Here Are The Independent Spirit Award Nominations!


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Before I forget, The Independent Spirit Award Nominations were announced earlier today!  In a year that has yet to see a Spotlight, a Mad Max, or even a Big Short, the Oscar race remains undeniably murky.  Maybe the Spirit nominations will help to clarify things.

(Sad to say but I haven’t seen most of the films that were nominated.  They’ve either just opened down here in Dallas or they’ll be opening next month.  So, you’ll have to forgive me if I can’t provide much commentary beyond saying that I look forward to seeing and reviewing them all for myself!)

(I will say, however, that I’m happy to see that American Honey was nominated because, even though I missed seeing the film, it’s directed Andrea Arnold.  Arnold’s previous film, Fish Tank, is pretty much one of my essential movies.)

Here are the nominees!

BEST PICTURE
“American Honey”
“Chronic”
“Jackie”
“Manchester by the Sea”
“Moonlight”

BEST DIRECTOR
Andrea Arnold, “American Honey”
Barry Jenkins, “Moonlight”
Pablo Larraín, “Jackie”
Jeff Nichols, “Loving”
Kelly Reichardt, “Certain Women”

BEST ACTOR
Casey Affleck, “Manchester by the Sea”
David Harewood, “Free In Deed”
Viggo Mortensen, “Captain Fantastic”
Jesse Plemons, “Other People”
Tim Roth, “Chronic”

BEST ACTRESS
Annette Bening, “20th Century Women”
Isabelle Huppert, “Elle”
Sasha Lane, “American Honey”
Ruth Negga, “Loving”
Natalie Portman, “Jackie”

BEST SUPPORTING ACTOR
Ralph Fiennes,  “A Bigger Splash”
Ben Foster, “Hell or High Water”
Lucas Hedges, “Manchester by the Sea”
Shia LaBeouf, “American Honey”
Craig Robinson, “Morris from America”

BEST SUPPORTING ACTRESS
Edwina Findley, “Free In Deed”
Paulina Garcia, “Little Men”
Lily Gladstone, “Certain Women”
Riley Keough, “American Honey”
Molly Shannon, “Other People”

BEST SCREENPLAY
“Hell or High Water”
“Little Men”
“Manchester by the Sea”
“Moonlight”
“20th Century Women”

BEST CINEMATOGRAPHY
Ava Berkofsky, “Free In Deed”
Lol Crawley,”The Childhood of a Leader”
Zach Kuperstein,”The Eyes of My Mother”
James Laxton,”Moonlight”
Robbie Ryan,”American Honey”

BEST FILM EDITING
Matthew Hannam,”Swiss Army Man”
Jennifer Lame,” Manchester by the Sea”
Joi McMillon, Nat Sanders, “Moonlight”
Jake Roberts, “Hell or High Water”
Sebastián Sepúlveda, “Jackie”

BEST DOCUMENTARY
“13th”
“Cameraperson”
“I Am Not Your Negro”
“O.J.: Made in America”
“Sonita”
“Under the Sun”

BEST INTERNATIONAL PICTURE
“Aquarius” (Brazil)
“Chevalier” (Greece)
“My Golden Days” (France)
“Toni Erdmann” (Germany and Romania)
“Under the Shadow” (Iran and U.K.)

BEST FIRST FEATURE
“The Childhood of a Leader”
“The Fits”
“Other People”
“Swiss Army Man”
“The Witch”

BEST FIRST SCREENPLAY
“Barry”
“Christine”
“Jean of the Joneses”
“Other People”
“The Witch”

JOHN CASSAVETES AWARD (best feature made for under $500,000)
“Free In Deed”
“Hunter Gatherer”
“Lovesong”
“Nakom”
“Spa Night”

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Here Are The 27 Films That Have Been Submitted For Best Animated Feature!


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Hi, everyone!

I know that a lot of you are busy being depressed right now but fear not!  Regardless of who won or who lost the last election, we still have Oscar season!

Oscar season is rapidly approaching and that means that it’s time to start trying to guess who and what will be nominated.  Yesterday, the Academy released the names of the 27 films that have been submitted for Best Animated Feature!

