I remember where I was when I heard the news that Charles Bronson passed away on August 30, 2003. I was standing outside of my parents’ cabin watching the South Fourche River roll by, when my sister came out and told me that a news report had just come across the TV. My family was there celebrating the Labor Day holiday. The cabin has always been my place of peace, and I guess you can say it was the perfect place to get the news.
In honor of the importance of this day in my life, I thought I would share a couple of scenes that I love from my two favorite Bronson films.
First comes a scene from MR. MAJESTYK where Al Lettier’s mobster tries to bully Majestyk. It doesn’t work out so well for the bully.
Next comes an early scene from HARD TIMES where a smirking opponent underestimates Bronson’s seasoned character of Chaney. Once again, things don’t go well for the smartass.
I’ll never be able to fully explain why I developed a healthy obsession for Charles Bronson when I was a kid growing up in the 1980’s and why that obsession still persists to this day. I may try to put that down on paper someday before I die, but today is not that day. Today, I just want to celebrate my movie hero with some of my favorite films and moments.
The writer Mary Shelley was born on this date in 1797. Shelley, of course, is best-known for writing Frankenstein, a book that some claim is the first science fiction novel. (That’s debatable but it was still a major literary achievement.)
In this scene from 1936’s BrideofFrankenstein, Elsa Lanchester appears as Mary Shelley, continuing her story. (Of course, Lanchester also played the Bride herself.)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
These 4 Shots From 4 Films are dedicated to the memory of the great Maureen O’Hara.
4 Shots From 4 Maureen O’Hara Films
The Hunchback of Notre Dame (1939, dir by William Dieterle)
Dance, Girl. Dance (1940, dir by Dorothy Arzner)
Miracle on the 34th Street (1947, dir by George Seaton)
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting Dario Argento’s The Cat O’Nine Tails!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
Today, the Shattered Lens observes what would have been the birthday of the great William Friedkin. As a director, William Friedkin revolutionized both the horror genre and the crime genre. The car chase from 1971’s The FrenchConnection has been much imitated but rarely equaled.
A few years ago, I attended a showing of The French Connection at the Alamo Drafthouse. As exciting as this chase is, it’s even more amazing when viewed on a big screen.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we honor director William Friedkin on what would have been his birthday.
4 Shots From 4 William Friedkin Films
The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)
The Exorcist (1973, dir by William Friedkin, DP: Owen Roizman)
Sorcerer (1977, dir by William Friedkin, DP: Dick Bush and John M. Stephens)
To Live And Die In L.A. (1985, dir by William Friedkin, DP: M. Scott Smith)
Last year around this time, I was sitting poolside at a resort in Maui when I wrote about Charles Bronson’s career in the 1950’s. A year later, I’m sitting on the beach in Perdido Key, FL, and it seems like the perfect time to write about Bronson in the 1960’s! Holy hell… a guy just caught a shark!!
Random Beach Guy with Shark – He released the Shark back into the ocean right after I took this pic!
Back to Bronson, the 1960’s were a pivotal decade in Charles Bronson’s personal life and career. As the decade started, he was headlining his own TV series, MAN WITH A CAMERA, although that show’s run would end in 1960. He would also have a memorable supporting role in the classic western, THE MAGNIFICENT SEVEN (1960). His portrayal of Bernardo O’Reilly would be one of the most heroic of the film. This type of supporting performance would come to be a staple for Bronson throughout the 1960’s.
Charles Bronson and Yul Brynner in THE MAGNIFICENT SEVEN (1960)
For the most part, it seems that Charles Bronson’s career would settle into a series of important co-starring roles in both television and in major motion pictures. The most important of these movies were his excellent performances in classics like THE GREAT ESCAPE (1963) and THE DIRTY DOZEN (1967). He also had important supporting roles in popular films like KID GALAHAD (1962) with Elvis Presley, THE SANDPIPER (1965) with Richard Burton and Elizabeth Taylor, and THIS PROPERTY IS CONDEMNED (1966) with Natalie Wood and Robert Redford.
