Tag Archives: review

Film Review: Mortal Kombat (dir by Simon McQuoid)

Posted on by Lisa Marie Bowman

About ten minutes into Mortal Kombat, there’s a title card that reads, “Earthrealm is on the verge of catastrophe….”

As soon as I saw it, I shouted, “Oh my God, this is one of those films!”

And indeed, it is. Mortal Kombat is one of those films that has a lot of mythology that doesn’t quite make sense but which the audience is expected to blindly accept because it’s Mortal Kombat. The main idea here is that, of the last few Mortal Kombat tournaments, Earthworld has lost nine of them and, if it loses for a tenth time, the rules state that Outworld will then be able to conquer Earthworld. What I want to know is who agreed to those stupid rules in the first place? Were they drunk at the time? Who decided on the ten-victory arrangement? Does it have to be ten victories in a row or do they just have to win ten times? If Earthworld wins the next tournmant, does everything reset or are we now in a position where we have to win every single tournament until the end of time? The film tells us that Raiden, the God of the Thunder, is the protector of Earthworld. Can we get a new protector because Raiden obviously sucks at his job.

Anyway, with an opening like that, you would think that Mortal Kombat would be all about the tournament but we don’t actually get the tournament in this film. We get a lot of combat (or should I say, “kombat”) because the champions of Outworld keep trying to kill the champions of Earthworld before the tournament. That sounds like cheating to me but whatever. All of the fighters have a special power, though some powers are more impressive than others. Kano (played by Josh Lawson) may be loud and obnoxious but he eventually learns how to shoot a laser beam out of his eye, which seems pretty nice until you consider that Liu Kang (Ludi Lin) can do all sorts of cool stuff with fire and Raiden can turn his hat into a freaking buzzsaw. Jax (Mehcad Brooks) loses his arms early on but then he gets some replacement arms that he can use to tear people in half. “These motherfuckers really work,” Jax says after savagely killing an opponent. Excuse me, Jax, but that was someone’s child.

The main character is Cole Young (Lewis Tan), who is a washed-up MMA fighter who gets a chance to save the world. Cole is a boring characters and his powers kind of suck too. After watching the film, I checked and I discovered that Cole is apparently not a character in any of the Mortal Kombat video games so I guess he was created to give the audience someone to relate to. But I would think that the audience would want to relate to someone who can actually do spectacular things as opposed to just standing around and whining about how his powers are inadequate.

The film’s big attraction is watching Sub-Zero battle Scorpion at the end. I’ve never even played Mortal Kombat and even I know who Sub-Zero and Scorpion are. That’s how much they’ve become a part of pop culture. Sub-Zero (who is played by Joe Taslim) is actually portrayed fairly well in the film. Taslim moves like a confident killer and, visually, the film comes up with some striking images of his ice-covered existence. If you’re only watching for the big Scorpion/Sub-Zero fight, be aware that it doesn’t happen until the very end of the film and it’s a bit anti-climatic. But Scorpion does say, “Get over here!” He says it in English despite all of his other dialogue being in Japanese and he shouts it at a character who is also never heard to speak English but whatever. It’s Mortal Kombat. They might be able to get away with not showing the tournament but there’s no way they could have gotten away with not using the line.

Mortal Kombat is pretty forgettable. It gets bogged down in story when its should just be concentrating on combat and the fights themselves are pretty rudimentary. There’s a lot of blood but not much imagination. I’m going to write a movie called Moral Kombat, which will just be three hours of Benedictines and Jesuits arguing with each other. I think it’ll be a hit.

Lisa’s Week In Television: 5/16/21 — 5/22/21

Posted on by Lisa Marie Bowman

It was a busy week and yet, I still found time to watch what was probably too much television. Here are my thoughts for this week:

Allo Allo (Sunday Night, PBS)

Trying to explain what happened on Sunday’s episode will not be easy but here goes. Having faked their deaths in the previous episode, the two British airmen were attempting to tunnel their way into a German POW camp. However, their tunnel ends up colliding with the tunnel of two other British airmen, who are attempting to dig their way out of the camp. In typical Allo Allo fashion, nearly every character on the show, whether British, German, or French, eventually ended up in the tunnel at the same time. When the tunnel collapses, everyone finds themselves in the POW camp. It was odd but funny, an enjoyably chaotic parody of movies like The Great Escape.

American Idol (Sunday Night, ABC)

I watched this week’s Final Four episode on the DVR and I have to admit that I fast forwarded through most of it. I just wanted to see who would make it into the top 3. Chayce, Willie, and Grace made it to the finale. Casey Bishop was eliminated. Because of the show’s weirdly rushed format, Casey didn’t get to say anything or even sing a goodbye song after being told that she had been rejected by America. Instead, the credits quickly flashed across the screen. It just didn’t feel right.

Of the final three …. well, I have no idea. In the past, it seems like Chayce would have won easily because of the whole country music thing but who knows? The judges seemed to really want the voters to pick Willie. Then again, the judges really just seemed to be going through the motions this season. There’s a real fear of being too negative. It’s not like the way it used to be when Simon hated everything and the other judges always seemed to be coming down from a coke binge.

Anyway, the finale is next week. I’m going to go ahead and predict that Chayce will win. I don’t know if I’m going to watch the finale or not. It’ll probably depend on what else is on at the time. (I refuse to set the DVR for the finale of a show that I know I’m going to forget about in two weeks.) It’s been a while since winning American Idol was really a big deal, to be honest. Maybe it would help if the show’s producers weren’t so determined to force everyone to sing sappy ballads.

Baywatch (Weekday Evenings, H&I)

The week in Baywatch got off to an extremely strange start on Sunday. The first episode featured Neely and Caroline competing for a modeling gig while Cody, Mitch, and Logan descended into the sewers to search for a mutant alligator. Neely got the gig and Mitch got the alligator. One thing that I did like about this episode is that the alligator was taken alive and donated to a zoo. The second episode featured a mysterious man trying to kill Logan, which led to Caroline wondering what it would be like if Charlie’s Angels were called in to save Logan’s life. Next thing you know, Caroline, Stephanie, and CJ were wearing wigs and bell bottoms and trying to solve the mystery of who was trying to kill Logan. Eventually, it was all revealed to be a dream. This was one of those meta episodes that Baywatch occasionally tried to do. Unfortunately, the show often struggled whenever it tried to be deliberately funny.

