Horror On The Lens: The Twonky (dir by Arch Oboler)


In this 1953 satire, a philosophy professor named Kerry West (Hans Conried) buys a television.  (Remember, this was a time when televisions were still a relatively new phenomena.)  Imagine Kerry’s surprise when he discovers that his television can walk, talk, light his cigarettes, clean the house, and make money materialize out of nowhere!

Sounds great, right?

The only problem is that this TV is not only a bit possessive but it also uses its powers to brainwash people and rob them of their individuality!

Technically, The Twonky is more a comedy than a horror movie.  In fact, it’s really not scary at all.  But it is a lot of fun and it’s interesting to see how a filmmaker in the 50s dealt with television’s growing role in American society.

Enjoy!

Chilling Adventures of Sabrina 1.5 “Chapter Five: Dreams In A Witch House” (dir by Maggie Kelly)


They say you can tell a lot about someone by what they dream about.  I certainly believe that to be true.  (In fact, I’ve got an entire site dedicated to that very concept.)  That’s certainly the argument made in episode 5 of Chilling Adventures of Sabrina.

The plot, simply enough, is that Sabrina has unleashed a sleep demon named Batibat.  Years ago, Sabrina’s father trapped Batibat in a puzzle box.  Unfortunately, it was the same puzzle box that Sabrina had to solve to earn her right to take conjuring classes.  As soon as Batibat gets out, she announces that she has two goals: 1) revenge on the Spellmans and 2) screwing stuff up in the outside world.  Zelda casts a spell to trap Batibat inside the house.  The spell works but then Batibat casts a sleeping spell and soon, Sabrina, Ambrose, Hilda, and Zelda are all having nightmares designed to cause them so much pain and anguish that they’ll reveal how to break the spell.

Ambrose’s nightmare is simple but effective.  The nightmare deals with Ambrose’s inability to leave the house.  The dream starts with him performing an autopsy on a corpse who looks just like him.  Ambrose even eats the corpse’s heart, leading to Hilda asking him what it tastes like.  “Bitter,” is the reply.  The self-cannibalism is interrupted by Father Blackwood announcing that Ambrose’s sentence has been commuted and he can leave the house.  However, before Ambrose can walk through that front door, he’s stabbed by Batibat and finds himself in morgue, being cut open by himself.  Agck!

Hilda’s nightmare is finding herself sewn to her Zelda.  Meanwhile, Zelda, in his nightmare, jealousy kills Hilda and then can’t bring her back to life.  It’s an interesting dynamic.  Hilda’s greatest fear is never escaping from Zelda’s shadow.  (She’s also apparently worried that Principal Hawthorne will ask her out, just to reveal that he absorbed his twin brother in the womb.)  Zelda’s greatest fear is losing Hilda.

(It’s also interesting that Zelda’s dream opened with her mocking the biblical version of Adam and Eve’s expulsion from the Garden of Eden but then quickly turned into a retelling of the story of Cain and Abel.  Just as with Cain, Zelda’s anger was sparked by her God’s preference for her sibling’s offering.  After Zelda killed Hilda, she even asked, “Am I my sister’s keeper?”)

And then Sabrina — oh my God, poor Sabrina.  I felt bad for her because I’ve had nightmares like the one that she had.  After dreaming that her school has become a combination of Baxter High and the Academy of the Unseen Arts, she also dreams that Harvey has asked her to marry him.  Even though everyone tells Sabrina that witches and mortal can never marry, Sabrina is convinced that things will work out with Harvey.  (Though, interestingly enough, Nick Scratch shows up pretty prominently in her dream, as well.  Considering that she only met Nick three days ago, it’s telling that Sabrina is already dreaming about him as a possible rival for Harvey.)  Sabrina even tells Harvey that she’s a witch and Harvey says he doesn’t mind.  Sabrina’s father comes back to life to walk Sabrina down the aisle.  However, as soon as Sabrina and Harvey marry, Harvey’s family turns on her.  While the mortals in the church scream at her, Sabrina sees that her side of the family, the witches, are resentfully refusing to come to her aide, leaving her with no one.  Sabrina is dragged away from the altar and tossed in an iron maiden!

Fortunately, for Sabrina, Ms. Wardwell is wandering through everyone’s dreams and she gives Sabrina some advice on how to escape.  Even more fortunately, Sabrina has a familiar named Salem….

