Julie’s Tycoon”

Posted on July 16, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

Come aboard, we’re expecting you….

Episodes 6.7 and 6.8 “The Spoonmaker Diamond/Papa Doc/The Role Model/Julie’s Tycoon”

(Dir by Robert Scheerer, originally aired on November 13th, 1982)

The Love Boat is going to Greece and Turkey!

Well, actually, it’s the Love Boat crew that is going to Greece and Turkey. They’ve been asked to temporarily take over another ship and, of course, Captain Stubing said yes. This is one of those two-hour Love Boat episodes where the action was actually shot on location and on a real cruise ship. As such, it’s more of a travelogue that anything. We get to see the sights of both Greece and Turkey and no one makes any jokes about Midnight Express.

The majority of the storylines revolve around the Spoonmaker Diamond, a very valuable diamond that has been stolen by someone on the ship. Was the diamond stolen by Emmett and Ellen Stokes (Harvey Korman and Nancy Dussault)? Was the diamond stolen by Mark Hayward (Mike Connors)? That’s what Inspector Sadu (Jamie Farr) is trying to figure out! Of course, regardless of who stole it, it ultimately ends up in the unknowing possession of travel agent Dana Pierce (Polly Bergen). Will Mark steal the diamond or will he fall in love with Dana? Why can’t he do both? This was an odd story because you had the goofiness of Harvey Korman and Jamie Farr and then you had the grouchy intensity of Mike Connors. Connors seemed to be under the impression that he was appearing on a hard-boiled crime show as opposed to an enjoyably silly comedy about a cruise ship.

Meanwhile, Sabrina Drake (Jan Smithers) is a young heiress who is traveling with her mother, Amanda (Alexis Smith). Amanda is not happy when she sees that tabloid reporter Joe Novak (Kiel Martin) is also on the cruise. She’ll probably be even less happy when she discovers that Amanda is 1) secretly seeing Joe and 2) is pregnant. When Doc finds out that Sabrina is pregnant, he offers to marry her. Why not? He’s known her for two days and he’s in love. Fortunately, Joe talks to Amanda and wins Amanda’s blessing for his relationship with Sabrina. Doc remains single.

Speaking of marriage, Greek tycoon Gregori Pananopolis (Lorenzo Lamas) asks Julie to marry him. Julie is stunned and says she needs some time to think it over. She tells Captain Stubing that she’s not sure if she’s ready to get married. Uhmm …. Julie, this like the third or fourth guy who had asked you to marry him on this show. You’ve nearly gotten married twice. It’s odd how the show always acts as if marriage proposals aren’t a recurring theme when it comes to Julie. Fortunately, Julie stays single because we all know she’s destined to eventually marry Doc. Or Gopher, maybe.

Fashion photographer Cliff Jacobs (David Hedison) runs into his ex-wife, model Monica Brandon (Linda Evans). He lies about having landed a job with a magazine in order to get her to pose for him. He also takes some pictures of Vicki posing amongst the ruins of Greece. Later, a magazine contacts him and offers to make Vicki into a star but he and Monica decide not to tell Vicki because they don’t want her to have to deal with pressure of being a model. Hey Cliff and Monica, that’s really not your decision to make. I’m sure being a model would be no less detrimental to Vicki than spending her entire youth on a cruise ship with people who are several decades older than her.

As I said at the start of the review, this episode worked best as a travelogue. None of the stories were particularly intriguing but the scenery was lovely. Even Turkey looked like a nice place to visit!

Late Night Retro Television Review: Pacific Blue 2.11 “Deja Vu”

Posted on July 15, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, someone is out to frame Palermo! It couldn’t happen to a nicer guy.

Episode 2.11 “Deja Vu”

(Dir by Michael Levine, originally aired on November 10th, 1996)

Palermo is upset because his former partner is returned to the boardwalk and is now running an arcade. Gene Savage (Joe Cortese) may have once been a cop but now he’s a paroled ex-con and it was Palermo’s testimony that led to Savage being convicted in the first place. Palermo suspects that Savage is out for revenge and it turns out that he is. He tries to frame Palermo for a murder. Internal Affairs demands Palermo’s badge.

And the thing is …. I know I’m supposed to feel bad for Palermo but I don’t. Palermo’s a self-righteous jerk. He’s been a self-righteous jerk since the start of the show. He acts like riding a bicycle somehow makes him superior to everyone else on the boardwalk. Finding out that he testified against his partner makes him seem like even more of a jerk. It’s hard to like a snitch.

This entire episode is built around the idea of Palermo being treated unfairly but I kind of feel like he needed to be taken down a rung or two. Maybe now, he won’t be so rude when he arrests people. Maybe he’ll understand that not everyone cares about his whole bicycle thing. Probably not, though.

While Palermo was dealing with his ex-partner, Cory and Chris dealt with the Good Samaritans, a group of blue beret-wearing citizens who attempted to fight crime on their own. Andy Miller (Keith Coulouris) was determined to take down the local drug dealer. When Andy’s partner (Claudette Mink) got shot and nearly died, Andy snapped and grabbed a gun and tried to get revenge himself. Cory was there to arrest not only the drug dealer but also Andy. “You’re a danger to the community and yourself!” Cory snapped.

Ugh. People who ride bicycles shouldn’t try to act like badsses. Seriously, is there a less likable cast of characters than the Pacific Blue crew? It’s not a good thing when a cop leaves me rooting for the criminals.

Retro Television Review: Fantasy Island 7.1 “Forbidden Love/The Other Man — Mr. Roarke”

Posted on July 15, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

Today, we start the seventh and final season.

Episode 7.1 “Forbidden Love/The Other Man — Mr. Roarke”

(Dir by Don Weis, originally aired on October 8th, 1983)

The first episode of the seventh season finds Mr. Roarke handling two fantasies.

Widow Margaret Smith (Juliet Prowse) comes to Fantasy Island, hoping to meet the man of her dreams. However, when she does, it turns out that he’s the ex-boyfriend of her daughter, Ginny (Jamie Rose)! Can Margaret find love without hurting her daughter? Or is her love destined to remain forbdden….

Meanwhile, Deborah Barnes (Stephanie Faracy) wants to make her boyfriend jealous so Mr. Roarke arranges for her to meet a man on the Island. But when the man is suddenly unavailable, Mr. Roarke gallantly steps into his place. That’s nice of him. It shows how far Mr. Roarke will go to make the fantasies of his guests come true. Except — uh-oh! — now Deborah’s in love with Mr. Roarke! What can Mr. Roarke do to let Deborah down easily and repair her confidence?

Wow! That’s a lot of drama for one weekend! I wonder what Tattoo has to say…?

Tattoo? Are you there?

OH MY GOD, WHERE IS TATTOO!?

Tattoo is gone, replaced by a butler named Lawrence (Christopher Hewett) who is so heavy-set that he can’t even climb the stairs to ring the bell when the plane shows up over the island. Instead, he looks up at the sky and then pushes a remote button that makes the bell ring. That’s …. just lame. Over the past few years, I have resisted making “Da plane! Da plane!” jokes but seriously, it doesn’t feel right for the show not to start to those words.

What’s especially upsetting is that no one on the show mentions Tattoo. Roarke doesn’t mention why Tattoo is no longer on the Island. Instead, he acts as if Lawrence has always been his assistant. I mean, I understand that Herve Villechaize did not leave under the happiest of circumstances but it just feels cruel not to give Tattoo a proper send-off. Tattoo was a huge part of the show. His interactions with Mr. Roarke were the most consistently entertaining things about Fantasy Island. And now, he’s gone and the show refuses to even acknowledge that he was ever there.

As for Lawrence, he’s a butler. I don’t know how the season played out but, in the first episode, it was pretty clear that Lawrence was the hired help. (Tattoo, at the very least, always seemed to be on nearly equal footing as Roarke.) Lawrence calls Mr. Roarke “sir” and it just doesn’t feel right. Instead of being equals, they are very much employer and employee.