Here they are:

 

The Angry Birds Movie,

April and the Extraordinary World,

Bilal,

Finding Dory,

Ice Age: Collision Course,

Kingsglaive: Final Fantasy XV,

Kubo and the Two Strings,

Kung Fu Panda 3,

The Little Prince,

Long Way North,

Miss Hokusai,

Moana,

Monkey King: Hero Is Back,

Mune,

Mustafa and the Magician,

My Life As A Zucchini,

Phantom Boy,

The Red Turtle,

Sausage Party,

The Secret Life of Pets,

Sing,

Showtime!,

Storks,

Trolls,

25 April,

Your Name,

Zootopia

 

Myself, I’m hoping that Kubo and the Two String wins it all!

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What If Awards Season Began And Lisa Totally Missed It? Here Are The Gotham Nominations!


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As proof of how busy I’ve been over the past few days, just consider this: On October 20th, awards season kicked off and I totally missed it!

That’s right.  On October 20th, the nominations for the 2016 Gotham Awards were announced.  The Gothams honor independent films and they actually have some pretty strict guidelines regarding what they consider to be independent.  So, a lot of this year’s potential Oscar nominees are not eligible for the Gotham Awards.

That said, over the past few years, the Gothams have slowly emerged as a somewhat helpful precursor.  While getting a Gotham nomination does not guarantee any film an Oscar nomination, it certainly doesn’t hurt.  That may especially be true this year as 2016 has, for the most part, not been the great cinematic year that 2015 was.  With no real favorites having yet to emerge, every precursor counts.

So, with that in mind and just a few days late, here are the Gotham nominations!

Best Feature

Certain Women
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (IFC Films)

Everybody Wants Some!!
Richard Linklater, director; Megan Ellison, Ginger Sledge, Richard Linklater, producers (Paramount Pictures)

Manchester by the Sea
Kenneth Lonergan, director; Kimberly Steward, Matt Damon, Chris Moore, Lauren Beck, Kevin J. Walsh, producers (Amazon Studios)

Moonlight
Barry Jenkins, director; Adele Romanski, Dede Gardner, Jeremy Kleiner, producers (A24)

Paterson
Jim Jarmusch, director; Joshua Astrachan, Carter Logan, producers (Amazon Studios)

Best Documentary

Cameraperson
Kirsten Johnson, director; Marilyn Ness, producer (Janus Films)

I Am Not Your Negro
Raoul Peck, director; Rémi Grellety, Raoul Peck, Hébert Peck, producers (Magnolia Pictures)

O.J.: Made in America
Ezra Edelman, director; Caroline Waterlow, Ezra Edelman, Tamara Rosenberg, Nina Krstic, Deirdre Fenton, Erin Leyden, producers (ESPN Films)

Tower
Keith Maitland, director; Keith Maitland, Megan Gilbride, Susan Thomson, producers (Kino Lorber, Independent Lens)

Weiner
Josh Kriegman, Elyse Steinberg, directors and producers (Sundance Selects and Showtime Documentary Films)

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Bingham Ray Breakthrough Director Award

Robert Eggers for The Witch (A24)

Anna Rose Holmer for The Fits (Oscilloscope Laboratories)

Daniel Kwan & Daniel Scheinert for Swiss Army Man (A24)

Trey Edward Shults for Krisha (A24)

Richard Tanne for Southside with You (Roadside Attractions and Miramax)

Best Screenplay

Hell or High Water, Taylor Sheridan (CBS Films)

Love & Friendship, Whit Stillman (Amazon Studios)

Manchester by the Sea, Kenneth Lonergan (Amazon Studios)

Moonlight, Story by Tarell Alvin McCraney; Screenplay by Barry Jenkins (A24)

Paterson, Jim Jarmusch (Amazon Studios)

Best Actor*

Casey Affleck in Manchester by the Sea (Amazon Studios)

Jeff Bridges in Hell or High Water (CBS Films)

Adam Driver in Paterson (Amazon Studios)

Joel Edgerton in Loving (Focus Features)

