Finally, here are two more trailers for today, Kung Fu Panda 3 and Hotel Transylvania 2!
Well, that shows you how much I know.
The 68th Annual Cannes Film Festival came to a close earlier today. If you’ve been following news from the festival over the past two weeks then you’ve heard that Gus Van Sant’s Sea of Trees is no longer considered to be an Oscar contender. (That’s putting it gently.) You’ve heard a lot of acclaim given to Todd Haynes’s Carol. You have also seen Denis Villeneuve’s Sicario and the Hungarian film Son of Saul emerge as a potential Oscar contenders. Michael Caine’s performance in Youth was acclaimed, as was the work of Tim Roth in Chronic and Marion Cotillard in MacBeth.
One film that you probably did not hear about was Jacques Audiard’s Dheepan. As far as coverage of Cannes over here in the states is concerned, Dheepan was ignored. And yet — once again proving that nobody can predict Cannes — Dheepan is the film that ended up winning the Palme d’Or. The acting prizes also went to actors who have been under the radar, with the possible exception of Rooney Mara.
(Some day, I will be able to forgive Rooney Mara for playing Lisbeth Salander is David Fincher’s insulting interpretation of Girl With The Dragon Tattoo. But not today…)
As far as what the past two weeks have meant for the upcoming Oscar race: Well, I think it’s safe to say that we can forget about Sea of Trees. As for my insistence that Sea of Trees would be nominated … well, we’ll all have a good laugh about it someday. Carol appears to have emerged as an early front-runner and I think that Sicario could come on strong as well, especially if one of the nominal front runners — like Bridge of Spies, for instance — doesn’t live up to expectations. It wouldn’t surprise me to see Caine and Cotillard nominated as well. Everyone loves Michael Caine and, as he gets older, we are more and more aware that a day is going to come that he won’t be around to appear in any more movies. As for Cotillard, she is everything that Meryl Streep is supposed to be and more.
Anyway, here are the winners!
68th Cannes Film Festival top awards:
Palme D’Or: Dheepan
Grand Prix: Son of Saul
Jury Prize: The Lobster
Best Director: Hou Hsiao-hsien for The Assassin
Best Actor: Vincent Lindon for The Measure of a Man
Best Actress: Rooney Mara for Carol and Emmanuelle Bercot for My King
Best Screenplay: Michel Franco (Chronic)
Camera d’Or (Best first feature): La Tierra Y la Sombra
Well, here we are! The year is nearly halfway over and the Oscar picture … well, it’s really not that clear yet. The Cannes Film Festival just opened and maybe that will help clear up the picture a bit. Or maybe not.
Anyway, here are my early Oscar for predictions for May. (In previous months, my Oscar predictions were “way too early.” But now that we’re 5 months into 2015, the “way” can be dropped. They’re just “too early” now.) As is usual for any predictions made at this time of the year, these are mostly guesses, some random and some educated. Be sure to check my predictions for January, February, March, and April as well!
(I know that rumor has it that the Academy is going to go back to only nominating five films this year. However, I’m going to continue to make ten predictions because that’s more fun for an obsessive list maker like me.)
Best Picture
Black Mass
Bridge of Spies
Brooklyn
Carol
Crimson Peak
The Danish Girl
The Good Dinosaur
Icon
In the Heart of the Sea
The Sea of Trees
Best Actor
Johnny Depp in Black Mass
Michael Fassebender in Steve Jobs
Ben Foster in Icon
Eddie Redmanye in The Danish Girl
Jason Segel in The End of the Tour
Best Actress
Cate Blanchett in Carol
Jennifer Lawrence in Joy
Saoirse Ronan in Brooklyn
Meryl Streep in Ricki and the Flash
Lilly Tomlin in Grandma
Best Supporting Actor
Jim Broadbent in Brooklyn
Albert Brooks in Concussion
Joel Edgerton in Black Mass
Idris Elba in Beasts of No Nation
Kurt Russell in The Hateful Eight
Best Supporting Actress
Jessica Chastain in Crimson Peak
Jennifer Jason Leigh in The Hateful Eight
Seinna Miller in Black Mass
Parker Posey in Irrational Man
Meryl Streep in Suffragette
Best Director
Guillermo Del Toro for Crimson Peak
Stephen Fears for Icon
Todd Haynes for Carol
Ron Howard for In The Heart of the Sea
Gus Van Sant for The Sea of Trees
I really don’t know what’s wrong with me.
