4 Shots From 4 Films: Special Billy Wilder Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

June 22nd would have been the the 120th birthday of Billy Wilder.

Billy Wilder was born in what was-then Austria-Hungary and what is today Poland.  Having started his film career as a screenwriter in Germany, Wilder fled to the United States after the rise of Hitler.  (Many members of Wilder’s family would subsequently die in the Holocaust.)  He went on to establish himself as one of the great studio directors, a filmmaker who could seemingly master any genre and whose films were often distinguished by an irreverent wit and a welcome skepticism when it came to accepting any sort of conventional wisdom.  He made the type of films that could only be made by someone who had seen humanity at its worst but who also understood what people were capable of at their best.  Wilder made dramas that could make you laugh and comedies that could make you cry.  He was a master filmmaker, one whose work continues to influence directors to this day.

Belatedly, in honor of Billy Wilder’s legacy, the Shattered Lens presents….

4 Shots From 4 Billy Wilder Films

Double Indemnity (1944, dir by Billy Wilder, DP: John Seitz)

Sunset Boulevard (1950, dir by Billy Wilder, DP; John F. Seitz)

Sabrina (1954, dir by Billy Wilder, DP: Charles Lang)

The Apartment (1960, dir by Billy Wilder, DP: Ernest Laszlo)

 

Music Video of the Day: Shake Me by Cinderella (1986, directed by Mark Rezyka)


In 1986, a real-life Cinderella wants to see the band that uses her name.  Her wicked sisters have other plans.   It’s a good thing that she’s got a magic guitar.  She not only goes to the concert but she also leaves with the band and hopefully, she’ll eventually hook up with Bon Jovi.

Mark Rezyka also directed videos for KISS, Testament, Joan Jett and Survivor, amongst others.

Enjoy!

 

Late Night Retro Television Review: Pacific Blue 4.8 “Heat In The Hole”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Chris is finally sent to prison.

Episode 4.8 “Heat In The Hole”

(Dir by Terence H. Winkless, originally aired on October 11th, 1998)

This is the dumbest episode of Pacific Blue yet and that’s really saying something.

The incarcerated are being murdered at the local women’s prison so, of course, a bicycle cop is sent in undercover.  Actually, two bicycle cops are sent in.  The homicide squad wants Chris to go in and pretend to be a prisoner.  TC gets jealous of the hunky homicide detective who is in charge of the case so he assigns Bobby to go undercover as a prison guard and keep an eye on Chris.

This is one of those women’s prisons where everyone is young and attractive (no meth addicts here!) and apparently the official uniform is a tank top.  It doesn’t take long for Chris to establish herself as being tough and willing to fight.  Every prisoner comes to respect her, which is important because, when a riot breaks out, Chris reveals she’s a cop and that she needs the help of the prisoners.

And the prisoners are cool with that.

Seriously.

“Ignore the cop part,” someone says, “Think of how she’s treated us!”

That’s the power of being a bicycle cop.  You can show up in a prison, beat people up for two days, betray everyone’s confidence, and the prisoners will still forgive you for …. reasons, I guess.

Needless to say, if you’re an undercover cop in prison, do not reveal the truth in the middle of a prison riot.  That might work on Pacific Blue but it’s probably the dumbest thing you can do in real life.

While TC is sitting around at home worried, Monica sees this as her chance to make a move on him.  Considering that TC and Chris haven’t stopped arguing since they impulsively got married in Vegas, maybe Monica isn’t really the problem here.  I know that we’re supposed to be rooting for TC and Chris but neither one of them is particularly likable.  I would not want to go out on a couples date with them.

At the end of this episode, two corrupt prison guards are arrested.  Chris leaves the prison.  TC pretends to be happy about it.

This was a dumb episode.

 

Insomnia File #76: Hackers (dir by Iain Softley)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you’re having trouble getting to sleep tonight, you can always go over to Prime or Tubi and enjoy 1995’s Hackers.

Hackers is a film about …. well, it’s right there in the title.  They’re hackers.  They’re cool.  They’re hot.  They’re sexy.  And they are way into computers!  They know everything that there is to know about exploring the internet, breaking into protected accounts, and rewriting code.  They know all about viruses, both how to spread them and how to cure them.  And they’re all teenagers!  The coolest kids at school are totally into computers and they’ve all got nicknames.

