Film Review: Detective Knight: Independence (dir by Edward Drake)


The Detective Knight trilogy comes to a close with Detective Knight: Independence.

If you haven’t been keeping up with the wonderfully pulpy adventures of Detective James Knight, here’s a quick refresher of what happened last year.  First off, in Detective Knight: Rogue, Detective Knight (Bruce Willis) sought vengeance after his partner, Fitz (Lochlyn Munro), was seriously wounded during a robbery.  Fitz recovered but not before Knight has dispensed some vigilante justice of his own.  The surviving bad guys went to prison but sadly, so did Detective Knight.

Fortunately, Detective Knight was released from prison in Detective Knight: Redemption.  He was released because a cult of people who dressed up like Santa Claus and who chanted, “Ho!  Ho!  Ho!” while committing their crimes were terrifying the city.  With the help of Detective Knight, the police were able to stop the Santa Cult.

In Detective Knight: Independence, Knight is once again on the police force.  He and Fitz are still quick to shoot first and ask questions later.  That said, Knight is trying to make amends with his estranged wife and spend more time with his daughter.  That’s not going to be easy, though, because there’s a new threat in town …. just in time for the 4th of July!

Dezi (Jack Kilmer) is an EMT who has always dreamt of being a cop.  Unfortunately, he’s never been able to qualify for the force.  Even when he shows up at a cop bar and just tries to have a beer in peace, the bartender approaches him with a baseball bat and two detective toss him out of the place.  When Dezi is subsequently fired for refusing to give aid to a wounded man (the man in question was a bank robber and Detective Fitz actually told Dezi to go help a bleeding civilian in the bank and leave the robber to die), Dezi snaps.  First, Dezi steals a uniform, a badge, and a gun.  After dispensing some vigilante justice on some muggers, Dezi decides that he would like to rob a bank.  Yes, you read that correctly.  In just a matter of hours, Dezi goes from pretending to be a cop to pretending to be a criminal.  As the film progresses, it starts to become pretty clear why the police force didn’t want to hire this guy in the first place.

Unfortunately, for Dezi, his fellow EMT and occasional lover, Ally (Willow Shields), had a connection to Detective Knight and soon, Knight is on Dezi’s trail.  It all leads to a 4th of July confrontation on a baseball field.

Even though Bruce Willis is playing the title character, he’s not present for much of Detective Knight: Independence.  As with the other two Detective Knight films, it’s obvious that Willis was only on set for a day or two.  While Willis is still a physically imposing actor, there’s none of the wise guy swagger that made Willis a star.  Instead, Detective Knight is a fairly grim character.  As always, it’s a bit difficult to watch Willis in films like this, especially with the knowledge of his recent health struggles.  That said, the Detective Knight films are definitely the best of Willis’s final films and, despite the limitations imposed by his health, Willis comes across well in them.  Considering that this is Willi’s final film, certain lines hit in a way that they otherwise might not.

As with the previous Detective Knight films, the majority of the screen time is given over to the man that the Detective is pursuing.  Jack Kilmer gives a strong performance as the unbalanced Dezi.  When he first appears, he’s almost a sympathetic character.  The cops were being bullies when they kicked him out of their bar.  His boss was being unreasonable when she announced that, rather than suspend him, she was just going to fire him because she didn’t like his attitude.  When Dezi first puts on his stolen badge and uniform, it’s hard not to sympathize with his happiness because he finally has what he wants.  But almost immediately, the power goes to his head and he loses control.  He becomes a frightening character but still, it’s hard not to feel sorry for him as he yells, “I’m not the bad guy!”  Of course, Dezi is the bad guy and the tragedy of his character is that he’ll never be able to understand why that is.

He’s right, you know.

For those of us who remember him in films like Die Hard, Pulp Fiction, and The Sixth Sense, late-era Bruce Willis films can be difficult to watch and I understand and respect why some people simply can’t bring themselves do it.  And, obviously, several of Willis’s later films do leave one feeling as if the actor has been exploited by filmmakers who cared less about his legacy and more about making money off of his name.  That said, the Detective Knight films do not feel exploitive, certainly not in the way that many of his 2022 films did.  Instead, the trilogy serves as a tribute to Willis and his status as one of the world’s most popular movie stars.  As pulpy as it may be, Detective Knight: Independence allows Bruce to go out on a good note.

4 Shots From 4 Films: Special Michele Soavi Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 66th birthday to one of our favorite directors, Michele Soavi!  In other words, it’s time for….

4 Shots from 4 Michele Soavi Films

Stage Fright (1987, dir by Michele Soavi, DP: Renato Tafuri)

The Church (1989, dir by Michele Soavi, DP: Renato Tafuri)

The Sect (1991, dir by Michele Soavi, DP: Raffaele Mertes)

Dellamorte Dellamore (1994, dir by Michele Soavi, DP: Mauro Marchetti)

Scene I Love: Tom Cruise Dances In Tropic Thunder


Today, the Shattered Lens wishes a happy 61st birthday to one of the last remaining movie stars, Tom Cruise!

While it’s tempting to celebrate this day by sharing a scene from a film like Top Gun: Maverick or one of the Mission Impossible sequels or maybe even something like Magnolia, Jerry Maguire, Edge of Tomorrow, or Risky Business, I am going to go with a clip from 2008’s Tropic Thunder.  There’s a lot talent in this particular scene, with Bill Hader and Matthew McConaughey both giving good performances.  But, of course, the whole thing is dominated by Tom Cruise’s wonderfully demented performance as Les Grossman.

“We do not negotiate with terrorists!”

Monday Live Tweet Alert: Join Us For The Zebra Killer and Over The Top!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1974’s The Zebra Killer!  Selected and hosted by Bunny Hero, this movie is also known as Combat Cops!  They had to name it twice because it was so good!   

 

Following #MondayActionMovie, I will be guest-hosting hosting the #MondayMuggers live tweet.  Assuming twitter cooperates (which is admittedly a pretty tall order nowadays), we will be watching 1987’s Over The Top, starring Sylvester Stallone!  The film is on Prime and Tubi!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Zebra Killer on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Over the Top, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Retro Television Reviews: Under the Influence (Dir by Thomas Carter)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1986’s Under the Influence!  It  can be viewed on YouTube!

Noah Talbot (Andy Griffith) is an upstanding member of the community.  He owns a hardware store.  He has a large family.  He’s known as a gruff but folky storyteller.  He’s a deacon in his church and helps to collect the offering every Sunday.

He’s also a drunk and a bit of a bully.  His family walks on eggshells around him, fearful of setting him off on one of his benders.  He occasionally spends the night in jail, arrested for trying to drive drunk.  Even when he gets bailed out, his first instinct is to go back to the bar.  The folks at the bar love him, don’t you know.  The people at the bar are always happy to see him and never bother him about whether he’s had too much.  The people at the bar never let him down the way that he feels his family has left him down.

The members of his family each cope in their own individual way.  Noah’s wife (Joyce Van Patten) is in denial and spends a lot of her time popping pills.  His oldest daughter, Ann (Season Hubley), is driven to succeed at work and spends all of her time both hating her father and desperately hoping for his approval.  (When she tells him that she got a raise at work, he berates her for only getting a 6% increase in her salary.  “That’s just a cost of living increase!” he snaps at her.)  His eldest son, Stephen (Paul Provenza), fled to Los Angeles and is trying to make a career as stand-up comedian.  (“You’re no David Letterman,” Noah tells him.)  His youngest daughter, Terri (Dana Anderson), secretly replaces Noah’s liquor with water and food-coloring.  And his youngest son, Eddie (Keanu Reeves), is becoming an alcoholic himself.

Having read all that, you may be wondering just how exactly Keanu Reeves could be the son of Andy Griffith and it’s a fair question.  This was one Keanu Reeves’s first acting roles and he does a pretty good job in the role of Eddie.  That said, he looks so totally different from both Andy Griffith and Joyce Van Patten and the actors playing his siblings that I was half-expecting someone to mention that Eddie had been adopted.  Then again, Paul Provenza doesn’t really bear much of a resemblance to the actors playing his parents either.  Dana Anderson and Season Hubley do, at least, look like sisters.

Lack of family-resemblance aside, all of the actors in Under the Influence do a good job of inhabiting their characters.  For those who are used to seeing Andy Griffith playing friendly Southerners in reruns of The Andy Griffith Show and Matlock, it’s shocking and a little disturbing to see him playing an abusive, alcoholic jerk in Under the Influence.  Noah is someone who would not only destroy his own family to get a drink but who would then blame them for it happening in the first place.  Noah may be under the influence of alcohol but the entire family is suffering because they’re under the influence of Noah.  By the time Noah is spitting up blood and demanding that his youngest son sneak liquor into his hospital room, the viewer knows there is no hope for Noah but hopefully, his family will escape.

It doesn’t make for a particularly happy movie but, speaking as someone who grew up in an alcoholic household, I can attest that it does make for an honest portrayal of what addiction does not just to the addict but also to the people around the addict.  I cringed in sympathy through nearly the entire film, especially as I watched three of the four children react in the same ways that I did.  (Unlike Eddie, I never became much of a drinker and instead developed an aversion to alcohol in general.)  It’s a film that feels real and one’s heart aches for the entire family.  If it could happen to Andy Griffith, it could happen to anyone.

Film Review: Purple Rain (dir by Albert Magnoli)


“Prince could actually act.”

That was my main reaction to watching the 1984 film, Purple Rain, a few nights ago.  Over the years, there have been a lot of music stars who have attempted to make the transition to acting.  Some have been more successful than others.  While some have stuck to playing versions of themselves, others have attempted to become actual character actors and the end results have often been mixed.  Being a strong stage performer does not neccesarily mean that person is automatically going to be a convincing film actor and the history of the movies is full of famous singers whose personality seemed to evaporate as soon as they had to act for the cameras and try to sound convincing while reciting dialogue.  Taylor Swift has built up a strong and incredibly loyal fanbase but you wouldn’t necessarily believe that she was one of the world’s biggest stars if you only knew her from her wan and bland performances in Cats and Amsterdam.  Indeed, while watching her in Amsterdam, it’s kind of hard not to be thankful when that car drives up and brings her performance to an end.

Prince, on the other hand, could truly act.

In Purple Rain, he plays The Kid.  The Kid is an enigmatic musician living in Minneapolis, Minnesota.  He’s the front man of a band called The Revolution and he sings songs that are, at times, almost disturbingly personal.  The Kid rides a purple motorcycle and he’s one of those musicians who is driven to record almost every sound that he hears.  (At one point, The Kid listens to a recording of an unidentified woman sobbing.  Who exactly the woman was or why she was crying are questions that are never answered, though I think it’s possible it was supposed to be the Kid’s mother.)  He performs to escape from the scars of his upbringing.  His father (Clarence Williams III), a failed musician, regularly beats his mother (Olga Karlatos, who memorably lost an eye in Lucio Fulci’s Zombi 2).  No one can deny The Kid’s talent but he’s also known for being a bit of a control freak and the other members of the Revolution sometimes feel that he’s not willing to give them the credit and opportunities that they deserve and….

Okay, obviously there are some similarities between The Kid and the man playing him.  Purple Rain was Prince’s first film and his first acting role and it makes sense that he would want to play a character in a situation that he was familiar with.  But that still doesn’t change the fact that Prince gives an excellent and charismatic performance in the lead role.  Unlike so many other singers-turned-actors, he doesn’t lose his spark when he has to remember his lines.  His presence doesn’t evaporate when the camera is turned on him.  Instead, if anything, Price feels even more natural off-stage than on.  Whether the Kid is being playful or serious, driven or defeated, Prince is never less than convincing.  Yes, the audience never forgets that they’re watching Prince.  But, at the same time, the Kid comes to life as an individual character with his own life and problems and personality separate of the actor who is playing him.

As for the film’s plot, it’s a fairly simple one.  The Revolution is one of three bands that hold down the house band slot at the First Avenue nightclub.  The Kid’s rival, Morris Day (played by Morris Day), plots to replace the Revolution by putting together an all-girl group called Apollonia Six.  Apollonia Six is led by Apollonia (Apollonia Kotero), who is the Kid’s girlfriend.  As Morris explains it, the Kid is too wrapped up in himself to help out Apollonia or the Revolution’s Wendy and Lisa.

And Morris Day has a point.  As soon as Apollonia tells the Kid that she’s going to be working with Morris, the Kid responds by striking her.  It’s a shocking scene but, as the film shows, it’s all the Kid learned at the hands of his father.  It’s only after a personal tragedy that the Kid starts to realize that he does not have to be just like his father.  That said, let us hope that the Kid invested in some therapy and some anger management courses after the end credits rolled.

As a character, the Kid would be unbearable if not for the strength and charm of Prince’s performance.  Prince is amazing when he performs on stage and the film’s soundtrack still holds up but what makes the film work are the moments when Prince shows us the Kid’s vulnerable side.  Self-loathing is not an easy feeling to play and it’s an even more difficult feeling to make sympathetic but Prince does both.  The Kid knows that he’s self-destructive and immature but he’s also sincere in his desire to be better than his past. The film leaves you to wonder if he’ll succeed.

Personally, I really hope he did.

Scenes I Love: Julie Christie Meets Connie White In Nashville


In this scene from Robert Altman’s 1975 masterpiece, Nashville, Julie Christie plays herself as a famous visitor to the city for which the film is named.  She is introduced to Haven Hamilton (Henry Gibson), Haven’s lawyer, Delbert Reese (Ned Beatty), political advance man John Triplette (Michael Murphy), and country music star Connie White (Karen Black).  Julie Christie may be a star in Hollywood but Connie is the star of Nashville.

Karen Black, who was born on this date in 1939, improvised her dismissive line about Julie Christine not even being able to comb her hair.  It was a moment that reportedly shocked the rest of the cast and the crew but it was also a line that perfectly summed up both Connie as a character and Altman’s version of Nashville.

4 Shots From 4 Films: Special Sydney Pollack Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

88 years ago today, Sydney Pollack was born in Indiana.  Though Pollack got his start as an actor, he soon moved into directing and was one of the key television directors of the 1960s.  He eventually branched out into film, making a name for himself as a director of intelligent and sensitive comedies and dramas.  Though he only directed 21 films over the course of his career, his films received a total of 48 Oscar nominations and 11 wins.  1982’s Tootsie and 1985’s Out of Africa were both nominated for Best Picture.  Out of Africa won.

Pollack also returned to acting in the 90s, making a name for himself as a skilled character actor.  I’ll always remember him from Eyes Wide Shut, intimidating Tom Cruise while playing pool.

When he passed away in 2008, Pollack was remembered as one of the best directors of Hollywood’s second golden age.

In honor of Sydney Pollack, here are….

4 Shots From 4 Sydney Pollack Films

Jeremiah Johnson (1972, dir by Sydney Pollack, DP: Duke Callaghan)

Three Days of Condor (1975, dir by Sydney Pollack, DP: Owen Roizman)

Out of Africa (1985, dir by Sydney Pollack, DP: David Watkin)

The Firm (1993, dir by Sydney Pollack, DP: John Seale)

Live Tweet Alert: Watch Hell House LLC with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, Deanna Dawn will be hosting 2015’s Hell House LLC!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi.  I’ll probably be there and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Lisa Marie’s Early Oscar Predictions For June


It’s time for my Oscar predictions for June!

With the year almost halfway over, the Oscar race still feels pretty fluid, though I think things will come a bit more into focus next month with the release of Oppenheimer and Barbie.  Obviously, Oppenheimer feels more like an Oscar picture than Barbie but you never know what could happen.  The Academy appears to really like Greta Gerwig.  Of course, both of those film have received so much hype that the true test could be just living up to expectations.  Killers of the Flower Moon manage to pass that test at Cannes and, as a result, it’s the current Oscar front runner.

Below are my predictions for June.  Be sure to also check out my predictions for March and April and May!

Best Picture

Air

Barbie

The Color Purple

Dune: Part Two

The Holdovers

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

The Zone of Interest

Best Director

Blitz Bazawule for The Color Purple

Jonathan Glazer for The Zone of Interest

Christopher Nolan for Oppenheimer

Alexander Payne for The Holdovers

Martin Scorsese for Killers of the Flower Moon

Best Actor

Bradley Cooper in Maestro

Leonardo DiCaprio in Killers of the Flower Moon

Colman Domingo in Rustin

Paul Giamatti in The Holdovers

Cillian Murphy in Oppenheimer

Best Actress

Emily Blunt in Pain Hustlers

Greta Lee in Past Lives

Natalie Portman in May December

Margot Robbie in Barbie

Emma Stone in Poor Things

Best Supporting Actor

Willem DaFoe in Poor Things

Matt Damon in Oppenheimer

Robert De Niro in Killers of the Flower Moon

Robert Downey Jr. in Oppenheimer

Ryan Gosling in Barbie

Best Supporting Actress

Viola Davis in Air

Lily Gladstone in Killers of the Flower Moon

Taraji P. Henson in The Color Purple

Julianne Moore in May/December

Da’Vine Joy Randolph in The Holdovers