As I’ve made it clear many times in the past, I basically build my year around the Oscars. I always get together with my friends and family and I force them to watch the entire ceremony with me. Wherever I’ve lived, the Oscars have always been a national holiday.
As with any holiday, there are traditions. To cite just one example, every year there comes the moment when I suddenly realize that Meryl Streep looks exactly like this stuck-up rich woman from Highland Park who, back in 2oo1, was so rude to my mom that she made her cry and that’s why I’ve never liked Meryl as much as some of my fellow movie bloggers. And, of course, once I realize that, I have to tell the story to everyone else in the room. Part of the tradition is to continue telling the story even after everyone says, “We’ve heard this story a million times, Lisa.”
Another part of the tradition is to start out with hope that something unexpected will happen. “Oh my God,” I’ll say at some point, “maybe such-and-such movie is going to pull an upset!” Then, an hour later, comes the tradition of realizing that there aren’t going to be any upsets and everything’s going to play out the exact way that everyone said it would.
One of the newer traditions is that, after every Oscar ceremony, I write a review and I post it here on Through the Shattered Lens. But, somehow, this year, I nearly forgot about that tradition. Perhaps it’s because we got hit by a lot of sleet and ice last night and, as a result, I could neither go to work nor go dancing tonight. And, don’t get me wrong, I’ve had a lot of fun hanging around the house and being lazy today. But it was still a pretty big change from my usual routine. It threw me off and perhaps that’s why I’m only now getting around to reviewing the Oscar ceremony.
Then again, it could just be that last night’s ceremony was not that interesting. I thought that Neil Patrick Harris was a good host but, in retrospect, that has more to do with his own natural charisma of a performer than with anything he actually did. I liked his little bit about getting Octavia Spencer to keep an eye on his predictions but that was mostly because Octavia herself is such a good performer. (Octavia is also an Oscar winner who has the talent to do a lot more than just playing a supporting role on a TV show.)
I loved Margot Robbie’s dress. But I have to say that it really bothered me that there weren’t any true fashion disasters to be seen last night. That’s part of the fun of the Oscars, spotting the celebs that can’t dress themselves. When everyone looks good, the show’s a lot less interesting.
As far as the acceptance speeches were concerned, some of them were good. But I have to admit that I always cringe a little when I see a celeb at an awards show give a politically charged speech because, as committed as they may be, they never seem to be quite sincere. Instead, they come across as if they’re just playing another role. What I really wish is that, instead of Bustle and Jezebel posting a hundred articles about how much Meryl Streep loved Patricia Arquette’s speech on incoming inequality, those same media outlets would actually give as much attention to the women who actually have to deal with the issue on a daily basis. My mom had to raise four headstrong daughters on her own. She knew more about the sad reality of income inequality than Meryl Streep ever will. But nobody’s ever going to illustrate a story on income inequality with an animated gif of a woman, like my mom, working hard at multiple jobs, getting paid less than her male coworkers, coming home exhausted, and still managing to be there for her daughters. Instead, we’ll just get a hundred memes of Meryl shouting “Yes,” all used to illustrate stories that insist it was a “perfect” moment.
(Because what better symbol for the fight against wage inequality than a rich white woman at an awards show?)
My question to Hollywood political activists is this: Are you actually going to try to change things or are you just going to pat yourself on the back for giving a speech at an awards show? Because you people have given a lot of speeches and made a lot of politically-themed movies but the problems are still here.
As far as the awards themselves — I have to admit that I was not as big a fan of Birdman as some people were. For a few minutes, I was excited because I thought that Whiplash might pull an upset. But no, in the end, Birdman won. I liked Alejandro Inarritu’s previous Oscar-nominated film, Babel. But, beyond respecting it as a technical achievement, Birdman just didn’t do much for me and neither did Inarritu’s acceptance speech.
But you know who really didn’t do anything for me?
Sean Penn.
First off, if you’re going to be presenting best picture, try to take a shower before you go out on stage. Don’t show up looking like you’re covered in a week’s worth of grime. Looking at Sean Penn last night, I could only imagine that he probably reeked of stale cigarettes and strong body odor. Seriously, if the Academy needed someone unwashed to hand out the biggest award of the night, they could have followed the lead of the Golden Globes and called Johnny Depp.