Monday was even stranger as the first episode opened with a bunch of lifeguard dragging a lifeless Hulk Hogan out of the ocean. Fortunately, they were able to bring Hogan back to life and, in order to thank them, Hogan and a bunch of wrestlers fought each other for charity. While that was going on, Stephanie was waiting to discover whether or not she had skin cancer. So, on the one hand, you had a very serious storyline about cancer and, on the other hand, you had a bunch of pro wrestlers yelling at each other on the beach. Fortunately, while Stephanie’s ultimate fate was left up in the air, the wrestlers raised enough money. Monday’s second episode featured Mitch sky-diving and this, of course, led to a lot of flashbacks to previous episodes, with some of the clips featured a totally different actor playing Mitch’s son because Baywatch was just like that. There were also some really weird green screen shots of David Hasselhoff with a bunch of fake clouds behind him. It also led to a lot of Hasselhoff voice over acting: “But if I’m unconscious, how can I know what’s happening? Am I dead?” (I may be remembering incorrectly but I thought this show already did a Mitch nearly dies while skydiving episode.) Fortunately, it turned out that Mitch’s death, much like the Charlie’s Angels episode, was just a dream.

On Tuesday, the first episode opened with Mitch trying to adopt a little girl who had never been on the show before. Eventually, I figured out that the episode was continuing a storyline that started on Baywatch Nights. In the end, Mitch did not go through the with the adoption and the little girl was sent to live with her grandparents in Iowa or Kansas or wherever it is that saintly grandparents tend to live. The second episode featured Mitch and Caroline trying to reunite a Vietnamese immigrant with her father. While they did that, CJ and Cody designed a special wheelchair so that a disabled friend would be able to roll across the sandy beach and experience the ocean firsthand. This led to a lot of shots of a sweaty, shirtless, and sexy David Chokachi handling a welding torch. Yum!

On Wednesday, the 1995 Baywatch “film,” Forbidden Paradise, was aired as a two-part episode. I reviewed it here.

Thursday started off with an odd episode, in which Stephanie discovered that she was cancer-free but, at the exact same moment she was getting her good news, a professional surfer was drowning and Logan was cheating on Caroline. It was a strangely philosophical episode but it did feature a surprisingly exciting rescue sequence. I think what made it work is that Michael Newman, who was an actual lifeguard, was the one doing the rescuing and you could tell that he actually knew what he was doing. The second episode featured Cody searching for Spanish gold and Newman, Logan, and Neely searching for a rat that was living in Baywatch headquarters.

Friday’s first episode started off with a new opening credits sequence that featured not only a bunch of new lifeguards but also the promotion of real-life lifeguard Michael Newman to the main cast. Yay, Newmie! The episode that followed featured Logan trying to make a movie about a killer shark and basically endangering everyone by filming with a real shark! At the end of the episode, Logan left Baywatch to become a director. Considering the number of people that Logan almost got killed during his time on the beach, I imagine the lifeguard were happy to see him go. The second episode found Mitch judging a beauty contest and having to deal with a new boss, Samantha Thomas (Nancy Valen).

Saturday’s episode featured an eccentric old man leaving CJ 4 millions dollars in his will and Hobie debating whether or not to get a tattoo. I have to admit that I didn’t pay much attention to it as I was preparing to host Saturday’s #ScarySocial live tweet.

The Brady Bunch (Sunday Morning, MTV)

I had this show playing in the background while I was cleaning around the house. I needed background noise to help me focus but I also needed something that I knew I would be in no danger of getting emotionally invested in. The adventures of America’s most annoying family fit the bill!

City Confidential (Thursday Night, Crime and Investigation)

The episode that I watched on Thursday night was about Boston and it told the story of a white man who claimed that two black carjackers had murdered his wife but who, it quickly became apparent, had actually committed the murder himself. With the city on the verge of a riot, he jumped off a bridge. It was a disturbing story and a far too common one.

Court Cam (Wednesday, A&E)

A&E’s stupidest reality show (and that’s saying something!) basically runs nonstop on Wednesdays. I watched two episodes on Wednesday afternoon and it was the typical collection of jocular judges, rude defendants, and teary-eyed victim statements, all breathlessly narrated by Dan Abrams. This show is basically like the 2021 version of those old “Totally Shocking Video” shows.

Fear Thy Neighbor (Saturday Afternoon, ID)

Fear Thy Neighbor is a true crime show that tells stories about neighbors who end up killing each other. On the one hand, it’s just as exploitive as it sounds. On the other hand, it does make you appreciate the neighbors who don’t try to kill each other. Whenever my neighbor gets on my nerves, I remind myself that at least he’s not one of the Fear Thy Neighbor neighbors.

Friends (Weeknights, Channel 33)

I watched Monday night’s episode. Monica was annoyed by Chandler’s fake laugh. Ross slept with the very annoying Janice. Chandler’s boss was played by the always-funny Sam McMurray. It was an okay episode, though I doubt it’s one they’ll discuss during the HBOMax reunion.

Gangs of London (Sunday nights, AMC)

I got caught up on Gangs of London this week, watching the three latest episodes (or, at least, the three latest episodes to be broadcast in the United States). I still struggle to follow the show and to keep track of who is working with who. That’s probably more due to me not watching on a regular basis than anything else. After watching the last three episodes, I’ve decided that Gangs of London works best as a parody of ultra-violent gangster epics. It’s all so over the top that it’s hard to believe that it was ever meant to be taken all that seriously.

One thing I did learn from watching the show is that Denmark apparently has a fearsome army. Who would have guessed?

Hill Street Blues (Weekday Mornings, H&I)

On Tuesday, the first episode of Hill Street Blues dealt with the aftermath of the murder of Officer Joe Coffey. Played by Ed Marinaro, Coffey had been a part of the show’s cast of characters since the first season and was at the center of many storylines. As such, you would think that the death of his character would be a big deal. Unfortunately, since Coffey had the misfortune of dying during the show’s sixth season, his death was mostly just an excuse for Lt. Norman Buntz to beat up a suspect and try to manipulate Coffey’s long-time partner into making an identification that she wasn’t sure about. The second of Tuesday’s episode featured more Norman Buntz drama as he found himself potentially being framed for the murder of another cop. Lindsay Crouse also joined the cast as a new police officer named Kate McBride who, in her first episode, got more screen time than people who had been there since the show began.

