Shattered Politics #46: Used Cars (dir by Robert Zemeckis)


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“Do you think we like being associated with the President of the United States?  I mean, we run an honest business here!” —

Jeff (Gerrit Graham) in Used Cars (1980)

As a film lover, I’ve sat through so many disappointing commentary tracks that, when I come across one that’s actually fun and informative, it causes me to like the film even more.  One of the best commentary tracks that I’ve ever heard was the one that Robert Zemeckis, Bob Gale, and Kurt Russell recorded for the DVD release of the 1980 comedy Used Cars.

The film — which was an early credit for both director Zemeckis and screenwriter Gale — tells the story of two rival used car lots.  The bad guy car lot is owned by Roy L. Fuchs (Jack Warden).  The good guy car lot is owned by Roy’s brother, Luke Fuchs (also played by Jack Warden).  The top salesman at the good guy car lot is Rudy Russo (Kurt Russell).  The film shows what happens when Luke dies and Rudy tries to prevent Roy from taking over the lot.

The commentary track is distinguished by just how much Zemeckis, Gale, and Russell seem to truly enjoy watching and talking about the film.  Kurt Russell, in particular, has an incredibly engaging laugh and his sense of fun is contagious.  However, for me, the most interesting part of the commentary track came when Bob Gale explicitly compared Rudy Russo and Luke’s daughter (played by Deborah Harmon) to Bill and Hillary Clinton and then even starts to do a surprisingly good imitation of Bill’s hoarse Arkansas accent.

What made it interesting was that the comparison was absolutely correct.

Politicians are salesmen.  Much as politicians will say anything to get your vote, the salesmen in Used Cars will say and do anything to get your money.  Politicians sell promises that are too good to be true.  Rudy Russo and Roy L. Fuchs do the same thing, claiming that their used cars are just as good and safe as a car that’s never been owned before.

In fact, one of the major plotlines in Used Cars is that Rudy is plotting to make the move from selling cars to buying votes.  There’s a vacancy in the state senate and Rudy is planning on running for the seat.  All he has to do is come up with the $10,000 necessary to buy the nomination from the local political machine. (I imagine it would be more expensive to buy a nomination today.)  Luke agrees to loan Rudy the money but, before he can, Luke goes on a test drive with a former race car driver.

The driver works for Luke’s evil brother, Roy.  Roy knows that Luke has a heart condition and he specifically sends over that driver to give Luke a fatal heart attack.  Just as Rudy is trying to sell a car to a costumer who is skeptical about whether or not he should pay an extra fifty dollar for something he doesn’t want (“$50.00 never killed anyone!” the customer insists), Luke staggers into the office and dies.

(The shocked customer agrees to pay the extra fifty dollars.  Ever the salesman, Luke grabs the fifty before he dies.)

With Luke dead and his estranged daughter nowhere to be seen, Roy is next-in-line to take over Luke’s car lot.  So, Rudy hides the body and tells everyone that Luke is down in Florida.  Both he and his fellow salesman, the hilariously superstitious Jeff (Gerrit Graham), conspire to make as much money as possible before anyone discovers the truth.

How do they do it?  Illegally, of course!

First off, they break into the broadcast of a football game and do an ad.  Then, they use strippers to attract customers.  And finally, Rudy comes up with his master plan, interrupting a televised address from the President of the United States.

“You can’t fuck with the President!” Jeff says.

“Hey, he fucks with us…” Rudy responds.

Seriously, I love Rudy.

In fact, I really liked Used Cars.  It’s a good combination of broad humor and clever satire and both Kurt Russell and Gerrit Graham give such likable performances that you can ignore the fact that they’re both playing total jerks.  (In fact, I would argue that one reason that we love Rudy is because he’s so honest about being so crooked.)  Not every scene worked perfectly.  The scene where Rudy and Jeff interrupt that football game goes on forever and, after a spokesmodel’s dress is ripped off, becomes so uncomfortable to watch that it actually takes the film a while to recover.  But then, after that, you get the interruption of the President’s speech.  You get Jeff freaking out over whether or not red cars or unlucky.  You get some fun driving school humor.  And, of course, you get a cute dog that can do tricks and helps to sell cars.  The film recovers and, ultimately, Used Cars is a celebration of small businesses everywhere.

And you know what?

I really hope Rudy did make it into the state senate.

We need more Rudy Russos in government.

And we really need more commentary tracks featuring Kurt Russell!

Here’s a Really Scary Trailer For The Walk!


So right now, we’re in the middle of Oscar season and everyone’s wondering what will be nominated for best film of 2014?

What better time, then, to take a look at a trailer for a film that might be promoted for best film of 2015?  The Walk is directed by Robert Zemeckis and it features Joseph Gordon-Levitt up way high in the sky.

I’m terrified of heights so I have to admit that this trailer totally freaks me out.  However, I’ll still probably see the movie because it’s Joseph Gordon-Levitt after all.

It’s scheduled to come out in October of 2015, shortly before the start of Oscar season.

Back to School #37: Back to the Future (dir by Robert Zemeckis)


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Well, this is certainly intimidating.

