Jeremy Sheffield | Through the Shattered Lens

I hated reading the news that Sam Neill had recently passed away. As an obsessed movie fan going back to the mid-80’s, I had especially enjoyed his work in films like DEAD CALM (1989) and THE HUNT FOR RED OCTOBER (1990) prior to him starring in Steven Spielberg’s juggernaut JURASSIC PARK (1993)! Like so many others, I was wowed in the theater watching the film, and Neill was so good in it. From that point forward, he was a part of our lives no matter what the film or television series. We all kind of felt like we knew him. When I was looking back through his filmography, I was reminded of the TV mini-series MERLIN, that I made sure to watch each night when it premiered on NBC in April of 1998. I have not watched it since the original broadcast, but in tribute to Sam Neill, I decided I’d revisit the series again this week.

To somewhat set the stage, some TV mini-series were extremely big deals back in the ‘90’s, and MERLIN was a major “event!” This was before streaming services like Netflix or Amazon were pumping out a new 6-part series every other week. In those days, when something like MERLIN premiered on network TV, a lot of people would make sure they were at home every night so they could be sure to see these ambitious stories play out. With an extraordinary cast led by Sam Neill, and its fresh take on the Arthurian legend, MERLIN would be a massive ratings and critical success for NBC.

In complete honesty, at that time in my life, I had my eye on the series because one of my favorite actors, Rutger Hauer, has a role as the evil, power mad King Vortigern. I have also been a big fan of the legend of King Arthur, I guess going all the way back to when I was a kid and watching Disney’s THE SWORD IN THE STONE! But this time I was here to celebrate Sam Neill, and I must say he’s very good as Merlin. Neill’s Merlin is much more than an all-knowing wizard guiding King Arthur. Rather, he’s a man who experiences the full spectrum of human emotion. We see him fall in love, suffer heartbreak, admit his own mistakes, and then fight on behalf of the world when just about everyone else is gone. The character of Merlin was personalized for me for the first time in my life, and I give Neill’s likable performance full credit for that. In a career with so much great work, this is another excellent achievement.

MERLIN has an incredible supporting cast. Rutger Hauer, Helena Bonham Carter, Miranda Richardson, John Gielgud, James Earl Jones, Isabella Rossellini, Martin Short, Billie Whitelaw, Lena Headey, and many others bring the story to life and remind us just how big a production this really was. Of the supporting performances, Miranda Richardson, who plays dual roles, Helena Bonham Carter, and Martin Short really stood out the most to me. Hauer leaves a memorable impression despite relatively limited screen time. Neill, Carter, and Short would all be nominated for Primetime Emmy Awards for their acting, but none would win the award. The series would be nominated for a total of 15 Primetime Emmy awards, taking 4 of them home, mostly in technical categories.

Looking back on MERLIN after thirty years, I would have to say I appreciate it more now than I did then. I like the fact that it takes its time exploring big ideas like good vs. evil, destiny, sacrifice, and the unstoppable passage of time. I also like the visual effects, which may very much be a product of 1998, but I think they provide a charm that helps sell this timeless story. There’s a reason some stories are told for centuries, and this series does honor to the legend.

Just this past week, I made arrangements for my wife and I to spend a week on the beach in Perdido Key, FL at the end of the summer. The last time I was there was during the summer of 2019. As I sat on the beach back at that time, I received a notification on my phone that Rutger Hauer had passed away. Having been a fan of his for over thirty years, I just remember being sad that another one of my movie heroes was gone. Time doesn’t stop for anyone, and while my wife and I will be enjoying that same beach next month, there’s no doubt that I’ll think about Hauer, and now Sam Neill. Actors leave us, but their work lives on forever, and sometimes that work is legendary. Thanks for all the great memories, Sam.

Poor Casey (Hannah Tointon)!

As 2008’s The Children opens, all she wants to do is celebrate New Year’s with her friends. Instead, her mom and her stepfather are dragging her off to some stupid house in the middle of nowhere, where she’ll have to hang out with her aunt and her dorky uncle and she’ll also be expected to look after not only her two much younger cousins but her two half-siblings as well! Even worse, once they arrive at the house, all of the young children start to complain about feeling sick. One of them even throws up. Everyone assumes it’s just car sickness but could it be something worse?

(Of course. There’s always something worse!)

In fact, perhaps the only positive thing about the holiday is that it’s snowed! All of the snow sure does look pretty and it’s a lot of fun to play in. Once the kids get over being sick, they can’t wait to go outside and have some fun! One of the adults accompanies them. While he’s sledding, the kids use a garden rake to kill him. They even disguise it to look like an accident…

Yep, there’s definitely something going on with the children. At first, Casey is the only one who understands that the children have turned evil. (Of course, her first clue comes when they attack her in the woods.) All the adults are either in shock or denial. At first, they refuse to even consider that their children are trying to kill them. Of course, once the children lay siege to the house, the adults are in for a rude awakening…

This is actually the second film called The Children that I’ve reviewed for this site. The first one was a film from the early 80s that featured a school bus driving through a toxic cloud with the end result being a bunch of homicidal, radioactively-charged children. In the second version, it’s left a bit more ambiguous as to why the children have suddenly turned homicidal. While it’s established that that they’re suffering from a virus, the film never tells us where the virus came from or even how it was contracted in the first place. In fact, until the film’s last few minutes, the audience is never quite sure just how far the infection has spread. That ambiguity is what gives this film its power. There’s nothing scarier than not being sure what’s going on.

The Children is a grim and disturbing horror film, one the features very little humor and which ends on an ominous note. It’s a film that exploits something that we all know but rarely want to admit, which is that children can be incredibly creepy. We tend to idealize children, which is exactly what the children in this movie use to their advantage.

The Children is also a very well-acted horror film. Hannah Tointon is sympathetic in the lead role while all of the killer children are played with a proper combination of savagery and innocence. This may very well be the best killer children film ever made.