Wednesday’s first episode continued the trend of shining the spotlight on new characters as opposed to the old ones. Norman Buntz continued to threaten everyone he met. Kate McBride was accused of sexually harassing a prostitute and, though it turned out that the prostitute was lying, McBride did tell her partner, Lucy, that she was a lesbian. (The scene was so awkwardly handled that I was surprised McBride’s announcement wasn’t followed by a dramatic music cue.) Meanwhile, another new cop (played by a very young Chris Noth) tried to talk a man out of jumping off the ledge of a building. “Go ahead and jump but I don’t think you want to,” Noth said, right before the man jumped to his death. Whoops! The second episode of the morning found Detective Mick Belker reuniting with a former informant, Eddie, who died of AIDS at the end of the hour. The Belker/Eddie storyline was actually pretty effective and very well-acted by Bruce Weitz and Charles Levin. Unfortunately, it had to compete with space for scenes of Norman Buntz once again beating up suspects and Captain Furillo trying to decide whether or not to run for mayor. (The chief of police running for mayor makes sense and happens fairly frequently. But the captain of the city’s most notorious and troubled police precinct? It seems a bit less likely.)

The first of Thursday’s episodes featured Paul McCrane, who was suitable creepy as a serial killer who was captured by a group of angry citizens. This was also the last episode of season 6, as became obvious when the morning’s second episode featured completely different opening credits. (Jeff has warned me that Season 7 was even more Buntz-centric than Season 6. They probably should have renamed the show Hill Street Buntz.) The second episode featured an airplane crashing into the city, a briefcase full of cocaine getting stolen, and Buntz being held hostage. Buntz, it would seem, got held hostage quite frequently.

On Friday, the first episode featured Lt. Howard Hunter shooting a thief with a non-Department issued gun and being investigated by Internal Affairs as a result. As well, the public defenders office went on a work slow down to try to get better terms in a contract negotiation with the city. This led to Joyce Davenport getting into a physical altercation with a judge played by Jeffrey Tambor. It was actually a good episode, featuring a wonderful performance from James B. Sikking in the role of Hunter. The second episode, however, was a bit of a mess with the public defenders now on strike, Lucy introducing two new cops to life on the Hill, and Lt. Henry Goldblume abruptly going from being a bleeding heart liberal to being the type of cop who smirks while drawing a gun on a drug dealer. (The episode suggested that this was due to Buntz’s influence but Norman Buntz is exactly the type of cop that Goldblume hated just a few episodes ago. The real culprit was inconsistent writing.)

Finally, on Saturday, the first episode was another mixed bag. On the one hand, the episode featured a compelling storyline in which Capt. Furillio discovered that his recently-promoted, former second-in-command, Capt. Calletano, was struggling with running his new precinct. There was also a rather sweet moment where Assistant D.A. Irwin Bernstein admitted that he had a crush on Public Defender Joyce Davenport. However, there was also an incredibly icky storyline in which a new character, Officer Tina Russo, confessed that she had slept with a criminal (played by a youngish Chazz Palmenteri) while working undercover. And, of course, there was yet another largely pointless Norman Buntz storyline. The second episode was a mess. An old friend of Henry Goldblume’s got killed. (Doesn’t this happen every other episode?) Buntz glowered at everyone. Russo tried to defend her reputation even while the camera leered at her.

All in all, this show still has its moment but I’m glad that I’m nearly done with it.

Intervention (Mondays, A&E)

The first episode that I watched on Monday was a really old one, one that seems to get repeated rather frequently. Leslie is a soccer mom-turned-alcoholic whose children beg her to get help. As someone who grew up with an alcoholic parent, I have to admit that, whenever I see this episode, I have absolutely zero sympathy for Leslie. The episode aired in 2007 so her children are all adults now and I can only hope that they’ve managed to deal with the trauma that she put them through. Leslie did agree to go to rehab, though the show’s epilogue states that she relapsed a few times after getting treatment.

Leslie’s episode was followed by the story of Jason and Joy. Jason was a cocaine addict. His younger sister, Joy, was an alcoholic. As usual, I had more sympathy for the cocaine addict than I did for the alcoholic, which I guess suggests that I’m just biased against drunks. Fortunately, according to the episode’s epilogue, both Jason and Joy are now sober.

The third episode deal with hairstylist-turned-drug-addict Casey. To be honest, I cringed a bit when I saw that Ken Seeley was going to run her intervention because his interventions always seem to end in disaster. But, Casey actually agreed to get help for her addiction so yay! But the she left treatment early so boo! But then apparently, she got clean on her own so yay! As you can tell, the final three title cards were a real roller coater ride.

Later that night, I watched the two latest episodes of Intervention. Tim was a former MMA fighter turned addict. Shandra was an aspiring nurse turned addict. Both of them went to treatment, though Tim got kicked out after getting into a physical altercation with another patient. Let’s hope the best for them.

The Jetsons (Sunday Morning, MeTV)

I had this old cartoon playing in the background while I was cleaning the house on Sunday. George Jetson really was a whiny prick, wasn’t he?

Lauren Lake’s Paternity Court (Weekdays, Channel 33)

I watched two episodes on Tuesday because I’m a terrible person. Both episodes featured fairly trashy people so it was hard for me to really care about whether or not they stayed together.

Nobody drags out the relatively simple process of reading the results of a DNA test like Judge Lake.

Judge Lake: “Tell me about when you first got married….”

Actually, Judge Lake, why don’t you just open up the damn envelope and read the piece of paper inside?

Moone Boy (Sunday Night, PBS)

Sunday’s episode of Moone Boy centered around the Irish presidential election. It was nice to see that insane elections aren’t limited to the United States. At the end of the episode, Ireland elected it’s first woman president and Liam Moone helped to bathe the local fish monger. It’s a complicated story but the important thing is that everything worked out for the best.