Craig Robinson in Morris from America (A24)

Best Actress*

Kate Beckinsale in Love & Friendship (Amazon Studios)

Annette Bening in 20th Century Women (A24)

Isabelle Huppert in Elle (Sony Pictures Classics)

Ruth Negga in Loving (Focus Features)

Natalie Portman in Jackie (Fox Searchlight Pictures)

Breakthrough Actor*

Lily Gladstone in Certain Women (IFC Films)

Lucas Hedges in Manchester by the Sea (Amazon Studios)

Royalty Hightower in The Fits (Oscilloscope Laboratories)

Sasha Lane in American Honey (A24)

Anya Taylor-Joy in The Witch (A24)

* The 2016 Best Actor/Best Actress and Breakthrough Actor nominating panels also voted to award a special Gotham Jury Award for ensemble performance to Moonlight, “in which actors at all levels of experience give outstanding performances that speak eloquently to one another both within and across each chapter of the story.” The awards will go to actors Mahershala Ali, Naomie Harris, Alex Hibbert, André Holland, Jharrel Jerome, Janelle Monáe, Jaden Piner, Trevante Rhodes, and Ashton Sanders.

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(AWARDS SEASON HAS BEGUN!!!)

 

Here’s The Trailer For Manchester By The Sea!


Hey, do you remember when — for a day or two — everyone was saying that Manchester By The Sea was going to be this year’s film to go from being acclaimed at Sundance to being nominated for best picture?

It’s easy to forget because, as acclaimed as Kenneth Lonergan’s latest film was, it was quickly overshadowed by Nate Parker’s The Birth of a Nation.  Once Nation had its Sundance premiere, people stopped talking about Manchester and it was pretty much assumed by just about everyone that Nation — and not Manchester — would follow in the footsteps of Beasts of the Southern Wild, Boyhood, Whiplash, and Brooklyn as this year’s Sundance Oscar contender.

But then, a few months ago, we learned that both Nate Parker and Jean Celestin, who has a story credit for Nation, were accused of rape in 1999.  Parker was acquitted on legally dubious grounds (he and the victim has consensual sex before the rape) while Celestin was convicted and spent a few months in jail before having his conviction overturned on appeal and being granted a new trial.  The victim, who said that she had been harassed by both Parker and Celestin, declined to testify at the new trial and, in 2012, committed suicide.

Since that news has come out, there’s been a lot of think pieces on whether or not it’s possible to separate a work of art from the artist and whether or not a critic should even attempt to do so.  It’s starting to look doubtful that The Birth of a Nation is going to get the Oscar push that so many people were expecting.  Fox Searchlight spent a lot of money to acquire the rights to the film and now, they seem to just be planning on quietly dumping it into theaters on October 7th.

Which means, with The Birth of A Nation quietly being pushed to the side, Manchester By The Sea is, once again, the Sundance film with all the Oscar buzz.  I’ve heard the film is absolutely incredible.  (For the record, I’ve also heard the same thing about The Birth of a Nation.)  A lot of people feel that Kenneth Lonergan deserved some Oscar consideration for Margaret, and probably would have received it if he hadn’t developed a reputation for being difficult.  (It took Lonergan 5 years to come up with a final cut of Margaret that he was willing to release.)  Manchester By The Sea could be Lonergan’s opportunity for industry redemption.

Here’s the trailer:

Here’s The Latest Trailer for Nate Parker’s The Birth Of A Nation!


Here’s the latest trailer for the film that has already been named by many as the front runner in this year’s Oscar race!

Nate Parker’s The Birth of a Nation tells the story of Nat Turner’s slave rebellion.  They went crazy about it at Sundance and you’ll be able to judge it for yourself in October.

I, Daniel Blake Wins At Cannes And Americans Ask, “Who Is Ken Loach And Who Does He Play For?”


The winners of this year’s Cannes Film Festival have just been announced!

As I look over these winners and think about the rather muted reviews that came out of Cannes this year, I have to ask: Is it just me or is 2016 shaping up to be a fairly blah year for the movies?