And then, when Penn opened the envelope, he couldn’t just announce that Birdman had won. Instead, he had to make a joke about Inarritu’s green card. Inarritu is the first Mexican to direct a best picture winner and Sean Penn, a man who considers himself to be enough of an expert on South America that he actually think he has the right to tell the people of Venezuela how to vote, just had to make that green card joke. My mom was half-Spanish and had to endure her share of green card jokes (despite being a native-born American citizen). I know the pain that jokes like that caused her and, when Sean Penn made that joke, it was a slap in the face to Latinos everywhere. Shame on you, Sean Penn.
As far as pendejos like Sean Penn are concerned — ¡Estoy hasta el coño!
As far as Lady Gaga’s Sound of Music tribute was concerned … well, let’s just be honest. Lady Gaga was great but The Sound of Music is probably one of the most undeserving best picture winners ever. The Oscar should have gone to either Darling or Doctor Zhivago.
But, on a happier note, these Oscars also allowed me to make my E! debut! Check out this screen shot:
So, the 87th Academy Awards are over with. Here’s hoping the 88th Academy Awards are a bit more fun!
Because of bad weather, I wasn’t able to post the winners last night. But, now it’s morning and all of the rain has turned to ice and the internet is working again!
So, here’s what won at the Oscars last night.
Best Picture: Birdman or the Unexpected Virtue of Ignorance
Best Director: Alejandro Gonzalez Inarritu for Birdman or How I Learned To Stop Worrying and Love the Bomb
Best Actor: Eddie Redmayne in The Theory of Everything
Best Actress: Julianne Moore in Still Alice
Best Supporting Actor: J.K. Simmons in Whiplash
Best Supporting Actress: Patricia Arquette in Boyhood
Best Original Screenplay: Birdman or What We Talk About When Talk About Love
Best Adapted Screenplay: The Imitation Game
Best Animated Feature: Big Hero 6
Best Documentary Feature: CitizenFour
Best Foreign Language Film: Ida
Best Cinematography: Birdman based on the novel Push by Sapphire
Best Costume Design: The Grand Budapest Hotel
Best Editing: Whiplash
Beat Makeup and Hairstyling: The Grand Budapest Hotel
Best Original Score: The Grand Budapest Hotel
Best Original Song: “Glory” from Selma
Best Production Design: The Grand Budapest Hotel
Best Sound Editing: American Sniper
Best Sound Mixing: Whiplash
Best Visual Effects: Interstellar
Best Animated Short: Feast
Best Live Action Short: The Phone Call
Best Documentary Short Film: Crisis Hotline: Veterans Press 1
Well, tonight’s the night! Soon, we will know which 2014 films have won Oscars.
And, as soon as the ceremony ends, it will be time to start speculating about which 2015 films will be nominated next year! I am sharing and updating my predictions on a monthly basis and below you’ll find my latest predictions. You can read my predictions for January by clicking here.
Some of these films and performers — like End of the Tour and Grandma — were acclaimed at Sundance. (The recently concluded Berlin Film Festival, on the other hand, mostly just served to confirm that Knight of Cups and Queen of the Desert will probably not be contenders.) Kristen Stewart recently won a Cesar Award for Clouds of Sils Maria. Otherwise, the majority of predictions below are the results of my own wild guesses.
A year from now, we’ll probably look back at these predictions and laugh.
Best Picture
Black Mass
Brooklyn
The End of the Tour
Grandma
The Hateful Eight
In The Heart of the Sea
The Revenant
St. James Place
The Walk
Woman in Gold
Best Actor
Bryan Cranston in Trumbo
Matt Damon in The Martian
Leonardo DiCaprio in The Revenant
Michael Fassebender in Steve Jobs
Jason Segel in The End of the Tour
Best Actress
Blythe Danner in I’ll See You In My Dreams
Jennifer Lawrence in Joy
Helen Mirren in Woman in Gold
Saoirse Ronan in Brooklyn
Lily Tomlin in Grandma
Best Supporting Actor
Jim Broadbent in Brooklyn
Albert Brooks in Concussion
Paul Dano in Love and Mercy
Tom Hardy in The Revenant
Kurt Russell in The Hateful Eight
Best Supporting Actress
Julia Garner in Grandma
Jennifer Jason Leigh in The Hateful Eight
Kristin Scott Thomas in Suite Francaise
Kristen Stewart in Clouds of Sils Maria
Meryl Steeep in Suffragette
Best Director
John Crowley for Brooklyn
Ron Howard for In The Heart of the Sea
James Ponsoldt for The End of the Tour
Steven Spielberg for St. James Place
Robert Zemeckis for The Walk
Well, it’s almost here!
