, today’s horror scene that I love comes from the original Dracula and features Bela Lugosi at his creepiest:

 

Horror Scenes That I Love: Criswell Predicts From Plan 9 From Outer Space

Posted on by Lisa Marie Bowman

“Can you prove that it didn’t happen!?”

The 1959 film, Plan 9 From Outer Space, is famous for a lot of reasons.  There’s the low budget.  There’s the acting.  There’s the script. There’s Tor Johnson and Vampira and Bela Lugosi’s much taller stand-in.  There’s the string that’s visibly tied to all of the UFOs.  But let’s just be honest.  None of that would matter without the perfect introductionary scene!

And that’s where Criswell comes in!

Criswell was a self-proclaimed psychic and a friend of the film’s director, Edward D. Wood, Jr.  Criswell liked to sleep in a coffin and he also liked to make predictions.  The majority of the predictions were so outlandish that it didn’t matter that they were rarely accurate.  (Jeff wrote a whole post about this, a few years back.)  When Wood needed someone to vouch for the authenticity of Plan 9 From Outer Space, Criswell was the obvious choice.  Criswell even wrote his own lines.

Say what you will about the film but Criswell’s monologue — incoherent as it may technically be — is the perfect introduction and this seems like the perfect scene to use on the first day of our annual Horrorthon.

From 1959’s Plan 9 From Outer Space, here’s a horror scene that I love:

Scenes That I Love: The “Tears In The Rain” monologue from Blade Runner (RIP, Rutger Hauer)

Posted on by Lisa Marie Bowman

I just read that Rutger Hauer passed away on July 19th.  He was 75 years old.

Though Hauer played many great roles, most people will always think of him as the replicant Roy Batty in 1982’s Blade Runner.  One of Hauer’s most memorable scenes in that film was his final monologue.  Reportedly, Hauer himself came up with this monologue on the spot, feeling that the lines in the original script didn’t do justice to either the story or his character.

Rest in peace, Rutger Hauer.  He was one of the greats.

Scenes That I Love: Harry Meets The Mayor From Dirty Harry

Posted on by Lisa Marie Bowman

Today, we wish a happy 89th birthday to the one and only Clint Eastwood!

At this point of his career (from which he says he is now semi-retired), Clint Eastwood has become an American icon.  In many ways, his persona epitomizes all of the contrasts and extremes of the American experience.  A political conservative who specializes in playing taciturn and rather grouchy men, he is also one of our most humanistic directors, specializing in films that often question the traditional view of history and morality.  He may have first become a star in Europe but Clint Eastwood is definitely an American original.

In honor of his birthday, I’m sharing a scene that I love from 1971’s Dirty Harry.  In this scene, Detective Harry Callahan (Clint Eastwood) meets the Mayor of San Francisco (John Vernon).  The mayor is concerned that there’s a psycho on the loose, gunning people down and demanding money.  Callahan’s annoyed that he’s spent a lot of time sitting in a waiting room.  Things pretty much go downhill from there.

There’s so much that I love about this scene.  Both Eastwood and Vernon do a wonderful job playing off of each other.  The Mayor may be in charge of the city but Callahan probably didn’t vote for him.  One thing that I especially love about this scene is the look of annoyance that crosses Harry’s face whenever he’s interrupted.

And, of course, there’s that final line!  Eastwood does a great job explaining Harry’s “policy” but ultimately, it’s Vernon’s “I think he’s got a point,” that provides the perfect closing note.

Happy birthday, Mr. Eastwood!

Scenes That I Love: Norma Accepts Ed’s Proposal in Twin Peaks: The Return (R.I.P. Peggy Lipton)

Posted on by Lisa Marie Bowman

As this day comes to a close, I have some sad news to report.  The actress Peggy Lipton passed away earlier today, at the age of 72.  While one generation may know her best as a star of 1960s television and others know her for her marriage to legendary music producer Quincy Jones (and as the mother of Rashida Jones), I knew Peggy Lipton as Norma Jennings, one of the few characters to get a happy ending in David Lynch’s Twin Peaks: The Return.

Norma was the owner of the Double R Diner and, for the most part, one of the few stable residents of Twin Peaks.  While the rest of the town was collapsing around her, Norma could usually be found in a back booth, going over expense reports and continually proving herself to often be the lone voice of sanity in her hometown.

The love affair between Norma and Ed Hurley (Everett McGill) was a story that ran through both the original Twin Peaks and the Showtime revival.  One of the big moments in the revival came when Ed, having finally gotten Norma to agree to give him a divorce, finally asked Norma to marry him.  It’s perhaps the most unabashedly romantic scene to be found in David Lynch’s filmography.  (Lynch did the scene in one take and, according to Lipton, was in tears by the end of it.)  It’s a scene that’s wonderfully acted by both McGill and Lipton, with both actors saying so much without saying a word.

And here it is, a scene that I love from Part 15 of Twin Peaks: The Return: