Musical Film Review: Eagles: Hell Freezes Over (dir by Beth McCarthy-Miller)


Thank God for Joe Walsh, I thought as I watched 1994’s Eagles: Hell Freezes Over.

The Eagles were one of my Dad’s favorite bands, along with Lynyrd Skynyrd and the Steve Miller Band.  I can still remember being little and sitting in the back of our van and hearing Hotel California playing as we actually drove through California.  It’s a nice memory.  When I went away to college, I heard the rumor that the band was named after the mascot of the University of North Texas.  It’s true that Don Henley attended UNT (or North Texas State University as it was known back then) but none of the other members of the band did.  For whatever reason, I doubt that the quintessential California band decided to pay homage to a Texas college when they were selecting their name.

The band was formed in 1971 and they had several hits through the 70s.  The members of the band were as famous for their fights as their music and the Eagles broke up in 1980.  The members of band spent 14 years pursuing solo careers and Don Henley famously said that “Hell will freeze over” before they ever all played on the same stage again.  In 1994, it appears that Hell did just that because the Eagles reunited.  They toured.  They released a live album.  Most importantly, they made some money.  MTV produced a special, Eagles: Hell Freezes Over, which featured the band performing in a Burbank film studio.

Earlier today, while sitting out on a deck overlooking Lake Texoma, I watched the special on YouTube.  Watching the members of the band perform with each other for the first time in 14 years, I could understand why they broke up.  Each member of the band was undeniably talented.  They sounded good.  But they didn’t have much onstage chemistry.  Everyone did their part and they did it professionally and they got through the show without cursing each other out but, at the same time, there was very little warmth to be found on the stage.  No one seemed particularly enthused about being on stage with his former and current bandmates.  They came across like a group of people who didn’t particularly like each other and who had mostly shown up for the paycheck.

The other thing that I noticed is that the music itself, when taken as a whole, was kind of boring.  I hate to say that because my dad loved this band.  And the songs certainly weren’t bad.  They were good songs but, when heard one after another, it was hard not to notice that the mellow California sounds got dull after a while.  Heard on its own, Desperado is a classic piece of Americana.  Unfortunately, if you hear it immediately after listening to New York Minute, In The City, and Get Over It, Desperado loses its edge.  Even the opening performance of Hotel California was a bit of a slog.  By the time this special was recorded, it was obvious that the members of the band had decided they were fine with nearly leaving the Hotel California.

And that’s why I’m thankful for Joe Walsh, the guitarist and not the self-important jackass former congressman.  Because Walsh, almost alone amongst the group, still seemed to be having fun on stage.  The performance of Life In The Fast Lane is one of the rare moments when this special really comes to life and it’s almost entirely due to Joe Walsh and his guitar.  Life In The Fast Lane was also my Dad’s favorite Eagles song so, on his behalf, I’ll just say, “Thank you, Joe Walsh.”

Musical Film Review: Freebird…. The Movie (dir by Jeff G. Waxman)


 

My Dad was a huge Skynyrd fan.

When I was little, I didn’t really know that there was any controversy about the lyrics of Sweet Home Alabama or the fact that Lynyrd Skynyrd’s stage show usually featured a Confederate flag.  I didn’t know what Tuesday’s Gone was about.  I didn’t know that Free Bird was considered to be a classic by anyone other than my father.  I didn’t even know about the tragic 1977 airplane crash.  I just knew that when my Dad was driving he liked the Eagles, he enjoyed the Steve Miller Band, and he loved Lynyrd Skynyrd.  Even today, whenever I hear Sweet Home Alabama, I imagine my Dad driving his big rig across this beautiful country of ours.  The song may have been about Alabama and it may have been an answer song to a very specific song written by a Canadian (of all people) but it was still a song that could be listened to and enjoyed anywhere.  It was a song about Alabama but it was also a song that uniquely American.

At least, that’s what I always thought.  When I was in college, my friend Jen absolutely hated Sweet Home, Alabama (both the song and, believe it or  not, the film) and she would always start going, “No, don’t do it!” whenever she saw that I was about to play it.  That just made me play it louder.