Tomorrow night, the Oscars will be handed out! Now, I have to admit that, despite all of the time that I spent keeping up with all of the guild awards and the critics award and all the other precursors, I kinda lost interest in the Oscar race after the actual nominations were announced. I took one look at Jeff Wells claiming to be solely responsible for the success of Birdman and Sasha Stone going on and on about Selma and Ryan Adams doing whatever the Hell it is that he supposedly does over at Awards Daily and I just found myself saying, “Fuck it, who cares?”
Seriously, 2015 will be remembered as the year that Oscar punditry jumped the shark. Hopefully, within the next few years, new voices will emerge and we’ll be spared from having to deal with Jeff Wells, Sasha Stone, and all the rest.
The Oscar commentary this year has been so negative and so toxic and so predictably strident and so tediously bitter that I did get a little bit burned out. It just hasn’t been as much fun this year. When, earlier this week, I was reminded that the Oscars were this Sunday, I have to admit that I was taken a little bit by surprise. For some reason, I had gotten into my head that the Oscars were next week.
But anyway, they’re not next week. They’re tomorrow and that means that it is now time for me to try to predict who and what will win tomorrow night. A lot of people are saying that this is the closest Oscar race in years. But you know what? They say that every year.
Remember how there were going to be a lot of upsets last year?
And, in the end, exactly what everyone thought would win did win.
I imagine the same thing will happen this year.
Here are my predictions! I will be listing both what I think will win and what I think should win.

Need to kill some time? Look through all the posts since November and count up how many times this picture has appeared on the site!
Best Picture:
Will Win: Birdman
Should Win: Boyhood
Best Director:
Will Win: Alejandro Gonzalez Inarritu for Birdman
Should Win: Richard Linklater for Boyhood
Best Actor
Will Win: Eddie Redmayne for The Theory of Everything
Should Win: Michael Keaton for Birdman
Best Actress
Will Win: Julianne Moore for Still Alice
Should Win: Reese Witherspoon for Wild
Best Supporting Actor
Will and Should Win: J.K. Simmons for Whiplash
Best Supporting Actress
Will and Should Win: Patricia Arquette for Boyhood
Best Original Screenplay
Will Win: Birdman
Should Win: Boyhood
Best Adapted Screenplay
Will and Should Win: Whiplash
Best Animated Feature:
Will Win: How to Train Your Dragon 2
Should Win: Big Hero 6
Best Foreign Language Film
Will Win: Leviathan
Should Win: Ida
Best Documentary Feature
Will Win: CitizenFour
Should Win: Finding Vivian Maier
Best Documentary Short Subject:
Will Win (random guess): Crisis Hotline: Veterans Press 1
Should Win: ???
Best Live Action Short Film:
Will Win (random guess): The Phone Call
Should Win: ???
Best Animated Short Film:
Will and Should Win: My Moulton
Best Original Score:
Will and Should Win: The Theory of Everything
Best Original Song:
Will Win: “Glory” from Selma
Should Win: “Hooray for Everything” from The Lego Movie
Best Sound Editing
Will and Should Win: American Sniper
Best Sound Mixing
Will Win: American Sniper
Should Win: Whiplash
Best Production Design
Will and Should Win: The Grand Budapest Hotel
Best Cinematography
Will Win: Unbroken
Should Win: Ida
Best Makeup and Hairstyling
Will Win: Foxcatcher
Should Win: Guardians of the Galaxy
Best Costume Design
Will Win: The Grand Budapest Hotel
Should Win: Inherent Vice
Best Film Editing
Will and Should Win: Boyhood
Best Visual Effects
Will Win: Interstellar
Should Win: Guardians of the Galaxy
Well, those are my predictions! Will I be right or will I be wrong? We’ll find out tomorrow!
For those of you following the Oscar race, Birdman‘s director, Alejandro Gonzalez Inarritu, won the Director’s Guild Award last night. Over the past few weeks, Birdman has pretty much swept the guild awards, also winning the PGA and the SAG awards.
(Interestingly enough, Michael Keaton was not named Best Actor at SAG. That award went to Eddie Redmayne for The Theory Of Everything.)
So, it would appear that — as far as 2014 was concerned — Boyhood was the critics favorite and Birdman was the industry’s favorite. And, since it’s the industry who votes on the Oscars, Birdman has to be considered the Oscar front-runner as well. For all the talk about how the Oscar race is wide-open this year, it’s actually proving to be pretty predictable.