Hackers is very much a film of the 90s.  When this film came out, the Internet was still exotic and it was assumed that anyone who could write code had to be an eccentric genius with a larger-than-life personality.  Johnny Lee Miller is Dade Murphy, a.k.a. Zero Cool.  When he was a kid, he almost crashed the global economy.  Matthew Lillard is Emmanuel Goldstein, also known as Cereal Killer.  Lillard is hyperactive and he yells a lot but one can be sure that he’ll be a Silicon Valley billionaire by the time he’s 22.  Angelina Jolie is Kate Libby, also known as Acid Burn.  Hackers was early in Jolie’s career, back when she had so much personality and charisma that she seemed like she might literally step off of the screen and ask you if you wanted to step outside to smoke a joint or maybe do something a bit wilder.  All of the hackers go to high school together.  They all hack computers together.  And they all find themselves targeted by The Plague (Fisher Stevens), a super hacker who is so evil that he rides a skateboard to work.

It’s a perfectly ludicrous film but it’s so cheerfully and excessively stylish and Miller and Jolie have so much chemistry that it doesn’t really matter whether or not the film makes any sense.  This is one of those films where The Plague hatches his evil scheme while standing in a neon room surrounded by screens, as if the film is suggesting that The Plague actually lives in the middle of the Internet.  The music is early EDM.  The action is fast.  The cast has charisma to burn.  This film is about as 90s as a film can get.

Johnny Lee Miller and Angelina Jolie (who was 20 when she shot this film) were married shortly after the film’s release and, though the marriage may not have lasted, their chemistry is explosive.  For lack of a better term, they are totally into each other and it’s exiting to watch them interact.  The end credits roll over a scene of them undressing and making love in a pool and it’s the perfect ending for this film, a jolt of energy that feels like the proper way to celebrate having saved the world from collapse.  It’s also the type of thing that few studio films would be willing to do today.  Somehow, 2026 has turned out to be more puritanical than 1995 and progressiveness has, for many, come to mean either chastity or performative asexuality.  It’s as if both Hollywood and many modern critics have been captured by Orwell’s Anti-Sex League.  (Just consider the bizarre reaction that many had to Christopher Nolan including a sex scene in Oppenheimer.)  Hackers may not be a realistic portrayal of programmers or hackers but it is reminder of a time when movies were not only fun but they were also sexy.  Watching the film, one regrets that Johnny Lee Miller never became a big star and that Angelina Jolie is no longer the unpredictable force a nature that she once was.

Hackers is a trip to a time that may have only existed in our imaginations but it’s still nice to go back and visit on occasion.

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip
  9. Born Killers
  10. Eye For An Eye
  11. Summer Catch
  12. Beyond the Law
  13. Spring Broke
  14. Promise
  15. George Wallace
  16. Kill The Messenger
  17. The Suburbans
  18. Only The Strong
  19. Great Expectations
  20. Casual Sex?
  21. Truth
  22. Insomina
  23. Death Do Us Part
  24. A Star is Born
  25. The Winning Season
  26. Rabbit Run
  27. Remember My Name
  28. The Arrangement
  29. Day of the Animals
  30. Still of The Night
  31. Arsenal
  32. Smooth Talk
  33. The Comedian
  34. The Minus Man
  35. Donnie Brasco
  36. Punchline
  37. Evita
  38. Six: The Mark Unleashed
  39. Disclosure
  40. The Spanish Prisoner
  41. Elektra
  42. Revenge
  43. Legend
  44. Cat Run
  45. The Pyramid
  46. Enter the Ninja
  47. Downhill
  48. Malice
  49. Mystery Date
  50. Zola
  51. Ira & Abby
  52. The Next Karate Kid
  53. A Nightmare on Drug Street
  54. Jud
  55. FTA
  56. Exterminators of the Year 3000
  57. Boris Karloff: The Man Behind The Monster
  58. The Haunting of Helen Walker
  59. True Spirit
  60. Project Kill
  61. Replica
  62. Rollergator
  63. Hillbillys In A Haunted House
  64. Once Upon A Midnight Scary
  65. Girl Lost
  66. Ghosts Can’t Do It
  67. Heist
  68. Mind, Body & Soul
  69. Candy
  70. Shortcut to Happiness
  71. Dallas Cowboy Cheerleaders
  72. Dallas Cowboy Cheerleaders II
  73. Don’t Kill It
  74. Listen To Me
  75. 300 Miles For Stephanie