The fantasies are okay. I liked watching Roarke trying to make Deborah fall out of love with. But the addition of Lawrence felt so wrong and really distracting. It doesn’t bode well for the rest of season 7.

Late Night Retro Television Review: CHiPs 4.3 “To Your Health”

Posted on July 14, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, Ponch solves all the world’s problems. Thank God!

Episode 4.3 “To Your Health”

(Dir by Barry Crane, originally aired on October 5th, 1980)

A farmer (Paul Gale) just wants to deliver his crops to various health food stores across Los Angeles but someone keeps sabotaging his truck. Ponch wants to get laid so he pretends to like health food so he can get closer to the women who lives with the farmer. Meanwhile, a kid keeps causing accidents whenever he goes windskating. The kid’s father isn’t paying enough attention to him so Ponch gives both of them a stern talking to. Ponch also helps the farmer make his deliveries and he saves the life of two women after a massive highway pileup. Baker just stands around looking grim.

It’s the Ponch Show!

This episode was a bit of a mess but it was CHiPs in its most distilled form. What little story there was only existed as an excuse for multiple car crashes. Every time the kid went windskating, he caused an accident. THREE MASSIVE, MULTI-CAR ACCIDENTS, all caused by this kid. I’m talking accidents that involve cars flying through the air in slow motion. This kid is going to get people killed! And yet, he never really gets in trouble for it. He gets scolded. He gets dragged down to the police station. But he’s always set free and apparently, he and his father somehow manage to get through episode without getting sued.

Meanwhile, that farmer wrecked his truck three times! You would think that the farmer would get a new truck after a while. And again, every accident seemed to lead to a car flying in slow motion through the air. Amazingly, no one was ever seriously injured.

Baker was concerned about both the farmer and the windskating kid but, in the end, it was Ponch who solved all the problems. In the past, Baker was always the one who gave the kids a good talking to. But now, it’s Ponch who has all the wisdom. Sorry, Baker. You’ve been replaced by the blinding smile of Erik Estrada.

Really, what can we say about this episode? Thank God for Ponch, right? Los Angeles would be doomed without him.

Retro Television Review: Miami Vice 4.10 “A Rock and a Hard Place”

Posted on July 14, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

Sonny goes to Hollywood.

Episode 4.10 “A Rock and a Hard Place”

(Dir by Colin Bucksey, originally aired on January 22nd, 1988)

I guess I am going to have to accept that Miami Vice is no longer a show about two vice cops fighting a losing war against drug traffickers. Instead, it’s now a show about an undercover cop who is married to a world famous rock star, even though it makes absolutely no sense.

In this episode, a tabloid reporter goes to Miami to do some research on this Sonny “Burnett.” He hears a lot of stories about how Sonny Burnett is one of the city’s biggest drug dealers and he writes a story about it. Sonny is upset, though one would think this would actually help him maintain his cover story. Myself, I have to wonder how competent this reporter was. Sonny Crockett has been established as having been a semi-famous college football star (Tubbs recognized him as soon as he met him) but no one ever seems to notice that Sonny Cockett and Sonny Burnett look, sound, and act exactly alike. Considering the number of times that Crockett’s cover has gotten blown and that everyone who has ever done business with Sonny Burnett has ended up either getting arrested and gunned down by the police, you would think there would at least be some speculation about this guy being a cop.

(On a plus note, Don Henley’s Dirty Laundry played in the background while the reporter doing his thing. That’s a song you can’t help but chair dance to.)

The majority of this episode dealt with a corrupt record executive (Tony Hendra) who was looking to get out of paying Sonny’s wife, Caitlin, the money that she was owed for her new album. His solution was to have her assassinated and to make it look like she got caught in the crossfire of one of her husband’s drug deals. Needless to say, it didn’t work. Sonny gunned down the two assassins and then arrested the record executive. “You’re a cop!?” the bad guy said, stunned.

