Carol Wins In New York!


mara_blanchett_carol

Earlier today, the New York Film Critics Circle announced their picks for the best films and performer of the year!  And the big winner was … Carol!

Best Picture
Carol

Best Director
Todd Haynes, Carol

Best Screenplay
Carol

Best Actor
Michael Keaton, Spotlight

Best Actress
Saoirse Ronan, Brooklyn

Best Supporting Actor
Mark Rylance, Bridge of Spies

Best Supporting Actress
Kristen Stewart, Clouds of Sils Maria

Best Animated Film
Inside Out

Best Foreign Film
Timbuktu

Best Non-Fiction Film
In Jackson Heights

Best Cinematographer
Ed Lachman, Carol

Best First Film
Son of Saul

SPECIAL AWARD #1: Posthumous Award honoring the legacy of William Becker and Janus Films

SPECIAL AWARD #2: Ennio Morricone, Composer

Lisa’s Way Too Early Oscar Predictions For April


Best Picture

Black Mass

Bridge of Spies

Brooklyn

The End of the Tour

Grandma

The Hateful Eight

In The Heart of the Sea

The Revenant

The Walk

Woman in Gold

Best Actor

Bryan Cranston in Trumbo

Leonardo DiCaprio in The Revenant

Michael Fassebender in Steve Jobs

Tom Hanks in Bridge of Spies

Jason Segel in The End of the Tour

Best Actress

Blythe Danner in I’ll See You In My Dreams

Jennifer Lawrence in Joy

Helen Mirren in Woman in Gold

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Jim Broadbent in Brooklyn

Albert Brooks in Concussion

Paul Dano in Love and Mercy

Tom Hardy in The Revenant

Kurt Russell in The Hateful Eight

Best Supporting Actress

Julia Garner in Grandma

Jennifer Jason Leigh in The Hateful Eight

Kristin Scott Thomas in Suite Francaise

Kristen Stewart in Clouds of Sils Maria

Meryl Steeep in Suffragette

Best Director

John Crowley for Brooklyn

Ron Howard for In The Heart of the Sea

James Ponsoldt for The End of the Tour

Steven Spielberg for Bridge of Spies

Robert Zemeckis for The Walk

Lisa’s Way Too Early Oscar Predictions for March


The-Walk-movie-poster

Best Picture

Black Mass

Bridge of Spies

Brooklyn

The End of the Tour

Grandma

The Hateful Eight

In The Heart of the Sea

The Revenant

The Walk

Woman in Gold

Best Actor

Bryan Cranston in Trumbo

Leonardo DiCaprio in The Revenant

Michael Fassebender in Steve Jobs

Tom Hanks in Bridge of Spies

Jason Segel in The End of the Tour

Best Actress

Blythe Danner in I’ll See You In My Dreams

Jennifer Lawrence in Joy

Helen Mirren in Woman in Gold

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Jim Broadbent in Brooklyn

Albert Brooks in Concussion

Paul Dano in Love and Mercy

Tom Hardy in The Revenant

Kurt Russell in The Hateful Eight

Best Supporting Actress

Julia Garner in Grandma

Jennifer Jason Leigh in The Hateful Eight

Kristin Scott Thomas in Suite Francaise

Kristen Stewart in Clouds of Sils Maria

Meryl Steeep in Suffragette

Best Director

John Crowley for Brooklyn

Ron Howard for In The Heart of the Sea

James Ponsoldt for The End of the Tour

Steven Spielberg for Bridge of Spies

Robert Zemeckis for The Walk

Lisa’s Way Too Early Oscar Predictions For February


Brooklyn

Well, tonight’s the night!  Soon, we will know which 2014 films have won Oscars.

And, as soon as the ceremony ends, it will be time to start speculating about which 2015 films will be nominated next year!  I am sharing and updating my predictions on a monthly basis and below you’ll find my latest predictions.  You can read my predictions for January by clicking here.

Some of these films and performers — like End of the Tour and Grandma — were acclaimed at Sundance.  (The recently concluded Berlin Film Festival, on the other hand, mostly just served to confirm that Knight of Cups and Queen of the Desert will probably not be contenders.)  Kristen Stewart recently won a Cesar Award for Clouds of Sils Maria.  Otherwise, the majority of predictions below are the results of my own wild guesses.

A year from now, we’ll probably look back at these predictions and laugh.

Best Picture

Black Mass

Brooklyn

The End of the Tour

Grandma

The Hateful Eight

In The Heart of the Sea

The Revenant

St. James Place

The Walk

Woman in Gold

Best Actor

Bryan Cranston in Trumbo

Matt Damon in The Martian

Leonardo DiCaprio in The Revenant

Michael Fassebender in Steve Jobs

Jason Segel in The End of the Tour

Best Actress

Blythe Danner in I’ll See You In My Dreams

Jennifer Lawrence in Joy

Helen Mirren in Woman in Gold

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Jim Broadbent in Brooklyn

Albert Brooks in Concussion

Paul Dano in Love and Mercy

Tom Hardy in The Revenant

Kurt Russell in The Hateful Eight

Best Supporting Actress

Julia Garner in Grandma

Jennifer Jason Leigh in The Hateful Eight

Kristin Scott Thomas in Suite Francaise

Kristen Stewart in Clouds of Sils Maria

Meryl Steeep in Suffragette

Best Director

John Crowley for Brooklyn

Ron Howard for In The Heart of the Sea

James Ponsoldt for The End of the Tour

Steven Spielberg for St. James Place

Robert Zemeckis for The Walk

Clouds of Sils Maria

Lisa’s Way, Way, Way Too Early Oscar Predictions For January!


James Franco OMG

Obviously, it’s way too early to start speculating about who and what will receive Oscar nominations in 2016.  I mean, that would be crazy, right?

So, that’s exactly what I’m going to do.  Just like last year, I’m going take a monthly wild guess and try to predict what might be nominated.  Next year, around this time, we’ll look at the predictions below and probably laugh.

Since the year just started, these predictions should be taken with more than a few grains of salt.  Needless to say, these predictions are heavily orientated towards what played at Sundance this week and also towards films that were directed by the usual suspects.  For instance, I know next to nothing about St. James Place but it stars Tom Hanks and it was directed by Steven Spielberg and, when you’re guessing this early in the year, that’s enough to earn it a listing.

 (And before you laugh too much at how influenced this list was by Sundance, consider that the campaigns for both Boyhood and Whiplash started at Sundance.)

Of course, for all I know, the release of some of these films might be delayed, much as how Foxcatcher was moved from 2013 t0 2014.

With all that in mind, here are my way, way, way too early Oscar predictions for January!

Best Picture

Brooklyn

Concussion

The End of the Tour

Grandma

The Hateful Eight

In the Heart of the Sea

The Martian

The Revenant

St. James Place

The Walk

Best Actor

Matt Damon in The Martian

Leonardo DiCaprio in The Revenant

James Franco in I Am Michael

Tom Hanks in St. James Place

Jason Segel in The End of The Tour

Best Actress

Juliette Binoche in Clouds of Sils Maria

Blythe Danner in I’ll See You In My Dreams

Jennifer Lawrence in Joy

Saoirse Ronan in Brooklyn

Lily Tomlin in Grandma

Best Supporting Actor

Albert Brooks in Concussion

Bruce Dern in The Hateful Eight

Jesse Eisenberg in The End of the Tour

Sam Elliott in Grandma

Tom Hardy in The Revenant

Best Supporting Actress

Julia Garner in Grandma

Jennifer Jason Leigh in The Hateful Eight

Kristin Scott Thomas in Suite Francaise

Kristen Stewart in Clouds of Sils Maria

Meryl Streep in Suffragette 

Best Director

John Crowley for Brooklyn

Ron Howard for In The Heart of the Sea

Alejandro Gonzalez Inarritu for The Revanant

Quentin Tarantino for The Hateful Eight

Robert Zemeckis for The Walk

The Walk

It’s Time For Lisa Marie’s Early Oscar Predictions for August!


theory-of-everything-new

Every month, around this time, I post my early Oscar predictions.  These predictions are based on random guesses, early buzz, and gut instinct.  Originally, I referred to these as being my way too early Oscar predictions but, now that we’re in August, they are merely early.

Below you can find my latest set of predictions.  The main change for this month is that I’ve factored in the fact that, based on the trailer, it looks like The Theory of Everything will be a definite contender.

And feel free to check out my predictions for March, April, May, June, and July!

 

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

The Theory of Everything

Unbroken

Whiplash

Wild

 

Best Director

Alejandro Gonzalez Inarritu for Birdman

Richard Linklater for Boyhood

James Marsh for The Theory of Everything

Bennett Miller for Foxcatcher

Morten Tyldum for The Imitation Game

 

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Michael Keaton in Birdman

Eddie Redmayne in The Theory of Everything

Timothy Spall in Mr. Turner

 

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in The Disappearance of Eleanor Rigby

Rosamund Pike in Gone Girl

Reese Whitherspoon in Wild

Shailene Woodley in The Fault In Our Stars

 

Best Supporting Actor

Ethan Hawke in Boyhood

John Lithgow in Love is Strange

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Tom Wilkinson in Selma

 

Best Supporting Actress

Patricia Arquette in Boyhood

Felicity Jones in The Theory of Everything

Julianne Moore in Map To The Stars

Kristen Stewart in The Clouds of Sils Maria

Emma Stone in Birdman

theory-of-everything-felicity-redmayne

Embracing the Melodrama #56: Fierce People (dir by Griffin Dunne)


Fierce People

Much as how Inside Out is a perfect example of how one bad plot twist can ruin an otherwise good film, the 2007 sin-among-the-wealthy melodrama Fierce People shows how one good actor can partially redeem a really bad movie.  That actor’s name is Donald Sutherland and Fierce People is worth seeing for one reason: his performance.

Fierce People tells the story of a teenager named Finn Earl (Anton Yelchin).  As a character, Finn Earl is almost as annoying as his cutesy name.  He’s a permanently sarcastic 16 year-old who goes through life with the same judgmental smirk on his face, while the whole time delivering some of the smuggest narration ever recorded for a voice over in an American film.  Finn’s mother is Liz (Diane Lane), a massage therapist with a drug problem.  Finn’s father is some jerk who spends all of his time in South America, studying cannibal tribes.  (Actually, he’s studying a real-life Indian tribe known as the Yanomami, or the Fierce People.  However, I prefer to assume that he was actually studying a cannibal tribe because that means it’s entirely possible that he was eaten at some point and therefore, Finn will never get a chance to spend any time with father.  That’s the type of reaction that Finn, as a character, inspires.)

Liz and Finn are invited to spend the summer living the guesthouse of the fabulously wealthy Ogden Osburne (Donald Sutherland).  At first, Finn is weary of Ogden and assumes that he must be sleeping with Liz.  However, in a scene that works only because of the performance of Donald Sutherland, Ogden very graphically shows Finn why he’s not interested in having an affair with Liz.  Instead, Ogden is just a nice, rich eccentric.  Unfortunately, the other wealthy people who live around Ogden are not quite as nice and they soon, they start to resent the presence of Finn and his mother.  Finn does manages to befriend Ogden’s decadent grandson (played by Chris Evans) and even starts a tentative romance with Ogden’s granddaughter (Kristen Stewart) but the rest of the Osburne clan is not prepared to be so accepting.  Soon, the film goes from being an annoying comedy to being an annoying drama with a burst of violence and murder.

Fierce People is not a very good movie.  It’s based on a novel and, even if you didn’t know that beforehand, you would guess just from the way that the film tries and fails to present a lot of themes that undoubtedly work better on the page than on the screen.  The film’s attempts to draw parallels between the Yanomami and the wealthy (They’re two tribes and they’re both fierce — OH MY GOD, MIND BLOWN!) are way too obvious and the film’s sudden lurch into drama is handled rather clumsily.  It’s interesting to see Chris Evans before he became Capt. America and Kristen Stewart before she became Bella (and both of them, by the way, give good performances) but Anton Yelchin’s performance as Finn alternates between being smug and being whiny.  (In Yelchin’s defense, he’s developed into a pretty good actor and I loved him in Like Crazy.)

And yet, Fierce People works as an example of what a truly great actor can do with so-so material.  As played by Donald Sutherland, Ogden becomes the jaded moral center of the universe.  Sutherland plays Ogden with a perversely regal air and yet also makes us totally believe that Ogden actually could be helping the Earls out of the kindness of his heart.  It’s a great performance and every minute that Sutherland is on screen, Fierce People works.

If the film had simply been called Fierce Ogden, it would have been a hundred times better.

Donald Sutherland and Kristen Stewart

Lisa’s Early Oscar Predictions For July


Foxcatcher

Foxcatcher

It’s time for me to update my early Oscar predictions!  Every month, based on a combination of buzz, reviews, gut feelings, and random guesses, I attempt to predict which films, directors, and performers will receive nominations in 2015!  Originally, I referred to these as being my “way too early Oscar predictions.”  However, we are now halfway through the year and the picture is no longer quite as hazy as before.  Therefore, these are now simply my “early” predictions.

Click on the links to check out my predictions for March, April,  May, and June!

And below you’ll find my predictions for July.

As you may notice, my predictions have remained pretty stable over the past month.  The advance word on Big Eyes has been mixed but, unlike a lot of Oscar watchers, I was never expecting Big Eyes to be a major contender for any award other than best actress.  Meanwhile, Boyhood continues to be one of the most acclaimed films of the year, which makes me even more certain that Boyhood will be a contender in several categories.  Advanced word on Foxcatcher has also been so strong that I can now imagine both Mark Ruffalo and Channing Tatum scoring nominations for best supporting actor.

The big question right now is whether or not the acclaim that’s been given to summer films like Edge of Tomorrow and Dawn of the Planet of the Apes will also translate into major Oscar nominations or will those films simply have to be satisfied with getting all of the usual technical nominations.  Personally, I would love to see Andy Serkis get some love from the Academy but, sadly, I doubt it’s going to happen.

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Mr. Turner

Unbroken

Wild

 

Best Director

Alejandro Gonzalez Inarritu for Birdman

Mike Leigh for Mr. Turner

Richard Linklater for Boyhood

Bennett Miller for Foxcatcher

Jean-Marc Vallee for Wild

 

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Ralph Fiennes in The Grand Budapest Hotel

Michael Keaton in Birdman

Timothy Spall in Mr. Turner

 

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in The Disappearance of Eleanor Rigby

Rosamund Pike in Gone Girl

Reese Whitherspoon in Wild

Shailene Woodley in The Fault In Our Stars

 

Best Supporting Actor

Ethan Hawke in Boyhood

Mark Ruffalo in Foxcatcher

J.K. Simmons in Whiplash

Channing Tatum in Foxcatcher

Tom Wilkinson in Selma

 

Best Supporting Actress

Patricia Arquette in Boyhood

Julianne Moore in Map To The Stars

Kristen Scott Thomas in Suite francaise

Kristen Stewart in The Clouds of Sils Maria

Emma Stone in Birdman

Boyhood

Boyhood

Lisa’s Way Too Early Oscar Predictions For June


Timothy Spall in Mr Turner

It’s time for me to update my way too early Oscar predictions!  Every month, based on a combination of buzz, reviews, gut feelings, and random guesses, I attempt to predict which films, directors, and performers will receive nominations in 2015!  For the June edition, I look at how my predictions have been effected and changed by the results of the Cannes Film Festival.

Thanks to Cannes, I’m a bit more sure about some of my predictions (in particular, Foxcatcher, Mr. Turner, and Julianne Moore in Map To The Stars).  But at the same time, the majority of these predictions remain the result of instinct and random guessing.

Click on the links to check out my predictions for March, April, and May!

And now, here are June’s predictions!

Best Picture

Birdman

Boyhood

Foxcatcher

The Imitation Game

Interstellar

Mr. Turner

Whiplash

Wild

Based on its reception at Cannes, I’ve added Mr. Turner to the list of nominees.    I’ve also dropped Unbroken from the list, largely because of how aggressively it is currently being hyped by people who have yet to see it.    Traditionally, the more intensely an awards contender is hyped during the first half of the year, the more likely it is that the film itself is going to be end up being ignored once the actual nominations are announced.  (This is known as the Law of The Butler.)

Best Director

Alejandro Gonzalez Inarritu for Birdman

Mike Leigh for Mr. Turner

Richard Linklater for Boyhood

Bennett Miller for Foxcatcher

Jean-Marc Vallee for Wild

I’ve dropped Angelina Jolie (Unbroken) and Morten Tyldum (The Imitation Game) and replaced them with Mike Leigh (Mr. Turner) and Bennett Miller (Foxcatcher).  I’m far more confident that Cannes winner Miller will receive a nomination than Leigh.

Best Actor

Steve Carell in Foxcatcher

Benedict Cumberbatch in The Imitation Game

Ralph Fiennes in The Grand Budapest Hotel

Michael Keaton in Birdman

Timothy Spall in Mr. Turner

The big addition here is Timothy Spall, who I am predicting will be nominated for his Cannes-winning performance in Mr. Turner.

Best Actress

Amy Adams in Big Eyes

Jessica Chastain in The Disappearance of Eleanor Rigby

Rosamund Pike in Gone Girl

Reese Whitherspoon in Wild

Shailene Woodley in The Fault In Our Stars

Based on the charming but slight trailer for Magic In The Moonlight, I have removed Emma Stone from this list.  I was tempted to replace her with Hillary Swank but even the positive reviews of The Homesman were curiously muted.  So, I ended up going with Jessica Chastain’s performance in The Disappearance of Eleanor Rigby.  I also replaced Michelle Williams with Shailene Woodley who, much like Jennifer Lawrence over the past two years, is currently starring in both a commercially successful franchise film and a critically and commercially acclaimed drama.  That said, The Fault In Our Stars may have opened too early in the year to be a legitimate contender.

Best Supporting Actor

James Franco in True Story

Ethan Hawke in Boyhood

Mark Ruffalo in Foxcatcher

Martin Sheen in Trash

J.K. Simmons in Whiplash

I’ve moved Ralph Fiennes back up to Best Actor and I’ve replaced him with James Franco for True Story.  That might be wishful thinking on my part because everyone knows that I have a huge crush on James Franco.  However, the role — that of a real-life murderer who steals a reporter’s identity — sounds like both a chance of pace for Franco and the type of role that often leads to Oscar recognition.  (Just ask Steve Carell…)

Speaking of Steve Carell, he’s not the only actor getting awards-buzz for his performance in Foxcatcher.  Channing Tatum has been getting the best reviews of his career.  If he’s promoted for a supporting nod, Tatum is probably guaranteed a nomination (and, in all probability, that would doom the chances of Mark Ruffalo).  However, Tatum is apparently going to be promoted for best actor and his chances might be a bit more iffy in that race.

Best Supporting Actress

Patricia Arquette in Boyhood

Julianne Moore in Map To The Stars

Vanessa Redgrave in Foxcatcher

Kristen Scott Thomas in Suite francaise

Kristen Stewart in The Clouds of Sils Maria

Unlike a lot of film bloggers, I am not expecting Into the Woods to be a major Oscar contender.  (See The Law of The Butler above.)  While I was originally predicting that this film would manage to get Meryl Streep her annual nomination, I am now going to go out on a limb and predict that Meryl Streep will not be nominated for anything (other than maybe a Nobel Peace Prize) in 2015.  I’m also dropping both Viola Davis and Marcia Gay Harden from my list of predicted nominees and I’m replacing them with three actresses who received a lot of acclaim at Cannes: Julianne Moore for Map To The Stars, Vanessa Redgrave for Foxcatcher, and Kristen Stewart for The Clouds of Sils Maria.

Yes, I know what you’re saying — “Kristen Stewart!?”  Personally, if she’s as good as her reviews for The Clouds of Sils Maria seem to indicate, I think she will definitely be nominated.  I think it will actually help her case that she’s not exactly an acclaimed actress.  Look at it this way — people take it for granted that Meryl Streep is going to give a great performance, so much so that they’ll even make excuses for Meryl’s shrill turn in August: Osage County.  When someone like Kristen Stewart shows that she’s capable of more than Twilight, people notice and remember.  It’s those performances that inspire people to go, “Oh yeah, she actually can act!” that often lead to Oscar momentum.

And those are my predictions for June.  Agree?  Disagree?  Let me know in the comments section below!

Kristen Stewart

Trash Film Guru Vs. The Summer Blockbusters : “Snow White And The Huntsman”


Having proven yesterday how little I know about all things vampire with my review of Abraham Lincoln : Vampire Hunter, I figured I’d take a crack at another mythic genre, namely the fairy tale — or “folklore,” if you prefer — today. Why stop when you’re on a roll, right?

To be honest, though,  I guess what we’re here to talk about isn’t even “folklore” per se so much as the modern interpretation of a very popular piece of folklore indeed, since the film under our microscope this evening is first-time director Rupert Sanders’ Snow White And The Huntsman, the second “reimagining” of the Snow White legend to hit the screens this year following hot on the heels of Mirror, Mirror, and definitely the decidedly more “mature” of the two.

There were, frankly, a lot of reasons to be skeptical about this movie going in — Kristen Stewart sure isn’t my idea of perfect casting in the lead, for one thing — but on the whole, I actually walked out of this one pleasantly surprised. Not blown away, by any means — hell, not even bowled over — but it visually arresting enough and well-paced enough to sustain my interest throughout, even though the idea of Snow White as some kind of bad-ass warrior queen seems absurd to a guy like me who basically only knows the Disney version, and remembers it very faintly at that.

Sanders, who I understand got his start in music videos, definitely brings the kind of “these folks have a short attention span, so let’s not let up on the gas” attitude you’d expect from somebody fresh out of that milieu, and while he doesn’t really seem to be much of an actor’s director — Charlize Theron in given free reign to ham it up to the hilt with her interpretation of the evil Queen Ravenna, Chris Hemsworth is essentially just reprising his Thor role as the co-titular Hunstman, and Stewart does what she does “best,” namely look completely lost but somehow project an attitude that we’re supposed to think that’s “sexy,” and that we’re damn lucky she even inhabits the same planet as us mere mortals, as Snow White herself — but when he’s laying out a visual feast this scrumptious, I can live with a few of the ingredients being a bit sour and/or stale.

And what a feast it is! Yeah, there’s definitely a lot of liberal borrowing from the Tim Burton playbook going on here, particularly with little tricks like superimposing the heads of the likes of Bob Hoskins and Ian McShane onto CGI dwarves’ bodies, but Sanders’ overall vision of  the fantastic is considerably less color-saturated and joyful than Burton’s, and frankly a little edgier. When Burton goes “dark” or “morbid” he does so with his tongue firmly planted in his cheek, while Sanders really seems to mean it — this shit is supposed be more than just a little bit intimidating.

In that sense, he’s probably closer to the original intent of the Brothers Grimm and their contemporaries than he may even have consciously been aiming for, since “fairy tales” weren’t just designed to keep the young’uns of years gone by entertained, but to scare the shit out of them by illustrating the consequences of what would happen if they didn’t do as they were told, as well. There’s irony, I suppose, in the fact that this film, clearly billed as an “adult” take on the Snow White legend, actually ends up being closer, in tone and spirit, to the original than the decidedly more “family-friendly” Mirror, Mirror, but it’s the kind of irony I can certainly get behind, especially when the end result, while ultimately as disposable as most any other summer blockbuster fare (notice how pretty much all my praise here is aimed solely at the film’s visual sensibility and nothing else — there’s good reason for that, as the story is essentially exactly the kind of  hollow, by-the-numbers modern Hollywood take on the proceedings that you’d expect), is this downright fascinating to look at. Beneath the surface, there’s not much of anything going on in Snow White And The Huntsman, to put things as kindly as possible —but the surface is so damn lush, cryptic, and enthralling that you won’t realize, or even care, that you’ve pretty much been had until well after you leave the theater.