Category Archives: Song of the Day

Song of the Day: Kill Bill (by Brown Eyed Girls)

Posted on by Arleigh

BEG Kill Bill

This is not the first time I’ve featured the K-Pop girl group Brown Eyed Girls. Their 2008 song, “Abracadabra,” was featured as a song of the day. It was really that song that first introduced me to K-Pop. While my interest didn’t skyrocket after that song, it did simmer for a few years before I was finally fully on-board.

The latest K-Pop Song of the Day is from B.E.G. and it’s their 2013 single release from their 5th studio album, Black Box. It’s a song titled “Kill Bill” and the song and accompanying music video is a homage to the 2003 Quentin Tarantino grindhouse mash-up. Even the music video literally lifts sequences and camera shots from the film.

Some have called this a loving tribute to the film of the same name which inspired the song. Others have called it a blatant rip-off. No matter which side one is on the song showcases the group’s ability to remain relevant in a music industry that either caters to the cute, bubblegum pop scene or to the overtly sexual (at times way too sexual) aesthetic.

B.E.G. continues to show that they can still bring a more mature visual that toes the line between the two extremes of cute and sexual. This is not to say that the song is just all about the visuals. “Kill Bill” is a catchy tune that  shows it’s Western-infused sound of acoustic guitars, bluesy electric guitar riffs and the ever-present whistling of past Spaghetti Western scores.

Song of the Day: Lion Heart (by Girls’ Generation)

Posted on by Arleigh

Girls Generation Lion Heart.jpg

The latest Song of the Day: K-Pop Edition comes courtesy of the girl group who has helped usher in the worldwide success of the genre beyond just the borders of South Korea and the surrounding region. Girls’ Generation (aka SNSD) has been one of the biggest K-Pop girl groups since they debut in 2007.

Girls’ Generation originally had 9 members, but since 2014 has been promoted as an 8-member group after one of it’s original members, Jessica Jung was removed from the group due to conflicting schedules. Yet, despite this the group never lost a beat and continued to crank out hits after hits.

Their musical style was typical of the K-Pop groups which has been heavily influenced by dancepop and electropop. This made their earlier releases and accompanying music videos to be very high-energy with the bubbly, sugarpop aesthetics of other girl groups of the time.

Things began to evolve with each new album release and while the group still retains their high-energy dance and electropop origins they’ve also added hip-hop and punkpop to their repertoire. They remain cute and accessible, but now with a nice edge to round them out.

This could be seen with their “Lion Heart” release and especially with their msuci video for the song. The song itself has basis on bubblepop with some soul infusion to give it a retro sound. The video itself conveys a 60’s-retro aesthetic mixed with the candy color palette of past K-Pop videos.

And as the image above shows, the video also shows a bit more of the group’s ever present sultry side as choreographer Tony Testa and in-house choreographer Shim Jaewon get the ladies to provocatively get low with their hip sways and rolls.

It’s definitely a nice bit of dance move that’s hypnotic and catches the viewer’s eye. It’s especially surprising in contrast to the glittering, Flapper-style fashion the group wears in the video during the song’s breaks.

Girls’ Generation is one group from the previous generation that I would recommend for those new to the K-Pop scene. While the group itself is now down to 5-members, they still continue to make an impact on the K-Pop music industry and have cemented their legacy as one of the first K-Pop groups break through beyond Korea and the surrounding region and be successful globally.

 

Song of the Day: As If It’s Your Last (by Blackpink)

Posted on by Arleigh

Blackpink

It would be impossible to talk about K-pop without putting up as a “Song of the Day” a track by one of the most popular K-pop girl group of the last couple years. I am talking about YG Entertainment’s quartet known as Blackpink.

The group made their debut on the K-pop scene on August of 2016. The quartet are seen as taking up the YG Entertainment K-pop legacy with the disbandment of the ultra-popular quartet girl group 2NE1. Even their stylistic choices have been compared to their predecessors who were able to combine both the cutesy image seen by many as K-pop with the edgier sound of hip-hop and R&B.

For the most part, most of their singles since their debut in 2016 have what the group itself call as their “Black” concept which leans heavily on hip-hop, drum and bass and R&B influences. The choice for today’s Song of the Day is the group’s first foray into introducing their “Pink” side.

“As If It’s Your Last” still retains the highly-energetic beats and tempo of their previous releases, but also incorporates the more traditional dancepop influence in K-pop. While it helps showcase their cute side both in their vocal deliveries and the music video, the song still manages to mix in some reggae and moombahton influences.

This gives “As If It’s Your Last” not just a dance house edge but the familiar catchy hooks of traditional bubblepop K-pop.

Song of the Day: Ice Cream Cake (by Red Velvet)

Posted on by Arleigh

Red Velvet Ice Cream Cake

For the most part all the K-pop I’ve shared have been on the more mature sounding side of the spectrum. As I mentioned before, for some this side of K-pop is more to their liking while others prefer the more cute and bouncy side of the genre.

Pantsukudasai56 has made it known that he is into K-pop and, for the most part, also J-pop (though from what I could gather it’s more the latter than the former). I can see why he’s more drawn to the cute and bouncy side of K-pop since J-pop has made that type of pop a cottage industry in Japan’s music scene.

So, just to show that K-pop is not just what I enjoy listening to, but what others have come to find entertaining and interesting, I give you Red Velvet’s “Ice Cream Cake” from the mini-album of the same name which came out right after their first debut singles, “Happiness” and “Be Natural.”

The song is a far cry from the R&B and jazzy sound of “Be Natural” but instead has a blend of drum and bass and dance pop that’s the staple of what non-fans think K-pop sound is all about. While the song does have that cute and bouncy sound, not to mention a video with visuals to match it, there’s also a subtle discordant layer to the proceedings. Whether it’s the group doing a haunting harmony that helps start off the song and returns throughout the song right up to some discordant chords.

Even the lyrics of the song could be mistaken for just your typical K-pop song about young love, or as some have mistaken just about ice cream cake. Yet, at further listening and understanding of the song’s translated lyrics there’s more than a hint and level of double entendre and innuendoes to the song’s wordplay.

So, for those who like their K-pop visually popping and bouncy with the vocals to match then Red Velvet’s “Ice Cream Cake” is a nice starter.

Song of the Day: Miniskirt (by AOA)

Posted on by Arleigh

AOA Miniskirt

We may be seeing a pattern now when it comes to the K-Pop Edition of the Song of the Day feature. While K-Pop has been typically known for the cutesy and bubblegum pop that has made them a worldwide sensation, it’s worth noting that K-Pop girl groups have been expressing their sexier and more mature side.

This side of the K-Pop scene has it’s own followers and fans just as the high-energy and cute side has it’s legions. I will even suggest that some contributors to this site have a personal preference for the latter. I, for one, prefer the sexier, sultry side of K-Pop though I’m not averse for some sugar-high once in awhile.

The group AOA, consisting of 8 members (Choa, Jimin, Chanmi, Youkyung, Yuna, Hyejeong, Seolhyun and Mina), and their 2016 release, “Miniskirt,” is today’s latest Song of the Day. It’s a good combination of sexiness and enough uptempo to the song’s melody that it should appeal to the dancepop crowd. While it doesn’t have that bubblegum pop energy it showcases a much more flirtatious mood with the theme of high-heels and thigh-high stockings.

Even my fellow co-founder, who is probably learning about K-Pop through these K-Pop postings, will enjoy this song and video if just for the sultry dance choreography, the fashion and, most especially, the surprise star of the video who appears in the end.

Song of the Day: Poison (by Secret)

Posted on by Arleigh

Secret Poison

This is definitely not your “Poison” of the early 1990’s BBD (Bell Biv Deveo) days. This time it’s the 2012 mini-album release for the South Korean girl group Secret. The quartet took a year off before launching a comeback which saw the mini-album’s release and a new sexy and feminine look. It was a far cry from their previous cutesy image.

The song is a combination of many influences from jazz (a repeating saxophone section) to pop R&B (reminiscent of late 90’s and early 2000’s) to hip-hop with it’s layered beats. All of these influences make for a nice uptempo beat that the video is still able to mine for a nice sexy, sultry concept video that shows the quartet unleashing their femme fatale aspects.

The video itself is a more story driven than most K-pop videos of the time. With the girls (or should I say ladies) decked out in British women’s spy fashion mixed in with detective film noir femme attire. While the theme calls to mind Spillane, Hammett and Cain, the dance choreography screams R&B and Hip-Hop. From the choreo matching the song’s percussive beats to the body rolls and get-low moves.

While all four ladies of Secret gets a chance to shine in the song, the video itself is taken over by the visuals of group Leader Hyosung and group Visual and Maknae (youngest in the group) Sunhwa. Both Hana (rapper) and Jieun (Main Vocalist) don’t shrink from their own roles despite the first two having a much more visual impact and presence in the video.

I must agree with all who have seen the video and some of their stage live performances of the song, Hyonsung plus thigh-highs stockings were and, still are, a killer look. A visual good enough to kill for.

Horror Song of the Day: Highway to Hell (by AC/DC)

Posted on by Arleigh

Highway to Hell

We’ve finally reached the finish line. It’s now Halloween. Enjoy the sun while it out and about because when it goes down and the sky darken and turns to black, the ghouls and monsters come out to play.

Those inclined towards enjoying the darker aspects of life will dance and play throughout the night as they continue their way down the highway to hell.

