Moments #7: A Visit To The Cemetery

Posted on October 1, 2023 by Dazzling Erin

This nature trail is located a few miles away from my house. When the weather is just right, I like to go down there and walk along the path and just enjoy the peace and beauty of nature.

What many people do not know, even those who visit the park on a daily basis, is that if you take a step off the nature trail and follow an overgrown path through the trees, you can find a historic cemetery that has sat in the park since the town was founded in the 1850s.

It’s rare that I visit the nature trail without also visiting the cemetery. It’s a reminder of the people who were here before me and who lived on this land before it became a park where people jog, ride their bicycles, and look at their phones when they should be looking at the world around them.

Previous Moments:

Horror Film Review: Frogs (dir by George McGowan)

Posted on October 1, 2023 by Lisa Marie Bowman

1972’s Frogs opens with Pickett Smith (played by a youngish Sam Elliott) canoeing through the bayou, taking pictures of all of the local sights. Pickett is a nature photographer and someone who is very concerned about what pollution is doing to the local wildlife. Eventually, Pickett ends up meeting the Crocketts, the wealthy family that owns and lives on an isolated island. Wheelchair-bound family patriarch Jason Crockett (Ray Milland) is looking forward to celebrating the 4th of July. It’s a tradition and he goes all out, decorating the mansion with American flags and listening to patriotic music. The Crockett family always celebrates with Jason, though it quickly becomes apparent that Jason would be just as comfortable celebrating without any of them.

The last thing that Jason Crockett wants is some preachy environmentalist showing up at his mansion and ruining the 4th of July with a bunch of complaints about the pesticides that he’s been using to keep away the island’s wildlife. The only thing worse than having to deal with an environmentalist would be having to deal with an invasion of alligators, snakes, and frogs. Unfortunately, Jason is going to have to spend his holiday dealing with all of those things. Soon, the mansion is surrounded by frogs and servants and family members are showing up dead all over the place.

I’ve seen Frogs a handful of times. It’s one of those films that many of my friends seem to like much more than I do. I have to admit that, for whatever reason, I always find myself struggling to focus on the film. Some of that is because there are more than a few slow spots. But the main problem is that frogs really aren’t that menacing. Frogs are cute and kind of goofy-looking, much like Sam Elliott without his mustache. The alligators are certainly scary. And there’s an attack by a cottonmouth that makes me go, “Agck!” every time that I see it. But frogs just look cute when they start hopping around. Our cat gets excited whenever he sees a frog because he knows that he can put his paw on their back and make them jump. Frogs aren’t threatening but I suspect that’s probably the point of the film. Frogs is not a film that is meant to be taken too seriously and all of the close-ups of the frogs staring at Ray Milland, Sam Elliott, Joan Van Ark, and Adam Roarke are obviously meant to be more humorous than scary. By the end of the film, the frogs are hopping over American flags, like a group of rebellious amphibians that have decided to stage their own 1968 Democratic Convention.

The majority of the cast is adequate if not exactly outstanding, with most of them doing what they can to try to look terrified of a bunch of frogs. That said, the only one who really makes a strong impression is Ray Milland, who appears to relish the opportunity to play someone who dislikes literally everyone that he sees. As played by Milland, Jason is so honest about being a miserable old man that it’s hard not to like him. He doesn’t like humanity and he’s not going to pretend otherwise. One gets the feeling that, when this film was released, he was meant to represent the same establishment that got America into Vietnam. When viewed today, he comes across like the one person who would be smart enough to never get on social media.

Reportedly, this was one of Andy Warhol’s favorite films. I’m glad he enjoyed it.

Horror Film Review: House of Frankenstein (dir by Erle C. Kenton)

Posted on October 1, 2023 by Lisa Marie Bowman

House of Frankenstein opens in a prison. Dr. Gustav Neimann (Boris Karloff), the bother of one of Baron Frankenstein’s assistants, has been convicted of robbing graves and attempting to carry on the Baron’s work. Dr. Neimann’s faithful assistant is the hunchback, Daniel (J. Carroll Naish). Daniel is loyal to Neimann because Neimann has promised to someday place Daniel’s brain in a stronger body.