Lifetime Film Review: The Man In The Window (dir by Richard Switzer)


After her husband is killed in a car accident, Sarah (Teri Polo) retreats to their gigantic suburban home.  She spends her time painting pictures and resisting the efforts of her daughter (Jonetta Kaiser) and her best friend (Jamie-Lynne Sigler) to get her to move on with her life.  To me, it seemed pretty obvious that Sarah was deeply depressed and everyone should really have just backed off and let her recover at her own pace.  However, in the film, six months have passed since her husband’s death and, in the world of Lifetime, that means that it’s time to get back on the dating scene.  Sarah’s daughter assures her that “Dad” would have wanted her to move on.

(Yes, I’m sure that Dad is sitting in the afterlife, thrilled at the idea of his widow finding a new lover less than a year after his death.)

Sarah accompanies her daughter to a speed-dating event.  She goes on 20 dates in two hours.  19 of those dates are duds.  But the twentieth — oh my God.  Jack (Dylan Walsh) is handsome and successful and, as a widower, he understands what Sarah is going through.  Even more importantly, Jack has just moved in across the street from Sarah!  What a romantic coincidence!  Soon, Sarah is falling for Jack and Jack appears to be falling for Sarah.

But then the neighbor turns up dead.

For reasons that aren’t really clear, Sarah doesn’t seem to have really liked Sylvia (Deborah Rennard) that much.  Sylvia was nosy, the type of neighbor who stood out on her balcony and kept an eye on what everyone else was doing.  Sarah and her daughter referred to Sylvia as being “the neighborhood watch” and they would go out of their way to avoid talking to Sylvia.  I think the film means for us to sympathize with Sarah but, seeing as how we only see Sylvia being polite and friendly to Sarah, it’s a bit difficult to really be on Sarah’s side.  If anything, in this case, Sarah seems like the bad and judgmental neighbor.  Ultimately, it doesn’t matter, though.  Someone breaks into Sylvia’s house and strangles her.  And Sarah comes to suspect that the culprit might have been …. JACK!

This Lifetime movie had a fairly interesting mystery.  I will admit that I figured out what was going on long before Sarah did but then again, I’ve probably watched a lot more Lifetime films than she has.  The best thing about the film is that everyone lived in an extremely big house.  It’s always nice to see that the Lifetime tradition of huge suburban houses is still alive.  I also liked the fact that Sarah had enough money that she could deal with her grief by painting for six months.  There’s no tragedy so great that it can’t lead to more leisure time.

That said, Sarah was not a particularly likable protagonist.  I think if the film had been set a year after her husband’s death, as opposed to just six months, I probably would have had more sympathy for both her and her daughter.  As it was, it seemed like Sarah’s daughter was trying to force her mom to move on too quickly and it also seemed like Sarah was constantly allowing herself to be pushed into a situation for which she wasn’t emotionally ready.  Jamie-Lynne Sigler’s character was actually far more interesting than Sarah’s.  Maybe Sigler and Teri Polo should have switched roles.  There’s no way Sigler would have allowed herself to be guilted into speed dating.

Oh well.  It may not have been a perfect film but at least the houses were lovely to look at.

 

The Adventures Of A History Nerd: Candidates ’76


President Milton Shapp.

That sounds strange, doesn’t it?  There’s never been a President named Milton Shapp.  The name itself doesn’t exactly sound all the Presidential.  A president named Milton?  At one time, Milton brought to mind Paradise Lost.  Today, for many people, Milton might bring to mind Stephen Root protectively holding his red stapler in Office Space.  It’s not a name that we associate with presidents.

And yet, in 1976, Milton Shapp was one of the many people who ran an at least semi-serious campaign for presidency.  He was the governor of Pennsylvania, having first been elected in 1970 and narrowly re-elected in 1974.  He was the owner of an electronics company, a self-made millionaire.  He played the violin.  He wrote poetry.  He was the author of several musicals that had never actually been produced.  He ran for the Democratic Presidential nomination and, as you can probably guess, he didn’t get far.  If he had been elected, he would have been the country’s first Jewish President.

