Tonight’s episode of Baywatch Nights, The Eighth Seal, was originally broadcast on April 26th, 1997 and it features David Hasselhoff getting possessed.
You really haven’t lived until you’ve seen David Hasselhoff play possessed.
Enjoy!
Will Spanner (played, for a second time, by David Byrnes) returns in Witchcraft IX!
Will is still the son of a warlock, he’s still dead, and his girlfriend is still named Kelli (she’s played, this time, by Leah Kourtne Ballantine) but otherwise, the continuity of the entire franchise gets seriously twisted in Witchcraft IX. Witchcraft VII ended up with Will dead and everyone knowing that Will was dead. This was followed by Witchcraft VIII, which was a stand-alone film about a different warlock. Witchcraft IX then begins with no one knowing that Will is dead and an imposter Will living with Kelli and regularly choking her during sex. Will’s ghost roams the city, trying to get anyone to listen to him. Though Will was clean-shaven when he died, ghost Will has a beard.
While Will is trying to find someone who can hear him, Detective Lutz (Stephanie Beaton) and Garner (Mikul Robins) are investigating yet another series of ritualistic homicides. This time, the homicides are connected to an Egyptian cult as opposed to a Satanic one. Usually, Lutz and Garner would turn to Will for help but, because imposter Will is a jerk, they don’t want anything more to do with him. Of course, in Witchcraft VII, Lutz and Garner saw Will die but apparently, they’ve forgotten about that and think that he’s still alive. See how confusing this is?
Will finally does find someone who can hear his voice. She’s a prostitute named Sheila (Landon Hall) and soon, Will is using her to deliver messages to Lutz, Garner, and Kelli. He even enters her body at one point. Witchcraft IX is basically a softcore version of Ghost, with an Egyptian cult thrown in for good measure.
Whatever other flaws they may have had, the previous Witchcraft films all did try to maintain a recognizable continuity. That’s what made them stand out when compared to other direct-to-video franchises. Even though the actors changed, Will always remained the same character with the same problems. In Witchcraft IX, all of that continuity gets tossed out the window. The one emotionally effective moment of the entire franchise, Will dying and being mourned by everyone who cared for him, is retconned into nothing.
Witchcraft IX suffers from its low budget and its impossible to follow plot but Landon Hall and Stephanie Beaton are surprisingly good as Sheila and Lutz and David Byrnes is a passable hero. Though Will does come back to life at the end of this one, he would still be absent in the next film. In Witchcraft X, Detective Lutz would finally get a story all of her own.
This game is an entrant in the 2020 Interactive Fiction competition. All of the entrants can be played here.
This game starts off with a premise that anyone has ever had to rely on mass transit can relate to. You’re waiting for the #44 Bus so that you can ride it to the station where you have to catch your train. However, while you’re waiting, you get a notification telling you that your bus is running 40 minutes behind schedule!
Do you try to catch another bus? Do you try to catch a different train? Or do you just suck it up and wait for your bus to arrive? Choose carefully because the world is strange and who knows where all of these buses and trains could be going. I consistently failed to pick wisely and I ended up more lost than I was before.
There are 10 different endings that you can get at the end of this game, depending on which bus or train you decide to take. Among the endings I’ve gotten, I’ve found myself trapped in a train station and I’ve also entered into a strange parallel dimension. I have yet to actually get to where I needed to go. Anyone who has ever had to deal with MTA Maryland or tried to navigate the subways in New York or the Underground in London will be able to relate. It’s a universal game, one to which we can all relate and which everyone should be able to enjoy. We’ve all been there.
You can play it here. Good luck!
Since today is Klaus Kinksi’s birthday, it makes sense that he should be featured in today’s scene of the day. In this scene from Werner Herzog’s 1979 film, Nosferatu, Klaus Kinski and Bruno Ganz have dinner. Of course, in this scenario, Bruno Ganz is Jonathan Harker while Kinski is Dracula.
(In the original, silent Nosferatu, Harker’s name was changed to Thomas Hutter while Dracula was called Count Orlok. By the time Herzog shot his version, the characters were in the public domain and there was no longer any need to pretend that Nosferatu wasn’t an adaptation of Bram Stoker’s novel.)
Enjoy!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
94 years ago today, the infamous but incredibly talented Klaus Kisnki was born. Though Kinski appeared in many genres of film, he was an actor who seemed to be well-suited for horror films. Today, we honor that legacy with….
4 Shots From 4 Films
The original The House on Haunted Hill is a classic and one that we make it a point to share every Halloween. And since October is halfway over, now seems like the perfect time to do so!
Be sure to check out Gary’s review by clicking here!
Enjoy Vincent Price at his best!
Enjoy!
The 17th episode of Baywatch Nights was called The Servant and it featured Mitch and Ryan fighting a mummy! Unfortunately, it’s also one of the few episodes to not be available on YouTube, or at least not in watchable form. (There’s a sped-up version where the image is so oddly cropped that it’s basically unwatchable but that’s about it.)
So, we’ll have to skip The Servant and instead move onto Symbol of Death which features an apparent alien abduction. If nothing else, this episode shows what a debt Baywatch Nights owed to The X-Files.
This episode originally aired on April 19th, 1997!
Enjoy!