Late Night Retro Television Review: Friday the 13th 2.24 “The Shaman’s Apprentice”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Micki is faced with a moral dilemma.

Episode 2.24 “The Shaman’s Apprentice”

(Dir by William Fruet, originally aired on May 29th, 1989)

Micki’s friend, Blair (Isabelle Mejias) is in the hospital.  She’s been having serious chest pains and, as Micki puts it, she’s too young to be suffering from them.  Blair finds out that she has a sarcoma and the doctors are not giving her much chance to live.  Dr. Lamar (James B. Douglas), the arrogant head of surgery at the local hospital, doesn’t seem to really care whether Blair lives or dies.  All he cares about is taking care of the wealthy patients who might be moved to donate some of their money to the hospital.

However, Blair has found a reason for hope.  There is a Native American doctor named John Whitecloud (Paul Sanchez).  He has his own clinic, one that is funded by a rich man who Dr. Lamar said couldn’t be saved.  Dr. Lamar hates Whitecloud, largely because Lamar is a racist who views Whitecloud’s “shamanistic” techniques with scorn.  However, Whitecloud appears to be capable of saving anyone.  Of course, the doctors and the nurses who have failed to treat Whitecloud with respect have a habit of mysteriously dying, usually right before Whitecloud manages to save a terminal patient.

Whitecloud does indeed have an objects that Jack and Ryan are interested in retrieving.  It’s not a cursed antique.  Instead, it’s a rattle that Whitecloud stole from his grandfather, Spotted Owl (Gordon Tootoosis).  Whitecloud is using the rattle to cure his patients but, for every cure, he also has to use it to kill someone else.  Whitecloud even uses it to kill Spotted Owl, though Whitecloud seems to feel bad about doing it.  When Jack realizes that Whitecloud’s next target is going to be Dr. Lamar, he and Ryan are determined to stop him….

….except, as Micki points out, stopping Whitecloud will mean that her friend Blair will die.  Why, Micki wonders, should Lamar get to live while Blair dies?  Micki argues that they should at least let Whitecloud cure Blair but Jack gently explains that it doesn’t work that way.  Jack says that their job is not to play God.

Long story short: The spirit of Spotted Owl shows up to drag Whitecloud into the afterlife.  Jack gives the rattle back to the tribe, despite Ryan feeling that it should be in the vault.  (“It’s not ours to take,” Jack explains in that reasonable and reassuring way of his.)  Micki is angry and depressed that Blair is probably going to die.  Blair stands on a street corner and stares at Whitecloud’s now empty clinic.  Roll the end credits!

Wow, that was depressing!  But it was really the only way the episode could end and I respect the fact that the show had the courage and the integrity to stay true to itself and end on such a down note.  Not many shows would have had the courage to resist coming up with some sudden, miracle solution.  This episode had some really cheap looking special effects and some not-so-great acting from some of the guest stars but Chris Wiggins, Robey, and John D. LeMay were as strong as always.  This episode was especially an effective showcase for Chris Wiggins, who played Jack with just the right amount of weary gravitas.  This was a depressing episode but it was a good one.

Retro Television Review: St. Elsewhere 1.8 “Tweety and Ralph”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

Oddly enough, this week’s episode is not available on Hulu.  I had to purchase it on Prime.  I’m not really sure why this episode — and apparently this episode alone — wouldn’t be on Hulu.  The world of Streaming is a strange and arbitrary place.

Episode 1.8 “Tweety and Ralph”

(Dir by Mark Tinker, originally aired on December 20th, 1982)

Dr. Craig is still trying to track down the mysterious Dr. Barnum, the man who says that he’s interested in Craig’s convertible.  Dr. Craig is constantly getting messages from Barnum.  He’s constantly hearing Barnum being paged on the PA.  Craig has become obsessed with tracking down the elusive Dr. Barnum.

