Scenes That I Love: Terence Hill In My Name is Nobody


Today, the Shattered Lens wishes a happy birthday to Italian film star, Terence Hill!

This scene that I love comes from 1973’s My Name Is Nobody.  It features Terence teaching a cocky gunslinger a thing or two about how to win a slap fight.

4 Shots From 4 Films: Special 1970 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, let’s celebrate the year 1970!  It’s time for….

4 Shots From 4 1970 Films

The Lickerish Quartet (1970, dir by Radley Metzger. DP: Hans Jura)

Maidstone (1970, dir by Norman Mailer, DP: D.A. Pennebaker)

A Virgin Among The Living Dead (1970, dir by Jess Franco, DP: anyone’s guess)

Vampyros Lesbos (1970, dir by Jess Franco, DP: Manuel Merino)

Live Tweet Alert: Join #ScarySocial for The Bye Bye Man!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  The Bye Bye Man!  

If you want to join us this Saturday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Scenes That I Love: Luca Brasi Is Just Happy To Be At The Wedding


Lenny Montana started out as a boxer and a wrestler.  He eventually ended up working as a bouncer and a bodyguard for the leadership of the Colombo Crime Family.  However, Montana achieved his immortality as a result of veteran tough guy actor Timothy Carey turning down the role of Luca Brasi in The Godfather.  Brasi was the Corleone Family’s most feared enforcer and Carey, who had made a career out of playing psychos, was one of the most feared men in Hollywood, one who was rumored to have pulled a gun on more than a few directors.  (For the record, Stanley Kubrick loved him.)  When Carey turned down the role in favor of doing a television series, Francis Ford Coppola offered the role to Lenny Montana.  Montana may not have had Carey’s screen acting experience but he brought real-life authenticity to the role.  When Michael says that Luca Brasi is a “very scary man,” one look at Lenny Montana confirms it.  Unfailingly loyal to the family and willing to do anything for the Don, Luca Brasi represents the Family’s strength.  When Luca Brasi is killed, you know that the old era of the Corleones is ending as well.  Without Luca, the Corleones are in deep trouble.

My favorite Luca Brasi scene comes at the beginning of the film.  Surprised to be invited to Connie’s wedding, Luca wants to thank the Don personally.  Nervous about acting opposite Marlon Brando, Montana flubbed his lines.  The scene, with the flub, was kept in the film and it served to humanize both Luca and Don Corleone.  (The Don’s smile was due to the fact that Marlon Brando was having trouble not laughing.)  It’s a nice little scene, one that reminds us that even gangsters are human.

4 Shots From 4 Films: Special Texas Edition


 

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I celebrate my home state!

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Dazed and Confused (1993, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Live Tweet Alert: Join #FridayNightFlix for Code of Silence!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1985’s Code of Silence!

If you want to join us this Friday, just hop onto twitter, find Code of Silence on Prime or Tubi, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Code of Silence (1985, directed by Andrew Davis)

Scenes I Love: The Beginning of The Fifth Chapter of Inglourious Basterds


This is, without a doubt, one of the best sequences that Quentin Tarantino has ever directed.  Along with the perfect visuals of Shoshanna getting ready for the premiere, Tarantino makes perfect use of Theme From Cat People, reinventing the song from a somewhat silly horror theme to an anthem of revolution and revenge.

4 Shots From 4 Films: Special Quentin Tarantino Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 63rd birthday to director/screenwriter/cultural institution, Quentin Tarantino!

Here are….

4 Shots From 4 Quentin Tarantino Films

Reservoir Dogs (1992, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Pulp Fiction (1994, dir by Quentin Tarantino, DP: Andrzej Sekuła)

Kill Bill (2003, dir by Quentin Tarantino, DP: Robert Richardson)

Once Upon A Time In Hollywood (2019, dir by Quentin Tarantino, DP: Robert Richardson)

Film Review: Armor (dir by Justin Routt)


In rural Alabama, James Brody (Jason Patric) is a recovering alcoholic who makes his living as an armored truck driver.  He works with his son, Casey (Josh Wiggins).  Every day, James and Casey transport millions from bank to bank and usually, they’re able to do it without incident.  However, this day is different.  James and Casey find themselves trapped on a bridge with a team of thieves on every side of them.  James and Casey struggle to escape while working out their own personal issues.

Sylvester Stallone receives top billing in 2024’s Armor and, just by looking at the poster, you would probably be excused for assuming that Stallone was playing the hero of the film.  Instead, Stallone only has a few minutes of screentime and he plays one of the criminals, a tough guy named Rook.  Rook may be a professional thief but he has a conscience and he doesn’t believe in killing anyone who doesn’t need to be killed.  That sets him apart from the rest of the thieves.

One may wonder what a star like Stallone is doing in a low-budget, direct-to-video film like this.  The answer is that Armor was produced by Randall Emmett, a producer who specializes in getting big names to appear in small roles in B-movies.  Not much money may have gone into the budget of Armor but one can be sure but the majority of it was used to pay Stallone’s salary.  According to some comments left on Letterboxd by someone who claims to have worked on the film’s crew, Stallone shot his scenes in one day and was deliberately kept in the dark about the fact that the film was actually being directed by Emmett and not the credited Justin Routt.  Now, whether or not any of that is true, I can’t definitely say for sure.  However, it definitely has the ring of truth.  Randall Emmett himself is best known for producing many of Bruce Willis’s final films.  With Willis having retired and John Travolta perhaps busy, Sylvester Stallone ended up as Emmett’s star-in-name-only for Armor.

Give credit where credit is due.  Stallone dominates the few scenes in which he appears.  For all the criticism that Stallone has taken over the course of his career, this film reminds us that there’s no other actor who has quite the same screen presence as Sylvester Stallone.  As for the rest of the cast, Jason Patric is convincing as the haunted James.  Unfortunately, the film can never make up its mind whether or not it wants to be an action flick or a relationship drama.  Patric does his best but he’s let down by a script that never seem to be quite sure what it wants to say.

I appreciated that this film took place in the South.  The film opens with a news report about an armored truck crash in Dallas and, as soon as they mentioned the Thornton Freeway, I was like, “I was stuck there just a few days ago!”  The majority of the film takes place on a bridge in Alabama.  The scenery is lovely, even when the action is hackneyed.