Look, I’m as disappointed as anyone by the fact that we don’t actually get to hear Salem speak in Chilling Adventures of Sabrina.  That said, this was a great Salem episode.  Salem not only bravely distracted Batibat but he also gave Sabrina good, if unheard (by us), advice.  I have to admit that, considering how dark this series tends to get, I was a bit worried when Batibat started chasing Salem through the house.  Well, fear not!  Salem lives!

In fact, everyone lives, Batibat is once again imprisoned, and Sabrina finally figures out that Ms. Wardwell is more than just a reclusive teacher.  At the end of the episode, Sabrina is at Wardwell’s house, demanding to know “who and what” she is.

This was the best episode that I’ve seen so far.  Not only does this episode do a great job of capturing the twisty logic of dreams but it also provides insight into whose these characters are.  Of course, we already knew that Sabrina is conflicted over being half-human and half-witch but now, we know that she’s worried that the other witches will abandon her and that Harvey wouldn’t be strong enough to stand up for her if her secret got out.  We knew that Hilda felt inferior to Zelda but now, we know just how desperate Hilda is to escape her sister’s shadow.  And, at the same time, we now understand why Zelda will never allow Hilda to escape.  Zelda needs Hilda even more than Hilda needs Zelda.  And finally, this episode was elevated by Batibat, a frightening creation if there ever was one.  Batibat not only gave people nightmares but she was a nightmare herself.

Next episode: Sabrina confronts Ms. Wardwell!

Music Video of the Day: Vampire by Mai Lin (2017, dir by PANAMÆRA)


With Halloween only three days away, how could I resist a song and video about vampires?

I like this video because it has an enjoyably decadent, Eurohorror feel to it.  This seems like one of those films that would be dismissed when first released, just to then be rediscovered by audiences 20 years later.

On a personal note, if I ever become a vampire, I will use this video as my guide for how to behave.

Enjoy!

Horror on TV: Kolchak: The Night Stalker 1.18 “The Knightly Murders” (dir by Vincent McEveety)


Tonight on Kolchak….

The armor of a 12-century knight is possessed and determined to keep anyone from harming the museum in which it is currently housed.  This includes anyone who might want to build a nightclub nearby.  With the armor trying to prevent Chicago from enjoying disco, it’s up to Carl Kolchak to report the story and solve the case!

I like this episode because it features a holy ax.

This episode originally aired on March 7th, 1975.

Enjoy!

Horror on the Lens: How To Make A Monster (dir by Herbert L. Strock)


You’ve seen I Was A Teenage Werewolf….

You’ve watched I Was A Teenage Frankenstein….

Now, it’s time to watch How To Make A Monster!

Released in 1958, How To Make A Monster is a clever little horror satire from American International Pictures in which the stars of Teenage Werewolf and Teenage Frankenstein are hypnotized into believing that they actually are the monsters that they played!  The main culprit is a movie makeup artist (Robert H. Harris) who has been deemed obsolete by the new bosses at AIP.

Be sure to watch for the finale, which features cameo appearances from several other AIP monsters!  And read my full review of the film by clicking here!

Music Video of the Day: Profondo Rosso by Goblin (1975, dir by ????)


If you’ve ever watched a Dario Argento film, you know how important music is to his art.

After collaborating with Ennio Morricone on his first three films, Argento used an Italian progressive rock band for his 1975 film, Deep Red.  Argento and Goblin turned out to be a perfect match and the band went on to compose and perform the scores of several other Argento films, most famously for Suspiria.

In this clip from 1975, Goblin performs the main theme for Deep Red on an Italian TV show.  (Sorry, I don’t know the name of the show.)

Enjoy!

Horror on TV: Kolchak: The Night Stalker 1.17 “Legacy of Terror” (dir by Don McDougall)


Tonight, on Kolchak….

All across Chicago, people are losing their hearts …. literally!  A string of murders are all connected by the fact that the heart has been cut out of the body.  Could it be the work of an Aztec death cult that’s being led by a centuries-old mummy!?

Carl Kolchak is going to find out!

The episode originally aired on February 14th, 1975.  Wow!  Happy Valentine’s Day!

Enjoy!

Chilling Adventures of Sabrina 1.4 “Chapter 4: Witch Academy” (dir by Rob Seidenglanz)


Witch Academy opens with Sabrina (Kiernan Shipka), Harvey (Ross Lynch), Roz (Jaz Sinclair), and Susie (Lachlan Watson) debating just what exactly The Fly was about.  Harvey just thinks it was just a film about a guy who turns into a fly.  Ros says that it’s about body dysmorphia.  Sabrina points out that Cronenberg said that the film was about STDs.

