October Positivity: Deadly Choice (dir by Fred Holmes)


Filmed in Dallas, 1982’s Deadly Choice tells the story of a doctor and his daughter.

Dr. Bob Reasoner (Robert Ginnaven) is outraged that abortions are being performed at the hospital where he works. The film opens with a patient dying during an abortion and then cuts to Bob and a group of other doctors discussing how a premature baby was allowed to starve to death because the mother didn’t feel that she could care for it. Apparently, the policy of abortion and infanticide is an unofficial one, but it’s something that all the doctors know about. Bob and his colleagues decide to write an official statement opposing the hospital’s policy.

Meanwhile, Bob’s teenage daughter, BJ (Geraldine Leer), is pregnant. She hasn’t told her father because she’s scared of how he’ll handle it. Bob is religious while BJ is not. However, BJ has told her school’s guidance counselor, Vicky Stewart (Doris Hargrave). Vicky tells BJ that she needs to get an abortion and even drives BJ to the clinic. When BJ expresses doubts about going through with the procedure, Vicky is there to assure her that her baby isn’t even human yet. In fact, Vicky describes it as being “a cancer.”

I’ve seen a lot of movies about abortion. I’ve seen Pro-Life movies and I’ve seen Pro-Choice movies, and almost all of them have one thing in common: somebody has to die. In Pro-Choice movies, the death usually happens due to a back-alley abortion. In most Pro-Life movies, the death happens because the trained doctors who performed the abortion were dangerously incompetent and just didn’t care about the health of the woman getting the abortion. Deadly Choice changes things up a bit. BJ doesn’t die during the abortion. Instead, suffering from a huge amount of guilt, she takes an overdose of pills after the abortion.

Bob rushes BJ to the hospital, where he frantically tries to save her life. He desperately tries to get her heart beating again, just to be told that she’s dead. Dr. Leventhal (Hal Bennett), who earlier defended the hospital’s abortion policy, is the one who tells Bob that she’s dead, and he sort of smiles when he does it. (I imagine that has more to do with the actor than the character. This is Hal Bennett’s only credited performance and, watching this movie, I could see why.) Bob finally steps away from BJ. As soon as he does, her heart starts to beat and BJ comes back to life.

So, yes, BJ dies, but then she’s revived. Of course, even though she’s alive, she’ll always have to live with the guilt of her actions.

There’s nothing subtle about this Pro-Life film. It’s only 55 minutes long and it has the look of a television medical drama. Robert Ginnaven gives a good performance as Bob. For that matter, both Geraldine Leer and Doris Hargrave give good performances as well. That said, it’s definitely a film that was made to preach to the converted, and how you react to it will largely depend on whether or not you agree with the film’s message. It’s not a film that makes a case for its beliefs as much as it’s a film that says, “We’re right and they’re wrong.”

Retro Television Review: Miami Vice 4.3 “Death and the Lady”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad investigates the “other Hollywood” and some notable guest stars pop up.

Episode 4.3 “Death and the Lady”

(Dir by Colin Bucksey, originally aired on October 16th, 1987)

Painter-turned-filmmaker Milton Glantz (Paul Guilfoyle) is very proud to have received an Erotic Film Award for his latest movie, Death and the Lady.  However, when Glantz receives his award, a man named Tulane Knox (Michael David Morrison) shouts that the violent murder that ends the film was real and that Glantz is a killer.

Knox is taken into custody by Gina and Trudy.  Crockett doesn’t believe a word that Knox is saying.  He’s convinced that it’s all just a publicity stunt to get people interested in the film.  Crockett doesn’t have much use for all that art film mumbo jumbo.  He lives on a boat with a crocodile named Elvis, after all.  Actually, it’s been a while since we’ve seen Elvis.  I hope he’s okay.

Still, Crockett investigates.  He and Tubbs discover that the actress from the film — Lori Swann (Kelly Lynch) — is still alive and working in the movies.  However, he also discovers that Lori and Glantz made another film, called Twins.  That film featured Lori and a woman named Amy Ryder, who looked just like her.  A conversation with Amy’s sister (Penelope Ann Miller) reveals that Amy hasn’t been seen for a while.  Plus, Amy has terminal cancer….

Especially when compared to the previous two episodes, this episode felt more like classic Miami Vice, dark, moody, and fatalistic.  It doesn’t take long for both the audience and Crockett to realize that Glantz murdered Amy for his film.  (Amy’s dead eyes appear in Glantz’s film.)  But the problem is that there’s no way for Crockett to prove it.  The District Attorney (Miguel Ferrer, making an early appearance) refuses to bring charges without hard evidence.  When Glantz taunts Crockett with the fact that he committed the perfect murder, Crockett snaps.  He beats up Glantz but he doesn’t kill him.  Crockett hasn’t crossed that line but, watching this episode, you get the feeling that it’s only a matter of time.  But it doesn’t matter how many times Crockett throws a punch, Milton Glantz gets away with murder.

This was the Miami Vice of old, depressing, distressing, and very, very stylish.

(Plus, there’s a kitty in this episode!  He is discovered in a cocaine dealer’s home and he’s given to Gina as a present.  Even Castillo smiles when looks at the kitty.  Awwww!)