Flat Top (1952, directed by Lesley Selander)


During the Korean War, Navy Commander Dan Collier (Sterling Hayden) reminisces about World War II.  In 1944, he was newly assigned to the USS Princeton and dealing with a collection of hotshot pilots who had no idea about the realities of war.  His executive officer, Joe Rogers (Richard Carlson), was everyone’s friend.  Collier, however, had to be their commander.  At first, everyone in that ship resented Collier and his emphasis on discipline.  But eventually, the men came to learn that war wasn’t a game.

There’s little about the plot of Flat Top that will take anyone by surprise.  Of course, the stern and by-the-book Dan Collier is proven to be correct when it comes to the proper way to fight a war.  This film was made during the Korean War so there was no way it was going to suggest that the Navy could be incorrect about anything.  The film was produced by tiny Monogram Pictures, who actually found enough money to film in Cinecolor.  Monogram also got permission to shoot on an actual carrier, which brought some authenticity to the proceedings.  The film makes heavy use of stock footage.  A lot of the footage will be familiar from the countless number of World War II documentaries that have been put together over the years but it’s still seamlessly combined with the footage of the actors sitting in the cockpits of their planes.  It’s probably not a coincidence that the movie features the characters fighting in support of Douglas MacArthur’s return to the Philippines.  When this film went into production, Truman had just ended his hopes for reelection by removing MacArthur from command in Korea.

The cast is uniformly good and it’s full of familiar faces.  William Schallert, Todd Karnes, James Best, and Phyllis Coates all appear in supporting roles.  Sterling Hayden is believably gruff and no-nonsense as Dan Collier.  Thanks to them and the actual combat footage, Flat Top is watchable albeit predictable.

Five Guns To Tombstone (1960, directed by Edward L. Cahn)


Outlaw Matt Wade (Robert Karnes) escapes from prison and rejoins his old gang.  They ride out to Tombstone, Arizona, stopping off at the ranch of Matt’s brother, Billy Wade (James Brown).  Billy used to be an outlaw but eventually he hung up his guns, settled down, got married, and now he’s raising Matt’s teenage son, Ted (John Wilder).  Ted, who thinks that his father has just been paroled, is excited to see Matt but Billy doesn’t want Ted being led into a life of crime.  When Matt and the gang rob a bank, they frame Billy for the crime.  With the townspeople looking to lynch him and Ted drifting towards the wrong path in life, Billy has no choice but to pretend to be a part of the gang until he can dig up the evidence to clear his name.

If this sounds familiar, thank you for reading yesterday’s review of Gun Belt.  Released seven years after Gun Belt, Five Guns To Tombstone tells the exact same story as Gun Belt and, in many case, it features the exact same dialogue.  The only difference is that some of the names have been slightly changed.  The gang leader in Gun Belt was named Ike Clinton.  In this Five Guns To Tombstone, his name is Ike Garvey.  Billy Ringo becomes Billy Wade and Wyatt Earp because Marshal Sam Jennings.  Otherwise, it’s pretty much the exact same film.

Which one is the better film, Gun Belt or Five Guns To Tombstone?  Both films have plenty of two-fisted, gun-slinging action and a good cast of western character actors but I’d probably have to give the edge to Five Guns To Tombstone because John Wilder is more convincing in the role of the outlaw’s son than Tab Hunter was in Gun Belt.  Tab Hunter was young and callow and annoying but John Wilder is the type of confused kid that anyone could relate to.

Five Guns To Tombstone was one of the 9 films that Edward L. Cahn directed in 1960.  As with most of Cahn’s films, the action seems rushed but that’s appropriate for the story that Five Guns To Tombstone is telling.  (It’s also understandable.  When you’re directing 9 films a year, you don’t have the luxury of taking your time.)  Like Gun Belt, this is hardly a classic but western fans should enjoy it.