The Office (All the Time, Comedy Central)

Product recall! Seriously, one of my favorite episodes ever. Michael calling that press conference is a classic Office moment. Angela’s inability to apologize is another great moment. I knew exactly what she was going through. I watched this episode of Thursday. It’s probably the 100th time I’ve seen this episode but I still laughed the whole time. It’s a classic.

On Friday, I watched three classic two-parters — Dunder Mifflin Infinity, Launch Party (“Lanch Party!?”), and Money. The scenes of Jim and Pam spending the weekend at Shrute Farms are some of my favorites from the entire series. (“Does Mose often have nightmares?” “Oh yes. Ever since …. the storm.”)

Open All Hours (Sunday Night, PBS)

On Sunday night’s episode, Arkwright was concerned that an old school chum named Chalky White was going to steal away Nurse Gladys Emmanuel. Arkwright’s worries turned out to be unfounded. He should have been more concerned about the fact that Granville is obviously only a few more insults away from snapping and blowing up the store.

Philly D.A. (Tuesday Night, PBS)

On Tuesday, I watched two episodes of the PBS docuseries, Philly D.A. This is a series that follows Philadelphia D.A. Larry Krasner over the course of his first term. The blandly smug Krasner is a progressive who is determined to reform the culture of Philadelphia law enforcement. The series follows not only him but also his critics and the prisoners he’s released and the families who have been effected by the crime of those prisoners. Like Parking Wars, this is a series whose main message seems to be, “For the Love of God, stay out of Philadelphia.”

And really, it should be interesting but the series is so extremely one-sided that it comes across as being propaganda. It’s so obvious that the series is on Krasner’s side that you never feel like you can trust it to give you the whole story and I say this as someone who strong believes that the criminal justice system does need to be reformed. I guess I shouldn’t be surprised, seeing as how this is a PBS production. Let’s just say that you’ll never see a similarly uncritical docuseries following the first term of a politician on the opposite side of the political divide.

(Interestingly enough, while I was watching this on Tuesday, Kraser was easily defeating a credible challenger in the city’s Democratic primary.)

Sabrina, The Teenage Witch (Sunday, Fuse)

Sabrina! Listen, I know that a lot of people enjoyed that Netflix series more than Case and I did but for me, the only true Sabrina is Melissa Joan Hart and the only true Salem is the one who could actually talk. I watched four episodes of Sabrina, The Teenage Witch on Sunday and they were all fun and, as opposed to the Netflix series, brightly lit.

Saved By The Bell (IFC, Monday Morning)

On Monday, I caught the infamous “All in the Mall” episode of Saved By The Bell. This is the episode in which the gang goes to the mall to buy tickets for the big U2 (?) concert but, because they’re stupid enough to trust Screech to be able to buy the tickets, everything gets screwed up. However, they do find a bag full of money. Unfortunately, two criminals want the money too! Or do they? It turns out that it’s all a set up for Totally Candid Video! The gang’s reward for appearing on the show? Tickets to the big U2 concert! Personally, I would have rather had the money.

Seinfeld (Channel 33, Weeknights)

On Monday’s episode, Elaine tried to put a clothing store out of business, Newman and Kramer competed to throw the bet millennium party (this episode was from the 90s, remember), and Jerry’s girlfriend of the week was played by Lauren Graham. It was a funny episode.

Upstart Crow (Sunday Night, PBS)

Alas poor William Shakespeare. All Shakespeare wants is a family coat of arms so that he and his father can be “posh” but the man who is in charge of handing out such honors is Robert Greene, who has always disliked the Shakespeares. Perhaps if Shakespeare can throw a successful dinner party for Kit Marlowe’s new best friend, a Moorish prince named Othello, he’ll be able to convince Greene that he deserves to be a gentleman. However, when Greene discovers that Othello has fallen in love with Kate, Greene plots to trick Othello into murdering (or, at the very least, attacking) Shakespeare. It’s all rather complicated (and, as usual, rather funny). Hopefully, someone will write a play about it.

Favorite moment from Sunday’s episode: Greene tricks Othello into thinking that Shakespeare has the handkerchief that Othello originally gave to Kate. Othello starts to lose his temper.

Greene: “Ah, the green-eyed monster….”

Othello: “Perhaps you’re right. Don’t want to jump to any conclusions.”

In the end, it’s revealed that Othello stole all of his amazing stories from Sir Walter Raleigh’s latest book and Kate breaks up with him. All’s well that ends well.

Yes, Minister (Sunday Night, PBS)

Even by the standards of Yes, Minster, Sunday’s episode was a dark and cynical one. Don’t get me wrong. It was funny but the laughter was somewhat uneasy. Jim Hacker discovered two things over the course of the episode. Number one, British-made weapons were being sold to Italian terrorists. Number two, there was nothing he could do about it. As Sir Humphrey explained it, telling the Prime Minister would lead to an inquiry and an inquiry would lead to the discovery of all sorts of government scandals and the end result would be the government falling, Jim losing his position, and the terrorists still receiving their weapons. In the end, even Jim decided that his career was more important than doing the right thing. At least in Jim’s case, he didn’t seem to be happy about it.

Halfway through this melancholy episode, Bernard asked Sir Humphrey if Jim was right about the civil service being amoral. Humphrey explained that, of course, Jim was right. The role of the civil service, Humphrey explained, was not to worry about right or wrong. The role of the civil service was to support whichever government happened to be in power. Having personal beliefs went against that. As I said, it was all pretty cynical but it was also definitely more believable than any of the good government propaganda that we tend to get here in the United States. Aaron Sorkin wishes he could have written something as effective as Sunday’s episode of Yes, Minister.

Zombie House Flipping (Saturday Morning, A&E)

No zombies. Not since The Floor is Lava have a I felt so deceived.

Lifetime Film Review: Desperate Widows (dir by Lane Shefter Bishop)

Posted on by Lisa Marie Bowman

Some people are cult people and some people aren’t.

Me, I’ve never been a cult person. Some of that’s because, as a result of my ADD, I get bored way too easily to spend hours listening to some deranged cult leader give a speech. Some of that is because I’m naturally suspicious of people who try too hard to convince me that they’re always happy and excited and enthusiastic, which is something that I’ve noticed people in cults seem to do. I’m a big believer in doing what you want. I’m also a big believer in the idea that I already know all the answers to life’s big questions so I’m really not vulnerable to people who claim otherwise. That’s one of the many advantages of believing in yourself.

Another reason why I could never join a cult is because I hate the idea of living on a commune. The whole idea of being forced to create a community with a bunch of strangers just creeps me out. Add to that, I’m not a fan of living in impersonal dorms and I don’t really like doing farmwork and I’m not into sing-alongs around the campfire. I certainly don’t like camping and or living in buildings that don’t have any running water. Commune living is just not for me and fortunately, that will always make me immune to being brainwashed into joining a cult.

In the Lifetime film Desperate Widows, Dianne (Allison McAtee) insists that she doesn’t run a commune. Sure, it may look like a commune and it may have a lot of commune-style rules and everyone acts like they’re living on a commune but Dianne insists that she actually runs a …. wait for it …. a mommune! It’s a retreat for moms and their daughters, one that is especially popular with moms who have just lost a husband. It can do wonderful things for people, just as long as everyone’s willing to follow the rules. For one thing, the moms and daughters are separated and sent to live in separate dorms. For another thing, everyone has to do manual labor for most of the day and anyone who fails to take it seriously will run the risk of being put in isolation.

BUT IT’S TOTALLY NOT A COMMUNE!

As soon as recently widowed Paige (Justine Eyre) and her teenage daughter, Allie (Olivia Stuck) arrive at the comm …. sorry, excuse me …. mommune, they suspect that there’s something not quite right about the place. Allie figures it out pretty quickly. It takes Paige a day or two longer, despite the fact that Paige is a best-selling writer of thrillers and you would figure that she would know better than to trust a bunch of secretive people living out in the middle of nowhere. Soon, both Paige and Allie want to leave but it turns out that leaving is not going to be easy. This mommune is full of all sorts of sordid secrets that dangerous people do not want revealed to the rest of the world.

This Lifetime film required a healthy suspension of disbelief. The same can be said about most Lifetime films but this one required even more than usual. That said, if you can accept that Paige would ever have been stupid enough to go to the mommune in the first place, Desperate Widows is entertaining. I liked Allison McAtee’s performance as the sinister Dianne and Justine Eyre and Olivia Stuck were believable as mother and daughter. What I really appreciated is that it didn’t take long for Paige to be like, “This place is messed up,” and to realize that she needed to find her daughter and escape.

Most importantly, Desperate Widows served as a warning against commune living. That’s a message that everyone can get behind.

Lifetime Film Review: Dangerous Medicine (dir by Jeff Hare)

Posted on by Lisa Marie Bowman

There’s a scene in Dangerous Medicine in which Daphne (Leeann Van Mol), the physical therapist who has abandonment issues, is seen looking up something online. The camera swings around so that we can see exactly what she’s looked up.

“HOW TO AMPUTATE AN ARM” the website reads. Underneath the big bold headline, there are drawings of an arm, highlighting the exact places where one should start chopping.

Having looked at the website and (we hope) studied it carefully, she then proceeds to get a hacksaw before heading into the bedroom, where her latest patient is tied to the bed.

That’s the moment that I shouted, “Oh my God, this is one of the greatest Lifetime films ever!”

And seriously, it is. This is why people like me watch Lifetime films. We watch them for scenes like this. We watch them for wonderfully self-aware moments like this, where an unstable but determined character quickly reads up on how to do something insanely complicated and then proceeds to try to do it in what will undoubtedly be the messiest way possible. Leave it to other networks to worry about the exact logic of amputation and hacksaws and removing limbs without anesthetic. Lifetime knows that we’re not watching for reality. We’re watching for gloriously over the top mayhem like this.

Dangerous Medicine delivers everything you could want from a Lifetime film. Tony (Chris Cimperman) is a high school track star who loses the use of his legs in a car crash. His mother, Ellen (Meredith Thomas), and his girlfriend, Jasmine (Choe Stafford), are determined to support him as he struggles to learn how to walk again. At first, Daphne seems like the perfect therapist but it turns out that she does have some issues. For instance, the first time that we see Daphne, a man is trying to kill her and, for a good deal of the film, that man keeps popping up and staring at Daphne as she goes about her day. There’s also the fact that Daphne sometimes seems to be determined to keep Tony away from both his mother and his girlfriend. Soon, both Ellen and Jasmine are suspicious of Daphne but Tony swears that she’s the best therapist ever. Are Ellen and Jasmine just being paranoid or has Daphne managed to brainwash her patient?

Well, you probably already know that answer to that. Actually, if you read the first four paragraphs of this review, you you already know the answer. The whole thing about looking up how to amputate an arm probably gave it away. But that’s okay. Part of the appeal of Lifetime films is that you know that the sexy stranger is always going to turn out to be dangerous, just as you know that the mother is always going to be right and usually, the loyal and bookish girlfriend is going to know what she’s talking about as well. From the start, you know that Daphne’s going to end up snapping. The entertainment comes from trying to predict what will be the exact moment that will push her over the edge and how many people she’ll end up killing as a result.

Dangerous Medicine, like all good Lifetime films, is a tremendous amount of fun. Leeann Van Mol especially deserves credit for going over the edge with style and keeping a straight face even when she’s carrying around a hacksaw. Dangerous Medicine is everything that we love about Lifetime.

What Lisa Watched Tonight #215: Baywatch The Movie: Forbidden Paradise (dir by Douglas Schwartz)

Posted on by Lisa Marie Bowman

Earlier tonight, I watched the 1995 film Baywatch The Movie: Forbidden Paradise.

Why Was I Watching It?

The H&I network has been airing Baywatch every weekday at 5 and 6. I’ve been watching because the pure, unapologetic silliness of the show is a good way to unwind from whatever stress or annoyance I may have had to deal with during the day. Today, they aired Forbidden Paradise, which was originally released theatrically in Europe and straight-to-video in the United States. (To quote John Redcorn, “We are already straight-to-video. There is nowhere else left to go.”) A few months after its theatrical release, Forbidden Paradise was broadcast as a two-part episode of Baywatch, even though it featured characters who had since left the show. I imagine that was a bit confusing for some viewers.