When a sudden earthquake allows Neimann and Daniel to escape, they waste no time in getting revenge on Neimann’s enemies. First, they murder a traveling showman named Prof. Lampini (George Zucco) and steal both his identity and his mobile horror exhibit. Included in the exhibit is a coffin that Lampini claimed held the skeleton of Dracula. (There’s even a stake sticking out of the skeleton’s chest.) When Neimann returns to his original hometown, he removes the stake from the skeleton so that he might use it on the Burgomaster, Hussman (Sig Ruman). The skeleton transforms into Dracula (John Carradine). Because he is relieved to have been brought back to life, Dracula does not attack Neimann but instead agrees to help Neimann get revenge on Hussman in return for Neimann looking after his coffin. Dracula soon learns that he should have thought twice before trusting either Neimann or Daniel.

Neimann moves on, stopping off at Frankenstein’s village and recovering the bodies of both Frankenstein’s Monster (Glenn Strange) and Larry Talbot (Lon Chaney, Jr.) from the frozen chamber in which they were trapped at the end of Frankenstein Meets The Wolf Man. Revived from suspended animation, Larry immediately starts whining about how much his life sucks. (I love The Wolf Man but subsequent films turned Larry into the whiniest of the Universal monsters.) Neimann promises to put Larry’s brain in a new body if he helps to revive the Monster. Larry agrees. Meanwhile, Daniel falls in love with a gypsy girl named Ilonka (Elena Verdugo) while Ilonka falls in love with Larry. Daniel wants Neimann to put his brain in Larry’s body, Larry won’t stop whining about the approaching full moon, and the villagers are getting suspicious!

House of Frankenstein has never been a favorite of critics or horror historians and the film does have its share of flaws. For instance, though it would have been fun to see Bela Lugosi return to his signature role, John Carradine seems like ideal casting for Dracula. Unfortunately, Dracula is only in the film for about ten minutes and he comes to an end that really doesn’t feel worthy of a character of his stature. The film reduces Larry Talbot to just being a dumb lug who won’t stop feeling sorry for himself. Finally, Glenn Strange has the right physique for the Monster but, much as with John Carradine, he is underused.

That said, I still enjoyed House of Frankenstein. A lot of that is because of Boris Karloff, who brings a lot of sly humor to his performance as the mad scientist. (That said, Karloff himself later said that he did the role solely for the money and was bored with the whole thing.) J. Carroll Naish turns Daniel into a rather sympathetic henchman, one who is so desperate to be “normal” that he’s willfully blinded himself to the fact that Neiman really doesn’t care about anyone other than himself. (In many ways, he’s the equivalent of the hapless characters that Michael Ripper later played for Hammer Films.) Finally, Elena Verdugo brings a lot of life to the stock role of the dancing gypsy girl who falls in love with Larry Talbot despite the fact that Larry is kind of a dumb lug.

For a modern viewer, the main appeal of House of Frankenstein is that it is one of the original Universal horror films, even if it came out long after the first Dracula and Frankenstein films. As such, it has all the things that we associate with and love about those films. There’s a ruined castle. There’s angry villagers. The cast is full of Universal horror mainstays, including Lionel Atwell and Anne Gwynne. And, yes, the film features a mob descending on the castle with torches. Flaws and all, House of Frankenstein is an enjoyable time capsule. It’s a horror film from a far more innocent age and it’s one that remains a fun watch.

Previous Universal Horror Reviews:

Out There, (Dir Uncertain), Review by Case Wright

Posted on October 1, 2023 by casewright

Welcome! Welcome! Welcome! Happy Horrorthon! It’s October!!! Yes, I passed my engineering classes last year; so, I will be working for Big Oil. Huh, my mother works for Big Pharma and I work for Big Oil – hmmm if only I could get my daughters into banking; then, we could finally bring about He Who Shall Sit At The Head of All Tables……BWAHAHAHAHAHA!!!

Sorry, I digress. I’m beginning this Horrorthon with a scathing review, but sometimes people just aren’t good at things. “Out There” is 4 minutes and 21 seconds long and I can’t write that everything Laila Iravani did was terrible because in the first 20 seconds there is a title card and everything was spelled correctly; so, there’s that. The other positive is that it was only over 4 minutes long. I had a mild COVID heart attack in 2021 and I think that the heart attack was about the same amount of time….maybe this film was even shorter than my heart attack? So, this film was briefer than that.

“Out There” was a story because there were characters, people, and I guess somethings happened. There were three or four bad actors who kind of could not go outside or the movie would skip. I really couldn’t write about the plot because I would have to do a lot of Laila Iravani’s work for her. Hold on, I’m really trying to be positive…the camera appeared to be on the whole time. There, I did it!

