Category Archives: Retro Television Reviews

Freddy’s Nightmares Late Night Retro Television Review: Freddy’s Nightmares 1.4 “Freddy’s Tricks and Treats”

Posted on by casewright

GUEST REVIEWER ALERT!!! Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Marsha (Mariska Hargitay) is a medical student with childhood trauma and an affinity for peeping toms. Yep, she likes peeping toms, which made me realize that Gilbert Adler – the story’s writer is not great at writing. In fact, he’s pretty terrible at it, but he did produce an awesomely bad movie “Ghost Ship.” Marsha joins a sleep study with Zach (Darren Dalton) who created a machine that can DVR your dreams. Why would you want to DVR dreams? Who knows?! Have you ever heard someone try to describe their dreams? If so, you need to politely smile and weather the storm.

During her sleep study, Zach gets pervy and sends peeping toms into her dreams and she quasi-undresses. It’s really really weird. I couldn’t figure out what the big mystery was. We learn that Marsha’s parents died, leaving Marsha to be raised by her ultra religious abusive grandmother. Marsha argues with her grandmother and her Nonna has a fatal heart attack. Ok, I don’t understand the mystery. Your parents are dead and your grandmother was mean. Why do you need dream recordings for that? You were there! You were there the whole time!!!

Freddy does make some appearances in the story itself, but doesn’t really cause any harm to Marsha. The perpetual lack of blood really killed the show. At this time, Freddy had sliced his way through at least 4 movies in horrific fashion; so, seeing him impotently nudge a potential victim really makes me sad because you could feel the franchise dying before your eyes.

With no chemistry at all, Marsha hooks up with Zach and he goes into her dream and Freddy bloodlessly takes him away. The story could have been better if it ended after 22 minutes; unfortunately, the story dragged on for another 20 minutes. It’s interesting that there were so many anthology shows coming up at the same time in the late 80s. It wouldn’t be until the mid 90s that The Outer Limits made a return. While science fiction can get traction, it was only a serialized drama “Supernatural” that could really entertain with horror as the theme. The closest we came to a horror anthology was Dark Mirror and that is trash! If you are a “Dark Mirror” fan, who hurt you? I mean it’s like if the reboot of The Outer Limits just decided to be mean all the time. It does make a question though maybe for Lisa: Maybe we should start reviewing the 90s outer limits??? I mean it’s a legit good show….just sayin.

Retro Television Review: St. Elsewhere 2.11 “Blizzard”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, it snows in Boston.

Episode 2.11 “Blizzard”

(Dir by Kevin Hooks, originally aired on January 18th, 1984)

It can’t be easy working in a hospital.

I’m thinking about this today because my aunt is currently dying.  After several years of suffering from Alzheimer’s disease, my aunt is currently in a hospital, unresponsive and scheduled to move into hospice care.  Presbyterian Health was the first hospice we reached out to.  They don’t have any available rooms but they were willing to still admit her and send their nurses to the hospital everyday until a room opened up,  One family would lose a loved one and my aunt would get a room.  However, the hospital says that they need the bed that my aunt is occupying so my aunt is being sent to a different hospice.  This hospice is located off the highway and it’s going to be Hell to get to.  I yelled at the hospital social worker for an hour this morning.  He suggested home hospice as a solution but home hospice is what I agreed to for my Dad last year and the pain from watching him die still lingers.

It’s easy to get angry at the doctors and the nurses and the hospice workers but I try not to.  I’m losing my aunt, a woman who stepped up to look after me after my mom died.  They’re losing one of the hundreds of patients that they deal with on a daily basis.  That social worker upset me but ultimately, he was doing his job.

All of this was pressing on my mind as I watched this week’s episode of St. Elsewhere.  Even though this episode was aired 41 years ago, it still felt relevant today.  A patient — a nice old man named Harrison Jeffries (James McEachin) — died because a teenage girl hacked the hospital’s computer, screwed with the files for fun, and accidentally erased the fact that Harrison was allergic to Demerol.  It was sad but it was also something that still happens today.  People, both good and bad, go into hospitals for minor procedures and concerns and they don’t come out.  Last year, my Dad went to the hospital because he was in a car accident and when I first visited him, he seemed like he was doing fine.  Three months later, he died because the accident aggravated his Parkinson’s.  It sucks and it hurts but that’s the way it is.  Tomorrow, I could forget to pack my inhaler when I leave the house and I could die of an asthma attack.  It’s not nice to think about but it could happen.  That’s why you have to truly live life while you can.  You never know when it might be taken away.

