Horror Film Review: American Nightmares (dir by Darin Scott and Rusty Cundieff)


I’m always a little bit cautious about anthology films.  There’s been a few that I’ve liked.  (I recently enjoyed Tales From Parts Unknown, for instance.)  But most of the time, horror anthology films tend to leave me feeling rather disappointed.  The good segments always seem as if they’re too short while the bad segments seem to go on forever and it’s hard not to feel that the only reason the film was made was because the filmmakers couldn’t be bothered to come up with a full-length story.  Plus, there’s always some wrap-around segment and, more often than not, it’s usually kind of stupid and it leaves you feeling as if the film wasted the talents of whoever it was they hired to host the film.

And that brings us to American Nightmares.

In American Nightmares, two dorky guys who might as well have millennial tattooed on their foreheads, find their perusal of internet porn interrupted by the appearance of Mr. Malevolent (Danny Trejo), who proceeds to introduce not one, not two, not three, but SEVEN stories about terrible Americans getting their just deserts.  The two dorky guys are rather blase about it all, being more concerned with watching twerking videos than really considering Mr. Malevolent’s stories about hypocritical people getting what they deserve.

Some of the stories are okay but there’s seven of them so it’s hard not to feel that the film is overstuffed.  Plus, when you’ve got seven stories in one film, it just takes one or two clunkers to make the whole thing feel pointless.  For instance, the first story — which deals with the perfect man and what he turns out to be — is okay and the second story — about a D.A. getting bitten by karma — is cartoonish but crudely effective.  But then you hit the third story — which is about racists going to a fantasy world where “no blacks” are allowed — and the story is so heavy-handed, poorly acted, and slow that you kind of tune out.  You end up ignoring several of the stories that come after because that third one was so dumb and poorly executed.

Danny Trejo is not a bad choice to play the host of a horror anthology.  As is always the case with Danny Trejo, he brings a lot of energy to the role and he seems to be having a great time.  His co-host is Nicelle Nichols, of Star Trek fame.  She doesn’t get to do much other than nod approvingly as Trejo introduces each story.  The stories themselves are full of familiar faces, though the film could hardly be called “all-star.”  Instead, it’s more like, “Here’s a bunch of people who you might recognize and who needed the money.”  In other words, the film is full of people like Jay Mohr, Chris Kattan, Vivica A. Fox, and Brendan Sexton III.  Most of them give rather broad performances, as if they want to make sure you know that they’re just appearing in this movie as a favor to someone and not because they were desperate for work.  It’s a bit like Movie 43, just with a less prestigious cast and more dead babies.

Anyway. American Nightmares is not particularly good.  It’s overstuffed with stories and none of the stories are really as clever as the film seems to think that they are.  Danny Trejo, though, is a badass.

 

Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.  It’s one that I previously shared in 2013, 2015, 2016, 2108, and 2019 but it’s such a classic that I feel that it is worth sharing a second (or fifth or even a sixth) time.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him. However, the film is also a perfect example of early screen spectacle. The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that. Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening. The film’s ending was originally faithful to the end of the novel. However, audiences demanded something a little more dramatic and that’s what they got.

AMV of the Day: Control (Various)


To help promote the holiday spirit, here’s is today’s AMV.

Animes: Higurashi,  Elfenlied,  Tokyo ghoul,  Danganronpa,  Akame ga kill ,Another Helsing,  Parasite,  Black butler, Hell Girl,  Death Note

Song: Control by Halsey

Creator: Bellemere

(As always, please consider subscribing to this creator’s YouTube channel!)

Past AMVs of the Day

Horror on TV: Baywatch Nights 2.15 “Mobius” (dir by David Livingston)


On tonight’s episode of Baywatch Nights, David Hasselhoff and Angie Harmon get zapped into a parallel universe, one where lifeguards regularly battle the denzieins of Hell.  Oh wait a minutes …. that’s this universe!

This episode originally aired on March 2nd, 1997!

Game Review: Desolation (2020, Earth Traveler)


Desolation is an entrant in the 2020 Interactive Fiction Competition.  All of the entries can be played here.

In this piece of horror-themed Interactive Fiction, you have just escaped from a mansion and a blood-thirsty cult and now, suddenly, you’re in the desert.  You have no food.  You have no water.  Your phone isn’t going to save you and the sun isn’t going to stop beating down on you.  You’ve got a flashlight but that won’t help if you die of thirst and there’s a good chance of that happening since you’re stranded in the desert.

Or are you?

Desolation does a good job of keeping you guessing as to what’s really going on.  After a few turns of wandering around in the desert, the game took an unexpected turn and then, a few turns later, it took another unexpected turn.  I can’t go into the details without spoiling the game but I will say the Desolation kept me on my toes.  I’m terrible at IF games that require you to figure out how to survive in a desolate location.  I always go the wrong direction or pick up the wrong object.  That happened to me a few times while playing Desolation but I still enjoyed the game.  It’s a real challenge and requires more than a little thought.  If you’ve never played an IF game before, this is probably not the one to start with.  But people who know the format should enjoy the challenge of Desolation.

One final note: Desolation is actually a sequel to an earlier game, Two Braids Girl.  I haven’t play the earlier game but that didn’t stop me from enjoying Desolation.

Desolation can be played here!

4 Shots From 4 Jess Franco Films: The Awful Dr. Orloff, Vampyros Lesbos, Female Vampire, Faceless


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, we’ve been using 4 Shots From 4 Films to pay tribute to some of our favorite horror directors!  Today, we recognize the one and only Jesus “Jesse” Franco!

4 Shots From 4 Films

The Awful Dr. Orloff (1962, dir by Jess Franco)

Vampyros Lesbos (1970, dir by Jess Franco)

Female Vampire (1973, dir by Jess Franco)

Faceless (1988, dir by Jess Franco)

 

Horror on the Lens: The Brain Wouldn’t Die (dir by Joseph Green)


I hate to say it but it’s getting more and more difficult to find public domain horror films on YouTube that we have yet to share on this site.  I mean, the fact of the matter is that we’ve been doing these horrorthons for ten years now and there’s definitely a limited supply of films to choose from.  (For the most part, I try to pick films that I know aren’t going to get yanked down because of a copyright claim.  For instance, you might be able to find something like Hereditary or Midsommar on YouTube but I can guarantee you that it won’t be there long.)

Last night, I was really happy when I came across The Brain That Wouldn’t Die on YouTube.  “Finally!” I said, “A film were haven’t used yet!”  Then I did some research and I discovered that we did share it, way back in 2011.

Well, guess what.  We’re sharing it again.  After all, it’s always a good time to watch a movie about a disembodied head, a monster in a closet, and a man losing his arm in a scene that’s surprisingly graphic for 1962.  To me, the best thing about this film is just how pissed off that head is at being brought back to life.

So, for a second time, enjoy The Brain That Wouldn’t Die!