Of course, Dr. Barnum does not exist.  What started as a practical joke on the part of Dr. Samuels has grown into a hospital-wide conspiracy of people playing with the emotions of the pompous and prickly Dr. Craig.  Craig is so obsessed with selling his car that he even cuts his hand while working on the engine.  Finally, Dr. Craig’s wife, Ellen (played by William Daniels’s real-life wife, Bonnie Bartlett), confronts Samuels and tells him that she knows what he’s doing.  When Samuels hears that Craig cut his hand, he feels guilty.  He knows how important a surgeon’s hands are.  Samuels finally works up the courage to tell Craig the truth.  Craig laughs.  And then he punches out Dr. Samuels.

And you know what?  Dr. Samuels totally deserved it.  Good for you, Dr. Craig!

(Everyone seems to have forgiven Dr. Samuels for causing a VD break-out during the pilot.  They’re very forgiving at St. Eligius.)

Meanwhile, the Legionnaire’s outbreak is finally contained, with the culprit being one dirty shower head.  Ward 5 is re-opened!  Yay!  Dr. Westphall celebrates his victory but still comes across as being the most depressed man on the planet.  While that goes on, Dr. Fiscus reveals that he now carries a gun so he won’t get mugged in the ER again and Dr. Cavanero considers her decision to devote her life to her career when a friend check into the hospital for hysterectomy.

That said, the majority of the episode centered around Ralph (Richard Marcus) and Jane (Laraine Newman), two psychiatric patients.  Jane is pregnant and Ralph is the father.  Ralph is a genius who graduated at the top of his class from MIT and who invented his own personal computer.  Unfortunately, he also thinks that he’s a bird and has been stealing medical supplies to build a giant nest in one of the supply closets.  Jane wants to marry Ralph but, when she and Ralph go out to dinner with Dr. Beale, Jane can only watch in horror as Ralph panics at the sight of a cat.  “Caw!  Caw!” Ralph shouts as he jumps up on  a chair.  The cat, for its part, just looks confused.

In other words, the marriage is off.  Jane tells Ralph that she’ll always love him but that she can’t be with him anymore.  The episode ends with a close-up of Ralph intensely staring at the camera.  Uh-oh, that doesn’t look good….

This was a weird but ultimately effective episode.  I really shouldn’t have been as emotionally moved as I was by Ralph and Jane’s story.  Ralph’s behavior was more than a little cartoonish.  But, I have to admit that I felt really sad as Jane said goodbye to Ralph.  Richard Marcus and Laraine Newman did such a good job playing the characters that I couldn’t help but be sad that things weren’t working out for them.

Oh well.  I guess that’s just another day at St. Eligius….

Anime You Should Be Watching: MONSTER


Naoki Urusawa is widely considered one of the great mangaka (comic artist who illustrates and/or writes manga) and some sees him as one of the great storytellers of our time. His work ranges from science fiction (20th Century Boys) to sports (Happy!) and to psychological thriller (MONSTER). It is his foray into the psychological thriller realm that we are here today.

MONSTER was originally published through 18 volumes from December 1998 to December 2001. This is a rarity amongst non-shonen manga which tend to be the type of manga that remains the most popular and non-ending publishing run. Urusawa’s psychological thriller wasn’t initially seen as something that would become popular and well-received when he first approached his editor about the idea for the epic story. Yet, despite his editor’s misgivings, MONSTER gained not just critical-acclaim but a strong following not just from manga readers, but from those who usually do not subscribe to what some would see as just another comic. It is this crossover appeal along all types of readers that would see Urusawa’s dark work sell over 20 million copies sold.

Like all popular manga, MONSTER would get an anime adaptation that ran from early April 2004 and to the series’ finale late September 2005. Just like its manga, the anime series would come to be known as one of the great anime series of the past 25 years. Where some anime adaptations of popular and critically-acclaimed works tend not reach the same level quality, MONSTER avoids the pitfalls of telling such a dense and heavy story by taking on the challenge and letting the series run for as long as it needs to be able to tell a faithful adaptation.