Earlier today, I was sitting at my day job and I happened to glance down at my to-do list to see what I was scheduled to review next in my Back To School series and there, listed at #37, was a somewhat popular film from 1985.  The name of the film was Back To The Future and…

Oh, you’ve heard of it?  And you already know what the movie’s about because literally everyone on the planet has either seen Back to The Future or knows someone who has seen Back To The Future and loves it so much that they can tell you every little detail about the adventures of Marty McFly, Doc Brown, and that time-traveling DeLorean?

Well, just be quiet and bear with me.  I always like to give a plot synposis in my reviews.  For one thing, it’s a good way to let you know who plays who in the film.

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So, Marty McFly (Michael J. Fox) is, despite his somewhat embarrassing last name, a perfectly normal American teenager.  He lives in a nice, small town.  He has a pretty girlfriend (Claudia Wells).  He likes to ride his skateboard.  He likes to play guitar (though he’s deemed to be “too loud” by at least one of his teachers).  The high school’s principal (James Tolkan) often gives him a hard time for being late but other than that, Marty seems to be a pretty regular guy…

Except his family has some major issues.  His mother Lorraine (Lea Thompson) is an alcoholic who won’t stop talking about how she first met her husband George (Crispin Glover) after her father hit him with his car. George, meanwhile, is a total wimp who is continually bullied by his boss, Biff (Thomas F. Wilson).  Marty’s older siblings (Marc McClure and Wendie Jo Sperber) are both living directionless lives and Marty has every reason to fear that he might end up following them.

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Fortunately, Marty has a best friend named Doc Brown (Christopher Lloyd) who has built a time machine inside of a luxury vehicle.  Late one night, Doc recruits Marty to help him test out the machine but what Doc didn’t mention is that in order to power his time machine, he had still plutonium from a group of terrorists.  Those terrorists show up and kill Doc.  Marty flees in the car and soon finds himself trapped in 1955.

Marty manages to track down the younger version of Doc Brown and the two of them start trying to work out how to get Marty back to the future.  (We have a title!)  Marty, of course, wants to warn Doc about what’s going to happen in 1985 but Doc insists that Marty tell him nothing about the future.  Doc also tells Marty that he has to be very careful, while in the past, not to change the future.

McFly!

Too late!  Marty has already met teenage Lorraine.  See, Marty happened to spot George up in a tree, peeping on Lorraine as she undressed.  (“He’s a pervert!” Marty exclaims.)  When George falls out of the tree and lands in the street, Marty pushes him out of the way of an approaching car.  Marty gets hit by the car, which is being driven by his own grandfather.  So now, Marty has essentially prevented his parents from meeting and, as a result, the McFly children are slowly fading from existence.

So, before Marty can go back to 1985, he has to get George and Lorraine back together.  The main problem, of course, is that Lorraine now has a crush on her own son…

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Wow, that’s a lot of plot there.  There’s a lot going on in Back to the Future and there are times when it almost feels like a dozen different films in one.  It’s a science fiction film, with Doc and Marty spending a lot of time trying to figure out how to make a time machine work with 1955 technology and weather.  It’s an action film, with Marty fleeing terrorists in 1985 and Biff in 1955.  It’s a romance, with the always endearingly weird Crispin Glover and Lea Thompson making for an odd but cute couple.  (Thought it’s wrong on so many levels, Thompson and Fox also have a lot of chemistry and are cute together, as long as you ignore the fact that they are playing mother and son!)  It’s a frequently hilarious comedy, with the entire cast giving heartfelt performances.  It’s an anthropological study, comparing the 50s and the 80s.  It’s a satirical look at how teenager’s tend to view their parents, with Marty discovering that everything that he’s assumed at his mom was basically incorrect.  And finally, it’s a surprisingly subversive film, with Marty and Lorraine’s 1955 relationship constantly running the risk of turning into an Oedipal nightmare.

And yet the entire film flows together so perfectly that you’re never aware of just how busy it all really is.  Between director Robert Zemeckis’s sure-handed direction, the clever script by Zemeckis and Bob Gale, and a uniformly excellent cast, Back to the Future is one of those films that verges on being flawless.

And, for that reason, it can be very intimidating to review.

I just don’t know how I’m going to do it…

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6 More Films From 2012: 4:44: Last Day On Earth, First Position, Flight, The Paperboy, Red Tails, and The Trouble With Bliss


Continuing my desperate attempt to review all of the 2012 films that I’ve seen but haven’t gotten around to reviewing yet, here’s six more reviews.

1) 4:44: Last Day On Earth (dir. by Abel Ferrara)

Whether it’s because of the Mayan calendar or the fact the Obama got reelected, people seem to be obsessed with the end of the world right now and it’s been the subject of several recent films.  4:44: Last Day On Earth is one of the more low-key entries in this genre.