“Highway to Hell”

Living easy, livin’ free
Season ticket, on a one – way ride
Asking nothing, leave me be
Taking everything in my stride
Don’t need reason, don’t need rhyme
Ain’t nothing I would rather do
Going down, party time
My friends are gonna be there too

I’m on the highway to hell
On the Highway to hell
Highway to hell
I’m on the highway to hell

No stop signs, speedin’ limit
Nobody’s gonna slow me down
Like a wheel, gonna spin it
Nobody’s gonna mess me ’round
Hey Satan! Paid my dues
Playin’ in a rockin’ band
Hey Mama! Look at me
I’m on my way to the promise land

I’m on the highway to hell
Highway to hell
I’m on the highway to hell
Highway to hell

Dont stop me!

I’m on the highway to hell!
I’m on the highway to hell!
I’m on the highway to hell!
I’m on the highway to hell!

And I’m goin down..all the way!
I’m on the highway to hell..

Horror Song of the Day: The Shape Returns “Halloween 2018” (by John Carpenter, Cody Carpenter and Daniel Davies)

Posted on by Arleigh

Halloween

Today we see the wide release of David Gordon-Green’s sequel to John Carpenter’s Halloween. A film that’s a direct sequel to the horror classic, David Gordon-Green was able to bring in John Carpenter himself to compose the film’s score just as he did for the original film.

This time around, Carpenter is accompanied this time around by his son, Cody Carpenter, and godson, Daniel Davies. So, we have three generations with the original Halloween in their DNA attempting to improve or, at the very least, not make the score to this official sequel sound like just a copy and paste of the original score.

I would say, after listening to the full score a couple times, that these trio have succeeded where others have failed in scoring the other films in the franchise. My favorite track from this new score has to be the one titled, “The Shape Returns.”

With more modern electronic and synthesizer equipment available for use, Carpenter and his helpers were able to take the main Halloween theme and give it a more modern, angrier and menacing (if that’s even possible) sound for “The Shape Returns.”

Horror Song of the Day: Prince of Darkness Opening Credits (by John Carpenter and Alan Howarth)

Posted on by Arleigh

Prince of Darkness

John Carpenter, as most long-time readers and visitors to the site will know, is one of my favorite filmmakers. While he has been in a self-imposed retirement these last 15 or so years from directing, his works for two decades prior have to be considered some of the best genre films.

While some of his films have been critically-acclaimed from the start, others weren’t treated as well when they first released. It would only be years later when genre fans would finally come to appreciate some of his lesser works.

One such film is Prince of Darkness. The second film in his unofficial “Apocalypse Trilogy”, this one would be lambasted by most film critics upon it’s release. Even fans of his films would mostly avoid this entry.

Yet, years later it has turned out to be one of his most underappreciated films. It’s soundtrack, one Carpenter did himself with assistance from long-time collaborator Alan Howarth, would become a favorite.

The expanded “Opening Credits” section of the Prince of Darkness soundtrack is a great example of the sort of mood Carpenter can create with his preferred usage of synthesizer and electronic keyboards when it came to composing his film’s soundtracks.

Song of the Day: Penthouse Pauper by Creedence Clearwater Revival

Posted on by Arleigh

CCR

I sure do miss sharing some of my favorite songs and music with y’all.

As part of my return to the site I’d like to share one of my current favorite songs (well, it’s an all-time favorite but have been listening to it a lot of late). It’s a song I first heard as a wee lad of no more than probably 7 or 8. Time becomes quite hazy in my advancing years.

My dad was a huge Creedence Clearwater Revival fan and he would constantly play their albums, especially his favorite tracks, during road trips and just driving around the area. One day it would be CCR the next another band he liked.

“Penthouse Pauper” came back to my radar after it was featured prominently in last year’s Marvels Netflix series The Punisher. The moment the song began to play in the background it brought back good memories and it has since returned to my constant playing and listening of this classic blues-rock song.

Penthouse Pauper

“Now, if I was a bricklayer,
I wouldn’t build just anything;
And if I was a ball player,
I wouldn’t play no second string.
And if I were some jew’lry, baby;
Lord, I’d have to be a diamond ring.
If I were a secret, Lord, I never would be told.
If I were a jug of wine, Lord, my flavor would be old.
I could be most anything,
But it got to be twenty-four karat solid gold, oh.
If I were a gambler, you know I’d never lose,
And if I were a guitar player,
Lord, I’d have to play the blues.
If I was a hacksaw, my blade would be razor sharp.
If I were a politician, I could prove that monkeys talk.
You can find the tallest building,
Lord, I’d have me the house on top.
Oh, let’s go!
All right, keep goin’!
I’m the penthouse pauper;
I got nothin’ to my name.
I’m the penthouse pauper; baby,
I got nothing to my name.
I can be most anything,
‘Cause when you got nothin’ it’s all the same.
Oh, let’s move to this song!
Lord, look at my penthouse.”