(Or maybe it wasn’t. I doubt the majority Baywatch’s audience was particularly concerned with continuity.)

What Was It About?

The Baywatch team goes to Hawaii! Well, not all of them. Actually, it’s just Mitch (David Hasselhoff), CJ (Pamela Anderson), Stephanie (Alexandra Paul), Caroline (Yasmine Bleeth), Logan (Jaason Simmons), and Matt (David Charvet). They’re supposed to be taking part in a lifeguard exchange program but, as usual, it turns out that Stephanie is the only one who actually gives a damn about doing her job.

Instead, CJ considered whether or not she wants to model for a dorky photographer. Logan becomes obsessed with winning a surfing competition while Caroline obsesses on why Logan is always obsessing on stuff. Mitch and Matt end up getting lost in the jungle and briefly taken prisoner by a bunch of native villagers. It all leads to a chase through the jungle and an engagement on the beach. Stephanie helps that Hawaiian lifeguards save someone from drowning. At least Stephanie takes her job seriously.

What Worked?

Baywatch The Movie: Forbidden Paradise was actually filmed on location in Hawaii so the scenery was gorgeous. It was also apparently shot in approximately the same location as Lost so, whenever I got bored with the plot, I could think about Sawyer and the Others. This was especially true while David Hasselhoff and David Charvet were being chased through the jungle by all of the angry villagers. I felt like the Smoke Monster was going to pop out at any moment.

As with anything involving Baywatch, it could be argued that the whole film was so ludicrous that it worked as a self-parody. I’m certainly tempted to make that argument but I’m not really sure if any of the self-parody was intentional. That’s the great mystery when it comes to Baywatch.

What Did Not Work?

If you consider this movie to be a self-aware parody, than it all worked.

If you consider it to be an actual movie, with a plot and characters that you’re supposed to care about and interesting dialogue, than none of it worked. I mean, it’s Baywatch. It’s the adult version of Saved By The Bell. It’s entertainingly shallow but it’s never exactly good.

Probably the film’s biggest flaw is that the pacing is totally off. It seems to take forever for the film’s plot to actually get started and then, once it does, it keeps going off on these strange detours. For some reason, a lot of screen time is devoted to a model named Holly (Hedi Mark) and a remarkably unlucky photographer named Carlton Edwards (Ricky Dean Logan).

Myself, I was disappointed that David Chokachi (who played Cody, the lifeguard best-known for wearing a speedo in the opening credits) wasn’t even in the film.

“Oh my God! Just like me!” Moments

I’ve been to Hawaii! Seriously, I had a great time and I look forward to returning soon.

Lessons Learned

I refuse to learn anything from Baywatch.

Cleaning Out The DVR: Class Action (dir by Michael Apted)

Posted on by Lisa Marie Bowman

Sometimes, it takes a really good actor to give a really bad performance.

That’s what I found myself considering tonight as I watched the 1991 film, Class Action. I recorded this film off of Starz a few months ago, mostly due to the fact that I usually enjoy legal dramas. Class Action is about a father and a daughter, both of whom are attorneys, who find themselves facing each other in court. Gene Hackman plays Jedediah Ward Tucker while Mary Elizabeth Mastrantonio played Maggie, his daughter.

From the very first scenes, Jed Tucker is portrayed as being a firebrand, a crusader who stands up for the little guy against big corporate interests. (“Jed Ward is a great man!” one his clients exclaims while the other lawyers nod along in agreement.) Tucker is flamboyant, loud, perpetually outraged, in love with attention, and determined to make the world a better place. This is the type of role that would probably encourage any actor to overact just a bit. However, when you cast someone like Gene Hackman in the role, the performance becomes a masterclass in overacting. Gene Hackman was never a particularly subtle actor to begin with and casting him as Jed Tucker guarantees about two hours of Hackman bellowing, smirking, occasionally flirting, and basically coming across less like Gene Hackman and more like someone doing a particularly antic impersonation of Gene Hackman. Hackman goes so over overboard in the role that it becomes rather fascinating to watch. You watch and you ask yourself, “How much louder can he get? He much more obviously can he telegraph his intentions? Just how Gene Hackmanish is Gene Hackman going to get in this film?” Don’t get me wrong, Gene Hackman was a great actor. (He famously retired in 2004, after the indignity of appearing in Welcome to Mooseport.) One need only watch Bonnie and Clyde, The French Connection, Unforgiven, and The Royal Tennenbaums to see that Gene Hackman was a great actor. But sometimes, it takes a great actor to give a memorably bad performance.

Gene Hackman’s performance, as overbaked as it may be, is actually the only interesting thing about Class Action. It’s a well-made but ultimately rather silly mix legal maneuvering and family drama. Jed was a terrible father so Maggie becomes a corporate attorney in order to spite him. Class Action so embraces the idea that all professional women are motivated by daddy issues that even Aaron Sorkin would probably look at it and say, “Whoa, that’s really demeaning.” At one point, Maggie says to her father, “Have you ever considered that I might be a good attorney?,” just to have her father smirk and say that’s only because he’s her father. Jed’s response is to be expected, as he’s kind of an arrogant windbag. The problem is that the movie itself doesn’t seem to be willing to consider that Maggie could be a good attorney.

The other problem, of course, is that Class Action makes its good guys and its bad guys so painfully obvious that it’s hard to take any of the conflicts seriously. Of course, the big corporate law firm is going to be evil and of course, Jed Ward’s associates are going to be saints even if Jed isn’t. Laurence Fishburne plays Jed’s protégée and he gets stuck with all of the worst lines. Far more entertaining is future U.S. Senator and presidential contender Fred Dalton Thompson, playing a doctor who explains why it actually costs less for a car company to settle a lawsuit than to fix a design flaw.

Class Action is a forgettable film, not so much terrible as just bland. That said, if you want to hear some vintage Gene Hackman-style yelling, this might be the film for you.

Film Review: The Plumber (dir by Peter Weir)

Posted on by Lisa Marie Bowman

Peter Weir’s 1979 film, The Plumber, is essentially a battle of wills between two very different characters.