I mean, just think about last year at this time.  Everyone at the Cannes Film Festival was excited over Carol.  People were still talking about how much they loved Brooklyn and End of The Tour at Sundance.  Both Mad Max: Fury Road and Ex Machina were playing in theaters.  Inside Out was on the verge of being released and people were whispering that Straight Outta Compton might actually be a great movie.  There was a lot to be excited about!

This year, however, it’s just like, “Who cares?”  Even the excitement that some people have for Nate Parker’s Birth of a Nation and Martin Scorsese’s Silence feels more obligatory than sincere.

(Did Sasha Stone go to Cannes this year?  I know I could check the Awards Daily web site but, as of late, reading Awards Daily has become almost as tedious as reading the Daily Kos.  But I mention Stone specifically because she epitomizes something that I’ve noticed about almost all of the big names in the online film community. They are currently more concerned with bitching about this meaningless and stupid election than in talking about movies.  Even when they do talk about movies, it’s always in relation to this election.  BLEH!  Political situations are only temporary.  Movies are forever.)

Anyway, just from what I did hear back from Cannes, I’m looking forward to seeing Personal Shopper, Elle, The Neon Demon, Toni Edrmann, and American Honey.  I doubt I’ll get a chance to see the Palme D’or winner because it’s a Ken Loach film and Ken Loach films rarely get much distribution in the U.S.

In fact, when Ken Loach won the Palme d’Or (and this is his second time to win), he immediately started trending on twitter.  In the UK, he was trending because people were saying, “Ken Loach won!”  In the US, he was trending because everyone who is not a member of Film Twitter was saying, “Who is Ken Loach and who does he play for?”

(As for how this will affect the upcoming Oscar race, it probably won’t.  With the exception of the year that Tree of Life won the Palme d’Or and then went on to to score a best picture nomination, Cannes is usually ignored by the Oscar voters.)

Anyway, here’s the winners!

COMPETITION

Palme d’Or: “I, Daniel Blake” (Ken Loach, U.K.)

Grand Prix: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

Director (tie): Olivier Assayas, “Personal Shopper” (France), and Cristian Mungiu, “Graduation” (Romania)

Actor: Shahab Hosseini, “The Salesman” (Iran)

Actress: Jaclyn Jose, “Ma ‘Rosa” (Philippines)

Jury Prize: Andrea Arnold, “American Honey” (U.K.-U.S.)

Screenplay: Asghar Farhadi, “The Salesman” (Iran)

OTHER PRIZES

Palme d’Honneur: Jean-Pierre Léaud

Camera d’Or: “Divines” (Houda Benyamina, France-Qatar)

Short Films Palme d’Or: “Timecode” (Juanjo Jimenez, Spain)

Special Mention – Short Films Palme d’Or: “The Girl Who Danced With the Devil” (Joao Paulo Miranda Maria, Brazil)

Ecumenical Jury Prize: “It’s Only the End of the World” (Xavier Dolan, Canada-France)

UN CERTAIN REGARD

Un Certain Regard Prize: “The Happiest Day in the Life of Olli Mäki” (Juho Kuosmanen, Finland)

Jury prize: “Harmonium” (Koji Fukada, Japan)

Director: Matt Ross, “Captain Fantastic” (United States)

Screenplay: Delphine and Muriel Coulin, “The Stopover” (France)

Special Jury Prize: Michael Dudok de Wit, “The Red Turtle” (France-Japan)

DIRECTORS’ FORTNIGHT

Art Cinema Award: “Wolf and Sheep” (Shahrbanoo Sadat)

Society of Dramatic Authors and Composers Prize: “The Together Project” (Solveig Anspach)

Europa Cinemas Label: “Mercernary” (Sacha Wolff)

CRITICS’ WEEK

Grand Prize: “Mimosas” (Oliver Saxe)

Visionary Prize: “Album” (Mehmet Can Mertoğlu)

Society of Dramatic Authors and Composers Prize: “Diamond Island” (Day Chou)

FIPRESCI

Competition: “Toni Erdmann” (Maren Ade, Germany-Austria)

Un Certain Regard: “Dogs” (Bogdan Mirică, Romania-France)

Critics’ Week: “Raw” (Julia Ducournau, France-Belgium)

Watch As Prince Wins An Oscar!