(Unless, of course, those rumors of a sudden surge for American Sniper prove to be true…)
Myself, I prefer Boyhood to Birdman and I think that future film students will agree with me. But, I can understand why the industry would embrace Birdman. After all, it’s about an artist who is unfairly targeted by a vindictive critic and who is still suffering because he was forced to appear in a mindless blockbuster. I imagine that’s the way that a lot of Academy voters probably think of themselves. There’s really not much going on underneath the surface of Birdman but never doubt the value of appealing to the industry’s ego.
Obviously, it’s way too early to start speculating about who and what will receive Oscar nominations in 2016. I mean, that would be crazy, right?
So, that’s exactly what I’m going to do. Just like last year, I’m going take a monthly wild guess and try to predict what might be nominated. Next year, around this time, we’ll look at the predictions below and probably laugh.
Since the year just started, these predictions should be taken with more than a few grains of salt. Needless to say, these predictions are heavily orientated towards what played at Sundance this week and also towards films that were directed by the usual suspects. For instance, I know next to nothing about St. James Place but it stars Tom Hanks and it was directed by Steven Spielberg and, when you’re guessing this early in the year, that’s enough to earn it a listing.
(And before you laugh too much at how influenced this list was by Sundance, consider that the campaigns for both Boyhood and Whiplash started at Sundance.)
Of course, for all I know, the release of some of these films might be delayed, much as how Foxcatcher was moved from 2013 t0 2014.
With all that in mind, here are my way, way, way too early Oscar predictions for January!
Best Picture
Brooklyn
Concussion
The End of the Tour
Grandma
The Hateful Eight
In the Heart of the Sea
The Martian
The Revenant
St. James Place
The Walk
Best Actor
Matt Damon in The Martian
Leonardo DiCaprio in The Revenant
James Franco in I Am Michael
Tom Hanks in St. James Place
Jason Segel in The End of The Tour
Best Actress
Juliette Binoche in Clouds of Sils Maria
Blythe Danner in I’ll See You In My Dreams
Jennifer Lawrence in Joy
Saoirse Ronan in Brooklyn
Lily Tomlin in Grandma
Best Supporting Actor
Albert Brooks in Concussion
Bruce Dern in The Hateful Eight
Jesse Eisenberg in The End of the Tour
Sam Elliott in Grandma
Tom Hardy in The Revenant
Best Supporting Actress
Julia Garner in Grandma
Jennifer Jason Leigh in The Hateful Eight
Kristin Scott Thomas in Suite Francaise
Kristen Stewart in Clouds of Sils Maria
Meryl Streep in Suffragette
Best Director
John Crowley for Brooklyn
Ron Howard for In The Heart of the Sea
Alejandro Gonzalez Inarritu for The Revanant
Quentin Tarantino for The Hateful Eight
Robert Zemeckis for The Walk
The Oscar nominations were announced this morning and, judging from the overdramatic reactions on twitter, some people are apparently taking all of this way too seriously. Listen, I wish The LEGO Movie had been nominated. I wish Jake Gyllenhaal had been nominated. I haven’t seen Selma yet but it does seem strange that it was only nominated for one other Oscar. And, for that matter, how did Foxcatcher get nominated for director, screenplay, actor, and supporting actor without getting a nomination for best picture.
And yes, I do wish that more women had been nominated but, then again, I also wish that more women were being given the opportunity to write and direct films. If the Oscars are male-dominated, that’s because so is the industry.
AND WHERE’S GUARDIANS OF THE GALAXY!?
AND WHAT ABOUT JODOROWSKY’S DUNE!?
*ahem*
But, honestly, I think people are overestimating the importance of the Oscars. Great films will survive, regardless of awards won and lost. Believe me, there were a lot of nominations that I did not agree with but I’m not going to have a Sasha Stone-style freak out over it because, ultimately, the Oscars are what they are and if you think they’re anything more than an event, you really need to calm down and get some perspective.
I’m just happy that it was a good morning for Texas filmmaking. Richard Linklater and Wes Anderson were both nominated for best director. Boyhood, a Texas film if there ever was on, is the front runner for best picture. Texas actor Ethan Hawke was nominated for best supporting actor. Bradley Cooper may not be a Texan but he played one and, judging from the trailer and commercials for American Sniper, he actually got the accent right.
