What Lisa and Erin Watched Last Night #149: Pretty Little Addict (dir by Monika Mitchell)

Posted on May 2, 2016 by Lisa Marie Bowman

Last night, the Dazzling Erin and I watched the latest Lifetime film premiere, Petty Little Addict!

Why Were We Watching It?

Yesterday was all about sisterly bonding time! Erin and I basically told the rest of the world to get lost and then we spent the entire day hanging out together, talking about life, pondering the great questions of the universe, and laughing. In fact, we probably spent more time laughing than pondering the great questions of the universe. We also chased a chicken out of our backyard! (He belongs to one of our neighbors.)

And really, what better way is there to bond than by watching a Lifetime movie!? When my friend Trevor informed me that Pretty Little Addict would be premiering last night, I knew that there was no way that Erin and I were going to miss it!

What Was It About?

It’s about a pretty little addict!

Her name is Jennifer (Andrea Bowen) and she has just lost her father to cancer. To deal with her sorrow, she drinks. Meanwhile, across town, Colin Brown (Keenan Tracy) is excited because he’s received a scholarship to run track in college. Colin’s entire future is pretty much set and it all looks great, assuming that he never loses the ability to walk.

As fate would have it, Jennifer and Colin end up at the same party. And, when a drunk Jennifer attempts to leave the party, she accidentally runs over Colin. Colin is crippled and Jennifer is ordered to check into rehab.

While Jennifer is trying to get sober, Colin’s brother, Alex (Scott Lyster), is looking for revenge. Alex is mentally unstable and has a drinking problem of his own. He also has a long and violent criminal record. When he discovers that Jennifer is in rehab, he gets a job working for the vending machine company that just happens to service the machines inside the rehab facility. Soon, Alex is flirting with Jennifer while also trying to manipulate her into giving up her new found sobriety.

Meanwhile, Colin’s family is making plans to sue Jennifer’s mother…

What Worked?

One thing that you can definitely say about Pretty Little Addict is that it had its heart in the right place. It sincerely did attempt to use its melodramatic storyline to say something meaningful about addiction and the struggle of recovery. Both Scott Lyster and Keenan Tracy gave good performances and I also liked Morgan Taylor Campbell in the role of Jennifer’s paranoid roommate.

What Did Not Work?

Good intentions aside, this is one of those films that just never really seemed to come together. It felt uneven and strangely paced and, even by the standards of Lifetime, the plot was full of obvious and glaring holes. Alex’s plan seemed unnecessarily complicated. Considering that he was an alcoholic, he could have just as easily checked himself into rehab and then he would have had much easier access to Jennifer than he did as a fake deliveryman. It would have been a lot less trouble for him as well.

From the start of the movie to the end, Jennifer was a fairly unlikable character. Even after she got sober, she never really seemed to understand just how much damage she had done.

“Oh my God! Just like me!” Moments

I rarely drink so there was a definite shortage of “Oh my God! Just like me!” moments. However, I did cringe a little when the rehab patients had to engage in a trust exercise that deal with being blindfolded. That’s because, in high school, I took part in a similar trust exercise. My friend Jennifer was blindfolded and I was supposed to catch her when she fell backwards. However, I’ve only got a three-minute attention span so, by the time she actually started to fall back, I was no longer paying attention and I kind of forgot to catch her. Whoops!

Lessons Learned

Don’t drink and drive, which is actually a pretty good lesson.

Happy 100th Birthday Glenn Ford: 3:10 TO YUMA (Columbia 1957)

Posted on May 1, 2016 by gary loggins

cracked rear viewer

Actor Glenn Ford was born 100 years ago today in Sainte-Christine-d’Auergne, Quebec, Canada. Yes, the All-American star was actually Canadian, becoming a U.S. citizen in 1939. That same year, Ford signed a contract with Columbia Pictures and began a long, prosperous career with the studio. After getting noticed in films like HEAVEN WITH A BARBED WIRE FENCE, SO ENDS OUR NIGHT, and TEXAS (his first Western), Ford took a break from acting and joined the Marine Corps to serve in World War II.

After the war, Glenn Ford was one of Hollywood’s top leading men. He hit it big with 1946’s GILDA, co-starring Rita Hayworth in what may very well be the first true film noir. Soon he found himself the hero in a string of successes: FRAMED, MAN FROM THE ALAMO, THE BIG HEAT , BLACKBOARD JUNGLE, JUBAL, and TEAHOUSE OF THE AUGUST MOON. But my favorite Ford role casts him…

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The Fabulous Forties #26: The Way Ahead (dir by Carol Reed)

Posted on May 1, 2016 by Lisa Marie Bowman

The 26th film in Mill Creek’s Fabulous Forties box set was the 1944 British film, The Way Ahead (or, as it was retitled when it was released in America, The Immortal Battalion).

Directed by Carol Reed (who was five years away from directing the great The Third Man), The Way Ahead is a British propaganda film that was made to boost the morale of both a weary British public and the army during the final days of World War II. Usually, when we call something propaganda, it’s meant as a term of disparagement but The Way Ahead is propaganda in the best possible way.

The film follows a group of British soldiers, from the moment that they are conscripted through their training to their first battle. (In many ways, it’s like a more refined — which is another way of saying “more British” — version of Gung Ho!) As usually happens in films like this, the newly conscripted soldiers come from all sections of society. Some of them are poor. Some of them are rich. Some of them are married. Some of them are single. In fact, when the film first begins, the only thing that they all have in common is that they don’t want to be in the army.

As they begin their training, they resent their tough sergeant, Fletcher (William Hartnell), and are upset that Lt. Jim Perry (David Niven, giving a very likable performance) always seems to take Fletcher’s side in any dispute. However, as time passes by, the soldiers start to realize that Fletcher is looking out for them and molding them into a cohesive unit. Under his training, they go from being a group of disorganized and somewhat resentful individuals to being a tough and well-organized battalion.

Though they’re originally skeptical that they’ll ever see combat, the battalion is eventually sent to North Africa. However, their ship is torpedoed and, in a scene that remains genuinely impressive even when viewed today, the men are forced to abandon ship while explosions and flames light up the night sky. By the time that they do finally reach North Africa, they are more than ready to fight…

The Way Ahead plays out in a semi-documentary fashion (it even features a narrator who, at the end of the film, exhorts the audience to stay firm in their commitment) and it’s a fairly predictable film. If you’ve ever seen a war film, you’ll probably be able to predict everything that happens in The Way Ahead. That said, The Way Ahead is a remarkable well-made and well-acted film. The cast is well-selected (and features a lot of familiar British characters actors, some making their film debut) and David Niven is the perfect choice for the mild-mannered but firm Lt. Perry. Even though I’m not a huge fan of war films in general, I was still impressed with The Way Ahead.

And you can watch it below!

What Lisa Watched Last Night #148: Seduced (dir by Jessica Janos)

Posted on May 1, 2016 by Lisa Marie Bowman

Last night, I watched the latest Lifetime film premiere, Seduced!

Why Was I Watching It?

Because it was on Lifetime, of course! Every Saturday night, I either watch or DVR the new movie on Lifetime. I absolutely and unconditionally love these movies and I don’t care who knows it. Plus, the title of the movie was Seduced and, as we all know, the best Lifetime movies often feature the word “seduce” in the title (i.e., Lethal Seduction, The Babysitter’s Seduction, etc).

What Was It About?

Someone is murdering redheads in California! (Speaking as a redhead, allow me to just say, “Agck!” in regards to that.)

Meanwhile, via a missed connections app, Caroline (Elisabeth Rohm), a redhead who lives in California, meets the mysterious and charming Gavin (Jon Prescott). Caroline is still haunted by the loss of her husband and spends most of her time trying to take care of her teenage daughter (Jessica Amlee) while keeping the company she works for — a place called Funderstorm — from going out of business. However, Gavin takes her away from all that, introducing her to a world of sensual and erotic delight.

(You have no idea how long I’ve been waiting for the chance to use “a world of sensual and erotic delight” in a review.)

Gavin seems to be perfect. He’s handsome, he has a sexy accent, he lives in a nice house, he cooks, and he reads books! However, since there is Lifetime, there are a few warning signs that Gavin may not be as great as he seems. For one thing, despite living in an absolutely fabulous house, he always seems to need money. For another, Caroline becomes so enraptured by him that she starts to neglect both work and her daughter. And then there’s the mysterious Margo (Julie Mond), who appears to be involved with Gavin in some way as well.

And, of course, there’s those news reports about the murdered redheads….

What Worked?