Did you know that Prince was an Oscar winner?  He was!  In 1985, he won an Oscar for Best Original Song Score for the 1984 film, Purple Rain.  In order to win the Oscar, he not only had to defeat Kris Kristofferson but the Muppets as well!  (This would also be the last time that the Best Original Song Score Oscar would be awarded.  Check out Wikipedia’s history of this odd little category by clicking here.)

After news spread of Prince’s death earlier today, the Academy released a video of Prince both winning the Oscar and giving a nicely humble and sincere acceptance speech.

And here it is!  Just compare Prince’s speech to some of the dreary bombast that we had to sit through during the last Oscar ceremony…

A Few Final Thoughts On The 88th Academy Awards…


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Well, another Oscar season has come to an end.  I’m going to take one day off from thinking about the Oscars and then, once March begins, it’ll be time to start speculating about what will win next year.

Like the majority of our readers, I just finished watching the 88th Academy Awards.  It was an interesting ceremony.  It was strange.  It was full of moments that made me cringe.  And, at the same time, there were a few moments that left me feeling very inspired.  Clocking in at 3 hours and 30-something minutes, it was neither the worst nor the best Oscar telecast that I’ve ever watched.  (My favorite remains the ceremony that was hosted by James Franco and Anne Hathaway.  It was such a fun disaster.)  On twitter, people seem to think that it was either the greatest or the worst thing ever.  I am one of the few to think that it actually fell somewhere in the middle.

Let’s talk about the awards.  Going into this, I was hoping there would be a few upsets and there were.  Unfortunately, few of them were upsets that I was particularly looking forward to.  For instance, Mark Rylance won best supporting actor for Bridge of Spies and, no offense meant to Rylance, but it was hard not to wish that the award had instead gone to Creed‘s Sylvester Stallone.  Stallone, no matter what you may think of the majority of his films, is a cinematic icon and this was probably his last chance to win an Oscar.  Rylance, meanwhile, seems to be destined to being the actor you call when you can’t get Richard Jenkins.

And then there was Best Original Song.  I, for one, am still stunned that the song from SPECTRE was even nominated.  But then it actually won the Oscar!  And, in doing so, it defeated Lady Gaga’s anthem of survival and strength, Til It Happens To You.  Lady Gaga’s performance of Til It Happens To You was definitely one of the show’s highlights.  Not even the presence of our long-winded, gropey Vice President could diminish the strength and power of that performance.  Just imagine what a great moment it would have been if that performance had been followed by Til It Happens To You actually winning the Oscar.

I got really excited when, early on, Mad Max: Fury Road started to win all of the technical awards.  Oh my God, I thought, what if Mad Max actually wins Best Picture!?  That would be a game changer as far as the future of the Oscars is concerned…

But then Alejandro Inarritu won best director and gave his typical sermon.  And then Leonardo DiCaprio won best actor and used it as an excuse to lecture us all about global warming.  And I started to dread the idea of The Revenant winning best picture and having to sit through another speech from either of these two undeniably talented gentlemen.  But then, after being shut out for most of the night, Spotlight won best picture.  The producers ran up on stage and started to lecture the Vatican…

It’s a strange victory.  Spotlight won a total of two Oscars.  Mad Max won six Oscars.  The Revenant won three.  The Big Short and Room took one.  Though the vote totals are never released, I’m going to guess it was a very close race.

I have to admit that I always cringe a little whenever the Oscars get political because celebrities, on the whole, tend to be flaky.  And, often times, they lecture everyone else without bothering to look at or modify any of their own behavior.  Frequently, it leads to a hypocrisy on their part that, over the years, has tarnished some very worthy causes.  It’s not surprising that the 88th Academy Awards were extremely political.  A lot of people said a lot of things but did they actually understand what they were saying or were they just playing another role?  That’s the question I always ask whenever a celeb says to vote this way or that.