(Actually, they’re all wrong.  The Fly was actually a pilot for a Canadian TV series about a sarcastic fly and an earnest tabloid journalist who team up to help people, solve crimes, and battle climate change.)

It’s the weekend and that means that it’s time to debate horror movies and get ready for three days of terrifying drama in the lives of Sabrina Spelmman and her friends.  Ros is desperate to get out of having to do church stuff so she agrees to spend the weekend hanging out with Susie.  Harvey would love to spend all of his time with Sabrina but it turns out that Sabrina is going to be gone for the entire weekend.  She tells Harvey that she’s going to a farm expo with Hilda.  But we all know that she’s actually starting as a part-time student at The Academy of the Unseen Arts!

Unfortunately, the Academy turns out to be a fairly unfriendly environment.  Sabrina is not even allowed to bring Salem with her and she’s immediately bullied by Prudence Night (Tati Gabrielle) and two other witches.  Sabrina is put through the harrowing, which is a witch version of extreme hazing.  Sabrina even meets the ghosts of several children who, over the years, have died during the harrowing.  They want revenge but, in a rather sweet twist, they can’t pursue it unless someone gives them permission to do so.  Fortunately, despite having been excommunicated last episode, Zelda (Lucy Davis) still comes to the school and gives them permission to do what they want.

(At one point, Sabrina points out that the witches are treating a fellow witch as cruelly as the mortals once treated them.  Unfortunately, Prudence and her witches fail to appreciate Sabrina’s point.)

Perhaps even worse than the hazing is the fact that Sabrina isn’t being allowed to take any conjuring classes.  Father Blackwood (Richard Coyle) says that he needs to make sure that Sabrina is capable of handling conjuring but could it be that he secretly suspects that the only reason Sabrina agreed to attend the Academy was so she could learn how to defeat Satan.  Father Blackwood gives Sabrina a puzzle and says that, if she can solve it, she can take conjuring classes.  It turns out that the puzzle was made by her father and, with the help of a student named Nicholas Scratch (Gavin Leatherwood), Sabrina does solve it.  Of course, as soon as she does, a demon shows up and things end with Sabrina screaming in terror.  Nothing’s easy when you’re a witch.

While Sabrina was dealing with Witch Academy, her friends were dealing with Susie’s Uncle Jesse.  Apparently, Jesse used to work in the mines and he hasn’t been the same ever since he saw the same monster that Harvey saw when Harvey was a child.  In fact, Harvey’s attempts to tell Uncle Jesse about his experience led to Jesse going crazy and attacking him.

Meanwhile, Ambrose violated the terms of his sentencing by using astral projection so he could go on an extremely awkward date and Madam Satan (in the form of Ms. Wardwell) managed to get into the Spellman house.  It was a busy three days in Greendale!

This was a pretty good episode.  If I’m not as enthusiastic about Witch Academy and I was about The Trial of Sabrina Spellman, it’s just because the whole hazing subplot was a bit predictable.  That said, Kiernan Shipka continues to impress in every single scene in which she appears and Lucy Davis had some great moments in the episode as well.  After watching this episode, I’m a bit concerned that Sabrina and Harvey are heading for heartbreak because 1) the Witch Academy is a huge part of Sabrina’s life that she won’t be able to tell him about and 2) she’s going to have to keep coming up with excuses for why she can’t spend the weekend with him.  Add to that, she seems to have a lot more in common with Nicholas Scratch than with Harvey Kinkle.

But for now, Sabrina’s main concern has to be with the demon that’s just been conjured up in her bedroom.  We’ll see how she deals with that in episode 5!

Horror On The Lens: I Was A Teenage Frankenstein (dir by Herbert L. Strock)


From 1957, it’s I Was A Teenage Frankenstein!

This film was produced as a direct result of the box office success of I Was A Teenage Werewolf.  Just as in Teenage Werewolf, Whit Bissell plays a mad scientist who makes the mistake of trying to play God.  (He also makes the mistake of keeping an alligator in his lap but that’s another story.)  The end result …. Teenage Frankenstein!

The makeup on the Teenage Frankenstein is probably the best thing about this film.  If nothing else, this film features a monster who actually looks like he was stitched together in a lab.

Enjoy and please be sure to read my review of this film at Horror Critic!

 

Music Video of the Day: Unmade by Thom Yorke (2018, dir by Ruffmercy)


Today’s music video of the day is for another song from Thom Yorke’s soundtrack to the upcoming Suspiria remake or rehash or reboot or whatever it is.  I’m not really happy about the movie but I do like what I’ve heard of the soundtrack.

Enjoy!

Previous Suspiria Music Videos: