Guilty Pleasure No. 75: The Night Comes for Us (dir by Timo Tjahjanto)


Some of the most inventive action films have been coming out of Southeast Asia these past 20 or so years. It was led by the very entertaining and brutal actions films headlined by martial artist turned action star Tony Jaa from Thailand then followed up by Indonesian action star Iko Uwais from The Raid series by Welsh director Gareth Edwards.

In 2018, Netflix bought the distribution rights for an Indonesian action thriller from director Timo Tjahjanto that starred the aforementioned Iko Uwais, Joe Taslim, Julie Estelle and a who’s who of Indonesia’s acting scene. At first glance, The Night Comes for Us looked to cash-in o the popularity of Gareth Edwards’ The Raid series, but one would be both mistaken and remiss to think such a thing.

The Night Comes for Us looked at Edwards’ The Raid duology and thought to itself that the action wasn’t brutal and visceral enough so decided to rectify that missed opportunity. Timo Tjahjanto took what he learned from his past work on horror films and decided to add some of those visual storytelling techniques to an action film that one would either have a hard time to sit through while viewing or just gobble with up with glee.

Guilty pleasure doesn’t mean the film has to be cheaply made or seen as being bad it’s good type of thing. I always thought that its something that one enjoyed despite knowing that there’s many out there who would look at someone askance for enjoying such a low-brow affair. The Night Comes for Us is both visually stunning in its production yet still has that low-down, grungy feel to it that harkens back to the hey day of grindhouse films of the 70’s and early 80’s. The only thing missing from this film was film grain imperfections such as film scratches and flaws to give it that 42nd street, NYC movie theater circa 1970’s experience (stale, days old popcorn and sticky floors included).

This film has it all and it has it in such abundance that one might just forgive Timo Tjahjanto for overdoing things when it came to the brutal violence that in years past would’ve earned it the dreaded XXX thus endearing it to the grindhouse crowd. The film actually opens up and ends in one of the few calm and introspective scenes with everything else in-between just straight up violence both hand-to-hand and gun variety. The Night Comes for Us is the film version of that saying “it woke up and chose violence.”

Joe Taslim headlines the film and he gives such a visceral and unhinged performance that one would be forgiven for mistaking his character as the villain if seeing the film in the middle after missing the beginning. Iko Uwais usually plays the reluctant hero in his previous films, but gets to let loose in a more antagonist role that more than matches Taslim when the two finally square off each other. The other stand-out performance to highlight would be Julie Estelle as The Operator who can throw down just as extreme as the men and, in fact, her fight scenes are pretty much the most brutal in the whole film and that is saying a lot.

So yeah, The Night Comes for Us, go see it and be horrified and/or amazed in equal measure. I guarantee that even if you hate the experience you won’t say that it was ever boring or bland.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing

Film Review: Mortal Kombat (dir by Simon McQuoid)


About ten minutes into Mortal Kombat, there’s a title card that reads, “Earthrealm is on the verge of catastrophe….”

As soon as I saw it, I shouted, “Oh my God, this is one of those films!”

And indeed, it is. Mortal Kombat is one of those films that has a lot of mythology that doesn’t quite make sense but which the audience is expected to blindly accept because it’s Mortal Kombat. The main idea here is that, of the last few Mortal Kombat tournaments, Earthworld has lost nine of them and, if it loses for a tenth time, the rules state that Outworld will then be able to conquer Earthworld. What I want to know is who agreed to those stupid rules in the first place? Were they drunk at the time? Who decided on the ten-victory arrangement? Does it have to be ten victories in a row or do they just have to win ten times? If Earthworld wins the next tournmant, does everything reset or are we now in a position where we have to win every single tournament until the end of time? The film tells us that Raiden, the God of the Thunder, is the protector of Earthworld. Can we get a new protector because Raiden obviously sucks at his job.

Anyway, with an opening like that, you would think that Mortal Kombat would be all about the tournament but we don’t actually get the tournament in this film. We get a lot of combat (or should I say, “kombat”) because the champions of Outworld keep trying to kill the champions of Earthworld before the tournament. That sounds like cheating to me but whatever. All of the fighters have a special power, though some powers are more impressive than others. Kano (played by Josh Lawson) may be loud and obnoxious but he eventually learns how to shoot a laser beam out of his eye, which seems pretty nice until you consider that Liu Kang (Ludi Lin) can do all sorts of cool stuff with fire and Raiden can turn his hat into a freaking buzzsaw. Jax (Mehcad Brooks) loses his arms early on but then he gets some replacement arms that he can use to tear people in half. “These motherfuckers really work,” Jax says after savagely killing an opponent. Excuse me, Jax, but that was someone’s child.

The main character is Cole Young (Lewis Tan), who is a washed-up MMA fighter who gets a chance to save the world. Cole is a boring characters and his powers kind of suck too. After watching the film, I checked and I discovered that Cole is apparently not a character in any of the Mortal Kombat video games so I guess he was created to give the audience someone to relate to. But I would think that the audience would want to relate to someone who can actually do spectacular things as opposed to just standing around and whining about how his powers are inadequate.

The film’s big attraction is watching Sub-Zero battle Scorpion at the end. I’ve never even played Mortal Kombat and even I know who Sub-Zero and Scorpion are. That’s how much they’ve become a part of pop culture. Sub-Zero (who is played by Joe Taslim) is actually portrayed fairly well in the film. Taslim moves like a confident killer and, visually, the film comes up with some striking images of his ice-covered existence. If you’re only watching for the big Scorpion/Sub-Zero fight, be aware that it doesn’t happen until the very end of the film and it’s a bit anti-climatic. But Scorpion does say, “Get over here!” He says it in English despite all of his other dialogue being in Japanese and he shouts it at a character who is also never heard to speak English but whatever. It’s Mortal Kombat. They might be able to get away with not showing the tournament but there’s no way they could have gotten away with not using the line.

Mortal Kombat is pretty forgettable. It gets bogged down in story when its should just be concentrating on combat and the fights themselves are pretty rudimentary. There’s a lot of blood but not much imagination. I’m going to write a movie called Moral Kombat, which will just be three hours of Benedictines and Jesuits arguing with each other. I think it’ll be a hit.

The Tournament beckons in the Mortal Kombat Trailer


Way back in 1995, Paul W. S. Anderson made his big break with the original Mortal Kombat film. 25 years is high time for an update. Produced by James Wan, this Mortal Kombat seems to be a little stronger with the story it’s sharing. So far, I’m liking the cast here. The Raid‘s Joe Taslim as Sub-Zero, Hiroyuki Sanada (Avengers: Endgame, The Wolverine) as Scorpion, True Blood’s Mechad Brooks as Jax, and those are just the names I recognize. I’m just happy they added Kung Lao to the mix.  I’m hoping there will be more fighting action in this version, and a great soundtrack to boot.

Directed by newcomer Simon McQuoid, Mortal Kombat’s release date is set for later this year, and since it’s a Warner Bros. Picture, there’s a good chance HBO Max may get it early as well.

Star Trek Beyond Looks Much Faster and More Furious


Star Trek Beyond

J.J. Abrams reinvigorated the Star Trek film franchise when he did a sort of sort-reboot in 2009. It brought the franchise into the consciousness of a younger demographic who didn’t grow up as fans of the franchise both in film and the many tv series. The film was a success and Paramount made sure to strike while it was still hot and greenlit a sequel that looked to build on the strong foundation set-up by J.J. Abrams.

2013 saw that sequel come out and to say that it underwhelmed and burned much of the goodwill created with the 2009 film would be an understatement. Star Trek Into Darkness (a title derided the moment it was announced) literally took the “darkness” part of the title and ramped it up to 11. There wasn’t any of the fun and adventurous nature of the first film. It didn’t help that screenwriter’s Robert Orci’s 9/11 Truther ideology seeped into the film’s plot.

When it was announced that Robert Orci would end up directing the third film after J.J. Abrams went to go direct the latest Star Wars film, the outcry was loud and clear. Orci was a bad choice and just keeping him on would just sink a film franchise already teetering on the brink of becoming irrelevant in a blockbuster environment where superhero universes and the original blockbuster universe reigned supreme.

So, it was with some relief and cautious optimism when Paramount dumped Orci and went with Justin Lin (hot off the massive success of Fast & Furious 6) and rewrites by Simon Pegg. The franchise was going to get the fun back into the series and everyone was invited. Even the chosen title, Star Trek Beyond, spoke to a creative team who saw a chance to bring back the franchise from just being part of a fandom but for those who wouldn’t know a dilithium crystal from a Sith Lord.

The first teaser shows the fun part of what Justin Lin and Simon Pegg have been talking about. Now, will the next trailer show a much more dramatic side to the events fans are hoping will balance all the fun.

Star Trek Beyond looks to land on July 22, 2016.

Trailer: Fast and Furious 6 (Extended First Look)


FastSix

During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.

When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….

Now, enjoy the extended first look of Fast and Furious 6.

Trailer: Fast and Furious 6 (Super Bowl Exclusive)


FastSix

Fast Five was a big surprise when in came out in 2011. The franchise finally broke away from the street racing template of the previous entries in the series. The huge success of Fast Five meant it had given the franchise a new template by which to keep it going for the foreseeable future.

Fast and Furious 6 continues the action film rebirth of the Fast and Furious franchise by dumping all the street racing aspect of the series and just going all out action. We have Justin Lin back as director with the cast of Fast Five returning en masse. Joining this group is Luke Evans, Gina Carano and Michelle Rodriguez (thought dead after the fourth film). From the Super Bowl tv spot that just got released it looks like Fast and Furious 6 will be even bigger than the previous film.

M1 main battle tank and C-5 Galaxy transport plane means way bigger than a bank vault.

Fast and Furious 6 is set for a May 24, 2013 release date.

Quick Review: The Raid: Redemption (dir. by Gareth Evans)


I have to admit, Gareth Evans’ “The Raid: Redemption” wasn’t on my collective radar. It was by way of two friends on Twitter that I was even aware of it, but damn was it worth it. I can easily recommend The Raid as the movie to catch this weekend if you can find it playing near you (and if you happen to like action films). It’s been a while since I’ve run to the theatre twice in one week for the same film. It’s not perfect, and won’t win any kind of dramatic awards, but it’ll probably have you coming back for a second dose of the action.

The film has three things going for it:

1.) The action is intense, when it happens. The breaks between action moments are small.

2.) The film is short. At about 100 minutes, you almost won’t even realize when the film’s done.

3.) The music really moves it.

Evans and The Raid’s main star, Iko Uwais worked together back in 2009’s Merantau, which I’m looking to see now. The premise of The Raid: Redemption is a simple one. Rama (Uwais), along with 20 other SWAT team (or SWAT Team like) members perform a raid on a building owned by a criminal lord. Once the team gets in, they find the tables turned on them, with everyone in the building becoming their enemy.  This forces the team to try to stay alive and find a way to either escape, or get the Boss. That’s all it is, and honestly, that’s all The Raid would need to be as an action film. It’s as simple a story as Fist of Fury, Hard Boiled, and quite possibly The Expendables. There’s a side element in the film that I won’t go into detail on, which adds to things a little, but all the audience needs to know is that in The Raid, you’re getting pure action. If you’re walking into this expecting something more thought invoking (and that’s not a detriment to the film), you may want to look elsewhere.

Another high point of the film is its soundtrack, performed by  Mike Shinoda (of Linkin Park) and Joe Trapanese has a number of kinetic tracks in it that help to fuel the battles. It comes together very well, though part of me wishes that the main theme had a larger instrumental piece to it.

The pacing for The Raid is pretty good. Again, the time between fights are minimal, and most of it is used to showcase some of the situations the team and the members that live in the complex are in. While a few of these can be tense, they don’t really relax to the point where you’d hope to see more action.

If The Raid suffers from any drawbacks, it’s that that the fights themselves can end up being a little on the repetitive side. Mind you, this could be just a side effect of having seen the film twice already but you’ll find that by the time you get to the second to last fight, some of the moves seem to be repeated. Still, you won’t see anything better than this if you’re looking for a straight laced action film. An easily recommended pick.

Trailer: The Raid: Redemption (Official and Red Band)


I wasn’t fortunate enough to be able to attend last year’s Toronto International Film Festival. If I was there I have a feeling that a little Indonesian action film would’ve been the highlight of my time at TIFF 2011. The film is The Raid (it will get the Redemption added for it’s American release) and from the look of these two trailers it just speaks the language of awesome.

All I can say is that it should put the Indonesian martial arts style Pencak Silat on Hollywood’s map the way Ong Bak did for Muay Thai a decade ago.