I have to admit that I got kind of bored with Chris Rock trying to get people to buy girl scout cookies.  But, let’s give credit where credit is due.  Chris Rock called the film industry out on its own bullshit as far as diversity is concerned.  He told the self-congratulatory Academy audience that they too were capable of being racists and, even watching on TV, you could feel the tension in the room.  This was the epitome of speaking truth to power and good for Chris Rock for going there and, hopefully, making everyone in that audience feel a little bit uncomfortable.

And yet, at the same time, it was hard not to feel that it won’t make much of a difference.  The assembled members of the Academy applauded whenever a presenter or a winner called for diversity but, in the end, are they going to do anything more than applaud?  Watching the show, I imagine that most of the rich white people in the theater were thinking to themselves, “Chris isn’t talking about us.  He’s talking about those other rich white people.”

What’s the solution to the industry’s diversity problem?  Well, the first thing that would have to happen would be for the industry to admit that it has a problem and that’s never going to happen.  The mainstream American film industry is too high on its own rhetoric to ever take an honest look at itself.  Instead, studio execs and producers are always going to put the blame on “those other white people.”

There are so many stories out there waiting to be told.   At some point, the industry is going to have to stop bragging about how they tolerant they are and instead help those unique and interesting stories to be told.  Out there right now, there are people of every race, gender, religion, and political ideology who have a story to tell.  At some point, if the film industry really wants to change, it’s going to have to start seeking out those stories and giving those storytellers a chance.   At some point, those in industry are going to have to stop bragging about how much they donated to which campaign and actually put their rhetoric into action.

Until then, it’s going to take a lot more than merely giving Chris Rock a standing ovation to truly bring diversity to the film industry.

Did anyone else find it weird that the show ended with “Fight the Power” being played over pictures of wealthy white people accepting awards?  I don’t think the show’s producers really considered what that would look like.

Anyway, that concludes this Oscar season!  It was an exciting one and I can hardly wait for a new one to begin!

Here’s A Complete List Of The Oscar Winners!!!!


 

Spotlight

Best Picture: Spotlight

Best Director: Alejandro G. Inarritu for The Revenant

Best Actor: Leonardo DiCarpio in The Revenant

Best Actress: Brie Larson in Room

Best Supporting Actor: Mark Rylance in Bridge of Spies

Best Supporting Actress: Alicia Vikander in The Danish Girl

Best Original Screenplay: Tom McCarthy and Josh Singer. Spotlight

Best Adapted Screenplay: Adam McKay and Charles Randolph.  The Big Short

Best Animated Film: Inside Out

Best Documentary Feature: Amy

Best Foreign Language Film: Son of Saul

Best Cinematography: Emmanuel Lubezki, The Revenant

Best Costume Design: Jenny Bevan, Mad Max: Fury Road

Best Editing: Margaret Sixel, Mad Mad: Fury Road

Best Make-up and Hairstyling: Mad Max: Fury Road

Best Original Score: Ennio Morricone, The Hateful Eight

Best Original Song: “Writing’s On The Wall” from SPECTRE

Best Production Design: Colin Gibson and Lisa Thompson, Mad Max: Fury Road

Best Sound Editing: Mad Max: Fury Road

Best Sound Mixing: Mad Max: Fury Road

Best Visual Effects: Ex Machina

Best Animated Short Film:Bear Story

Best Documentary Short Film: The Girl In The River: The Price of Forgiveness

Best Live Action Short: Stutterer

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My Favorite Oscar Picture (Starring Audrey Hepburn)


Since it’s Oscar Sunday, I figured that I would go ahead and share something with you.  Below is my favorite Oscar picture of all time.  It’s from 1954 and it features Audrey Hepburn, surrounded by telegrams congratulating her for winning Best Actress for her performance in Roman Holiday.  Also appearing in the picture is Oscar himself.

Audrey certainly does look happy!

Audrey Hepburn 1954 Roman Holiday

(In this picture, Audrey is in wardrobe for Billy Wilder’s Sabrina.)

Happy Oscar Sunday everyone!  Enjoy the show!