Tag Archives: Retro Television Reviews

Late Night Retro Television Review: Pacific Blue 3.6 “Sandman”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicyclists continue to get in everyone’s way.

Episode 3.6 “Sandman”

(Dir by Terrence H. Winkless, originally aired on Sept. 21st, 1997)

A hitman named Robert “Sandman” Enright (John Michael Bolger) has been released from prison.  Because Enright was previously arrested by TC, TC decides to start harassing him as soon as he gets out of jail.  For a bunch of dorks on bikes, the Pacific Blue folks sure do enjoy abusing their power.

Anyway, Sandman is out for revenge against the three men who framed him.  And, since TC is tailing him everywhere, Sandman is able to manipulate TC into basically becoming his bodyguard.  The main theme of this episode is that TC is an idiot.

Speaking of idiots, Cory’s boyfriend, FBI Agent Tim Stone (David Lee Smith), confessed that he was thinking of getting back together with his ex.  With Chris’s support, Cory fought for her man.  Myself, I just struggled with the fact that Stone, TC, Palermo — and their actors, Smith, Jim Davidson, and Rick Rossovich — all basically looked like the same guy at different stages of his life.

Finally, Palermo, TC, and Victor played volleyball!  That was at the end of the episode and it went on for a while.  The whole scene felt like the show’s way of saying, “Hey, remember when Rick Rossovich was in Top Gun?  That was cool.”

As usual, this episode featured a lot of tough talk and intense looks, all of which were negated by the presence of grown-ups on bicycles.  Even when TC was spying on the Sandman, he did while sitting on his bicycle.  It just looked dumb.

Retro Television Review: Fantasy Island 7.18 “Mermaid and the Matchmaker/The Obsolete Man”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  The show is once again on Tubi!

This week, an acquaintance returns to the Island.

Episode 7.18 “Mermaid and the Matchmaker/The Obsolete Man”

(Dir by Philip Leacock, originally aired on March 24th, 1984)

Nyah (Michelle Phillips) is back!

Okay, maybe you don’t remember Nyah.  This  is Nyah’s first appearance since the fourth season.  In between the last time that Michelle Phillips played Nyah and her resurfacing in this episode, Phillips played five other characters on Fantasy Island.

So, to refresh your memory, Nyah is a mermaid.  During seasons three and four, she tried to tempt men to their death in the ocean and she was presented as being a friendly enemy of Mr. Roarke’s.  In this episode, however, Nyah is a bit nicer.  She’s not malicious as much as she’s just immature.  Roarke, for his part, treats her like a wayward teenager.  Nyah has a fantasy, of course.  She’s tired of being immortal and she wants Roarke to make her a mortal.  Roarke says that he can’t do that.  “You’re the only man who understands immortality!” Nyah says.

Nyah wants to die but instead, Roarke plays matchmaker and arranges for her to meet Duke McCall (Dennis Cole), a sailor who believes in mermaids.  He doesn’t have any issue with Nyah being a mermaid but Nyah, having fallen in love with him, fears that Duke will drown if he tries to pursue her.  Fortunately, for everyone involved, Duke turns into a merman.  Don’t ask me how these things work.  I’m just glad that Roarke didn’t have to kill anyone.

Meanwhile, banker Mitchell Robinson (Bert Convy) fears that he’s going to be replaced by a computer.  Charlene Hunt (Gloria Loring) claims that her computer is just as good at checking loan applications as any human.  She stages a competition between the computer and Mitchell.  Mitchell tries to explain to the computer that it’s important to judge people not just on their credit rating but also their body language.  This somehow causes the computer to explode and Mitchell keeps his job.

“Yay!” viewers in 1984 cheered, “computers will never replace us!”  HA!  Joke’s on you, Mitchell Robinson!

Seriously, you don’t have to tell me about the dangers of a fully automated world.  A.I. is fun for making silly images but it’s going to ultimately lead to a lot of people believing a lot of false things.  But Mitchell was so smug about beating the computer that I’m kind of glad that he still probably lost his job a few years later.  You can’t stop the march of technology, Mitchell!

As for this trip to the Island, the computer storyline didn’t really go anywhere but I did enjoy Michelle Phillip’s return as Nyah.  She and Ricardo Montalban had an enjoyable chemistry and it was fun to watch them bicker.  This week’s episode was uneven but, thanks to Michelle Phillips, it was still more enjoyable the most of what we’ve seen for the seventh season.

