Colin Quinn | Through the Shattered Lens

“Oh my God!” I said as I looked at what was new on Netflix, “A Halloween movie starring the guy from Uncut Gems!? THIS IS GOING TO BE INTENSE!”

Of course, as I’m sure you already guessed, Hubie Halloween might as well be taking place in a totally different universe from Uncut Gems. Uncut Gems was an intense drama that starred Adam Sandler as a man so self-destructive that he literally seems to spend the entire movie just daring death to reach out and take him. Hubie Halloween, on the other hand, is fairly laid back comedy featuring Adam Sandler playing yet another well-meaning manchild. The film features supporting performances from all the usual Happy Madison suspects, like Kevin James, Rob Schneider, Steve Buscemi, Tim Meadows, Ben Stiller, Maya Rudolph, Keenan Thompson, and Colin Quinn. It’s sentimental and it’s about thirty minute too long and the humor is often juvenile but also frequently funny.

Adam Sandler plays Hubie, who lives in Salem, Massachusetts with his mother (June Squibb). Hubie is the town eccentric, the type of guy who thinks that he’s protecting the entire town but who mostly just gets on everyone’s nerves. A lot of people make fun of Hubie (who they call Pubie). Pete Landolfa (Ray Liotta) may be mourning the recent death of his father but he still finds time to toss Hubie into an open grave. Not even Father Dave (Michael Chiklis) has much sympathy for Hubie. Hubie is the type of guy who goes down to the local school to give a speech on Halloween safety, just for the students (and teachers) to respond by throwing all of their food at him.

One of the few people who is nice to Hubie is his new neighbor, Walter Lambert (Steve Buscemi). However, Hubie suspects that Walter might be a werewolf and when people start to disappear over the course of Halloween, Hubie suspects that Walter’s responsible. Meanwhile, the police (represented by a heavily bearded Kevin James) thinks that it might be Hubie, seeing as how everyone who has disappeared is also someone who has bullied him.

Then again, Richie Hartman (Rob Schneider) has just escaped from the local mental institution. Could he possibly have something to do with the mysterious happenings in Salem!?

When Adam Sandler won his Indie Spirit Award for Uncut Gems, he infamously announced that, if he didn’t get an Oscar nomination, he would get back at the Academy by making the worst film of all time. Well, Sandler was snubbed the Academy. (Though Sandler deserved that nomination — and probably nominations for The Meyerowtiz Stories, Funny People, and Punch-Drunk Love as well — it’s pretty obvious that the Academy is never going to nominate the star of That’s My Boy and Jack and Jill.) However, Hubie Halloween is certainly not the worst film ever made. It’s actually a rather likable and sweet-natured comedy, one in which the humor is definitely juvenile but, in contrast to some of the other Happy Madison comedies, never really mean-spirited. In many ways, it’s a perfect Netflix film. It’s good enough to keep you entertained while, at the same time, you don’t necessarily have to really pay attention to every minute of the film to get it. It’s the epitome of the type of film that you can watch while doing something else.

One of the main complaints that’s always lodged against Sandler is that he primarily just makes movies so that he can hang out with his friends and get paid for it. There’s a certain amount of truth to that statement and that, more than anything, explains why Sandler’s filmography tends to be so frustratingly uneven. The cast of Hubie Halloween looks like they had a lot of fun making it. Fortunately, in this case, that sense of fun actually translates onto the screen. Steve Buscemi, June Squibb, and particularly Ray Liotta all seem to be having a ball getting to parody their own dramatic images.

Admittedly, Hubie Halloween is not a film that sticks with you. It won’t make you laugh as much as Happy Gilmore and it won’t leave you stunned like Uncut Gems. But, for what it is, it’s just likable enough to be entertaining.

Amy (dir by Asif Kapadia)

Amy opens with brilliant and, in its way, heartbreaking footage of a 14 year-old Amy Winehouse and a friend singing Happy Birthday at a party. Even though she’s singing deliberately off-key and going over-the-top (as we all tend to do when we sing Happy Birthday), you can tell that Amy was a star from the beginning. She’s obviously enjoying performing and being the center of attention and, try as you might, it’s impossible not to contrast the joy of her Happy Birthday with the sadness of her later life.

A star whose music touched millions (including me), Amy Winehouse was ultimately betrayed by a world that both wanted to take advantage of her talent and to revel in her subsequent notoriety. It’s often said the Amy was self-destructive but, if anything, the world conspired to destroy her. By focusing on footage of Amy both in public and private and eschewing the usual “talking head” format of most documentaries, Amy pays tribute to both Amy Winehouse and reminds us of what a great talent we all lost in 2011.