Jill Cowper (Judy Morris) is a masters student in anthropology. She’s educated, articulate, liberal-minded, and upper middle class. She’s married to Dr. Brian Cowper (Robert Coleby), a highly respected academic who is on the verge of being offered a position with the World Health Organization.

Max (Ivar Kants) is the plumber at the Cowpers’s building. We don’t find out much about his background, though it’s hinted that he’s had some previous trouble with the law. Max is friendly and talkative and, as soon becomes clear, amazingly determined. When he shows up at the Cowpers’s apartment, he tells Judy that he’s simply doing a check on all the building’s bathrooms. When Judy lets him in to do his inspection, Max announces that he needs to fix something with the plumbing. It should only take a day or two.

Except, of course, it takes more than a day or two. Max continually shows up at the apartment, usually waiting until Brian has left for the day. His comments to Jill become more and more intrusive and, whenever Jill takes offense, Max says that she’s misinterpreting him and that he’s just trying to be friendly. When Jill tells Brian that she thinks Max is intentionally destroying the plumbing so that he’ll have an excuse to be in the apartment, Brian refuses to believe her. When Jill tells her best friend, Meg (Candy Raymond), about what’s going on, Meg says that Max seems handsome and harmless.

Meanwhile, Max continues to work in the apartment’s bathroom, eventually turning it into a maze of pipes that seems to be constructed specifically to trap anyone unfortunate enough to enter the room….

The Plumber was originally made for Australian television. Though it was given a limited theatrical release in the United States (largely due to the arthouse success of Peter Weir’s previous films, The Last Wave and Picnic at Hanging Rock), The Plumber feels very much like a made-for-TV movie or perhaps an extended episode of an anthology series. It has a brisk 76-minute running time and visually, it features none of the striking imagery that one typically associates with Weir’s cinematic work. There’s no beautiful or majestic shots of the outback (like in Picnic at Hanging Rock) or the ocean (like in Master and Commander: Far Side of the World). Instead, the film takes place in the type of ugly and soulless cityscape that Harrison Ford was escaping from in Witness.

That said, The Plumber is still a memorable piece of work, one that feels perhaps more relevant today than when it was first released. Anyone who has ever dreaded having to take their car in for repairs or having to call someone out to fix an appliance will be able to relate to what Judy goes through with Max. The film is a reminder that, as much as we tell ourselves otherwise, we really are at the mercy of strangers. Judy may be better educated than Max and she may have more money than Max but what she doesn’t have, at least until the end of the film, is Max’s animal cunning. Max knows exactly what to say to get inside of the apartment and, once he’s inside, he knows exactly what to do to make it impossible for Judy to keep him from returning.

As upsetting as Max’s actions are, what’s even more upsetting is how everyone refuses to believe Judy when she tries to tell them what’s going on. Judy is told she is overreacting. Judy is told that she just doesn’t understand how these things work. Max gets offended that Judy doesn’t appreciate all of the hard work that he’s doing for her, despite the fact that she never asked him to do any of it. He does everything short of telling her that she needs to smile more. He’s the ultimate toxic presence, invading Judy’s life and refusing to leave. Everyone has had to deal with a Max but, for women, he’s an especially familiar and loathsome figure. The film may have clearly been made for Australian television but its themes are universal.

Because almost all of the action takes place in one small apartment, The Plumber is undeniably stagey. (It’s easy to imagine it as being a two-act play.) However, it’s also very well-acted and occasionally even darkly humorous. (As loathsome as Max is, it’s hard not to laugh a little when you see the maze of pipes he’s constructed in the bathroom.) It occasionally shows up on TCM so keep an eye out.

Music Video of the Day: Not The End of the World by Katy Perry (2020, dir by Similar But Different)

Posted on by Lisa Marie Bowman

I used to really like Katy Petty and then I ended up getting annoyed with her because Firework was so extremely overplayed and the whole “feud” with Taylor Swift just made me roll my eyes at both of them. However, I’ve recently come back to liking Katy Perry and appreciating her style of music. While everyone else was getting self-important and embracing the gloom, Katy was discovering how to live again, as you can hear with this song and see in this video. Ultimately, this song is right. It’s not the end of the world and some people out there kind of need to accept that.

Enjoy!

Lisa’s Week In Television: 5/9/21 — 5/15/21

Posted on by Lisa Marie Bowman

As you can tell by looking below, I didn’t really watch a lot of television this week. That’s because I was busy watching movies and cleaning the house and organizing my books and my DVDs and my Blu-rays and then working on compiling my lists of all the movies that I’ve watched since 2007, which is a project that’s going to take at least a few months to complete. (Letterboxd is seriously addictive.) So, I watched far less television than usual and I guess that’s a good thing. I have to admit that I really didn’t miss it. To be honest, there was actually something liberating about not caring about it. That said, I’ll probably watch way too much TV next week. That’s just the way these things seem to go.

I also didn’t take a lot of notes about what I did watch. Unfortunately, I just didn’t have time to do so this week. So, my thoughts below are largely based on memory and, as you’ll see, some shows were more memorable than others.

Allo Allo (Sunday Night, PBS)

“Listen carefully, I shall say this only once.”

The British airmen are still stuck in occupied France, the Germans are still trying to find the painting, and Rene is still just trying to find some time to focus on cheating on his wife. For reasons that are way too complicated to explain, the airmen had to fake their deaths this week. Apparently, people faking their deaths is something that happened pretty regularly on this show.

Anyway, this show continues to amuse me with its combination of humor both clever and low. For whatever reason, British sitcoms have always done better at portraying the humor of chaos than American sitcoms.

American Idol (Sunday Night, CBS)

Admittedly, it’s been like three years since I regularly watched this show so you’re going to have to excuse me for being annoyed about stuff that everyone else is probably already used to. Such as, it’s weird to me that there’s only one episode a week and that all of the voting is apparently done and over with in two hours. It definitely moves things along at a quicker pace than back in the old days but it still seems like whoever sings last is going to get screwed just by the fact that their supporters are going to have less time to vote. Of course, I’m foolishly assuming that people are actually casting their votes based on the night’s songs as opposed to who they’ve wanted to win since the show began.