Late Night Retro Television Review: CHiPs 4.21 “A Special Operation”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, the fourth season comes to an end.

Episode 4.21 “A Special Operation”

(Dir by Leslie H. Martinson., originally aired on May 17th, 1981)

Season 4 comes to an odd end with A Special Operation.

Getraer is injured when he crashes his motorcycle.  He takes a piece of metal to the face and he nearly loses his eyesight.  Luckily, the abrasive but brilliant Dr. Patterson (James Sloyan) is able to save both Getraer’s eye and his ability to see with it.  However, the idealistic young Dr. Rhodes (A Martinez) worries that Patterson may have missed something.  Can Patterson set aside his ego long enough to listen to his younger colleague?

Hey, wait a minute, isn’t this CHiPs?

I don’t have any way to prove this but there’s a part of me that strongly suspects the season finale of CHiPs was also a backdoor pilot for a medical show.  So much time is spent with Patterson, Rhodes, and the nurses at the local hospital that it just feels like there was some hope that viewers would call in and demand to see more of Dr. Rhodes.  A Martinez even gives a very Erik Estrada-style performance in the role of Rhodes.

Speaking of Estrada, he’s barely in this episode.  (Ponch, we’re told, is preparing for to testify in a big court case.)  It largely falls to Jon Baker to stop the assassin (Eugene Butler) who has been hired to try to take Getraer out of commission.  This, of course, leads to the assassin stealing an ambulance and Baker chasing him.  The ambulance flips over in slow motion but somehow, the assassin survives to that Baker can arrest him.

It was a strange end for a season that’s largely been dominated by Erik Estrada and his performance as Ponch.  (Larry Wilcox, I will say, looked happy to have the finale to himself.)  For the most part, Season 4 was an uneven season.  The writing so favored Estrada over Wilcox that the show sometimes felt like it was turning into a parody of itself.  The show that started out about two partners on motorcycles became a show about how Ponch could literally walk on water and do no wrong.

Next week, we start season 5!

Retro Television Review: Miami Vice 5.6 “Line of Fire”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett and Tubbs are assigned to protect a witness.

Episode 5.6 “Line Of Fire”

(Dir by Richard Compton, originally aired on December 16th, 1988)

Carlos Cantero (Aharon Ipalé) is on trial for murdering Ian Sims, one of Crockett’s confidential informants.  Crockett is the number one witness against him, which is a problem because Crockett just spent the last few months under the impression that he was Sonny Burnett, one of Miami’s biggest drug dealers.  Cantero’s defense attorney dismantles Crockett’s testimony by pointing out that Crockett had a “psychotic breakdown.”

(And you know what?  The attorney is actually very correct about that.  Crockett acts shocked when his mental health history is brought up but why wouldn’t it be?)

Luckily, there is an eyewitness to the murder of Ian Sims.  The FBI asks Crockett and Tubbs to keep an eye on Keith (Justin Lazard), a heavy metal fan who is willing to testify against Cantero.

I have to admit that I nearly gave up on this episode because my first impression of Keith was that he was the most annoying character to ever appear on a television show.  However, I’m glad that I didn’t because this episode actually introduced a very clever twist.  Keith is not actually Keith.  Instead, he’s DEA agent Joey Hardin, who has been assigned to pretend to be Keith to keep Cantero from going after the real Keith.  It turns out that FBI Agent Bates (Kevyn Major Howard, the “Do you believe in Jesus?” guy from Death Wish II) is crooked and he’s giving information to Cantero.

Unfortunately, Crockett doesn’t find out the truth until Joey has already been shot multiple times by Bates.  (Tubbs and Crockett proceed to gun down Bates.)  Joey nearly dies while the prosecutor chortles about how all of this is actually going to help him get a conviction.  It turns out that the prosecutor doesn’t know what he’s talking about.  The real Keith is now too terrified to testify against Cantero, leading to Cantero going free.  Joey does recover from being shot but, at the end of this episode, it’s hard not to feel that it was all for nothing.