I really enjoyed this one. This movie featured everything that we love about Lifetime movies — melodrama, sex, several nice houses, clothes to die for, and even a little bit of empowerment at the end. The entire film was well-cast with Elisabeth Rohm doing a great job as Caroline and Jon Prescott epitomizing dangerous charm as Gavin. And, of course, I also have to praise Julie Mond, who didn’t appear in many scenes but definitely made an impression.

I also really liked the relationship between Caroline and her daughter. Rohm and Jessica Amlee were totally believable as mother and daughter and every detail of their relationship rang true.

What Did Not Work?

It all worked. If you’re into Lifetime movies, this film is for you. If you’re not into Lifetime movies — well, then you probably stopped reading this review a few paragraphs back. And that’s okay, I still love you! Lifetime films are not for everyone but if you enjoy them, you should enjoy Seduced.

“Oh my God! Just like me!” Moments

Oh my God, so many of the characters had red hair just like me! It’s just too bad that so many of them ended up getting killed.

Lessons Learned

Some connections are best missed.

6 Trailers For Law Day

Posted on May 1, 2016 by Lisa Marie Bowman

Believe it or not, today is not just Loyalty Day in America! It’s also Law Day! President Dwight D. Eisenhower first proclaimed May 1st to be Law Day in 1958 and apparently, it’s been celebrated every year since. On Law Day, Americans are meant to reflect on the role of law in the foundation of the nation and also consider its importance to the social order.

I have to admit that, as a part of my day job, I interact with attorneys on a daily basis and I have never once heard any of them mention Law Day. But, if it’s on Wikipedia, it has to be true!

In honor of Law Day, I thought I would send out the Trailer Kitties and have them come back with 6 trailer for a new edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers!

(I know it’s been a while since I did one of these but, for a while, my favorite grindhouse trailers was one of the mainstays of this site. In these posts, with the help of the Trailer Kitties, I highlight 6 of my favorite old school exploitation film trailers.)

Here are 6 trailers for Law Day!

(Some of these trailers are potentially NSFW so use your own best judgment before watching.)

1) Welcome Home, Brother Charles (1975)

In Welcome Home, Brother Charles, Charles is wrongly convicted and sent to prison. When he’s released, he uses his penis to strangle his enemies. Yes, he does. This, incidentally, was the first film that I ever reviewed for this site.

2) Seven Hours to Judgment (1988)

It’s not easy being a judge, especially when you’re one of those judges who lets criminals out on a technicality. I assume that’s what Seven Hours To Judgment is about.

3) Rolling Vengeance (1987)

When the law doesn’t do its job, citizens and trucks have no choice but to dispense their own brand of justice.

4) Night of the Blood Monster (a.k.a. The Bloody Judge) (1970)

This one features Christopher Lee as an evil judge and, perhaps not surprisingly, it was directed by Jess Franco.

5) Vigilante (1983)

“The police are powerless. The law is corrupt…” Joe Spinell is in this trailer.

6) Gordon’s War (1973)

Things may look tough out there! But don’t worry — Gordon has a plan!

What do you think, Trailer Kitty?

Happy Loyalty Day From The Shattered Lens!

Posted on May 1, 2016 by Lisa Marie Bowman

Oh my God, did you know that it’s Loyalty Day!?

Well, actually, that’s only true for some of our readers. I’m very proud to say that we have readers spread across the world. We even have a bureau in Brazil, which is headed up by Alexandre Rothier.

So, it’s not Loyalty Day for everyone. In fact, a lot of the world’s citizens are celebrating May Day today. However, here in the United States, it’s Loyalty Day. Even if you are an American, it’s possible that you’ve never heard of Loyalty Day. It was first celebrated in 1921 and it was intended to provide a non-Communist alternative to International Workers Day. It wasn’t until 1955 that Loyalty Day was officially recognized by Congress.

From Wikipedia:

Loyalty Day is defined as follows in 36 U.S.C. § 115:

(a) Designation.— May 1 is Loyalty Day.
(b) Purpose.— Loyalty Day is a special day for the reaffirmation of loyalty to the United States and for the recognition of the heritage of American freedom.
(c) Proclamation.— The President is requested to issue a proclamation—
- (1) calling on United States Government officials to display the flag of the United States on all Government buildings on Loyalty Day; and
- (2) inviting the people of the United States to observe Loyalty Day with appropriate ceremonies in schools and other suitable places.