And again, I have to wonder how this is not going to blow Sonny’s cover. Is the press really not going to ask why Caitlin’s criminal husband just arrested the guy releasing her latest album?

This episode had all sorts of plot holes and it asked the audience to suspend their disbelief just a bit too far. But at least it didn’t features Crockett and Tubbs searching for a stolen shipment of bull semen. That’ll be next week’s episode!

(Seriously, I’m not kidding….)

I miss the old Miami Vice. Seriously, the city’s drug business is probably booming because Crockett and Tubbs are wasting their time with all of this season 4 nonsense.

Late Night Retro Television Review: Degrassi High 2.10 “Showtime Part One”

Posted on July 13, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi

This week, tragedy comes to Degrassi.

Episode 2.10 “Showtime, Part One”

(Dir by Kit Hood, originally aired on January 21st, 1991)

When last we saw Claude Tanner, Caitlin was dumping him because he left her behind when the police showed up at the nuclear facility that they were vandalizing. Claude then refused to go to court to support her, saying that his parents wouldn’t understand. That was during the first season.

Other than appearing in the opening credits, Claude was not in the first nine episodes of the second season of Degrassi High. When he did return in tonight’s episode, he made Degrassi history.

When we first see Claude, he’s wearing what appears to be a pirate shirt and he’s looking over a piece of paper. His beard is a bit thicker. His earing is a lot bigger. When he sees Caitlin, he tries to talk to her. Caitlin tells him to get lost and then asks Maya why Claude just can’t leave her alone.

Claude is auditioning for the school talent show. He reads a monologue that he’s written, one about an ice queen who makes the entire world dark. Lucy and Bronco tell him that his monologue is too depressing for the show. Claude accuses all of the students of being sheep and storms out of the auditorium.

The next day, Claude gives Caitlin a flower, goes to his locker and retrieves a gun, and then shoots himself in the washroom. His body is later discovered by Snake.

Over the course of Degrassi’s long history, many students would die. Tragically, Claude would not be the only one to commit suicide. One was shot while trying to shoot up the school. The class clown was stabbed to death by a student from a rival high school. Another died in a car accident. However, Claude was the first.

And I have to say that I was really impressed with how Degrassi High handled Claude’s suicide. Snake was traumatized. Caitlin was left feeling numb. Some students talked about how much Claude was hurting and also about their own struggles with depression. Lucy and Spike both said that Claude’s actions were selfish and that he killed himself at school because he wanted to hurt all of the other students. When it comes to Claude, I have to admit that I find myself agreeing with Lucy and Spike. When Caitlin returns home from school, she finds a bouquet of flowers and a note from Claude waiting for her. In the note, Claude says that he loved her and the words are obviously meant to make her feel responsible for his death. The episodes ends with Caitlin throwing the flowers away. Claude would probably say that proves that Caitlin doesn’t care about him. I think it proves that Claude was a jerk who killed himself specifically to get back at Caitlin.

That doesn’t make Claude’s suicide any less tragic. Any suicide is a tragedy, especially when the person in question hasn’t even reached adulthood. As one of Claude’s friends says in this episode, Claude was sad and he didn’t feel he had anyone he could talk to. That is a tragedy and sadly, even though this episode aired over 30 years ago, there’s a lot of people who still feel that way. We live in a world where more and more people view life as being not a gift but instead a burden. It’s sad. Myself, I’m a strong believer in life and finding things to love. I love my boyfriend. I love my sisters. I love writing. I love movies. I love cats. I love knowing that, even when I’m at my lowest, happiness is in the future. Most importantly, I love myself. Never give up.

This episode was sensitive and thought-provoking and Degrassi as its best. Next week, the fallout from Claude’s suicide continues.

Retro Television Review: Homicide: Life On The Street 3.17 “The Old and the Dead”

Posted on July 13, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, Bolander and Howard return to Homicide.