Of course, he wasn’t elected President.  If he had been elected, it’s doubtful that he would have been any better than Jimmy Carter.  But he would be remembered.  Milton Shapp would be the one with the books written about his life and Jimmy Carter would be the one reduced to being an obscure footnote in someone else’s story.

Unfortunately for Milton Shapp and the majority of the other people who ran for President in 1976, people don’t remember the also-rans.  They remember the candidates who won their party’s nominations.  To me, that’s a shame.  Sometimes, the also-rans are far more intriguing than the people who won.  In 1976, the first election after America’s only presidential resignation, over 20 candidates either ran or considered running for the White House.  Arizona’s Mo Udall was a one-eyed Mormon who was also a former basketball player.  North Carolina’s Terry Sanford was the President of Duke University.  Oklahoma’s Fred Harris traveled across the country in a RV and stayed in the homes of his supporters.  Indiana’s Birch Bayh and Idaho’s Frank Church were respected technocrats.  Maryland’s Sargent Shriver was a Kennedy brother-in-law.  Texas’s Lloyd Bentsen was a protegee of Lyndon B. Johnson and once called for nuking North Korea.  Washington’s Henry “Scoop”  Jackson was the original front runner who was still referred to be his childhood nickname despite being in his 50s.  Alabama’s George Wallace campaigned from his wheelchair.  At one point, every candidate had a shot at breaking through but only a few made it to the Convention.  How different would America be if Mo Udall or Lloyd Bentsen or Milton Shapp had won in 1976?

If you’re wondering how I know about all of these folks, it’s because I recently ordered a copy of Candidates ’76, a collection of candidate profiles that was put together by Congressional Quarterly.  Along with taking a look at their positions on the issues of the day, it also details their individual backgrounds and assesses their prospects.  Because Candidates ’76 was written in 1976, there’s no benefit of hindsight here.  Instead, it’s an honest historical document, one that was written at a time when no one was sure what the post-Watergate political scene would eventually look like.  For a history nerd like me, it’s the type of thing that is fascinating to read.

For the record, the following candidates and potential candidates are profiled in Candidates ’76.  Candidates with an asterisk by their name actually ended up on the primary ballot in 1976.

Republicans:

  1. Gerald Ford*
  2. Ronald Reagan*
  3. Nelson Rockefeller
  4. John B. Connally
  5. Howard Baker
  6. Charles Percy
  7. Charles Mathias
  8. Elliot Richardson
  9. Donald Rumsfeld
  10. George H.W. Bush

Democrats:

  1. Birch Bayh*
  2. Lloyd Bentsen*
  3. James “Jimmy” Carter*
  4. Frank Church*
  5. Fred Harris*
  6. Hubert Humphrey
  7. Henry Jackson*
  8. Edward M. Kennedy
  9. Edmund Muskie
  10. Terry Sanford*
  11. Milton Shapp*
  12. R. Sargent Shriver*
  13. Morris L. “Mo” Udall*
  14. George C. Wallace*
  15. George McGovern
  16. Jerry Brown*
  17. Hugh Carey

Independent;

  1. Eugene McCarthy*

(As far as I can tell, the only candidate that CQ missed was Robert Byrd, who ran as a favorite son in West Virginia.  Future Vice President Walter Mondale also ran briefly for President but ended his campaign before Candidates ’76 was put together.)

One of the great things about being a history nerd is that I can find a lot of happiness in reading something like Candidates ’76 and playing the “What If?” game.  At a time when misinformation is everywhere and when historical revisionism has been normalized, it’s nice to be able to go back and look at an original document.  It’s the next best thing to having a time machine.

Thunder Mountain (1947, directed by Lew Landers)


Having been away at agriculture school, Marvin Hayden (Tim Holt) returns home to discover that the ranch that he inherited from his father is about to be auctioned off due to unpaid back taxes.  It’s all a part of a scheme concocted by Sherriff Bagley (Harry Harvey), Trimble Carson (Harry Woods), and Johnny Blue (Tom Keene) to get control of the land so that they can make a financial killing when the railroad comes through.

(As in so many B-westerns, Thunder Mountain presents the railroad as something that will help build a lasting society while also bringing out the worst in greedy people.)