In honor of this day, my sister and I woke up this morning and the first thing we did was sing the most pro-American song that we could think of.

Which song was that?

This one!

America — FUCK YEAH! Happy Loyalty Day, American readers!

Film Review: Keanu (dir by Peter Atencio)

Posted on April 29, 2016 by Lisa Marie Bowman

“KEANU!”

Meow!

“ARE YOU OKAY, KEANU!?”

Meow!

Greetings, fellow lovers of movies and cats! So, Jeff and I just saw the new comedy, Keanu. It’s the first film to star the quickly-becoming legendary comedy team of Keegan-Michael Key and Jordan Peele and it’s full of the type of humor that made their Comedy Central show, Key & Peele, such a success. Perhaps even more importantly, the film stars an amazingly adorable little kitten!

You’ve seen the trailer, right? You know how, when Peele first holds up his new kitten, Key immediately starts laughing and says, “Oh my God, that’s the cutest cat I’ve ever seen in my life!?” Well, he’s not lying. While I don’t think any cat is cuter than that one that I live with, Keanu the Kitten is definitely the cutest cat that I’ve ever seen in a movie.

Add to that, this kitten can act! When this kitten stares, you truly believe that he’s listening to the dialogue being exchanged. When he runs through a gunfight while bullets fly around him, you truly believe that this kitten is running for his life and you breathe a sigh of relief when he survives. When he meows, your heart melts with each squeaky sound. This is one amazingly talented kitten!

And it’s not surprising the everyone in the film wants Keanu. The 17th Street Blips (led by Method Man and created as the result of a merger between the Bloods and the Crips) not only want Keanu but they want to rename him New Jack as well. Their rival (played by Luis Guzman) wants Keanu and plans to rename him Eglesias. Two mysterious assassins — the much feared, very sadistic, and always silent Allentown Boys — want Keanu too. Since they don’t speak, they never say what they want to name him but it would probably be something cool.

And what really makes the film work is that none of them have a reason for wanting Keanu beyond the fact that he is literally the cutest kitten in Los Angeles. This film is full of dangerous and violent people but all of them love this cat. Everyone wants Keanu.

Well, I should say that everyone wants Keanu except for Anna Faris, who plays herself. All Anna Faris wants is a chance to do the latest designer drug, Holy Shit. (“It’s like smoking crack with God!” Method Man explains.) It’s probably a good thing that Anna Faris doesn’t want a cat because, as this movie reveals, she also has a potentially dangerous fascination with sharp swords and playing truth or dare.

Of course, Keanu technically belongs to Rell (Jordan Peele). They say that cats chose their owners and Keanu definitely does that when he shows up outside of Rell’s house. Rell has just been dumped by his girlfriend and existence has no meaning for him. But once Keanu shows up, Rell again learns to embrace life. He spends two weeks taking pictures of Keanu reenacting scenes from classic movies. But when the 17th Street Blips break into his house, mistakenly thinking that Rell has a supply of Holy Shit, they take Keanu for themselves.

Rell and his cousin Clarence (Keegan-Michael Key) team up to track down and retrieve Keanu from the Blips but there’s a problem. Rell may brag about growing up in New York and Clarence may have stories about his childhood on the streets of Detroit but both of them are painfully out-of-place in the violent world of Blips and Anna Faris. (Clarence is obsessed with George Michael while Rell “sounds like John Ritter all the time.”) Fortunately, Rell and Clarence happen to look exactly like the Allentown Boys. Method Man makes a deal with them. If Rell and Clarence — who are now going by the names TekTonic and Sharktank — train the Blips then he will give them Keanu.

(Method Man’s character is actually named Cheddar. Jeff just pointed out to me that Method Man previously played a character named Cheese on The Wire.)

While Rell struggles to fit in with the Blips, the nominally more straight-laced Clarence (who, unlike Rell, doesn’t even smoke weed) is soon having the time of his life. It turns out that Clarence specializes in corporate team building and he’s excited to introduce these techniques to Blips. (During one shootout, Clarence proudly announces, “They’re communicating!”)

Admittedly, Keanu is an uneven film. It’s essentially a collection skits and some of them are funnier than others. However, Key and Peele both bring so much commitment to bringing this insane story to life that they literally carry the audience over the occasional rough spot. It may not be perfect but it’s a film that announces that, whether on TV or in the movies, Key & Peele are a comedic force to be reckoned with.