By that time, of course, I knew that there was some controversy about both the song and the band.  Because Lynyrd Skynyrd was proudly and defiantly Southern, there were quite a few people who interpreted Sweet Home, Alabama as being a defense of everything that was going on in Alabama during the early 70s.  Of course, that’s not the case of all.  The song was defending a group of people against other people who, like Mr. Young, looked down on Alabama while ignoring or excusing the very similar things that were happening in their own backyard.  Massachusetts, for instance, was the scene of a good deal of violent racial strife throughout the 70s but Neil Young was never tempted to write Boston Man.  While Alabama was finally starting to move away from Jim Crow, people in Boston were rioting about busing.  The appeal of Lynyrd Skynyrd, at least as far as the original 70s version, was that they were tough, they were loud, and they didn’t apologize for being who they were. They weren’t going to apologize for being from the South and speaking with Southern accents.  They were defiant in a way that brought together both hippies and rednecks.

1996’s Freebird…. The Movie was one of the last films that my Dad watched before he died.  The film is a mix of archival concert footage and interviews with the members of Lynyrd Skynyrd, all of whom are rather worshipful of lead singer Ronnie Van Zant.  Van Zant emerges as such a charismatic performer and frontman that it’s easy to see why the members of the band and the audience would follow him just about anywhere.  Of course, the main appeal of the film is the music.  Sweet Home Alabama is performed with a blast of pure energetic Southern rock that stands in contrast to some of the band’s more mellow songs.  Freebird is performed beautifully and Billy Powell’s piano solo remains amazing.  As always, it probably helps to already be a fan of the band when watching a film like this.  All I can say is that, on July 31st, 2024, my Dad smiled as he watched it and I cried as I watched it with him.

Song of the Day: The Good, The Bad, and the Ugly — Main Theme (composed by Ennio Morricone)


Today’s song of the day is the main theme from Leone’s best-known film, The Good, The Bad, and The Ugly.

Ennio Morricone’s score is as much of a character in this film as the ones played by Clint Eastwood, Eli Wallach, and Lee Van Cleef.  It perfectly sets the moods, telling us that we’re about to see something that is truly epic.  The opening notes, which have so often been parodied but which have never lost their power, truly capture the feel of Sergio Leone’s mythical vision of the old west.

Song of the Day: My Way, performed by Christopher Lee


A lot of people have sung this song, from Paul Anka to Frank Sinatra to Sid Viscous and Jay-Z.

Christopher Lee’s version remains my favorite.

… And now, the end is near
And so I face the final curtain
My friend, I’ll say it clear
I’ll state my case, of which I’m certain
I’ve lived a life that’s full
I traveled each and every highway
And more, much more than this
I did it my way

… Regrets, I’ve had a few
But then again, too few to mention
I did what I had to do
And saw it through without exemption
I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way

… Yes, there were times, I’m sure you knew
When I bit off more than I could chew
But through it all, when there was doubt
I ate it up and spit it out
I faced it all, and I stood tall
And did it my way

… I’ve loved, I’ve laughed and cried
I’ve had my fill, my share of losing
And now, as tears subside
I find it all so amusing
To think I did all that
And may I say, not in a shy way
Oh, no, oh, no, not me
I did it my way

… For what is a man, what has he got?
If not himself, then he has naught
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way

… Yes, it was my way

Songwriters: Paul Anka / Gilles Thibaut / Claude Francois / Jacques Revaux

Song of the Day: Take California by The Propellerheads


“Take California.”

Today’s song of the day is a classic.  Released in 1996, the Propellerheads’s Take California is one of the essential big beat songs.  It was used to good effect in Any Given Sunday.  Was it the song playing when that football player lost his eye?  I really don’t remember.  It should have been, though.

The voices in this song belong to Richard Nixon and comedian (and Lyndon Johnson imitator) Earle Doud.

 

Song of the Day: Somebody Has To Pay by Susie Van Der Meer


Today’s song of the day comes from the soundtrack of 1998’s Run, Lola, Run.

Whisper my darling
I didn’t have the time to say goodbye to you
Flow into silence
My mouth is full of blood and my mind is too
And my mind is too

And you see me walking miles away
Somebody has to pay
And you see me walking miles away
I’m gonna take your pain with me

Golden reunion
I will always wait for you to be with me
Secrets in heaven
I’ll complete the mission if you want me to

And you see me walking miles away
Somebody has to pay
And you see me walking miles away
I’m gonna take your pain

And you see me walking miles away
Somebody has to pay
Somebody has to pay
Somebody has to pay

Somebody has to pay
Somebody has to pay