Episode 3.16 “The Old and the Dead”

(Dir by Michael Fields, originally aired on March 3rd, 1995)

When Giardello discovers that Colonel Granger (Walt MacPherson) has been hiring his brother-in-law’s shady plumbing firm to do unnecessary repairs at the city’s police stations, he leaks the story to the press. When the scandal forces Granger out, Captain Barnfather is promoted to replace him. Giardello thinks that, with his years of experience, he’ll be the obvious replacement for Barnfather. Instead, the captain position is offered to Russert. As Barnfather explains it, the mayor is aware that the majority of the voters in Baltimore are women. When Giardello mentions that even more of the voters are black, Barnfather explains that the mayor’s leadership team already has a black man, him.

Giradello is not happy and he doesn’t hold back from letting Russert know about his displeasure. I have to say that I respected Giardello for not holding back. Russert has less experience than Giardello and, from what we’ve seen of her, she doesn’t appear to be as good at her job as Giardello is. I mean, let’s be honest. Russert had an affair with Beau Felton, of all people! It’s a little bit hard to respect her judgment.

While Giardello was once again failing in his efforts to move up, both Howard and Bolander returned to duty. Howard, on light duty, still manages to solve a case. Bolander, meanwhile, is now wearing a hat to cover up the surgery scars that crisscross his head. Ned Beatty, as usual, gave a good performance as Bolander. I like Ned Beatty. For some reason, I’ve never really liked Stanley Bolander. I think it might be because he’s always complaining about something. Maybe it’s because I’m still annoyed by the amount of unnecessary time that the first season spent on Bolander’s love life. Or maybe it’s because Munch is devoted to the guy and Bolander still treats him like crap every chance that he gets. For whatever reason, Bolander has always just kind of annoyed me. That was the case with this episode. I’m not saying I felt good about it. Bolander was shot in the head and nearly died! He has every right to be grumpy. But there is just a part of me that is like, “If you hate your job so much, just retire. Otherwise, stop bitching about everything!”

Finally, Bayliss and Felton worked surprisingly well together as they investigated a skeleton found in someone’s backyard. It turned out that two men has never reported the death of their father so that they could continue to collect his social security checks.

As much as I complain about Bolander, this was not a bad episode. This was a good example of an episode where the mysteries and plotlines were less important than just watching everyone in the cast play off of each other. As of this season, the ensemble has really come together as a tight unit and each character has really come to life as an individual. That’s one reason why I enjoyed watching Bayliss and Felton work together. It was interesting to see how they interreacted and to compare it to how Bayliss worked with Pembleton and Felton with Howard.

Finally, this episode featured a cute cameo from the late Tim Russert, who is introduced as being Megan’s cousin. Felton says that he never misses Meet the Press. For some reason, I doubt that.

Late Night Retro Television Review: Check It Out! 3.22 “For The Book”

Posted on July 12, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi and Peacock!

We all knew this day would come. It’s time for the final episode of Check It Out!

Episode 3.22 “For The Book”

(Dir by Alan Erlich, originally aired on February 14th, 1988)

Cobbs is celebrating its 50th anniversary and its putting together a commemorative book of memories. Howard calls the staff into his office and asks them what they think should be included in the book.

“Remember that time….” Christian starts and yes, it’s a clip show.

The final episode of Check It Out! is indeed a clip show. Really, it’s not a terrible way for the show to go out. For 30 minutes, the show relives what the writers believed were the best moments of season 3. (There were a few clips from seasons one and two but, for the most part, this episode was dominated by recent clips.) Some of the clips — like Howard doing a vaudeville routine — went on for way too long. Some, like Marlene filling in as Howard’s secretary, did not go on long enough. It was a typical clip show.

And so ends Check It Out! What can I say about this show? The first season was okay. The second season was a trainwreck. The third season was uneven but, overall, surprisingly good. The show was built around Don Adams but it was the supporting characters — Aaron Schwartz, Jeff Pustil, Kathleen Laskey, Gordon Clapp — who got most of the laughs. Looking back, I really can’t think of any episodes of Check It Out! that really stand-out in my mind. The show was the epitome of pleasant but unmemorable entertainment.