MONSTER the anime I would put up with all the other great live-action thrillers whether film or tv and for the most part would surpass most of them. The sophistication of its execution from the making the complex plot of the story easy to follow without dumbing it down for the general audience and, this is where MONSTER hits the mark, in keeping a steady and pace that neither rushes things or keep scenes last longer than they should before boredom begins to creep in.

Those who are not big on the cutesy and/or the hyper-action of most anime that tend to be popular with the general public, I suggest taking on MONSTER and just see just how mature and sophisticated the medium can be in addition to the rest.

Late Night Retro Television Review: Highway to Heaven 3.9 “Code Name: FREAK”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Freevee and several other services!

This week, the highway leads to college and R-rated movies!

Episode 3.9 “Code Name: FREAK”

(Dir by Michael Landon, originally aired on November 19th, 1986)

Jonathan and Mark have been assigned to work on a college campus.  While Jonathan gets to teach a computer class, Mark is assigned to be the resident assistant of a rowdy bunch of jocks who all live in the same dorm.  This episode continues the Highway to Heaven tradition of Mark always being humiliated by the assignment.  If I was Mark, I would be wondering why “the boss” always gives me the worst possible jobs.

Chris Gunn (Jeff Bryan Davis) is starting his first semester at the college.  He’s smart, he’s well-read, and he’s desperate to make friends with everyone.  Unfortunately, Chris is also only 13 years old and, even if he did graduate from high school, there’s no way he should be away from home at the college.  He has no friends.  No one invites him to any parties.  Chris is refused entry to an R-rated movie because he is not accompanied by an adult.

Chris’s roommate is Danny (Gary Hershberger), a football player who  is not quite as shallow as his fellow jocks.  When it looks like Danny might flunk his computer class, Danny’s frat brothers offer to accept Chris into the frat if Chris agrees to hack into Jonathan’s commercial and get the answers for the next big test. Chris does so but then double-crosses Danny by giving him all the wrong answers.  Chris’s not as naive as everyone thought!

Danny flunks the test and loses his spot on the football team.  When its learned that he cheated, Danny loses his scholarship and is expelled for refusing to reveal how he got the answers for the test.  Danny, knowing what happens to narcs, refuses to sell out and lit appears that he’s going to lose his scholarship as a result.  Stunned that Danny didn’t want to get him in trouble, Chris tells the truth to the school’s dean.  Danny is allowed to stay and after some prodding from Jonathan, the dean decides to allow Chris to stay as well.

Chris and Danny are both super-excited and have a new found respect for each other.  They celebrate by….

GOING TO AN R-RATED MOVIE!  Danny accompanies Chris so Chris gets to see a movie that’s he’s probably too young for!  Yay!

This is a prototypical episode of Highway to Heaven.  It’s unapologetically sentimental and rather predictable but it’s also so incredibly earnest and sincere that it doesn’t really matter.  We want to see everything work out for everyone and fortunately, it does.

Myself, it will never not amuse me that, after learning that he won’t be expelled and neither will Danny, Chris’s firth thought is that they should go catch an R-rated picture while they still have time.  And Danny agrees!  I always want to know what type of film are they watching.  Is it a slasher film or a mindless high school comedy or maybe something featuring a bunch of fast cars and occasionally juvenile behavior?

This was a classic episode.  I assume Danny and Chris are still best friends.

Retro Television Review: Malibu, CA 1.24 “Uncle Charlie”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  The entire show is currently streaming on YouTube!

This week, a special guest star is forced to appear on the show.

Episode 1.24 “Uncle Charlie”

(Dir by Gary Shimokawa, originally aired on May 9th, 1999)

Jason and Scott are totally excited because their Uncle Charlie is coming to visit.  As they explain to Murray, Uncle Charlie has been in the Marines for 30 years and is a total badass.  Murray says that he tried to join the Marines but was classified as being “FW.”  “Freaking weirdo,” Murray says.  Peter then says that he doesn’t like it when Charlie comes to visit because Charlie always make fun of him for being too thin.  Really when this show started and Peter was supposed to be like a seriously cool surfer dude?

Anyway, Charlie shows up and he’s played by Dick Butkus.  After finishing up both Hang Time and Half-Nelson, I thought I was done with reviewing anything to do with Dick Butkus but nope, here he is in yet another Peter Engel-produced show!  I imagine that Butkus did this show as a favor to Peter Engel or maybe Butkus was just under a contract that he couldn’t get out of.  Still, it’s hard not to notice that Butkus does not appear to be particularly enthusiastic about appearing on Malibu CA.  While it’s true that Butkus always came across as being more of an ex-athlete than an actor (because, of course, that’s exactly what he was), Butkus still at least made an effort on Hang Time.  In Malibu, CA, Butkus seems to be struggling to stay awake.

Uncle Charlie is upset because the Marines want him to consider retirement.  Charlie works out his frustration by having Jason and Scott do calisthenics.  (He’s not their favorite uncle anymore!)  But then Charlie starts hanging out with Murray and Murray encourages Charlie to be a beach bum.  That sounds good to Charlie and I have to admit that I think Dick Butkus hanging out on the beach in a Hawaiian shirt with Murray actually had a lot of potential.  I’m as surprised as anyone that Murray has turned out to be this show’s saving grace but he has.  I guess we should be glad the Marines didn’t take him.

Charlie’s new beach-centric philosophy becomes a problem when Charlie finds himself being considered for a job at a military school.  The school doesn’t want beach bums!  Can Jason and Scott straighten Charlie out?  Will Jason ever manage to get through a scene without looking straight at the camera for his cue?  Who cares?

As for the B-plot, Traycee has tickets to the Beastie Boys.  She invites Stads and Sam to come to the concert with her.  Awwww, how nice!  “You’ve only got two tickets!” Stads snaps because, for some reason, the show has decided that Stads should always be in a bitchy mood.  (Remember when the show started and Stads was vaguely likable?)  Sam and Stads compete for the title of Traycee’s best friend.  Years later, Paris Hilton had a reality competition show based around the same concept.

This episode was dull.  When not even Dick Butkus can make your actors look good by comparison, you’ve got a problem.

Daredevil: Born Again – Official Trailer (Disney+)


The first official trailer for the return of Daredevil to the small screen has finally been released by Marvel Television (a part of Marvel Studios). Daredevil: Born Again will finally and officially be the homecoming of the live-action Daredevil character that many fans have been clamoring for. Disney is finally embracing the Netflix Marvel shows as part of the MCU (they ignored the ABC/Netflix Marvel shows like they were something one found under their shoes).

Charlie Cox is back as Matt Murdock aka Daredevil, The Man With No Fear. Vincent D’Onofrio is also back as his arch nemesis Wilson Fisk aka The Kingpin. Pretty much the rest of the cast of the Netflix Daredevil show and its many spin-offs are back, as well.

There was some major fears and trepidations from fans of those shows that Disney will water down the mature-aspect of those shows in order to have them on Disney+. The fact that Kevin Feige and his braintrust at Marvel Studios made a major overhaul of the shows creative team six-episodes in of the shows production to start anew tells me that the initial plan to make the show more lighthearted didn’t so well when reviewed by the powers-that-be. So, after some many months of major reshoots, change in showrunner and directors, we now see a taste of that pivot away from the studio’s original plan.

Daredevil: Born Again trailer channels the original Netflix series’ serious and mature tone. Even the fear that the violence of the original series would be water-downed could be put to rest. Daredevil: Born Again definitely is for mature-audiences only.

The Marvel Cinematic Universe hasn’t has many hits since the end of Avengers: End Game, but this trailer (hopefully just a hint of what to expect when the show comes out) is a right step in the direction of righting the MCU ship, because the pop-culture landscape is much better when its tentpole franchises are working perfectly on all cylinders rather than not.

Late Night Retro Television Review: Monsters 3.5 “Outpost”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

I have a cold and a slight fever so tonight’s review is going to be a short one.

Episode 3.5 “Outpost”

(Dir by T.K. Hudson, originally aired on October 28th. 1990)

In the far future, a space mining company is transforming terminally ill people into cyborg mutants and sending them to work on inhospitable planets in return for keeping them alive.  Cara (Juliet Mills), a representative of the company, is sent to one of the outposts to discover why the horribly disfigured Sebastian (Tony Fields) is no longer doing his job.

Separated by a layer of glass, Sebastian and Cara have a 19-minute conversation.  Cara is rude and condescending and makes it clear that she has zero concern for the well-being of Sebastian.  This is perhaps as bitchy as the world will ever see a Mills sister act, which is really saying something when you consider some of the Saved By The Bell episodes in which Hayley Mills played Miss Bliss.  Sebastian has been hearing voices and is tempted to just wander across the alien landscape until he dies.  Why should he spent the rest of eternity miserable and alone.

Cara gets annoyed.  She says that work is important.  Why, when her husband was ill and dying, she didn’t even bother to take off from her job to visit him.  He died while she was away or, at least, that’s what the company told her….

Can you see where this is going?

This episode benefitted from the performances of Juliet Mills and Tony Fields but the story was extremely predictable.  The dialogue was definitely a bit more intelligent than we’ve seen in previous episodes of Monsters and I respected the episode’s ambition but, in the end, the story dragged a bit and the big twist was easily guessed.  This was not a terrible episode but it wasn’t particularly memorable either.

Retro Television Review: The Love Boat 5.13 “Doc Take the Fifth/Safety Last/A Business Affair”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Love, exciting and new….

Episode 5.13 “Doc Take the Fifth/Safety Last/A Business Affair”

(Dir by Bruce Bilson, originally aired on Jan. 2nd, 1982)

Returning from his vacation, Doc boards the boat with a young Russian blonde woman named Tania (Irena Ferris).  Oh, the crew says, Doc has a new girlfriend.

No, Doc has a new wife!  Doc and Tania met after Doc saw her performing as a member of a communist symphony during his vacation.  They struck up a conversation and, according to Doc, it was love at first sight,  After a whirlwind courtship, Doc and Tania got married, mere hours before heading to the boat.  It’s going to be a working honeymoon for Doc and he can’t wait to consummate the marriage.  The crew can’t wait for him to do it either.  (Seriously, they are oddly obsessed with Doc Bricker’s sex life.)  This is Doc’s fifth marriage and it’s going to last!

Except …. Tania doesn’t seem to want to consummate the marriage.  In fact, once the boat sets sail, Tania seems to be avoiding Doc.  Doc wonders if maybe Tania is just shy but seriously — refusing to have sex with your new husband on a luxury cruise ship?  No one’s that shy!  Then Doc spies Tania kissing another passenger.

“Adam,” the captain says, “you don’t know Tania that well.”

Indeed, Adam does not.  Eventually, Tania tells Doc Bricker the truth.  She married Adam so she could stay in the country with the true love of her life, political dissident Mikhail (Kai Wulff).  Tania says that she really, really likes Doc but she is not in love with him.  Both Tania and Mikhail apologize to Doc and tell him that Tania will get the marriage annulled and return to Russia.

Personally, I think Doc would have been justified in tossing them both overboard.  Instead, Doc asks Captain Stubing to call a friend at the State Department and arrange for Tania to get permanent refugee status in the United States.  Awwww, that was nice of Doc!

This storyline was depressing but, as I’ve said before, I always appreciate it when The Love Boat allows Doc Bricker to be something other than just a lech.  Bernie Kopell was so likable in the role that it was always nice when he got to play Doc as being a nice guy as opposed to a manipulative sex addict.  Kopell did an especially good job in this episode, especially at the end where he appears to be on the verge of tears as he watches Tania and Mikhail leave the boat.

As for the other two stories, neither one was particularly interesting.  A safety inspector (Don Adams) is so obsessed with safety that he nearly misses a chance for romance with Alice (Britt Ekland).  Luckily, Isaac is there to set him straight.  A business executive (Robert Fuller) is upset that everyone thinks he’s sleeping with his Vice President (Judy Norton).  But then he falls in love with her and sleeps with her for real so I guess the rumors were true!