Plus, that kitten is so damn cute!

(And, in case you were wondering, Keanu Reeves does make an appearance of sorts.)

This film is 90 minutes of laughter and that’s certainly something that we all need right now! See Keanu!

(Since you’ve probably already seen the trailer for Keanu — here it is, if you haven’t — let’s close this review with some exclusive audition footage.)

The Fabulous Forties #25: Jungle Man (dir by Harry L. Fraser)

Posted on April 27, 2016 by Lisa Marie Bowman

About a month ago, for reasons that I’m sure made sense at the time, I decided it would be fun to watch and review all 50 of the films included in Mill Creek’s Fabulous Forties box set. If you know anything Mill Creek box sets, then you won’t be surprised to learn that the majority of these 50 films are public domain B-movies. A few of them have been good, a few of them have been bad, and a few of them have been forgettable.

I have to admit that, as much as I love watching old movies, there’s a part of me that’s more than ready to move onto the next Mill Creek box set, the Nifty Fifties. But, before I do that, I have to finish up the Forties. Fortunately, I just watched the 25th film included in the Fabulous Forties and I am happy to say that I am now halfway done with this project! Yay!

As for the film itself, it’s a 63-minute film from 1941. Though it was later retitled Drums of Africa, it was originally called Jungle Man.

As for what Jungle Man is about … well, it’s mostly about stock footage.

There is kind of a plot. Wealthy Bruce (Weldon Heyburn) and his friend Alex (Robert Carson) want to go to Africa so that they can see the legendary City of the Dead. Bruce’s fiancée, Betty (Sheila Darcy), decides to accompany them because she wants to visit her brother (Charles Middleton), a missionary. Once they get to Africa, they also meet a doctor (Buster Crabbe) who is trying to find a cure for a fever that is wiping out the native population.

But really, the plot is mostly just an excuse for stock footage. We watch as our explorers walk down a jungle trail. Someone says, “Look up in that tree!” We cut to grainy footage of a monkey in a tree. Cut back to everyone looking upward. Cut back to that monkey in the tree. Suddenly, we hear a roar on the soundtrack. Cut to slightly less grainy footage of a tiger running through a field. Cut back to the explorers saying, “Look out, tiger!” Cut back to the monkey climbing up higher in the tree.

(Of course, tigers don’t live in Africa but that’s just the type of film this is!)

Even when our heroes finally reach the City of the Dead, we don’t actually see them walking around the city. Instead, we see them staring into the distance and then immediately cut to some still shots of what Wikipedia identifies as being Cambodia’s Angkor Wat. Of course, no attempt is really made to match any of the shots. If Jungle Man was made today, they could just CGI the Hell out of it. But since it was made in 1941, audiences had to suspend their disbelief and accept shots that didn’t particularly match up with any other shots and a storyline that was pretty much determined by whatever stock footage the producers had available.

On the plus side, it’s only 60 minutes long and some of the stock footage is fun, particularly if you like cute monkeys or fierce tigers. For the most part, it’s silly but inoffensive.

And you can watch it below!

(I should admit that, as I watched it, I kept thinking about those GEICO commercials where Jane and Tarzan are lost in the jungle and Tarzan refuses to ask for directions. “Tarzan know where Tarzan go.” “No, Tarzan does not know where Tarzan go. Excuse me, do you know where the waterfall is? The waterfall?”)

The Fabulous Forties #24: Passport to Pimlico (dir by Henry Cornelius)

Posted on April 27, 2016 by Lisa Marie Bowman

The 24th film in Mill Creek’s Fabulous Forties box set was the 1949 British comedy, Passport to Pimlico! Even though Passport to Pimlico is very much a British film (for instance, I had to use Wikipedia to discover the Pimlico is a neighborhood in London) and definitely a product of its time, it’s still a film that felt very relevant to some of the things that all of us in America are dealing with today. If nothing else, Passport to Pimlico is definitely more memorable than Freckles Comes Home.

