With all the excitement surrounding the latest films from Christopher Nolan and Martin Scorsese, it’s easy to forget that David Fincher has a new film coming out as well! Here is the first official teaser for TheKiller, which is due to open on November 10th!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!
Let’s see what’s happening on the Island this week….
Episode 3.12 “The Cheerleaders/Marooned”
(Dir by Earl Bellamy, originally aired on December 8th, 1979)
I’m just going to be honest here. This week’s episode of Fantasy Island is not a good one. Neither one of the fantasies work. In fact, they’re both really, really annoying. Usually, this show does a fairly good job of balancing a fun fantasy with a serious fantasy. This episode, though, both fantasies are meant to be humorous. They’re not. They are both rather shrill.
That said, this episode did feature the return of Roarke and Tattoo bantering before going to meet their guests. When Roarke steps out of his office to meet the plane, he’s surprised to see that Tattoo is hiding in a red fire hydrant costume. When Roarke demands to know what Tattoo is doing, Tattoo explains that he’s training to be a secret agent. Roarke rolls his eyes so violently that I’m surprised he didn’t injure himself. Later, Tattoo attempts to disguises himself as a bale of hay and ends up getting chased by an enraged bull that just happens to be wandering around the Island. Roarke laughs and laughs because there’s nothing that makes him happier than the idea of his assistant suffering a terrible injury. That said, though it was all a bit mean-spirted, it was nice to see the return of the banter.
As for the two fantasies …. God, I don’t even want to talk about them.
The marginally more interesting one featured Vic Tayback as a blue collar guy named Melvyn whose fantasy was to spend some time with his favorite movie star, a total diva named Liz Merrill (Jayne Meadows). When Liz shows up on the Island, it turns out that her fantasy is for everyone to think that she’s lost at sea before she’s eventually found on a tropical island. She’s told that Melvyn has been hired to row the boat taking her to the island. Instead, Melvyn and Liz get lost and really do end up on a deserted island, where Liz eventually drops her arrogant attitude and Melvyn wins her love by barking orders at her. The fact that this was the “better” fantasy should tell you just how bad the other fantasy was.
The other fantasy features Georgia Engel and Patty McCormack as Cathy and Marg, two roommates whose fantasy is to be cheerleaders for their favorite football team, the Titans. Fortunately, the Titans training camp happens to be on Fantasy Island! Marg has a crush on quarterback Roger Mosely (played by Dan Pastorini) but Roger is more interested in Cathy. This leads to the two friends not being friends anymore but then Mr. Roarke tells them that there’s nothing more important than friendship. It’s a nice message but it’s hard to believe either Georgia Engel or Patty McCormack as cheerleaders and Engel and Pastorini had absolutely zero chemistry. The whole thing just felt too silly for its own good.
(I even forced Erin to watch this episode with me so that I could get her perspective as a former cheerleader. She agreed with me. As far as cheerleader stories go, this was no Bring It On.)
Sigh. This week’s episode was not great. Hopefully, next week’s will be better!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000. The entire show is currently streaming on YouTube!
This week, it’s time for the team’s final game ever!
Episode 6.9 “For Love Of the Game”
(Dir by Miguel Higuera, originally aired on November 18th, 2000)
Hey, we’re back at the University of Indiana, where the Tornadoes are still playing in that tournament. How long do these tournaments last? Every season Hang Time had a tournament story arc that went on forever. Do the Torandoes even go to class at this point?
Speaking of going to class, Julie is worried because she still hasn’t been offered a scholarship from the University of Connecticut. For some reason, Julie, Kristy, and Mary Beth insist on referring to the school as being “UConn.” “UConn do it!” Kristy says at one point. I don’t know. Maybe the University of Connecticut is actually known as UConn. I don’t really pay much attention to those little mid-Atlantic states. Does anyone?
Anyway, for some reason, Kristy and Mary Beth decide it would be a good idea to pretend to be recruiters so that they can tell the UConn recruiter that they’re really interested in Julie. They talk to a woman in a UConn jacket and the woman says that her college is not interested in Julie. Kristy and Mary Beth get upset and walk away. What they don’t realize was that the woman was only borrowing the jacket and UConn is totally planning on offering Julie a full scholarship!
For some reason (there’s that term again), Mary Beth decides to call the UConn recruiter and tell her off but, instead of doing it under her name, she calls and claims to be Julie. (Who does this?) Later, Mary Beth and Kristy run into the real UConn recruiter and discover that he’s going to offer Julie a scholarship. So now, Mary Beth and Kristy have to sneak into the man’s hotel room and delete their message before he hears it!
*Sigh*
I’ve mentioned many times before that I can’t stand stories that are dependent on everyone acting like an idiot. And this is one of those stories. I mean, Mary Beth and Kristy pretending to be recruiters is kind of funny but Mary Beth pretending to be Julie and telling off a recruiter is just stupid. Fortunately, though, Julie still gets her scholarship.
While this is going on, the team is freaking out about their next game because they’re currently undefeated and each player is afraid of being the person who screws up the season. Coach K yells at them until they remember that the game should be fun and, after trailing the entire game, the Tornadoes win by one basket. Again.
“That was our last play as a team,” Michael says. Awwwwwww!
This was a silly episode that got on my nerves. Let’s move on.
Episode 6.10 “A Night To Remember”
(Dir by Miguel Higuera, originally aired on December 2nd, 2000)
It’s prom time!
Unfortunately, the school made the mistake of naming Julie, Kristy, and Mary Beth as the heads of the prom committee. Everyone predicts that the three of them will end up fighting, just as they do whenever they try to work together. And that’s exactly what happens. Not only does Kristy lose all the money for the prom but Kristy, Julie, and Mary Beth all show up wearing the same gray dress. Mary Beth claims that she bought the dress first, Kristy claims that she picked her dress out 6 months ago. Mary Beth replies, “It looks the worst on Julie so she should go change!” That made me laugh. This show is always at its best when it allows Mary Beth to just be a force of chaos.
Meanwhile, Silk, Eugene, and Mary Beth have all ended up with terrible dates. Mary Beth accidentally said yes to Merle, who smells like vapor rub. (She was on the phone when he asked and she automatically said yes without hearing his question.) As a favor to Mary Beth, Silk tries to find another girl to go to the prom with Merle but she thinks Silk is asking. Eugene auction himself off for charity and is purchased by a retiree (played by none other than Mrs. Voorhees herself, Betsy Palmer).
Fortunately, the night is saved when a tornado hits Deering. While everyone huddles in the hallway, Kristy, Mary Beth, and Julie do an impromptu performance of I Will Survive. Yay! Seriously, it was a fun scene. Plus, my sisters and I used to sing I Will Survive when we did karaoke.
Overall, this was a cute episode. I enjoyed it and I sang along.
Next week: Hang Time ends as the Tornadoes finally graduate!
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1992’s Project Shadowchaser! Selected and hosted by Rev. Magdalen, this movie features Martin Kove! So, you know it has to be good!
Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet. We will be watching 1988’s Road House, starring Patrick Swayze, Sam Elliott, Ben Gazzara, Kelly Lynch, and Terry Funk! The film is on Netflix!
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, pull up Project Shadowchaser on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag! Then, at 10 pm et, switch over to Twitter and Netflix, start Road House, and use the #MondayMuggers hashtag! The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, the Shattered Lens wishes a happy 61st birthday to David Fincher! It’s time for….
4 Shots from 4 David Fincher Films
Seven (1995, dir by David Fincher. DP: Darius Khondji)
Fight Club (1999, dir by David Fincher, DP: Jeff Croneweth)
Zodiac (2007, dir by David Fincher, DP: Harris Savides)
Mank (2020, dir by David Fincher, DP: Erik Messerschmidt)
What was the highlight of this week? I finally watched Wes Anderson’s Asteroid City and I absolutely loved it.
What was the lowlight of this week? Some will undoubtedly say that it’s Dune Part 2 being pushed back to 2024 but, honestly, that’s not the end of the world. If nothing else, Dune will probably have the March box office to itself. For me, the lowlight continues to be the heat. I’ll be happy when winter arrives.
Here’s what I watched, read, and dance to this week!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1974’s Death Sentence! It can be viewed on YouTube!
There’s been a murder!
A young woman has been strangled in her own home. The nosy neighbor (Hope Summers) testifies that the woman often argued with her woman and that she heard the woman yelling on the night of the murder. The husband, John Healy (Nick Nolte), is found in a neighborhood bar and, when he’s brought back to his house, his drunken reaction to seeing his dead wife doesn’t do much to keep him from looking totally guilty.
However, the viewer knows that John is innocent because the viewer has already seen that the woman was murdered by Don Davies (Laurence Luckinbill), the man with whom she was having an affair. She demanded that he leave his wife for her and Don, realizing that his cheating was about to revealed, responded by strangling her.
Don’s wife is Susan Davies (Cloris Leachman), who knows that she and Don have been going through a rough patch but who certainly had no idea that Don was cheating on her. Shortly after the murder, Susan is called up for jury duty. She’s placed on the jury and told that she will be an important part of a major trial. As a result, she and the other jurors will be sequestered in a hotel….
And who is the defendant in this trial? John, of course!
As opposed to the other members of the jury, who are ready to convict John even before the first bit of testimony is heard, Susan pays attention to what is said in the courtroom. She listens to Lubell (Alan Oppenheimer), the prosecutor. She listens to Tanner (William Schallert), the defense attorney. She comes to believe that John is innocent but will she be able to hold her own against the rest of the jury? And will she ever figure out that the murder was actually committed by her husband?
It’s an intriguing premise, even if it is a bit far-fetched. I mean, it really is an amazing coincidence that Susan just happened to end up on the jury for a case involving a murder that was actually committed by her husband. However, this is a made-for-television movie and, as soon as “Produced by Aaron Spelling” appears on the screen, most viewers should be savvy enough to know what they’re getting into. Instead, the main problem with the film is that it opens by showing us who the murderer is. Therefore, there’s really zero suspense as to who actually committed the crime. Instead, the viewer spends the entire movie waiting for Susan to catch up. Since the majority of the film takes place in court, it’s a very talky film but there’s no joy to be found in paying close attention to every word said and picking up on the details that will allow you to solve the crime for yourself. This is a case where the film spoils its biggest twist and, despite good performances from Leachman and Luckinbill, it’s a bit dull.
(Nick Nolte, for his part, spends most of the movie silently sitting in the courtroom. He’s not bad and his look of anguish is believable but it’s hardly a starring role, regardless of what the film’s video packaging might otherwise claim.)
In the end, what I’ll mostly remember about Death Sentence were the atrocious fashion choices made by the prosecutor. Seriously, would you trust a man wearing this suit?
Asteroid City opens with black-and-white footage of Bryan Cranston, wearing a suit and speaking in the authoritative tones of someone who has made his living on television. Cranston informs us that we are about to see a televised production of a play by the famed but enigmatic playwright named Conrad Earp (Edward Norton).
The play, which is seen in stylized color, opens with Augie Steeback (Jason Schwartzman) driving his family through the desert. He is taking his son, Woodrow (Jake Ryan), to a Junior Stargazers convention that is being held at Asteroid City, a tiny town that is best-known for being the location of an impact crater. Along for the ride are Augie’s three daughters, who are all pretending to be witches. What Augie hasn’t told his children is that their mother has died, her cremated remains are in a Tupperware container, and that they will be moving in with their wealthy grandfather (Tom Hanks).
There’s not much to the town of Asteroid City. There’s a motel that’s managed by a man (Steve Carell) who sells land deeds out of a refurbished Coke machine. There’s a diner. There’s a group of helpful cowboys, led by the polite and helpful Montana (Rupert Friend). There’s a mechanic (Matt Dillon) who is called into duty when Augie’s car breaks down. The Junior Stargazer convention is the event of the year for Asteroid City. Young geniuses from all around the country have descended on the town and have brought their parents. One of them, Dinah (Grace Edwards), is the daughter of actress, Midge Campbell (Scarlett Johansson). When an alien (played, at one point in the film, by Jeff Goldblum) shows up and steals the town’s meteorite, General Gibson (Jeffrey Wright) declares a quarantine. Some people handle the lockdowns better than others. Augie takes pictures and thinks about his wife. Midge rehearses for her next role, one that is centered around her character dying. The genius children play a memory game that they realize will never end because they’re all geniuses. A teacher (Maya Hawke) tries to teach her students about the Milky Way, just to discover that the kids only want to talk about the alien. One of the fathers (Liev Schreiber) ends up with a useless plot of desert land and the death ray that his son recently invented.
Throughout it all, Bryan Cranston appears in black-and-white footage that gives us a look into what went on behind the scenes during the production of Asteroid City. The director (Adrien Brody) was a lech. The actor playing Augie struggled to understand what the play was about and who his character was meant to be while the actress (Margot Robie) hired to play his wife ended up in another play after her scenes were cut from Asteroid City. Only once does Bryan Cranston’s host appear in the color sections of Asteroid City, just to sheepishly admit that he’s not supposed to be there before ducking off camera.
Even if his name wasn’t in the opening credits, the viewer could probably easily guess that this is a Wes Anderson film. It features all of Anderson’s trademarks, all of the things that viewers will automatically love or hate depending on how they feel about Anderson’s quirky aesthetic. It’s a visually impressive, pop art-flavored, all-star comedy with an undercurrent of profound melancholy, one in which the fanciful strangeness of the alien’s “invasion” is compared and contrasted with the very real-life strangeness of how humans deal with life, loss, death, and uncertainty. Scenes of clever wordplay are mixed with scenes in which we see Augie still very much struggling to come to terms with the death of his wife and the actor Augie very much struggling to understand what is actually going on in his character’s head. As far as recent Anderson films go, Asteroid City is not quite as humanistic as Rushmore or Grand Budapest Hotel but, at the same time, it’s still more accessible than The French Dispatch.
If you’re not a fan of Anderson’s style, this film won’t convert you. That said, I am a fan of Anderson’s style and I absolutely loved Asteroid City. As with so many of Anderson’s films, the main focus is on how we try to deal with the uncertainties of life by trying to maintain an illusion of control over every aspect of our lives. Playwright Conrad Earp writes because that way he can have a world that follows his own rules. The actors follow a script that tells them how to react to everything that happens around them. In the play, the Junior Stargazers fall back on science while Augie’s father-in-law falls back on religion and Augie’s daughter convince themselves that spells will bring back or, at least, protect their mother. Even General Gibson falls back on his belief in the government and the military to deal with the sudden appearance by the alien. The alien is the unknowable and his arrival reminds everyone that life is unpredictable, regardless of how much you try to control your own story. Indeed, while the film takes place in the 50s and is full of comments about the Red Scare and atomic bomb testing, it’s hard not to see Asteroid City as being a commentary on the recent COVID lockdowns and the debate over whether people could ever go back to living the way that they did before the pandemic. Much as with the Coen Brothers’s similarly stylized A Serious Man, the ultimate message seems to be that the only way to deal with the unpredictability of life is to embrace it.
It’s also a very funny film, one that is full of small details that reward repeat viewing. If one focuses on the background characters, it quickly becomes apparent that there are actually several stories unfolding in the film and, much as with life, the viewer just has to be willing to look for them. (I particularly enjoyed the romance between The Teacher and Montana.) Jason Schwartzman is compelling as both Augie and the actor playing Augie and Scarlett Johansson plays both Midge and the actress playing Midge with the perfect amount of cool detachment. To the film’s credit, none of the character’s become caricatures. They remain individuals, regardless of how bizarre the film’s story may sometimes seem. Everyone gets a moment to reveal a little depth, from Jeffrey Wright’s sincere (if misplaced) faith in the lockdown policy to the moment when Tom Hanks’s previously unsympathetic father-in-law reveals that he’s as much in mourning as Augie. The all-star cast also includes Tilda Swinton, Liev Schrieber, Stephen Park, Willem DaFoe, Hong Chau, and Margot Robbie and all of them add to the film’s portrait of quirky but ultimately relatable humanity.
Again, with this film, it undoubtedly helps to already be familiar with and to like Wes Anderson’s way of doing things. If you’re not a fan of his film, this one probably won’t change your mind. That said, for those of us who do enjoy his style, this is Anderson at his best.
I spent most of this week watching horror movies and Big Brother. Sometimes, I couldn’t tell which was which. Here’s some thoughts on what I did watch this week!
The Challenge USA (Sunday and Thursday Night, CBS)
I watched it on Sunday, I didn’t watch it on Thursday. I don’t remember a thing that happened on Sunday, beyond the fact that I was annoyed by the fact that I was being asked to pay attention to someone named Bananas. To be honest, I’m getting kind of bored with reality TV. For instance, once this season of Big Brother is over, I never want to see any of the houseguests again. The idea of following them from show to show is just so cringey to me.
I watched another episode of this old anime series on Saturday morning. I have absolutely no idea what’s going on. A lot of stuff exploded so that was kind of fun.
Dr. Phil (YouTube)
Sunday morning, I watched an episode featuring a mother who was convinced that her daughter was lying about having stomach cancer and stealing money from people online. It turns out the mom was right!
Saturday afternoon, I watched an episode about a 17 year-old girl who was planning on moving out of her home so that she could live with an 18 year-old that she had never personally met. Dr. Phil did not think this was a good idea.
Republican Party Presidential Primary Debate (Fox News)
I watched it but I’m going to keep my opinions to myself. I will say that there were some candidates who seemed to be considerably more impressive than others.
Sally Jessy Raphael (YouTube)
I watched two episodes of this 90s talk show on Saturday. One episode was about teenagers being pressured by their friends and family to lose their virginities. The other was about husband, wives, and secrets. The audience booed everyone.
Saved By The Bell (Sunday Morning, MeTV)
It was student/teacher week! Zack became principal. Kelly taught history! Mr. Belding roamed the hallways! Lisa and Screech took over the athletic department and Slater and the jocks passed their history test just in time to lead Bayside to a 28-21 victory over Valley. This particular episode never made any sense to me.
Stars on Mars (Monday Night, FOX)
To be honest, Marshawn Lynch probably should have been sent back to Earth much sooner than he was. But, then again, everyone else kept leaving voluntarily so it’s not like there were really many opportunities to do so. This is one of those shows that, in the future, I will probably claim to have never heard of.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week, season 2 begins!
Episode 2.1 “Career Day”
(Dir by Bill Hobin, originally aired on September 23rd, 1976)
The 2nd season begins with Gabe telling Julie a joke about the time that his aunt went to a pet store and complained that the turtle she had bought had blisters on the bottom of its feet. Apparently, there was a kid who thought that the turtles were toy trucks. Julie gets angry over the punchline and storms out of …. the principal’s office? Why was Gabe telling Julie a joke in the principal’s office?
It’s career day at Buchanan High! A radio DJ comes by the class and talks about the joys of being on the radio. He tells Horshack that there’s no way that he could ever be a successful radio DJ. After the DJ leaves, Epstein points out that everyone they’ve seen for career day makes more money than their teacher. As if on cue, Mr. Woodman enters the room with a special guest …. hey, it’s Pat Morita!
Pat Morita explains that he is Taro Takahashi and that he is an inventor. Among his inventions is “transistorized underwear,” which the Sweathogs think is a crazy idea. Takahashi gets offended and leaves. Gabe and the Sweathogs follow Takahashi to Woodman’s office.
“My class has something to say to Mr. Takahashi,” Gabe says.
“What?” Barbarino asks.
Eventually, all of the Sweathogs realize that Gabe expects them to apologize and, somewhat reluctantly, they do so. Epstein apologizes for not being a good student but he points out that teachers don’t make much money. Takahashi asks how much money teachers make. Woodman whispers the amount to Takahashi. Takahashi whispers it to the Sweathogs. Everyone has a good laugh, except for Gabe.
Takahashi is impressed by Gabe’s determination and offers him a job in Chicago and offers to pay him twice his current salary.
“I don’t think you understand how dedicated Mr. Kotter is to his students.” Horshack says.
“SHUT UP, HORSHACK!” Gabe replies.
Mr. Woodman announces that he’ll take the job and work for less than Kotter.
Takahashi says that he’ll be in New York for a week and he will be awaiting Gabe’s answer.
Gabe goes back to his apartment and tells Julie about the job. Julie tells Gabe that he should take the job so that they can get a two-room apartment and a second pair of shoes. She makes a good argument. Takahashi then shows up at the apartment, looking for an answer. And then Woodman shows up, wearing a kimono and still trying to get Takahashi to hire him. “I could learn to love raw fish!” Somewhat disturbingly Takahashi says that the biggest mistake he ever made was picking up a hitchhiker who looked a lot like Woodman.
The next day, Takahashi accompanies Gabe to school. At the classroom, the Sweathogs dress up in white karate outfits, bang a gong, and speak in exaggerated accents that I think are meant to sound Japanese and …. uhm, yeah, this episode is getting REALLY cringey.
Fortunately, Takahashi then spends about two minutes calling out everyone on the show for being insensitive, stupid, and crazy and Pat Morita totally kills it, perfectly capturing Takahashi’s growing annoyance with Buchanan High’s students and staff. (If you watch the scene carefully, you can catch both Gabe Kaplan and John Sylvester White breaking character and laughing in the background.) Takahashi’s Horshack imitation is peerless.
Gabe gives a speech about how much he enjoys being a teacher and why he could never give up his current job. Takahashi respects his decision and leaves so that Pat Morita can star in a short-lived spinoff called Mr. T and Tina. However, Takashi does return briefly at the end of the episode so Gabe can tell him about “Uncle Max and his friend” who used to enjoy discussing global politics as their local Chinese restaurant.
This episode suffered because it was obviously a pilot for another show. It felt off because the Sweathogs were largely sidelined by Mr. Takahashi. That said, Pat Morita was funny and Mr. Woodman’s gradual descent into madness continued to be entertaining to watch. It wasn’t an ideal season opener and a lot of the humor hasn’t aged well but, as is so often with this show, the chemistry of the cast turned out to be the episode’s saving grace.
Episode 2.2 “Inherit The Halibut”
(Dir by Bill Hobin, originally aired on September 30th, 1976)
Gabe asks Julie if he’s ever told her about his Aunt Esther “who was a matron in a movie house.” Julie politely listens as Gabe tells the story of a moviegoer who fell from the balcony to the floor.
At school, the Sweathogs check the big plastic halibut in which class treasurer Freddie has been keeping the class fund and they are shocked to discover that the halibut is empty! Everyone accuses Freddie of taking the money.
“You’re calling me a thief!?” Freddie says.
“No,” Horshack says, “an embezzler.”
It’s mock trail time! Gabe agrees to act as Freddie’s defense attorney. Horshack puts on a suit and plays prosecutor. Epstein serves as bailiff. Barbarino throws on a bathrobe and serves as the judge. The other Sweathogs are the jury.
Speaking in a bad Southern accent and carrying a paper fan, Gabe announces that “when you walk through the pasture of evidence, you’re bound to step in some facts.”
Horshack calls a witness who reveals that Washington bought a new bicycle at a police auction. He paid eight dollars, the same amount as what was in the halibut. Gabe points out that no one asked Washington from where he got the eight dollars. Mr. Woodman is sworn in as a surprise witness and says Washington did it.
“Objection!” shouts Gabe, “This witness is hostile!”
Woodman goes on to reveal that he saw Washington counting money outside of the school. (“I checked my wallet,” Woodman says.) Gabe claims that Woodman is too bitter to be a credible witness. Woodman announces that Gabe’s students will be spending a lot of time in the court in the future and runs out of the room, laughing maniacally.
Gabe only has one witness. He calls Freddie to stand and asks him if he took the money. Freddie refuses to answer questions from either Gabe or Horshack. While Horshack dramatically asks his questions, he accidentally breaks open the halibut and several coins and dollars fall out of it.
“There’s a lot more than eight dollars here!” Gabe declares. In fact, there’s $32 in the fish!
Horshack suggests a plea bargain — “Let’s pardon Washington and split the money 50/50.”
Instead, Gabe calls Horshack to the stand. Horshack says that he’ll never snap before admitting to putting $8 in the fish to try to clear Freddie’s name. Epstein is called to the stand and admits that he also put $8 in the fish. Barbarino, as judge, then interrogates himself and bullies himself into admitting that he contributed $8 of his own to the fish. The other Sweathogs then announce that they also put $8 in the fish.
Gabe says that they still need to determine whether Freddie stole the money. The jury takes a second to convict Freddie. Freddie finally reveals that he did take the $8 but just so he could put it in the bank. Freddie reveals that he kept quiet because he was offended at everyone assuming that he stole the money. Still, Freddie realizes how the money’s disappearance looked to the class, so he forgives everyone and takes the $32 to the bank.
At the apartment, Gabe tells Julie to guess what he’s hiding in his hands.
Gabe explains that he’s hiding an elephant and Julie smacks him.
I liked this episode, largely because it gave Lawrence Hilton-Jacobs, who felt a bit underused during the first season, a chance to take center stage. I also respected Freddie’s refusal to answer a question that he shouldn’t have been asked in the first place. Good for you, Freddie!