Charles Bronson and Natalie Wood in THIS PROPERTY IS CONDEMNED (1966)
On TV, he was performing in prominent “guest star” roles in classic TV series like ALFRED HITCHCOCK PRESENTS, BONANZA, GUNSMOKE, RAWHIDE, and THE F.B.I. He also had turned into an actor who would join a TV series already in progress to help class it up some. He would provide that service to EMPIRE (1962-1963), starring Richard Egan and Ryan O’Neal, as well as THE TRAVELS OF JAIMIE MCPHEETERS (1963-1964) starring a young Kurt Russell. While he seemed to be everywhere, and there were some exceptions, it seemed he was always the guest star and never the star. This was very frustrating for an actor who had already spent over a decade providing strong support to bigger stars, while his contemporaries like Steve McQueen and James Coburn were headlining their own films. But things were about to change in a big way for Bronson, in both his personal life and professional life.
Kurt Russell and Charles Bronson in THE TRAVELS OF JAIMIE MCPHEETERS Television series
First, his personal life… Charles Bronson had been married to Harriet Tendler Bronson from 1949 to 1965. He met Jill Ireland on the set of THE GREAT ESCAPE in 1962 when she was there with her then-husband David McCallum, who was also starring in the film. Legend has it that Bronson told McCallum that he was going to “marry his wife,” but who really knows what’s fact and what’s fiction when it comes to Hollywood. Regardless, Bronson and Ireland would both get divorced in the sixties and marry each other on October 5th, 1968. They were a true Hollywood love story and would be inseparable until her death from breast cancer in 1990.
Charles Bronson and Jill Ireland
Jill Ireland turned out to be crucial in the success of Charles Bronson’s career. She was able to convince him to accept some of the offers that he had been receiving to go to Europe where he could finally be the “star” of his movies. The first of these films was FAREWELL, FRIEND (1968), where he would co-star with international superstar Alain Delon. Delon had specifically requested Bronson based on his strong performance a decade earlier in Roger Corman’s MACHINE GUN KELLY. Bronson would steal the film from Delon and it would be a huge box office hit across Europe. Suddenly, Bronson found himself to be a sex symbol across the continent. When I was a kid in the 80’s, this movie was only available on terrible VHS tapes under the title HONOR AMONG THIEVES. I didn’t fully appreciate how important it was to Bronson’s career until decades later.
Charles Bronson and Alain Delon in FAREWELL, FRIEND (1968)
Bronson’s next film would turn him into a true international stud when he would play Harmonica in Sergio Leone’s ultimate masterpiece ONCE UPON A TIME IN THE WEST (1968). His incredible screen presence would dominate a film that featured excellent performances from Henry Fonda, Jason Robards and possibly the most beautiful woman on earth, Claudia Cardinale. Leone had wanted to work with Bronson for years, including all three films in the “Dollars” trilogy, but it had never worked out. While their film was butchered for its American release, it was a monster hit all across Europe and Bronson would be one of the biggest stars on the planet for the next decade.
Charles Bronson in ONCE UPON A TIME IN THE WEST (1968)
The 1960’s turned out to be a great decade for Charles Bronson. He married the love of his life and became one of the biggest movie stars in the world, even if he wasn’t fully appreciated in his home country yet. But we’ll get to that next when we discuss the 1970’s, his most successful decade of all!
As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties. On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday. On Mastodon, I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, I will be hosting #FridayNightFlix! The movie? 1971’s The French Connection!
If you want to join us this Friday, just hop onto twitter, find The French Connection on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! I’ll be there happily tweeting. It’s a friendly group and welcoming of newcomers so don’t be shy.
Thank God It’s Friday is admittedly not a great film but it does have a few fun moments. One of my favorites is Chick Vennera’s exuberant dance scene. Here he is, using a bunch of cars as his dance floor.