Even though Marvin refuses to carry his father’s guns, he’s still viewed as being a threat.  Because the Haydens have long feuded with the Jorth family, Carson murders Chick Jorth (Steve Brodie).  Marvin is arrested for the crime.  It falls to Marvin’s friends Chito (Richard Martin), Ginger (Virginia Owen), and Jim Gardner (Jason Robards, Sr., not to be mistaken for his son) to help Marvin break out of jail so that he can prove his innocence, save his ranch, and win the heart of feisty Ellie Jorth (Martha Hyer).

This was Tim Holt’s first starring role after he returned from serving in World War II and he makes the most of it.  Holt plays Marvin Hayden as being a haunted man, someone who has seen firsthand the results of violence and frontier feuds.  Unlike the heroes that Holt played before World War II, Marvin Hayden doesn’t want to carry a gun but, ultimately, circumstances don’t leave him with much choice.  This movie is a perfect example of why Holt’s films are held in such high regard by B-western fans.  The plot may not be anything special but Holt’s intelligent performance brings some unexpected shadings to the proceedings.  Holt gets good support from Martin, Owen, and Robards and there’s a lot of spark to his scenes with Martha Hyer.

Based on a Zane Grey novel and featuring a brisk, 60-minute running time, Thunder Mountain is one of the better B-westerns out there and a good showcase for Tim Holt.

Retro Television Review: Saved By The Bell: The New Class 2.7 “The People’s Choice”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Saved By The Bell: The New Class, which ran on NBC from 1993 to 2o00.  The show is currently on Prime.

This week, Screech becomes a crusading editor.

Episode 2.7 “The People’s Choice”

(Dir by Don Barnhart, originally aired on October 1st, 1994)

Feeling underappreciated at the high school, Screech asks to be made faculty advisor of the school paper.  With a staff made up of the Gang, Screech rejuvenates the paper.  Soon, he is directing an investigation into why there’s no money in the school’s athletic budget for the girl’s swim team to go to state.  Could it be because the misogynistic football coach (Brian Reddy) is a embezzling the money so the football team can go on a trip?

Unfortunately, everyone gets so involved in pursuing the story that they neglect their studies and they skip Mr. Belding’s college entrance exam review session!  Honestly, college entrance exams are incredibly easy and anyone who needs a review session to do well on them wasn’t going to get into a decent college anyways.  Seriously,  just blow all that off and go to a party school like I did.  GO MEAN GREEN!

Anyway, Screech realizes the error of his ways and puts the newspaper staff through a grueling review session.  Everyone does well on their exam.  And Screech disguises himself as an old man and tricks the coach into confessing his embezzlement!  The coach presumably works with Screech every day so how did he fall for a wig and a fake mustache?  Seriously, what is the deal with this show and disguises?

Despite the rather stupid plot, this episode wasn’t that bad.  Dustin Diamond actually gave a fairly believable performance as Screech and the ensemble had a good chemistry.  I’ll admit that I laughed at Tommy D’s attempts to be a food critic.  I bet we never hear about the newspaper again.

 

 

I Watched Dangerous Waters (1999, Dir. by Catherine Cyran)


Widow Sarah Slavin (Connie Sellecca) wants to spend the weekend whitewater rafting with her teenage daughter Chrissie (Alana Austin), her son Gus (Anthony DeFilippo), and her boyfriend, Bob Brown (Matt McCoy).  White water rafting probably isn’t the best way to introduce your kids to your new boyfriend but Sarah is hoping they can all bond while trying not to drown.  Instead, they find an injured man in the woods and then end up getting held prisoner by two escaped prisoners who are searching for some money that they claim is hidden somewhere nearby.  If you were in the middle of the woods and miles away from civilization, would you stop to help a wounded man who is wearing a prison uniform?  If it was just me, I probably would.  But if I was looking after two kids, the escaped con would be on his own.

I watched this movie on YouTube earlier today.  At first, I thought it was a pretty obvious rip-off of The River Wild, with a bunch of television actors replacing Meryl Streep and Kevin Bacon.  But then, about halfway through, there was a really good twist that totally changed what the movie was about and it actually caught me by surprise.  There’s a decent amount of suspense and some good rafting scenes.

I instantly recognized Matt McCoy as being the goofy spokesman from the insurance commercials that would always air whenever my aunt was watching her mystery movies.  After watching Matt McCoy in this movie, all I can say is that I will never look at a Hartford Insurance commercial the same way again!