Willem DaFoe plays a New York-based actor who deals with the impending end of the world by meditating in his loft, having sex with his much younger girlfriend, and having awkward conversations on Skype with his daughter.  As opposed to the characters in several other end of the world films, DaFoe doesn’t use the situation as an excuse to go on a quest for true love.  Unlike 2012, there’s no talk of escaping the apocalypse.  Instead, the world is ending and DaFoe has no choice but to accept it.  From a cinematic point of view, DaFoe’s passivity can be frustrating (4:44 is a film that’s willing to be boring to make its point) but, at the same time, it does force a viewer like me to wonder how she would handle the end of the world in a way that a film like Seeking A Friend For The End Of The World does not.

One interesting thing that distinguishes 4:44 from other end-of-the-world films is that, in 4:44, the world ends specifically because of the actions of mankind.  Whereas films like Melancholia and Seeking A Friend For The End Of The World presented a random apocalypse, 4:44 presents the apocalypse as the fitting punishment for the sins of humanity.  While I could have done without the scenes of DaFoe listening to Al Gore droning on and on about global warming (because, seriously, Gore always sounds like the creepy community college professor who you know is having an affair with one of his students), this still adds an interesting element to the film.

4:44 requires a bit of tolerance and a lot of patience but it’s still a film that’s worthy of being seen.

2) First Position (dir. by Bess Kargman)

First Position is a documentary about ballet so, of course, you know that I loved it.  The film follows six young dancers as they prepare for the Youth American Grand Prix in New York City and it brought back a lot of memories (both good and bad) for me.  First Position captures both the beauty and the pain of both dance and life.

3) Flight (dir. by Robert Zemeckis)

In Flight, Denzel Washington plays a cocky and talented pilot who is also an alcoholic and a drug addict.  In a truly harrowing sequence, the plane that Washington is piloting goes into a nosedive over Atlanta.  After Washington manages to crash-land the plane with only a few fatalities, he finds himself hailed as both a hero and also under investigation.  Working with a union rep (Bruce Greenwood) and a slick attorney (Don Cheadle), Washington tries to cover up his mistakes while, at the same time, romancing a recovering heroin addict (Kelly Reilly).

Flight has a brilliant opening and a strong ending.  Unfortunately, the middle of the film tends to drag.  Flight also suffers from the fact that cinematic addicts are always more fun to watch when they’re under the influence as opposed to when they’re getting sober.  On the plus side, the film itself is well-acted and the cast is always fun to watch even when the rest of the film is getting bogged down.  Washington is brilliant in the lead role and John Goodman has a great cameo as the world’s most helpful drug dealer.

4) The Paperboy (dir by Lee Daniels)

In 1960s Florida, Hillary Van Wetter (an amazingly sleazy John Cusack) is on death row for the murder of a small town sheriff.  His girlfriend, the flamboyant Charlotte Bess (Nicole Kidman), convinces reporter Ward Jansen (Matthew McConaughey) to return to his hometown and investigate the case against Van Wetter.  With the help of his younger brother (Zac Efron) and an arrogant colleague (David Oyelowo), Ward works to get Van Wetter off of death row but it becomes obvious that all of the film’s characters are hiding secrets of their own.

The Paperboy has a few isolated moments where it achieves a certain pulp poetry but, for the most part, Lee Daniels’ follow-up to his Academy Award-winning Precious is a total and complete mess.  Unfortunately, it’s not even all that interesting of a mess.  Nicole Kidman’s vampish performance and her white trash femme fatale outfits are definitely the film’s highlight.  As for Zac Efron, he’s not much of an actor but he’s pipin’, boilin’ hot.  It’s just  too bad the character that he’s playing isn’t that interesting.

In the end, The Paperboy showcases everything that didn’t work about Precious and nothing that did.

5) Red Tails (dir. by Anthony Hemingway)

Red Tails was one of the first “major” releases of 2012 and it’s also one of the most forgettable.  The film, which was executive produced and reportedly co-directed by George Lucas, is based on the story of the Tuskegee Airmen, a group of African-Americans who served in the U.S. Air Force during World War II and who had to not only fight Nazis abroad but racial discrimination at home.  There’s undoubtedly an inspiring story to be told here but Red Tails is such a predictable and corny film that it feels as if Lucas and Hemingway essentially wasted the real life story of the Tuskegee Airmen on a painfully generic movie.

6) The Trouble With Bliss (dir. by Michael Knowles)

Morris Bliss (played by Michael C. Hall) is the type of guy who always seems to show up in quirky independent films.  He has no job, he has no money, and he lives in a tiny apartment with his father (Peter Fonda).  Since there’s nothing more attractive than a middle-aged guy with no future, he finds himself being pursued by an 18 year-old (Brie Larson), who also happens to be the daughter of a former high school classmate, and his married neighbor (played by Lucy Liu).

I have a weakness for quirky indie films but the nonstop quirkiness of The Trouble of With Bliss feels less like narrative imagination and more like total desperation.  Michael C. Hall’s a likable actor but he essentially turns Morris Bliss into Dexter Morgan and, as a result, I kept expected for the trouble with Bliss to turn out to be that he had about a few dozen bodies hidden away in a closet somewhere.

Now that would have been a quirky film!