Film Review: Deadpool 2 (dir by David Leitch)


“From the studio that killed Wolverine!” the poster proclaims.

“Directed by the man who killed John Wick’s dog” the opening credits announce.

Deadpool 2 is so meta that it even opens with a close-up of a figurine of Hugh Jackman impaled on a rock or a branch or whatever it was that finally killed him at the end of Logan.  Deadpool, the irrepressible and nearly indestructible mercenary played by Ryan Reynolds, announces that he’s willing to accept the challenge posed by Logan‘s tragic ending.  Deadpool promises us that, in the movie we’re about to watch, he’ll die as well.  Deadpool then proceeds to blow himself up.

Of course, those of us who have seen first Deadpool film know better than to panic when Deadpool’s severed head flies at the camera.  Deadpool heals so quickly that, as long as his powers are working, he can’t be killed.  If he gets shot or stabbed, the wound heals almost immediately.  Broken bones mend themselves in record time.  When Deadpool literally gets ripped in half, he promptly starts to grow new legs.  Without his powers, of course, Deadpool would have died a long time ago.  He has cancer, a fact that the film doesn’t dwell upon but which still adds a bit of unexpected depth to the character and his trademark dark humor.

Of course, Deadpool is not just unique because his near-immortality.  Deadpool is also unique in that he, and he alone, understands that he’s a character in a movie.  Even more importantly, he understands that he’s a character who is being played by an actor named Ryan Reynolds.  (Some of Deadpool 2‘s best jokes — which I won’t spoil here — are at the expense of some of Reynolds’s earlier career choices.)  While everyone else in the film is taking things very seriously, as characters in comic book films tend to do, Deadpool is pointing out all of the clichés and even the occasional plot hole.  When Cable (Josh Brolin), a cyborg warrior from the future, offers up a hasty explanation for why he can’t just use time travel to solve all of his problems, Deadpool dismisses it as “lazy writing.”

With the monster success of Wonder Woman, Infinity War, and Black Panther, Deadpool is the hero that we now need.  I mean, let’s be honest.  Comic books movies can be a lot of fun and, right now, we’re living in the golden age of super hero cinema.  At the same time, these films can occasionally get a little bit pompous.  Think about the unrelenting grimness of the DC films.  Think about all the sturm und drang that made up the undeniably effectively ending of Infinity War.  It in no way detracts from those films to say that Deadpool’s refusal to take either himself or the movie too seriously often feels like a breath of fresh air.  Deadpool is the one hero who is willing to say to the audience, “Yes, it’s all ludicrous and silly and occasionally a little bit lazy.  Isn’t it great?”

And yet, even with all that in mind, Deadpool 2 has a surprisingly big heart.  Even while it encourages us to laugh as its excesses, the sequel makes clear that it has a bit more on its mind than the first film.  Deadpool 2‘s plot deals with the efforts of both Deadpool and Cable to track down an angry mutant who goes by the somewhat regrettable name of Firefist (Julian Dennison).  Cable has come from the future to kill Firefist and prevent him from eventually destroying the world with his anger.  As for Deadpool, he feels that the spirit of someone he loved wants him to save Firefist.  As for Firefist himself, he’s an escapee from the Essex Home For Mutant Rehabilitation, a Hellish orphanage where the hypocritical headmaster and his perverted staff attempt to torture young mutants into being normal human beings.  The parallel to conversion therapy is an obvious one and there’s always just enough outrage underneath the film’s humor.

Deadpool 2 is a fast-moving and quick-witted sequel and Ryan Reynolds is, once again, perfect in the role of the demented lead character.  The jokes are nonstop and fortunately, so is the action.  There’s a lengthy fight between Cable and Deadpool that’s destined to go down as a classic.  Another exciting scene opens with parachutes and ends with … well, I can’t tell you.  I won’t spoil it, beyond to say that sometimes, being a hero is all about good luck.  Deadpool 2 is an ultra-violent, ultra-profane action-comedy with a heart of iron pyrite.  It’s not a film to take the kids too.  Deadpool himself points that out.  (He also points out that the babysitter is probably stoned by now.)  However, Deadpool also says that this sequel is a film about family and, amazingly enough, it turns out that he’s not lying.

So far, 2018 has been the year of the comic book movie and Deadpool 2 is a welcome addition.

Film Review: Den of Thieves (dir by Christian Gudegast)


Den of Thieves is quite simply one of the most exhausting films that I’ve ever sat through.

It’s not just that the film itself is overly long, though that’s definitely an issue.  (Den of Thieves last 2 hours and 20 minutes.  For the sake of comparison, that’s 17 minutes longer than last year’s best picture winner, The Shape of Water.)  Instead, the real problem is that there’s really not a single unexpected moment to be found in Den of Thieves.  Every cliché imaginable shows up in Den of Thieves and, after a while, the film’s predictability becomes a bit much to take.

It’s a bank heist film.  We know that because it opens with a strangely portentous title card that informs us that more banks are robbed in Los Angeles than anywhere else in the country.  This is one of those heist films where a self-destructive police detective goes head-to-head with a ruthless yet sympathetic criminal mastermind.  If you’re thinking that this sounds a lot like Heat, you’re right.  In fact, imagine if they remade Heat without any of the stuff that made Heat more than just another crime film and you have a pretty good idea what you’re going to get with Den of Thieves.

The detective is named Big Nick O’Brien (Gerard Butler) and we know he’s a badass because he’s got a lot of tattoos and a beard and when he’s not busting criminals, he’s either getting drunk or getting served with divorce papers.  Nick’s an asshole but that’s okay because Nick … NICK GETS RESULTS, GODDAMMIT!  Nick has a crew that’s devoted to him.  Of course, a lot of them will be dead by the end of the movie.  That’s just the way things go when you’re living in a clichéd crime film.

Big Nick wants to take down Merrimen (Pablo Schreiber), who is a former marine turned bank robber.  We know that Merrimen is a badass because he’s got a beard and he’s got even more tattoos than Nick!  In fact, his entire crew is covered with tattoos!  You have to wonder how smart these criminals are, all getting body art that will make it very easy for the police to identify them.  But they’re a good crew.  In fact … THEY’RE THE BEST!  THEY GET RESULTS!  And only Nick can take them down because … ONLY THE MOTHERFUCKING BEST CAN TAKE DOWN THE MOTHERFUCKING BEST, GODDAMMIT!

Sorry, am I yelling a lot?  This is one of those films where everyone yells a lot.  Basically, this entire movie is drenched in testosterone.  This is one of those films where no one gets interrogated with getting knocked around beforehand and where every meeting is some sort of confrontation.  When the end credits rolled, I was shocked to learn that some of these people actually had names.  Just from listening to the dialogue, I assumed everyone in the film was named “Motherfucker.”

And again, it just all gets exhausting after a while.  Maybe if Den of Thieves had been a 90 minute action flick or had featured any of the self-aware humor of Baby Driver, it would have been entertainingly dumb.  But 140 minutes is a long time to spend with a bunch of thinly drawn stereotypes.

Now, there are two positive things that can be said about Den of Thieves.

First off, one of the thieves is played by O’Shea Jackson, Jr. and he’s got enough screen presence that he can overcome some clunky scenes.  (A scene where he’s interrogated by the police literally seems to go on forever.)

Secondly, the film itself looks great.  The film’s opening scenes do a good job of capturing Los Angeles’s unique mix of grit and glitz.  The opening shootout is pretty well-done and briefly suggests some promise on which the film ultimately doesn’t deliver.

Anyway, Den of Thieves came out this January and despite middling reviews, it did well enough at the box office to earn itself a sequel.  So, in 2020, look forward to more scenes of Gerard Butler … GETTING RESULTS!

Iron Fist Gives A Glimpse of The Living Weapon


iron-fist

Netflix and Marvel has had quite a couple years. It began in 2015 with the premiere of the first season of the Daredevil series. It was then followed up by the Jessica Jones series.

Here we are in 2016 and we get the second season of Daredevil to start the year and ending it with the just released Luke Cage series. What do Marvel and MCU fans have to look forward to in 2017.

Well, we have the upcoming Iron First series coming out this March 2017 to look forward to with Daredevil, Jessica Jones, Luke Cage and Iron Fist teaming up to become the Defenders to end the year.

We finally get the first trailer for Iron Fist and it dropped during New York Comic-Con for attendees first, but it didn’t take Marvel and Netflix to release the trailer on-line for all the bear witness to the Living Weapon.