This is one cynical episode!  But that’s okay.  Miami Vice was always at its best when it was being cynical and this episode is a throwback to old school Vice, back when the emphasis was on how no one could trust anyone and the government was often its own worst enemy.  Miami Vice was definitely a left-wing show but occasionally, it did reveal a libertarian streak.  That was certainly the case with this episode, in which the war on drugs is portrayed as being unwinnable because the government is naturally incompetent.  Young idealists like Joey Hardin are sent off to battle and are ultimately abandoned once they’re no longer needed.

This was a good episode.  I’m still having a hard time buying that Crockett could just go back to being a cop after being Miami’s top drug lord but whatever.  It’s the final season.  I’ll suspend my disbelief a little.

Lisa’s Retro Television Reviews Will Return On November 17th

Posted on by Lisa Marie Bowman

I will be taking a small break from my Retro Television Reviews so that I can celebrate my birthday this weekend and enjoy a little mini-vacation.  This feature will return on Monday, November 17th, with reviews of Miami Vice and CHiPs!

Late Night Retro Television Review: Highway to Heaven 4.21 “A Dolphin Song For Lee: Part One”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark finally gets the stuff.

Episode 4.21 “A Dolphin Song For Lee: Part One”

(Dir by Michael Landon, March 9th, 1988)

After he complains for the hundredth time about not having “the stuff,” Mark finally gets the boss’s attention in this episode.  Suddenly, Mark is the one who doesn’t need to eat, who knows where to go for the assignment, and who instinctively realizes that the young woman they’ve been assigned to help — Lee (Bess Meyer) — desperately needs a bone marrow transplant.  Meanwhile, Jonathan becomes human yet again.

That’s not a bad idea for a story, though it’s hard not to notice that this is the second time that Jonathan’s gone from being an angel to being mortal during season four.  One would think that either Jonathan or Mark would have noted this fact but neither one does.  Maintaining continuity has not been season four’s strong point.

As for the story itself, it’s pretty simple but then again, it’s only Part 1 of a two-parter.  Lee refuses to get the bone marrow transplant because she fears her parents won’t be able to afford it.  Using “the stuff,” Mark essentially commands a local news producer to do a story on Lee and her need for a transplant.  In a scene that feels like a fantasy today, we see people apparently all across the country watching the news story on Lee.  One guy in a bar yells at everyone to be quiet so he can hear the story.  It feels incredibly dated and almost too earnest for its own good, if just because it’s hard to imagine people actually sitting around the TV and watching a network newscast nowadays.  (It’s also hard not to wonder if Mark essentially zapping the producer and taking over his mind is a good example of what the Boss wants done with the stuff.  That’s not something that Jonathan has ever done, even though it would have made things a lot simpler.)

People across the country donate money so that Lee can get her operation.  Lee’s cancer goes into remission but the “To Be Continued” announcement at the end of the episode feels a bit ominous.  If Lee’s going to be okay, why does the story need to be coninuted?

We’ll find out next week!

Late Night Retro Television Review: 1st & Ten 2.4 “Quarterbacks Tell No Tales”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, a player’s reputation is on the line.  Can he clear his name, even though all the evidence is stacked up against him?

Episode 2.4 “Quarterbacks Tell No Tales”

(Dir by Bruce Seth Green, originally aired on September 15th, 1986)

T.D. Parker (played by O.J. Simpson) is pissed off!  The normally affable former player is angry that someone is dealing cocaine to the Bulls.  The press and the commissioner both assume that the dealer is rookie quartebrack Tim Yinessa.  (That guy that Yinessa caught searching his room last week?  He was a reporter.)  T.D. isn’t so sure.  He thinks that start quarterback Johnny Valentine (Sam Jones) is responsible for the team’s cocaine problem.  T.D. eventually confronts Johnny and tells him to stop with the drugs.

“25% of this league retires injured,” Johnny says, “You’re proof of that.”

T.D. gets so angry that he proceeds to stab Johnny to death punch Johnny in the chest.  “Welcome to the 25%,” he says.

No, T.D.  Johnny said “retired” players.  Johnny’s not retiring yet.  Anyway, Johnny was so coked up that he probably didn’t even feel the punch.

As for Yinessa, he nearly gets kicked off the team when the real dealer plants some cocaine in his locker.  Luckily, his roommate — Jamie Waldren (Jeff Kaake) — steps forward and confesses that he was the owner of the cocaine that the reporter found in the room.  Diana orders Jamie to go to rehab.  “Sure, I guess,” Jamie replies.

While that’s going on, Dr. Death and Mad Dog Smears continued to harass the rookies by ordering one of them to fake a suicide attempt as a part of a practical joke.  At the bar where they hang out, they also sang a song against urine testing.  I’m not really sure why anyone would want to hang out at the bar, as it seems like the whole place only exists so that Dr. Death and Mad Dog can put on painfully unfunny stage shows.  Dr. Death and Mad Dog also told Yinessa that they would kill him if he agreed to random urine testing in order to prove his innocence.  Personally, I think Dr. Death and Mad Dog should focus on their jobs.  Maybe if they did a better job protecting the other players, T.D. wouldn’t have had to retire.  I mean, you can tell it’s really cutting T.D. apart that he can’t play anymore.

So, Jamie is off to rehap, Yinessa is still on the team, and T.D. didn’t have to kill anyone.  All in all, it was a productive week.  To be honest, it’s difficult to judge this show based on traditional standards of good and bad.  Technically, every episode is bad.  This week, however, was slightly less bad than usual.

Retro Television Review: The Love Boat 6.25 “The Dog Show: Putting on the Dog/Going to the Dogs/Women’s Best Friend/Whose Dog Is It Anyway?”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come abroad, we’re expecting you….

Uhmm, maybe not this week, Love Boat.

Episode 6.25 “The Dog Show: Putting on the Dog/Going to the Dogs/Women’s Best Friend/Whose Dog Is It Anyway?”

(Dir by Bob Sweeney, originally aired on March 26th, 1983)

This week’s episode stressed me out.

The cruise line is co-sponsoring a dog show that is going to be held in Mexico.  The dog that wins will not only receive $10,000 but will also become the new “face” of Honeycutt Dogfood.  All the contestants bring their dogs onboard the ship and take the cruise to Mexico.

Seriously, imagine the scene.  Hundreds of dogs on cruise ship, floating in the pool and running through the passageways — YIKES!  I will admit that the majority of the dogs were cute.  There was a white Samoyed dog named Tundra who was just adorable and who could do all sorts of tricks.  But still, I spent the whole episode wondering what would happen if a dog accidentally jumped (or fell — oh my God!) overboard.  What if one of the dogs had fleas and now, everyone on the boat had them too?  Who was cleaning up after the dogs?  And what about a passenger — like me, for instance — who wasn’t really a dog person and who bought a ticket without the knowledge that the ship itself would be home to hundreds of canines?

The storylines also made me anxious, just because none of them made much sense.  (It was obvious that the main concern for this episode was getting as much cute dog footage as possible.)  So, we had Isaac and Gopher buying Tundra from $8 but not realizing that she was a brilliant dog who could do hundreds of tricks.  Isaac and Gopher sold the dog to the Captain and Vicki, just to then realize that Tundra was a sure winner in the dog show.  Isaac and Gopher tried to convince the Captain to sell the dog back but it turned out the Captain already knew Tundra was a winner.  Of course, as employees of the cruise line, neither Gopher nor Isaac nor Vicky should have been allowed to enter a dog in the show in the first place.

And then we had Isaac’s aunt Tanya (Isabel Sanford) running around with a Chihuahua while her husband (Mel Stewart) got jealous.  And we had Pamela (Catherine Bach) realizing that Gary (Dirk Benedict) was the new owner of a dog that she had lost two years before.  And then there was boozy Mrs. Honeycutt (Jo Anne Worley) boarding the ship and searching for her husband, not realizing that he wouldn’t be arriving until the ship reached Mexico.  For his part, Mr. Honeycutt (Gordon Jump) spent most of this episode in Las Vegas with his secretary.

Finally, Harold Pack (Ray Buktencia), who worked in Honeycutt’s mailroom, boarded the boat with some forms from Mr. Honeycutt and was immediately mistaken for his boss.  Pretending to be Mr. Honeycutt, Harold romanced a dog owner named Wendy (Heather Thomas).  Imagine Wendy’s surprise when she learned Mrs. Honeycutt was on the boat and looking for her husband….

Oh God, I’m getting stressed just writing about all this.

Things worked out in the end.  Mr. Honeycutt, having returned from Vegas, announced that there was a tie and all the dogs were winners!  Harold protected Honeycutt’s secret and got promoted to Vice President.  Pamela and Gary decided to own the dog together.  Vicki got Tundra!  Yay!  I was happy about that.  Tundra was adorable!

This episode was exhausting.  Too many dogs, too many half-baked stories, too much overacting on the part of Isabel Sanford, it was just too much.

Late Night Retro Television Review: Pacific Blue 3.5 “Excessive Force”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Earlier tonight, I was thinking I might get to bed early as a way to battle my depression over the election in New York City.  Then I suddenly remembered that I still had to review this stupid show.

Episode 3.5 “Excessive Force”

(Dir by Michael Levine, originally aired on September 7th, 1997)

A bank is robbed in Santa Monica so Chris and Victor ride their little bicycles really fast to the scene of the crime.  Victor gets shot in the behind and he spends the rest of the episode with everyone laughing about the fact that it’s excruciatingly painful for him to sit down.  (Wow, what a great group of people.)  Chris shoots one of the robbers in the neck so he swears revenge on her.

Meanwhile, Palermo’s ex-wife is married to an abusive police detective.  She briefly moves back in with Palermo, they end up going at it on the couch, and their daughter gets upset.

As is almost always the case with this show, it’s hard to get involved in the human drama because all of the humans are pretty dull.  Chris ends up staying at TC’s apartment for her own safety and there’s a lot of “will-they-or-won’t-they” tension but it doesn’t add up to anything because TC is boring and Chris is equally boring so who cares?  Meanwhile, Lt. Palermo just comes across as being the volleyball coach from Hell.

Oddly, this episode had a really impressive guest cast.  Dey Young played Palermo’s ex-wife.  Cliff de Young played her new husband.  John Hawkes — as in future Oscar nominee John Hawkes — played the brother of the guy who wanted to kill Chris.  Even Dorian Gregory, from the weird second season of Baywatch Nights, showed up as an FBI agent.  The guest stars were the lucky ones.  None of them had to pretend to be excited about riding a bicycle.

What a silly show.

Retro Television Review: Fantasy Island 7.17 “Awakening of Love/The Imposter”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  The show is once again on Tubi!

It’s time for a trip to 1984.

Episode 7.17 “Awakening of Love/The Imposter”

(Dir by Bob Sweeney, originally aired on March 17th, 1984)

Wendy Collins (Robin Mattson) is a beautiful model who cannot overcome her trust issues.  She fears that she might be frigid and she even resists Roarke’s attempts to make her fantasy of finding true love come true by setting her up with photographer (Rod McCrary).  Wendy finally reveals the truth to Roarke.  She grew up in a troubled home and, as a result, she has a hard time trusting people.  She’s only had one lover and the lover was….

“An older man?” Roarke asks.

“A woman,” Wendy reveals.

The camera zooms in on Roarke looking shocked.

Welcome to 1984!  Now, today, it’s pretty obvious what would happen.  Wendy would fall in love with the photographer’s assistant, Carla (Renee Lippin), and she would realize that there was nothing wrong with that.  But this episode aired in 1984, which means that Wendy has to find the courage to tell the photographer that her previous lover was a woman and that the photographer will then have to be willing to say that it doesn’t matter.  Basically, Wendy’s fantasy is to be reassured that she’s straight despite having had one same-sex relationship.

Yes, well, hmmm …. hey, what’s going on in the other fantasy?

Arthur Crane (John Davidson) has a compulsive disorder that leads to him assuming other people’s identities.  That’s quite a serious problem and Fantasy Island plays it for laughs.  Roarke tells Lawrence to follow Arthur around the Island and to keep Arthur from taking on anyone else’s identity.  Lawrence is terrible at his job.  (Tattoo could have done it!)  Arthur pretends to be a movie producer.  Arthur pretends to be Mr.  Roarke.  (Okay, that did make me laugh.)  Arthur pretends to be a doctor so Mr. Roarke zaps Arthur into an alternate universe where he is a doctor and he’s going to have to perform surgery on someone who has had a cerebral hemorrhage.  Arthur points out that he doesn’t really have any medical skills or training..  Then he looks at the comatose patient and discovers that it’s ….. HIMSELF!

This storyline had potential but it was done in by some seriously bad acting and the fact that the fantasy was comedic so the viewer knows from the start that Arthur is not going to accidentally kill himself on the operating table.

This was a rather dated trip to the Island.  The main theme seemed to be that Lawrence was thoroughly incompetent.