I can’t say that I’m sad after watching this because I love October and maybe like some other years this is the year of the crap short film. I think it’s Alex Magana creep because he makes terrible films and other people are like – “Hey, I’m bad at things too! I’m gonna make something terrible and Case will have to review and I HATE him already without knowing him because he likes art and this will be the opposite of that.” Laila Iravani you made me hurt a little, but only for 4 minutes and 21 seconds! So, Yay?

I got a note that Laila Iravani might not have made this terrible film. Laila, I’m glad that you did not do this. Supposedly, it’s in a film festival circuit going round and round and round. Hopefully, it will stay within the circuit and not spread to the greater world. It is really terrible. I’m not sure who made this terrible film, but maybe that’s sort of its mythos? Maybe, “Out There” is like one of the old ones such as Cthulhu- it has always been …. Waiting and once it finishes the film festival circuitry, it shall be released to the greater world and devour all of mankind????

Horror on the Lens: The Avenging Conscience (dir by D.W. Griffith)

Posted on October 1, 2023 by Lisa Marie Bowman

Hi there and welcome to October! This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon! For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music. That’s a tradition that I’m looking forward to helping to continue this year.

This year, we’re getting things started with a movie that has been called “the first American horror film.” In 1914, D.W. Griffith released The Avenging Conscience, a melodrama that was based on Edgar Allan Poe’s The Tell-Tale Heart and Annabel Lee. In this film, The Nephew (Henry B. Walthall) falls in love with the Sweetheart (Blanche Sweet). However, the Uncle (Spottiswoode Aiken) is opposed to the relationship, mostly because the Sweetheart is a “common” woman. Despite having been raised by the Uncle, the Nephew snaps and murders him. The Nephew then finds himself tortured not just by his own guilt and fear but also by vivid hallucinations. This is a film that invites us to come for the murder and stay for the reminder that “Thou Shalt Not Kill.”

Like a lot of the films of the silent era, it will require a bit of patience on the part of modern viewers. It takes a while to get going but the surreal imagery and Henry B. Walthall’s increasingly unhinged performance make it worth sticking with. If nothing else, the film’s historical significance makes it one worthy to be seen by all serious horror fans.

Enjoy!

6 Trailers For The First Day Of Horrorthon

Posted on October 1, 2023 by Lisa Marie Bowman

Today is the first day of our annual October Horrorthon! In honor of our favorite time of the year, here is a special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers.

Enjoy and happy Horrorthon!

House of Frankenstein (1944)

All of the great Universal monsters came together for this film from 1944!

2. House of Dracula (1945)

Everyone had so much fun during House of Frankenstein that it only makes sense that they would get back together a year later for House of Dracula!

3. Frogs (1972)

House of Frogs? No, just ordinary but vengeful frogs. Reportedly, this was one of Andy Warhol’s favorite films.

4. The Being (1983)

The frogs aren’t the only ones looking for revenge.

5. Waxwork (1988)

With all those monsters out there, perhaps it’s best to just hide out in the local wax museum….

6. Waxwork 2: Lost In Time (1992)

Seriously, the wax museum seems like the best place!

Happy October! Happy Horrorthon!

8 Things To Which I Am Looking Forward In October

Posted on October 1, 2023 by Lisa Marie Bowman

Welcome to October! October is a big month here at the Shattered Lens. It’s the month when we devote the majority of our time to the horror genre. It’s time for our annual Horrorthon! Last year, we had a record number of Horrorthon posts. I’m hoping that we break that record this year but, even if we don’t, it should still be a lot of fun!

Here’s what I’m looking forward to in October!

Killers of the Flower Moon — So, technically, it’s not a horror film, though it does deal with a horrific incident in American history. That said, Martin Scorsese’s latest is the film that I have most anticipated getting to watch this year. I know that I’m not alone in that. We’ve all read the rapturous reviews. We’ve seen the enigmatic trailers. This month, on October 20th, we’ll finally get a chance to see it for ourselves!
The Killer — One week after we get a new Scorsese film, we’ll be getting a new film from David Fincher! Again, it may not be a horror film but it is a movie from one of our best filmmakers.
The Holdovers — If you can’t get into David Fincher’s latest film, you can check out the latest from Alexander Payne, The Holdovers! Along with Killers Of The Flower Moon, Barbie, and Oppenheimer, The Holdovers is expected to be an Oscar contender come awards season.
Pain Hustlers — And if you can’t get into The Killer or The Holdovers, you can check out Pain Hustlers. 2023 is the year of Emily Blunt!
The Caine Mutiny Court-Martial Trial — The final film from the great William Friedkin is scheduled to be released on Paramount Plus and Showtime on October 6th.
Horror Movies, Horror Movies, and more Horror Movies! — If you can’t enjoy watching horror movies, classic and otherwise, in October, when can you enjoy watching them?
The Fall Of The House of Usher — Mike Flanagan’s upcoming Netflix miniseries promises an update to Edgar Allan Poe’s classic tale of gothic horror!
Halloween — It’s my favorite holiday! I can’t wait to see all the decorations, all the parties, and all the costumes!

