Retro Television Review: The Love Boat 8.6 “Soap Gets in Your Eyes/A Match Made in Heaven/Tugs of the Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Soon we’ll be making another round….

Episode 8.6 “Soap Gets in Your Eyes/A Match Made in Heaven/Tugs of the Heart”

(Dir by Bruce Bilson, originally aired on October 20th, 1984)

Years ago, Gopher asked Leslie Palmer (Dianne Kay) to marry him. Leslie turned him down, breaking his heart. At the time, she said that Gopher just wasn’t mature enough to marry.  He had no direction in his life.

This week, when Leslie boards the Pacific Princess, she sees that Gopher has grown up.… well, at least a little. As Gopher explains it, he has an important job, a nice salary, and a good pension. “People call me sir,” he says, and Fred Grandy delivers the line with just enough sheepishness that one gets the feeling he’s just as surprised as anyone by the fact that he’s finally gotten his life together. When Gopher again asks Leslie to marry him, she says yes.

Oh my God! First Julie got married and now Gopher! Is there going to be anyone left on the ship?!

Well, hold on. Leslie may accept Gopher’s proposal, but later she has a breakdown and apologizes. Leslie says that she loves Gopher but, “I’m not in love with you.” It turns out that Leslie is pregnant and she accepted Gopher’s proposal so her child would not be born out of wedlock. Gopher is surprisingly forgiving.

This was actually a sweet story, largely due to Fred Grandy’s sincere performance as Gopher. At the same time, it was hard not to miss Lauren Tewes while watching this story. The Love Boat always hinted that Julie was destined to end up with either Doc or Gopher. Pat Klous is doing a good job as Julie’s replacement, but she still doesn’t have the same chemistry with the cast that Tewes did. If Julie McCoy seemed like everyone’s sister, Judy seems like everyone’s respected coworker.

While Gopher was getting his heart broken, the recently deceased Jack Davidson (Bill Macy) boarded the ship with his guardian angel, Mr. Weatherby (Fritz Weaver). In order to get into heaven, Jack would have to commit one selfless act while on the boat. Jack met and fell in love with Blair Chapman (Juliet Mills). However, knowing that he was destined to disappear into the afterlife immediately after the cruise ended, Jack gently told Blair that he couldn’t get involved with her. That counted as his selfless act. As for Blair, it turned out that she was terminally ill and had only a month or so to live. Jack leaves the boat happy, knowing that Blair will soon die and be in Heaven with him. Only The Love Boat could present dying as a happy ending.

Finally, soap opera actor David Swick (Charles Frank) plays a villain on daytime television, but he’s a nice guy in real life. Melanie (Susan Blanchard) discovers this firsthand when she meets David on the boat and they fall in love. Unfortunately, Melanie’s mother (Jayne Meadows) cannot forgive David for all the evil things his character has done on television. This story was just silly, but at least Frank and Blanchard had a likable chemistry.

Though the season overall may have gotten off to a rough start, this week’s episode of The Love Boat was actually a pretty pleasant cruise. Fred Grandy got to do something other than just be goofy. Juliet Mills died .… okay, well that wasn’t pleasant, but at least she’ll have someone waiting for her in the afterlife. As for the soap opera storyline, it took me back to those summer days when I was out of school and I watched the daytime dramas with my mom and my aunt. Those were good memories.

I enjoyed this cruise! The Love Boat truly has something for everyone.

A Movie A Day #192: Betrayal of the Dove (1993, directed by Strathford Hamilton)


Stop me if you’ve heard this one before.

Ellie West (Helen Slater) has a 7 year-old daughter (Heather Lind), a sleazy ex-husband (Alan Thicke), a vampy best friend (Kelly LeBrock), and a pair of inflamed tonsils that need to come out.  When she goes in the hospital for what should be a routine procedure, she nearly dies on the operation table.  Something went wrong with the anaesthesia.  But what, why, and how?  Fortunately, Doctor Jesse Peters (Billy Zane) was there to save Ellie’s life.  Even as Ellie, with the encouragement of her best friend, starts to go out with Jesse, she still suspects that someone is trying to kill both her and her daughter.

While the title may sounds like an early 90s Merchant Ivory production, Betrayal of the Dove is actually just another “erotic” thriller, the type that used to show up exclusively on late night Cinemax.  The only thing that distinguished Betrayal of the Dove was the cast, which mixed B-movie stalwarts like Kelly LeBrock and Billy Zane with actors who usually did not appear in movies like this.  Alan Thicke was surprisingly good as a sleazy, abusive alcoholic and both Stuart Pankin and David L. Lander were cast in serious roles.

Perhaps the most surprising casting was that of veteran television comedian and Mel Brooks regular, Harvey Korman.  In the role of Ellie’s boss, Harvey not only played a serious role here but, at the end of the movie, he also got to save the day.  I’m not sure if Harvey did his own stunt work but if you have ever wanted to see Harvey Korman as an action hero, Betrayal of the Dove is as close as you’re going to get.

Or you could just watch Blazing Saddles again.

 

A Movie A Day #81: The Great White Hype (1996, directed by Reginald Hudlin)


The Rev. Fred Sultan (Samuel L. Jackson) has a problem.  He is the richest and the best known fight promoter in America but the current (and undefeated) heavyweight champion is just too good.  No one is paying to watch James “The Grim Reaper” Roper (Damon Wayans) fight because Roper always wins.  Sultan has a plan, though.  Before Roper turned professional, he lost a fight to Terry Conklin (Peter Berg).  Conklin has long since retired from boxing and is now a heavy metal, progressive musician.  Sultan convinces Conklin to come out of retirement and face Roper in a rematch.  Since Conklin is white and Roper is black, Sultan stands to make a killing as white boxing fans get swept up in all the hype about Conklin being the latest “great white hope.”

In the days leading up to the fight, crusading journalist Mitchell Kane (Jeff Goldblum) attempts to expose the crooked Sultan before getting seduced into his inner circle.  Meanwhile, boxer Marvin Shabazz (Michael Jace) and his manager, Hassan El Rukk’n (Jamie Foxx), unsuccessfully pursue a match with Roper.  Conklin gets back into shape while Roper eats ice cream and watches Dolemite.

In its attempt to satirize boxing, The Great White Hype runs into a huge problem.  The fight game is already so shady that it is beyond satire.  This was especially true in the 90s, when the The Great White Hype was first released.  (Even more than the famous Larry Holmes/Gerry Cooney title fight, The Great White Hype’s obvious inspiration was the heavily promoted, two-minute fight between Mike Tyson and Peter McNeeley.)  The Great White Hype is a very busy film but nothing in it can match Oliver McCall’s mental breakdown in the middle of his fight with Lennox Lewis, Andrew Golota twice fighting Riddick Bowe and twice getting disqualified for low blows, or Mike Tyson biting off Evander Holyfield’s ear.

The Great White Hype has an only in the 90s supporting cast, featuring everyone from Jon Lovitz to Cheech Marin to, for some reason, Corbin Bernsen.  Damon Wayans is the least convincing heavyweight champion since Tommy Morrison essentially played himself in Rocky V.  The Rev. Sultan was meant to be a take on Don King and Samuel L. Jackson was a good pick for the role but the real Don King is so openly corrupt and flamboyant that he’s almost immune to parody.

When it comes to trying to take down Don King, I think Duke puts it best.