Those stories were boring but Doc’s story redeemed this week’s cruise.  Poor Doc!  Maybe the sixth time will be the charm.

Scenes I Love: Mr Inbetween


There’s something to say about an individual who follows a code of behavior and has a moral compass that may seem archaic for today’s sensibilities, but when one really thinks about it…well, they’re not wrong.

We may hate that such people may be correct in their way of thinking and that it may offend certain sensibilities but that doesn’t necessarily means its wrong.

And on that note let me introduce you to Ray Shoesmith aka Mr Inbetween. This scene of him attending an anger management class best describes not just who Ray is but sets the tone for what this series is all about.

Late Night Retro Television Review: Pacific Blue 1.2 “First Shoot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicycle cops continue to expect to be taken seriously.

Episode 1.2 “First Shoot”

(Dir by Michael Levine, originally aired on March 9th, 1996)

It’s a busy time for the bicycle cops of Santa Monica.

Elvis (David Lander), the bicycle repairman who speaks with an indecipherable accent, is paranoid because a group of Bulgarian men are wandering the beach and asking if anyone knows where they can find him.  It turns out that the men are not dangerous but instead, they are the members of Bulgaria’s Olympic bicycling team.  They want Elvis to be their official team repairman.  However, Elvis previously had an affair with the girlfriend of one of the Olympians so he declines the offers.  He prefers the glamour of California.

Meanwhile, a pickpocket is robbing people on the boardwalk.  When he makes the mistake of grabbing the wallet of an old Italian man named Mr. Tataglia (Joseph Campanella), Tataglia goes to Lt. Palermo and explains that he wants the wallet back because it contains a picture of his wife.  He would consider it a matter of personal respect if Palermo retrieved the wallet and he promises to repay the favor.  Fortunately, the brave bicycle cops do catch the pickpocket.  Mr. Tataglia watches from a distance and nods.  I guess Mr. Tataglia is meant to be a mobster.  Believe it or not, not all Italians are in the Mafia.  I’m a fourth-Italian and I’m fairly sure that side of my family is not mob-related.

While that’s going on, Chris and Del Toro ride their bikes out to a film set and provide security for a spoiled movie star named Scott Magruder (Bojesse Christopher).  Chris is the one who has a crush on Magruder but it’s Del Toro who is seduced by the prospect of fame.  When Magruder gives Del Toro a line in the movie, Del Toro has visions of movie stardom in his head.  But then the scene gets cut.  Sorry, Del Toro, looks like you’re just going to have to spend the rest of your life riding around the beach on a Schwinn like a dumbass.  Scott later gets arrested in a bar fight but it turns out it was a publicity stunt.  Chris is saddened to learn that celebs aren’t as likable in real life as they are in the gossip pages.  Myself, I’m just wondering why Chris has gone from being the smart and driven character that she was in the pilot to being a total airhead just one episode later.

Finally, Cory and the bike cops help the real cops bust a group of drug dealers.  Cory shoots an aspiring rapper named Rasheed (Jeremiah Birkett).  Rasheed claims that he didn’t have a gun.  Cory is determined to prove that he did.  Apparently, this was the first time that Cory ever shot anyone.  Strangely, it doesn’t seem to rattle her at all that she nearly ended someone else’s life.  I mean, it seems like most people would have a more emotional reaction to nearly killing a man, even if that guy was a criminal with a gun.  Cory, however, is cool and calm and kind of creepy about it.  It’s established that Cory comes from a family of cops so maybe that’s why the shooting doesn’t faze her.

There was a lot going on in this episode.  Actually, there was probably too much going on.  This is only the second episode of the show and it’s not like any of the characters have really developed much of an individual personality.  Everyone is still pretty much interchangeable.  As a result, none of the action in this show carried much of an emotional impact.  The characters are all still strangers to me.

Maybe things will improve next week.

(Seriously, let’s hope so!  I’ve got a lot of episodes to make my way through before I’m done with Pacific Blue.)