October’s going to be a great month and those of us at TSL can’t wait to celebrate it with you! What are you looking forward to in October?

Welcome to October!

Posted on October 1, 2023 by Dazzling Erin

by Erin Nicole

Welcome to October on the Shattered Lens!

Here’s hoping this month finds you with joy, family, friends, fiends, ghouls, and ghosts!

Today is also the start of the Shattered Les’s annual horrorthon! Sit back, enjoy the reviews, the art, and the music videos, and have a great month of ghoulish fun!

by Erin Nicole

Artwork of the Day: Barn

Posted on October 1, 2023 by Dazzling Erin

by Erin Nicole

Happy October! When my family lived in Oklahoma, this abandoned barn was near our house. Lisa always said it was haunted and maybe she was right! The last time I drove through the town was three years ago and the barn was still there. Still abandoned. Maybe still haunted.

Horror Insomnia File #61: Replica (dir by James Nguyen)

Posted on October 1, 2023 by Lisa Marie Bowman

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or streaming? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, you could have logged onto Tubi and watched James Nguyen’s Replica.

Filmed in 2005 but not released until 2018, Replica tells the story of Joe Thomas (James David Braddock), a computer chip salesman who has been in a bit of a funk ever since he received a new kidney. His sales are down. His pet bird is mocking him by chirping loudly. His morning drive is boring. (We know this because, for some reason, the film shows us almost every mundane moment of that commute.) He’s in danger of losing his job but then, while hanging out at the Golden Gate Bridge, he happens to spot Dr. Evelyn Tyler (Lana Dykstra) jogging by. Evelyn is the same doctor who performed Joe’s kidney transplant! Joe strikes up a conversation with her and soon, they’re dating!

(In this movie, dating means eating at a San Francisco theme restaurant, riding a carousel, and running along the beach before heading back home so that Evelyn can model a bikini for a slack-jawed Joe.)

Life is perfect! Joe’s in love and he’s even managed to sell a gigantic amount of computer chips to Evelyn’s boss, Dr. G (Rick Camp)! But then Evelyn is killed as the result of a very slow car collision. Joe is in mourning. Detective Le (David Nguyen) keeps popping up and suggesting that the car accident that took Evelyn’s life may not have been an accident at all. (“We found semen in the body,” Detective Le earnestly says while speaking to Evelyn’s boyfriend.) But then, one day, Joe happens to spot a woman who looks just like Evelyn, except for the fact that she has dark hair and tramp stamp that identifies her as not being Evelyn. Quicker than you can say Vertigo, Joe is trying to get his new girlfriend to wear a blonde wig and dress just like Evelyn!

Director James Nguyen is best known for directing the Birdemic films. Replica was actually filmed long before Birdemic but it shows that, even early in his career, Nguyen had his own definite aesthetic. Everything that made Birdemic so memorable — the terrible sound quality, the pointless shots of people driving, the nonstop references to Hitchcock, the falling-in-love montages that suggest that Nguyen has never actually been on a date, and the suggestion that we’re supposed to take this film seriously — is present in Replica. If Birdemic claimed to actually be about the dangers of harming the environment, Replica claims to be a film about the ethics of cloning. While Birdemic featured the characters going out to see An Inconvenient Truth, Replica opens with Joe watching Christopher Reeve advocate for stem cell research. Reeve is listed in the film’s credits, even though it’s obvious that Nguyen just taped an appearance that he made on a talk show. Tippi Hedren and Kim Novak are also credited, even though both are only featured in archival footage that shows up on Joe’s television.

In typical Nguyen fashion, any attempt to say anything serious about cloning is negated by the fact that the film’s villain has invented something that he insists on calling “a clone-a-tron.” (That said, the actor playing Dr. G overacts to such an extent that it’s hard not to appreciate his effort to bring a little life to the movie.) The film comes out against cloning, despite the fact that Joe pretty much owes what little happiness he has to it. All in all, it’s a pretty stupid movie but it’s also short so there’s something to be said for that. In the end, for better or worse, this is a film that could have only been made by James Nguyen. If you got a good laugh out of Birdemic, prepare for more of the same with Replica.