Passport to Pimlico opens in London. World War II may be over but the city is still in the process of rebuilding. War-time rationing is still in effect and all the residents of Pimlico regularly have to deal with the endless red tape of bureaucracy. As well, there’s still unexploded German bombs littered around the neighborhood. When a group of local children accidentally blow one of those bombs up, it leads to the discovery of a previously hidden cellar. Inside the cellar is everything you could hope to find in a mysterious room: artwork, jewelry, and coins. There’s also a parchment from the 15th Century, in which the king of England ceded the neighborhood to the final Duke of Burgundy. Because no one knew that the charter existed, it has also never been revoked. As a result, all of the citizens of Pimlico are actually citizens of dukedom of Burgundy.

That means two things: First off, the citizens are legally required to live under the laws of Burgundy, despite the fact that the dukedom no longer exists and those laws haven’t been changed since the 1400s. Secondly, the neighborhood is no longer governed by the restrictive bureaucracy of postwar Britain. In short, Pimlico — or Burgundy, as it is now called — is a free and independent state.

Soon, the nation of Burgundy is being overrun by greedy businessmen and enthusiastic shoppers. The British respond by surrounding Burgundy with barbed wire and announcing that no one may cross the border. The Burgundians react by demanding that anyone riding the underground through their country have a passport or run the risk being kicked off the train.

And things only escalate from there. The British government is desperate to put Burgundy in its place while the citizens of Burgundy are determined to maintain their independence. If Passport to Pimlico were made today, this is probably one of those situations that would either end in tragedy or with everyone learning not to question the whims of the government. Fortunately, Passport to Pimlico was made in 1949 and, as a result, it is a genuinely warm-hearted comedy that celebrates both individual freedom and patriotism.

And really, it’s an enjoyable little film. The cast is full of British character actors, all of whom deliver their dialogue with just the right amount of snark. I enjoyed it and I have to admit that I related to it a bit. As I look at America today and I think about what it’s going to be like in 2017 (regardless of who wins the presidential election because, let’s be honest, they all suck), there’s a part of me that would love a chance to get out of this country and be a Burgundian.

Seriously, come 2017, I’m seceding!

Until then, I guess I can just watch Passport to Pimlico.

The Fabulous Forties #23: Freckles Comes Home (dir by Jean Yarbrough)

Posted on April 27, 2016 by Lisa Marie Bowman

The 23rd film in Mill Creek’s Fabulous Forties box set was an hour-long “comedy” from 1942. The name of the film was Freckles Comes Home and I have to admit that I’m struggling to come up with anything to say about it. That’s the thing about these Mill Creek box sets. Occasionally, you’ll come across a really good movie and, even more frequently, you’ll come across a really bad movie. But often times, you find yourself watching filler. If I had to guess, Freckles Comes Home was probably a movie that was made to act as the 2nd half of a double feature. Not much money nor effort was put into it. It’s not terrible and it’s certainly not good. It’s just sort of there.

With a title like Freckles Comes Home, I was expecting this movie would be about a lost dog but it turns out that I was wrong. Freckles (played by Johnny Downs) is a human being. He’s returning home from college because a friend of his has inherited some real estate and isn’t sure what to do about it. While sitting on the bus home, Freckles spends so much time talking about how much he loves his hometown that the man sitting next to him decides that maybe he’ll make that town his home as well. Unfortunately, that man is Muggsy Dolan (Walter Sande). As you would expect with a name like Muggsy, Dolan is a criminal on the run.

Back in town, Freckles attempts to convince his father not to build a road that will go through his friend’s property. He also romantically pursues a childhood friend named Jane (Gale Storm), despite the fact that everyone insists that Jane can do better than Freckles. (Personally, I was wondering why — in the year 1942 — a young man like Freckles wasn’t overseas, fighting for his country. DON’T YOU KNOW THERE’S A WAR ON, FRECKLES!?) Meanwhile, Muggsy is plotting to rob the town bank…

And then there’s Jeff (Mantan Moreland), who is the porter at the local hotel. Jeff thinks that he has a machine that will allow him to find buried gold. And since Jeff is an African-American in a 1940s film, it’s impossible to watch the way the movie treats him without cringing. There’s a few scenes where Moreland, as an actor, subtly suggests that Jeff is smarter than the movie gives him credit for and certainly, Moreland’s performance is the most memorable in the film but that really doesn’t make the role any less demeaning.

Anyway, Freckles Comes Home was largely forgettable. I assume that audiences in the 1940s may have enjoyed it (especially if it was included on a double bill with a more interesting movie) but, seen today, there’s just not that much to be said about it. It exists, it’s something of a time capsule, and that’s pretty much all there is to say about it.