I watched on Sunday. I felt bad for Arthur Gunn, who I felt should not have been eliminated. Later in the week, one of the people who did make it to the top 5 dropped out of the competition because of video that surface of him wearing a sheet when he was 13 years old. It was felt that he looked like he was pretending to be a member of the KKK, though his mother says that he was just pretending to be one of the killers from The Strangers: Prey By Night. So, I guess we’re down to the Top 4 now and American Idol will be ending a week early? Or will one of the previous eliminated singers get a second chance? I guess we’ll find out tomorrow!

I miss Vote for the Worst. They always provided such clarity in confusing times.

Baywatch (Weekday Evenings, H&I)

This week on reruns of Baywatch, the fifth season ended and the sixth season begun. David Charvet left the show and was replaced by David Chokachi, playing a swimmer-turned-lifeguard named Cody who my sister and I nicknamed “The Bulge” as soon as we saw him in the revised opening credits. Gena Lee Nolin also joined the cast, playing a bad girl lifeguard named Neely.

Though the cast may have changed, it’s still the same old Baywatch. The main theme of this show seems to be that no one should go to the beach because the beach is a seriously dangerous place. Every episode also features at least one drowning victim spitting up water after being revived by a lifeguard.

Season 6 did start with Mitch telling Stephanie that he was thinking of becoming a private investigator. Hello Baywatch Nights! Here’s hoping that H&I airs that show at some point in the future as well.

Hill Street Blues (Weekday Mornings, H&I)

As I mentioned last week, Jeff warned me that there was a massive drop-off in quality at the start of the 6th season of Hill Street Blues and my God, was he ever right. None of the episodes that I watched this week — all of which were from the sixth season — were particularly memorable. Some of them were actually rather regrettable. For some reason, it appears that, during season 6, the writers decided to abandon all of the established characters and instead devote their time to detailing the violent and sleazy adventures of Lt. Norman Buntz (played by Dennis Franz). Buntz is the type of fascistic cop who, in previous seasons, would have been portrayed as being a menace or an aberration. As such, it’s strange to see him now portrayed as being the center of the show. I’ve already spent a few months watching over a hundred episodes of this show and I’d like to see it all the way through to the end but I have to admit that the Norman Buntz Show doesn’t hold much appeal for me.

Intervention (Mondays, A&E)

On Monday afternoon, I watched two episodes of this A&E mainstay. In both cases, the interventions worked. One thing I noticed is that no one bothered to dress up for any of the interventions. One guy didn’t even bother to take off his backwards baseball cap. I’m just going to say right now that if anyone ever does any sort of intervention for me, they better make some sort of effort to look good. Don’t come to my intervention looking like it’s laundry day or something.

The Last Drive-In (Friday Nights, Shudder)

I caught the second half of this week’s Last Drive-In. (During the first half, I was hanging out with the #FridayNightFlix crew and watching Joe Don Baker in Mitchell.) The movie was an entertainingly gruesome film from 1981 called Dead & Buried. As always, Joe Bob Briggs was the perfect host.

Moone Boy (Sunday Night, PBS)

The Old Guys wrapped up last week so, in its place, PBS is now airing this sweet and funny Irish sitcom, which aired from 2012 to 2015. Chris O’Dowd plays Sean, who is the imaginary friend of 12 year-old Martin Moone, an imaginative boy whose drawings often come to life (or, at least, they do in his mind). In the first episode, Martin’s bike was stolen by two bullies and Martin’s father ended up bonding with the father of the two miscreants. It was a funny episode, well-acted by O’Dowd and, in the role of Martin, David Rawle.

Open All Hours (Sunday Night, PBS)

This week, both Granville and Arkwright were miserable and lonely but, again, they avoided killing each other. Granville, however, did appear to give it some serious thought. In the end, he just left a small explosive device in the store. “Where does that boy go at night?” Arkwright wondered before nearly blowing his hand off.

The Rookies (Sunday Mornings, H&I)

Another Sunday, another two episodes of this old 70s cop show. I’m not sure why I’m still watching these episodes, beyond the fact that I’ve gotten into the habit. The opening credits are stylish and it’s always interesting to see how people dressed in 1973 but, for the most part, this is not a particularly interesting show.

The first episode featured Michael Ontkean having to prove that yet another shooting was justified. This is the third episode in which Ontkean’s character has had to justify shooting someone. Considering that he hasn’t even been a cop for more than a year (hence the title of the show), that’s somewhat disturbing. The second episode was something about the rookies trying to get the community to accept the presence of a camp for troubled and disturbed teenagers. It all worked out in the end. Ontkean didn’t have to shoot anyone for once.

Upstart Crow (Sunday Night, PBS)

Will got his theater but it nearly cost him a pound of flesh. Kate finally got a chance to act but failed to convince everyone that she was actually a man when she made the mistake of getting a vegetarian lunch. It all led to a courtroom drama and, fortunately, things worked out for the best. Will even got a new play out of all the drama. Upstart Crow continues to be a truly delightful discovery. (I should perhaps clarify that it’s a discovery for me. The show itself first aired in 2016 and had a dedicated fan base long before I came across it on PBS.)

Yes, Minister (Monday Morning, PBS)

On this week’s episode, Jim was placed in charge of transportation policy and quickly discovered that, as Sir Humphrey has often pointed out, it’s never good to be put in charge of anything. This seemed like a funny episode, if just because it was hard not to compare Jim’s distaste for transportation policy to the dorky (and kind of weird) enthusiasm that some people here in America currently have for debating infrastructure policy. Unfortunately, because the episode got off to a late start, my DVR did not record the last five minutes or so. I was not happy about that. Hopefully, Jim managed to push all of the transportation duties off on to someone else.

Music Video of the Day: I Want You Back by *NSYNC (1996, dir by Jeff Clark)

Posted on by Lisa Marie Bowman

The year was 1996 and Justin, JC, Chris, Lance, and Joey were so depressed over losing “you” that they had to go into outer space and start dancing. Listen, we’ve all been there. Thank you, *NSYNC, for not holding back.

This music video of the day is dedicated to anyone who has ever unfollowed me on social media.

Enjoy!