So, I’m happy!
(And, by the way, let’s give this talk about how Laura Dern stole Jessica Chastain’s nomination a rest. If anything, Meryl Streep stole Chastain’s spot.)
Here are the nominees!
BEST PICTURE
“American Sniper”
“Birdman”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash”
BEST DIRECTOR
Wes Anderson, “The Grand Budapest Hotel”
Alejandro Gonzalez Inarritu, “Birdman”
Richard Linklater, “Boyhood”
Bennett Miller, “Foxcatcher”
Morten Tyldum, “The Imitation Game”
BEST ACTOR
Steve Carell, “Foxcatcher”
Bradley Cooper, “American Sniper”
Benedict Cumberbatch, “The Imitation Game”
Michael Keaton, “Birdman”
Eddie Redmayne, “The Theory of Everything”
BEST ACTRESS
Marion Cotillard, “Two Days One Night”
Felicity Jones, “The Theory of Everything”
Julianne Moore, “Still Alice”
Rosamund Pike, “Gone Girl”
Reese Witherspoon, “Wild”
BEST SUPPORTING ACTOR
Robert Duvall, “The Judge”
Ethan Hawke, “Boyhood”
Edward Norton, “Birdman”
Mark Ruffalo, “Foxcatcher”
J.K. Simmons, “Whiplash”
BEST SUPPORTING ACTRESS
Patricia Arquette, “Boyhood”
Laura Dern, “Wild”
Keira Knightley, “The Imitation Game”
Emma Stone, “Birdman”
Meryl Streep, “Into the Woods”
BEST ORIGINAL SCREENPLAY
“Birdman”
“Boyhood”
“Foxcatcher”
“The Grand Budapest Hotel”
“Nightcrawler”
BEST ADAPTED SCREENPLAY
“American Sniper”
“The Imitation Game”
“Inherent Vice”
“The Theory of Everything”
“Whiplash”
BEST CINEMATOGRAPHY
“Birdman”
“The Grand Budapest Hotel”
“Ida”
“Mr. Turner”
“Unbroken”
BEST COSTUME DESIGN
“The Grand Budapest Hotel”
“Inherent Vice”
“Into the Woods”
“Maleficent”
“Mr. Turner”
BEST EDITING
“American Sniper”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Whiplash”
BEST MAKEUP & HAIRSTYLING
“Foxcatcher”
“The Grand Budapest Hotel”
“Guardians of the Galaxy”
BEST PRODUCTION DESIGN
“The Grand Budapest Hotel”
“The Imitation Game”
“Interstellar”
“Into the Woods”
“Mr. Turner”
BEST SCORE
“The Grand Budapest Hotel”
“The Imitation Game”
“Interstellar”
“Mr. Turner”
“The Theory of Everything”
BEST SONG
“Everything Is Awesome from “The Lego Movie”
“Glory” from “Selma”
“Grateful” from “Beyond the Lights”
“I’m Not Going to Miss You” from “Glen Campbell: I’ll Be Me”
“Lost Stars” from “Begin Again”
BEST SOUND EDITING
“American Sniper”
“Birdman”
“The Hobbit: The Battle of the Five Armies”
“Interstellar”
“Unbroken”
BEST SOUND MIXING
“American Sniper”
“Birdman”
“Interstellar”
“Unbroken”
“Whiplash”
BEST VISUAL EFFECTS
“Captain America: The Winter Soldier”
“Dawn of the Planet of the Apes”
“Guardians of the Galaxy”
“Interstellar”
“X-Men: Days of Future Past”
BEST ANIMATED FEATURE
“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”
BEST DOCUMENTARY FEATURE
“Citizenfour”
“Finding Vivian Maier”
“Last Days in Vietnam”
“The Salt of the Earth”
“Virunga”
BEST FOREIGN LANGUAGE FILM
“Ida”
“Leviathan”
“Tangerines”
“Timbuktu”
“Wild Tales”
BEST ANIMATED SHORT
“The Bigger Picture”
“The Dam Keeper”
“Feast”
“Me and My Moulton”
“A Single Life”
BEST DOCUMENTARY SHORT
“Crisis Hotline: Veterans Press 1”
“Joanna”
“Our Curse”
“The Reaper”
“White Earth”
BEST LIVE ACTION SHORT
“Aya”
“Boogaloo and Graham”
“Butter Lamp”
“Parvaneh”
“The Phone Call”