Next week, we’ll have a new show here. For now, let’s end things with the Check It Out! theme song.

Late Night Retro Television Review: Friday the 13th 3.19 “The Tree of Life”

Posted on July 11, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s Johnny vs the Druids.

Episode 3.19 “The Tree of Life”

(Dir by William Fruet, originally aired on May 7th, 1990)

Johnny randomly runs into a distraught woman who claims that, years ago, her daughter was abducted and her husband murdered by obstetrician Dr. Sybil Oakwood (Gale Garnett). When Jack and Micki doubt the woman’s story, Johnny investigates on his own and discovers that Dr. Oakwood is kidnapping newborn girls and raising them in her fertility clinic. It turns out that Dr. Oakwood is a druid and she’s trying to breed future Druidic priestesses.

(Don’t yell at me, this is the show’s interpretation of druidism.)

This was the next-to-the-last episode of Friday the 13th and it just feels like the writers were tired and uninspired. Suddenly, for the first time in three years, Jack and Micki are skeptical about reports of the paranormal. Johnny is back to being impulsive and, if we’re to be honest, kind of stupid. He tells the distraught mother that her daughter is being held prisoner at the fertility clinic and then is shocked when the mother runs off to the clinic without waiting for Johnny to accompany her. Once again, it all leads to a cult and an underground cavern. This entire episode feels like it was recycled from previous episodes.

I’m not an expert on paganism so I’m not going to get into whether or not this episode accurately portrayed druidic beliefs. I will say that the druids in this episode acted like every other cult that’s ever appeared on this show. They’re just like the Satanic cult that showed up at the end of season 2. Making them druids is probably one of those things that sounded good when the episode was pitched. The word “druid” brings to mind Stonehenge and all the rest of that good stuff. But, narratively, there was nothing gained nor lost by making them druids. The show treated them like any other self-destructive cult.

This episode was a bit dull. It felt like the show was taking one last shot at getting audiences to replace Johnny as Ryan’s replacement. The whole thing just felt uninspired. It certainly left your brave reviewer bereft of inspiration.

Next week, we come to the conclusion of Friday the 13th: The Series.

Retro Television Review: St. Elsewhere 2.6 “Under Pressure”

Posted on July 11, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, the hospital staff is under pressure!

Episode 2.6 “Under Pressure”

(Dir by David Anspaugh, originally aired on November 30th, 1983)

What a depressing episode!

It’s another day at St. Eligius and almost everyone seems to be in a bad mood. Patients are complaining that Dr. Craig is so obsessed with his heart transplant that he’s ignoring them. Dr. Westphall wakes up in a bad mood and continue to be in a bad mood for the entire episode. Dr. Morrison is upset because he’s treating two Irish teens who nearly killed each other because one is Protestant and the other is Catholic. (One of the teens is played by a young Eric Stoltz.) Bobby Caldwell has to figure out how to put together the face of one of the Irish boys. Ehrlich is complaining nonstop. Morrison is missing his wife. Auschlander is dealing with his approaching mortality. (There’s a wonderful moment when Norman Lloyd rolls his eyes while Auschlander listens to Westphall whine.)

Finally, a man calling himself Mr. Entertainment (Austin Pendleton) took over one of the hospital’s elevators and sang to the patients. That cheered some people up. It would have annoyed the Hell out of me. Mr. Entertainment is checked into the psych ward, where he meets the new head psychiatrist, Michael Ridley (Paul Sand). (Hugh Beale apparently no longer works at the hospital. Both he and Dr. Samuels were dropped after the first season, with no onscreen explanation.) The episode ends with Mr. Entertainment singing for a collection of nurses and doctors and bringing some happiness to their lives.

Everyone in this episode is under pressure. That’s fine. That’s realistic. Being a doctor cannot be an easy job. But it just made for a rather melancholy episode and I have to admit that I couldn’t wait for the end credits and that meowing cat.

Perhaps next week will be better.