Gloria (dir by Christian Keller)

The Mexican film Gloria is a musical biopic of Gloria Trevi (played by Sofia Espinosa), a singer whose subversive songs and sexual image made her a superstar in Latin America and challenged the conventional morality of Catholic-dominated establishment. Her manager and lover was the controversial Sergio Andrade (Marco Perez). The movie follows Gloria from her first audition for the manipulative Sergio to her arrest (along with Sergio) on charges of corrupting minors. It’s an interesting and still controversial story and Gloria tells it well, with Espinosa and Perez both giving excellent performances.

Pitch Perfect 2 (dir by Elizabeth Banks)

The Bellas are back! As I think I’ve mentioned a few times on this site, I really loved the first Pitch Perfect. In fact, I loved it so much that I was a bit concerned about the sequel. After all, sequels are never as good as the original and I was dreading the idea of the legacy of the first film being tarnished.

But the sequel actually works pretty well. It’s a bit more cartoonish than the first film. After three years at reigning ICCA champions, the Bellas are expelled from competition after Fat Amy (Rebel Wilson) accidentally flashes the President. The only way for the Bellas to get the suspension lifted is to win the World Championship of A Capella. The plot, to be honest, really isn’t that important. You’re watching the film for the music and the interplay of the Bellas and, on those two counts, the film totally delivers.

It should be noted that Elizabeth Banks had a great 2015. Not only did she give a great performance in Love & Mercy but she also made a respectable feature directing debut with Pitch Perfect 2.

Sisters (dir by Jason Moore)

It’s interesting how opinions can change. For the longest time, I really liked Tina Fey and I thought that Amy Poehler was kind of overrated. But, over the past two years, I’ve changed my opinion. Now, I like Amy Poehler and Tina Fey kind of gets on my nerves. The best way that I can explain it is to say that Tina Fey just seems like the type who would judge me for wearing a short skirt and that would get old quickly, seeing as how I happen to like showing off my legs.

Anyway, in Sisters, Tina and Amy play sisters! (Shocking, I know.) Amy is the responsible one who has just gotten a divorce and who wants to make everyone’s life better. Tina is the irresponsible one who refuses to accept that she’s no longer a teenager. When their parents announce that they’re selling the house where they grew up, Amy and Tina decide to throw one last party. Complications ensue.

I actually had two very different reactions to Sisters. On the one hand, as a self-declared film critic, it was easy for me to spot the obvious flaw with Sisters. Tina and Amy should have switched roles because Tina Fey is simply not believable as someone who lives to have fun. Sometimes, it’s smart to cast against type but it really doesn’t work here.

However, as the youngest of four sisters, there was a lot of Sisters that I related to. I saw Sisters with my sister, the Dazzling Erin, and even if the film did not work overall, there were still a lot of little scenes that made us smile and go, “That’s just like us.” In fact, I think they should remake Sisters and they should let me and Erin star in it.

Spy (dir by Paul Feig)

There were a lot of very good spy films released in 2015 and SPECTRE was not one of them. In fact, the more I think about it, the more disappointed I am with the latest Bond film. It’s not so much that SPECTRE was terrible as there just wasn’t anything particular memorable about it. When we watch a film about secret agents saving the world, we expect at least a few memorable lines and performances.

Now, if you want to see a memorable spy movie, I suggest seeing Spy. Not only is Spy one of the funniest movies of the year, it’s also a pretty good espionage film. Director Paul Feig manages to strike the perfect balance between humor and action. One of the joys of seeing CIA employee Susan Cooper (Melissa McCarthy) finally get to enter the field and do spy stuff is the fact that there are real stakes involved. Susan is not only saving the world but, in the film’s best scenes, she’s having a lot of fun doing it and, for that matter, McCarthy is obviously having a lot of fun playing Susan and those of us in the audience are having a lot of fun watching as well.

Spy also features Jason Statham as a more traditional action hero. Statham is hilarious as he sends up his own macho image. Seriously, who would have guessed that he could such a funny actor? Here’s hoping that he, McCarthy, and Feig will all return for the inevitable sequel.

Trainwreck (dir by Judd Apatow)

There’s a lot of great things that can be said about Trainwreck. Not only was it the funniest film of 2015 but it also announced to the world that Amy Schumer’s a star. It was a romantic comedy for the 21st Century, one that defied all of the conventional BS about what has to happen in a romcom. This a film for all of us because, let’s just be honest here, we’ve all been a trainwreck at some point in our life.

But for me, the heart of the film was truly to be found in the relationship between Amy and her younger sister, Kim (Brie Larson). Whether fighting over what to do with their irresponsible father (Colin Quinn) or insulting each other’s life choices, their relationship is the strongest part of the film. If Brie Larson wasn’t already guaranteed an Oscar nomination for Room, I’d demand that she get one for Trainwreck. For that matter, Amy Schumer deserves one as well.

Seriously, it’s about time the trainwrecks of the world had a film that we could truly call our own.