As for the rest of this episode, it dealt with a blizzard.  The roof collapsed on Dr. Cavanero and she ended up with a broken arm.  Dr. Craig tried to drive to the hospital and, after his car stalled, nearly died walking through the snow.  (Vijay was able to warm up Craig’s feet by placing them on his stomach.  Craig was not happy.)  Victor struggled with his love for Roberta.  Dr. Armstrong snapped at people.  Jack Morrison was depressed.  Even with this blizzard, it was really just another day at St. Eligius.

St. Elsewhere is frequently downbeat show but that makes sense.  When you think about, no one ever gets a happy ending.

Late Night Retro Television Review: Highway to Heaven 4.9 “Why Punish the Children?”

Posted on by Bradley Crain

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Amazon Prime, Tubi and other services!

Episode 4.9 “Why Punish the Children?”

(Dir. by Michael Landon, originally aired on November 25th, 1987)

In this Thanksgiving episode, Jonathan Smith (Michael Landon) and Mark Gordon (Victor French) take on roles as history teachers in a women’s prison. It seems a compassionate social worker named Melanie Canner (Sally Spencer) has been fighting hard to improve the lives of the women on the inside and has been getting close to nowhere with prison warden Thomas Inman (Bruce French). The first positive step that Melanie has been able to secure for the inmates from the warden are these history classes. Once on the inside, we meet inmates like Maria Rojas (Tasia Valenza), a young woman who’s just about to have her first baby, and Reba Williams (Bebe Drake), a mother of five. Both women want to straighten out their lives in order to give their children a better chance in life. It soon becomes clear that Jonathan, Mark, and Melanie are on a mission to convince the warden to open up more opportunities for the women to improve their lives and spend more quality time with their kids. The warden isn’t an easy case, as he seems convinced that the women shouldn’t be given any real favors as they pay their debts to society. As you might imagine, Jonathan has a couple of divine tricks up his sleeve.

I liked this episode of HIGHWAY TO HEAVEN even if it’s not the most realistic story you’ll ever see. Each woman we meet has 100% accepted the error of their ways and are determined to be a productive member of society if they can get just one more chance. The cynical part of me has to overcome this unrealistic element of the story, and the “women in prison” movie lover in me would have enjoyed a couple of good catfights. Alas, this is HIGHWAY TO HEAVEN and director Michael Landon is not in the business of going for complete realism or providing B Movie fan service! Rather, Landon is interested in creating a world where basically good people have done wrong, honestly regret how their choices negatively impact those they love, and vow to do better for their children. This series built its five seasons on the prospect of people turning their lives around, and I’ll admit I got pretty emotional again with this one. This episode really focuses in on a mother’s love for her children, and I certainly want to believe that these women would do anything for theirs. Each mother is given a beautiful moment, at Thanksgiving no less, and the chance that they need to be the mom their children deserve. I’m getting a little misty just thinking about it as I type these words. The character of the warden is there to learn the lesson that we all need to learn, which is to try to see situations from different points of view. He gets a little angelic help in this area, which is quite heavy handed and completely in line with the show’s expectations.

Overall, I again enjoyed this episode as a nostalgic trip down memory lane with a series I grew up watching with my mom. The fact that I got a little emotional is also no surprise because the older I get the more I cry when watching movies and TV shows. The fact that I was bawling in my office while I watched the show at work could have been a little hard to explain… luckily, nobody came by during those waterworks moments.

Retro Television Review: Malibu CA 2.26 “Three Dudes And A Baby”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

All good things must end.

And so must all bad things.

Episode 2.26 “Three Dudes And A Baby”

(Dir by Gary Shimokawa, originally aired on May 20th, 2000)

It’s over!

After two seasons and over 50 episodes, Malibu, CA is over!

As opposed to the other Peter Engel shows that I’ve reviewed on this site, Malibu CA doesn’t get a real finale.  Instead, the final episode is just another stupid 22 minutes that signify nothing.  When waitress Stacie (Kristen Miller) goes out of town, Murray, Jason, and Peter take care of her baby.  Awwwww …. wait a minute.  Why would anyone leave their baby with those idiots?

When the three men find out that Stacie is getting divorced from her husband, all three try to step up.  Murray asks Stacie to marry him.  So does Jason.  Peter offers to adopt her.  Stacie reveals that she and her husband have decided to stay together.  Are you sure, Stacie?  Murray is like really rich.

Meanwhile, Lisa (the character, not me!) gets upset because her little sister is a fan of Traycee’s television show and is thinking of quitting college so she can become an actress.  Lisa blames all of this on Traycee which is weird because 1) Traycee didn’t force Lisa’s sister to do anything and 2) Traycee has found a lot of success as an actress and if Traycee can do it, why can’t Lisa’s sister do it?

This is a typical Lisa story.  Lisa (the character, not me!) acts like a total bitch, whines nonstop, and blames everything on Traycee, even though none of it is really Traycee’s fault.  Adding the character of Lisa was one of the biggest mistakes that was Malibu CA made during its second season.  The first season was pretty dire but, in the end, it was actually better than the second season and that’s entirely because the first season did not feature Lisa (the character, not me).  I don’t want to be too hard on the actress who played her because it’s not exactly as if she was being given great material to work with.  That said, Lisa was a poorly-written character who basically was portrayed as always being annoyed with something.  The fact that the finale of the show focuses on her as opposed to wrapping up the stories of Jason and Scott says a lot about why this show was the most forgettable of all of the Peter Engel-produced sitcoms.

And so, Malibu CA comes to a close and there’s really not much to say about it.  Peter Engel tried to work his Saved By The Bell/California Dreams/Hang Time magic but the show never really found a consistent tone and neither of the Collins brothers were particularly likable protagonists.  It’s really not a shock that neither Jason Hayes nor Trevor Merszei went on to have acting careers after this show ended.

On a positive note, Brandon Brooks and Priscilla Inga Taylor were consistently amusing, if just because they were smart enough to embrace the oddness of their characters.  And Ed Blatchford had his moments as the father figure.  Otherwise, this was a forgettable sitcom that signified the end of an era.

Next week, something new will be coming to TSL in this timeslot.  What will it be?  We’ll find out next Thursday!

Late Night Retro Television Review: 1st & Ten 1.5 “Play Me Or Trade Me”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, an injury leads to the promise of sex …. or does it?

Episode 1.5 “Play Me Or Trade Me”

(Dir by Bruce Seth Green, originally aired on December 23rd, 1984)

Carl Whitherspoon, the star running back who is always demanding more money, is injured while filming a commercial for a rental car company.  (“Call OJ,” the commercial’s director says when it becomes obvious that Carl won’t be able to jump over any more luggage.)  The Bulls are struggling and Coach Denardo wants a championship but his star player is out for four weeks!

It’s time to trade!  Unfortunately, the only way that the Bulls are going to be able to get the running back they want is by trading their aging quarterback, Bob Dorsey.  Dana is upset about losing Bob but then she realizes she can finally have sex with him if he’s no longer a Bull and she decides that she’s okay with the trade.

But then the running back that the Bulls were hoping to trade for is injured so the trade is called off.  So, Dana can’t have sex with Bob.  But Bob still leads the team to victory.  Actually, the team wins because Bubba (Prince Hughes) blocks a field goal with his oversized ass.   (That’s not me being rude.  Bubba’s weight and the size of his ass is a running theme on this show.)  The Bulls are now 5-3 and I guess they don’t need a running back after all.

The main theme of this episode seemed to be that Dana needs to get laid.  I liked the chemistry between Delta Burke and Geoffrey Scott.  And the scene where Carl injured himself made me laugh just because of Sam Scarber’s over-the-top facial expressions as he crashed into a table.  Otherwise, this episode was pretty forgettable.

Retro Television Review: The Love Boat 6.12 “Baby Talk/My Friend The Excutrist/Programmed For Love”

Posted on by casewright

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This Week, “Bix”, a sapient robot, enslaves the crew…

I had not seen “The Love Boat” in forever and it’s really more of a variety show because there are all these straight forward/weird plot lines and song or dance numbers. I watched this episode with my daughters and they were quite confused as to why people were making all of these strange choices. My response:

I’m a terrible father

I’m kind of an angry man; so, I will start with the storyline that infuriated me the most. Franklin (Peter Marshall) brings “Bix” AKA Robby The Robot on the ship. First, I dispute that he’s a robot. “Bix” had flashing lights and could say a few phrases, in that case, when I put up my sound sensitive Christmas lights – I have created robots! Second, the phrases he used hinted at a self-awareness that should’ve demanded Captain Stubing to destroy this evil thing! Third, it kept getting in the way of Franklin and Ruth (Karen Morrow) from knocking boots. Listen Bix, these people don’t have much time left and they clearly discovered a proto-Viagra; so get lost- you puritanical robot!

The next storyline was just weird. Steve (Grant Goodeve) who was somehow NOT on the original Battlestar Galactica and his wife Connie (Donna Pescow – Saturday Night Fever) cannot have children; so, they enlist a surrogate. It becomes very clear that no one knows what a surrogate is because they kept talking about how the baby would have the surrogates traits, meaning I believe they thought Steve was going to sleep with the surrogate- the 70s were weird! Connie, the wife, gets jealous because Steve becomes flirty with the surrogate and it all gets mooted because it turns out that Connie is pregnant, but they still slept with the surrogate anyway- just kidding.

The last storyline was all about Two Broke Girls (see what I did there). I found it really very depressing even with the dance number. Betsy (Betty White) was the trustee for Aunt Sylvia (Carol Channing), but it turns out that Sylvia is broke. Sylvia then, hilariously drops her ONLY asset, a diamond necklace, into the ocean, leaving them both penniless. These two intrepid and talented women, desperate for cash, had no choice, but to fight a series of opponents in juvenile-game-themed-death matches in Korea. Sadly, they were the only remaining opponents and had to face off where only one friend would leave with millions of dollars and years of regret! I will have to say that I was impressed with Betty White’s cunning when she was hunting the most dangerous game. This storyline was actually the basis for the Netflix hit “Squid Games”. I am kidding, they actually thought their poverty was hilarious. I did not understand.

Late Night Retro Television Review: Pacific Blue 2.15 “Black Pearl”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicycle mayhem continues.

Episode 2.15 “Black Pearl”

(Dir by Terence H. Winkless, originally aired on January 5th, 1997)

TC arrests a woman named Alana (Angela Shelton) on drug and assault charges, just to discover that she’s an undercover DEA agent.  TC fears that Alana is in over her head and he tells Alana’s superior, Enright (John Michael Bolger) that he needs to pull her out of the operation.  Enright is like, “Whatever, bicycle boy.”

And, to be honest, I think Enright kind of has a point.  Why are the bicycle cops always trying to tell other law enforcement agencies what to do?  Every episode, either TC or Palermo and Chris gets a really angry look in their eyes and starts barking out orders at people they barely know.  It’s bad enough that they ride bicycles.  Do they have to act like a bunch of self-righteous pricks as well?

Speaking of bicycles, Victor has to get recertified to be a bike cop.  Uh-oh, sounds like Victor could lose his job!  Even worse, Victor’s partner in this episode is Chris so not only is Victor in danger of getting fired but he has to spend an entire week listening to Chris put him down.  Seriously, there are few characters in the history of television that I dislike as much as I dislike Chris Kelly.  Chris is the type who dismisses everyone’s problems before then launching into her hundredth monologue about how much it sucks going from being an Air Force pilot to a bike cop.

Victor trains with Hans Rhey.  In this episode, everyone is like, “Oh my God, Hans Rey!”  I had no idea who Hans Rey was.  I looked him up after this episode and apparently, he was a superstar on the bicycle circuit.  Hans does a lot of clunky bike tricks  As was so often the case withe professional athletes who played themselves on shows like this, he wasn’t much of an actor.  If anything, this episode reminded me of how stupid most people look riding their bicycles in the middle of the street.

Victor gets recertified.  Alana ends up dead.  Presumably, TC’s upset but since the actor playing him was only capable of one fascial expression, it can be hard to tell.  In the end, the real tragedy remains how dorky everyone looks on the bicycles.

Retro Television Review: Fantasy Island 7.5 “Roarke’s Sacrifice/The Butler’s Affair”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Roarke is haunted by a past love.

Episode 7.5 “Roarke’s Sacrifice/The Butler’s Affair”

(Dir by Cliff Bole, originally aired on November 12th, 1983)

This is an odd episode.  Both of the stories deal with love.  In one of them, Lee Meriwether plays a woman who is in love with her butler, Efrem Zimbalist, Jr.  She comes to Fantasy Island with a group of friends, all of whom are very judgmental about the idea of Meriwether dating a member of the help.  Mr. Roarke deals with the situation by threatening to reveal all of their secrets.  He explains that he does a thorough background check on everyone who comes to Fantasy Island.  I’m not sure if I buy that because some really bad folks have come to the Island.  Anyway, this story ends with Zimbalist starting to loosen up and Meriwether saying that she was going to continue to train him to be her boyfriend once they returned to the mainland.  I’m not sure if this is so much a love story as much as it’s a “I want to have sex with someone who I pay so they can’t ever say no” story.

The other story is a bit more interesting.  Julie Mars (Cyd Charisse, who I adore) is a dancer who walks with a cane.  It turns out that she and Roarke have been in love for years and the implication is that Roarke spent time with her off of the Island.  This is really a big deal.  It goes against everything that has always been implied about Roarke in the past.  Roarke never leaves the Island, that’s what we believed.  It turns out we were wrong.  He’s not only left the Island before but he’s fallen in love.  Julie’s fantasy is to be able to dance again.  Roarke grants her fantasy and Edmond Rome (Cesar Romero) wants to puts her in a show.  Roarke knows that the only way Julie can continue to dance is if she forgets the love that she has for Roarke.  That doesn’t quite make sense but Roarke just goes with it.  She leaves the Island, acting as if Roarke is just a friendly acquaintance as opposed to being the love of her life.

That was sad!  What made it especially sad is that Roarke doesn’t really have anyone to talk about all of this.  Tattoo was close enough to being an equal that Roarke could open up to him.  Lawrence is just a butler.  Some people confide in their butler.  Some people — as seen in this very episode — fall in love with their butler.  Roarke, however, is lost without Tattoo.

Poor Roarke!

Late Night Retro Television Review: CHiPs 4.8 “Wheels of Justice”

Posted on by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, not Ponch can smile his way out of the darkness.

Episode 4.8 “Wheels of Justice”

(Dir by Gordon Hessler, originally aired on December 21st, 1980)

The streets of Los Angeles are dangerous in this week’s episode.

Stan West (Basil Hoffman) is a reckless driver who is constantly causing accidents by driving too fast and making unsafe lane changes.  He gets away with it because he keeps changing his name.

Arthur Holmes (Joshua Bryant) is a drunk who Jon and Ponch have pulled over several times.  Arthur gets away with it by claiming, after every accident, that his wife was the one driving,  Denise (Christine Belford) goes along with it, even though she hates the fact that she’s enabling her husband.

A group of cheerleaders drive around and do their cheers while driving!

Finally, a gas leak at the hospital leads to all the newborn babies being loaded into an ambulance for transport.  When the ambulance is side-swiped by Stan, the babies end up at the station.  Getraer gives everyone a lesson on how to properly soothe a crying baby.  It’s cute but it’s also so manipulative that it leaves you feeling oddly used.  But, hey, at least it’s cute!

This episode of CHiPs took a serious turn towards the end when the drunk driver swerved to avoid the cheerleaders and the end result is that his wife was thrown from the car and killed.  When the car was shown crashing in slow motion, the wife’s mannequin actually fell out of the car.  While I imagine that was probably not planned, it still created a memorably macabre image.  In the end, Arthur ends up sobbing while Denise lies dead just a few feet away from him.  That’s a pretty dark ending for an episode of CHiPs.  Not even a quick scene of the officers holding the babies could change the fact that this was a really downbeat episode.

And you know what?  There’s nothing wrong with that.  Driving drunk is selfish, stupid, and dangerous and CHiPs deserves some credit for not holding back.

Retro Television Review: Miami Vice 4.15 “Indian Wars”

Posted on by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Castillo goes undercover!

Episode 4.15 “Indian Wars”

(Dir by Leon Ichaso, originally aired on February 26th, 1988)

The Vice Squad is trying to take down Colombian drug dealer Acosta (Joe Lala).  Acosta does not trust gringos so Crockett can’t pretend to be Burnett this week.  Instead, he’s temporarily promoted to head of the Vice Squad while Castillo goes undercover.  Castillo explains to his bosses that, as a Latino, he’s the only one who can do it.  I’m not sure that I really buy Castillo’s argument.  Do you mean to tell me that, in Miami, there’s only one Latino detective working Vice?  If that’s true, someone really needs to talk to whoever is in charge of giving the detectives their assignments.

Acosta is soon taken out of the picture and replaced by the even more evil Levec (played by the great character actor, Joe Turkel).  Castillo discovers that both Acosta and Levec are being attacked by a paramilitary force that is made up of Native Americans.  Tubbs goes undercover as an anthropologist and discovers that the local Indian chief has made a deal with the drug dealers and his son (Patrick Bishop) is not happy about it.  However, it turns out that the chief’s son is actually an aspiring drug lord himself and that his whole vigilante act is really just his way of getting rid of the competition.

This was not a bad episode, particularly when compared to some of the other episodes that aired during the fourth season.  Joe Turkel made for a great villain and the scenes of the Indians attacking the drug dealers were properly atmospheric.  The episode even includes a small homage to the final showdown from Scarface.  Philip Michael Thomas was mildly amusing when he pretended to be a nerdy anthropologist.  Meanwhile, Don Johnson was barely in this episode at all.  This episode was all about Edward James Olmos’s smoldering intensity as Castillo.

Again, it wasn’t a bad episode but it still felt like it was missing something.  As with so much of season 4, it felt like the show was just growing through the motions.  In this case, it went through those motions with a bit more skill than it did in some of the season’s other installments.  This episode didn’t feature any aliens or any bull semen.  That made it a definite improvement over at least two season 4 episodes.  Still, this episode largely felt like Miami Vice on autopilot.