Guilty Pleasure No. 19: Tart (dir by Christina Wayne)


Dominique Swain in Tart

Dominique Swain in Tart

If you’ve watched Encore over the last few month, you may have come across a 2001 film called Tart.  I did and, despite some pretty glaring flaws, I enjoyed the film.  However, I then checked out a few of the reviews that have been posted online and I discovered that I may very well be the only person in the world who doesn’t hate this movie.

Tart is a coming-of-age story.  Teenage Cat (Dominique Swain) lives in Manhattan with her divorced mother and her bratty younger brother.  Cat attends an exclusive private school with her best friend Delilah (Bijou Phillips) and has a huge crush on William (Brad Renfro).  After Delilah is expelled from school, Cat befriends the snobby Gracie (Mischa Barton) and starts to reinvent herself as one of the popular kids.  Along with being popular comes drugs, sex, and, eventually, violence.

There’s no telling how many dirty old men were shocked to discover that DVD cover art is often misleading.

I will be the first to admit that a lot of the negative criticism of Tart is justified.

Is the film largely plotless?  It is indeed but so is life.

Are all of the film’s adults presented as being one-dimensional jerks?  Yes but then again, we are seeing them and their actions through the eyes of a teenage girl and, when you’re a teenager, most adults do seem to be jerks.

Does the film get a bit heavy-handed when it comes to dealing with casual anti-Semitism?  It sure does but then again, anyone who thinks that anti-Semitism isn’t on the rise in this country obviously hasn’t been paying attention to the news.

Does the film’s melodramatic conclusion seem to come out of nowhere?  Yes, it does.  However, when you’re a teenager, everything eventually becomes a melodrama.

Does Brad Renfro seem to spend the entire film wishing he was somewhere else?  Yes, he does.  In many ways, his performance is painful to watch,  both because his character is fighting the same battle with drugs that would ultimately cost Brad his life and the fact that he doesn’t appear to be all that invested in his performance.  Watching the film, you’re struck by just how detached Renfro is from the material.  It’s easy to criticize the lack of chemistry between Brad Renfro and Dominique Swain but then again, who hasn’t had a crush on a self-destructive bad boy?  Who hasn’t thought that she — and she alone — could see something hidden away inside a damaged soul that only she could understand?  Who hasn’t dreamed of understanding (and saving) an enigma?  Sometimes, detachment is the ultimate aphrodisiac.

Does Bijou Phillips play the same role that she seems to play every time she shows up on screen?  Yes, she is playing another wild best friend here but then again, she plays the role well and who hasn’t had a friend who refused to conform?

Does Mischa Barton give a rather broad and over-the-top performance in this film?  Yes, she does but then again …. well, sorry.  I can’t really think of any way to turn that into a positive.

Shoplifting is fun!

Shoplifting is fun!

And yet, despite all of the film’s many flaws, I couldn’t dislike Tart.  Tart is one of those films that totally misses the big picture and but manages to get so many of the small details right that I couldn’t help but relate to Dominique Swain’s character.

It was the little scenes that worked for me, like the scene where Cat shoplifts for the first time and runs out of the store knowing she’s done something wrong and yet still feeling exhilarated to have gotten away with something or the painfully (for this viewer, at least) accurate scenes of Cat waiting for her father to call on her birthday and then spitefully lashing out at her mother when he doesn’t.  I’ve had best friends like Delilah and it was impossible for me not to wince a little at the scenes where Cat and Delilah argue over Cat’s new friends because, seriously, I’ve been there.  Even the scene during the opening credits, in which Cat’s skirt is blown upward just as she happens to walk by the boy she likes, felt painfully familiar.  Who hasn’t been embarrassed in front of a crush?

It’s the little details that allowed me to relate to this massively flawed film.  It’s the little details that make Tart a guilty pleasure.

My bedroom used to look a lot like this.

My bedroom used to look a lot like this.

Previous Guilty Pleasures:

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class

Trash Film Guru Vs. The Summer (?) Blockbusters : “Captain America : The Winter Soldier”


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I’m firmly of the belief that nobody my age has any business whatsoever using the phrase “WTF,” but nevertheless — WTF? Captain America : The Winter Soldier has been playing for two weeks now, there are, what, either or ten people who write regularly (or semi-regularly) for this website, pretty much all of ’em are bigger fans of Marvel’s cinematic product than I am — and I’m the first person to review this flick here, even though more or less  the entire country saw the thing before I did yesterday? Well, okay, but somebody had better get busy on writing a rebuttal to this, because what I’ve got to say is going to piss a lot of people off.

It’s not that DisMar’s latest blockbuster is “bad,” per se — it’s just that it’s exactly what you expect it to be, that’s all these things ever are, and sorry, but it’s not “the greatest super-hero flick ever made.” And that statement, in and of itself, is going to be enough to upset the die-hards out there because, to them, every Marvel movie is “the greatest super-hero flick ever made” — until the next one. Which is probably just as well because these things are entirely disposable and don’t hold up particularly well to multiple viewings. Be honest — once the initial “high” wore off, was The Avengers really all that great? Or Iron Man 3? Or Thor : The Dark World?

Of course they weren’t. Which doesn’t mean they weren’t fun, or that they didn’t hit all the right bullet points on whatever unofficial geek check-list you keep. It’s just that they do their job, get it over with, and move on — as you do, dear reader. Think about it : after watching your average Marvel movie (and if there’s one thing all of these films are, it’s aggressively average), you’re not necessarily pumped to see it again so much as you are pumped for the next one. And that’s kinda the point, isn’t it? The Marvel cinematic “universe” is a self-perpetuating organism at this point, whose primary function is to whet your appetite for the supposed “greatness” to come rather than give you time to reflect on the mediocrity of what’s already been/is going on. The hype surrounding the product is woven into the fabric of the product itself — in fact, it’s the largest part of it.

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Don’t get me wrong — I had a reasonably fun time kicking back and watching Captain America : The Winter Soldier. Chris Evans does a reasonably good job portraying Cap/Steve Rogers as a guy who’s fundamentally decent, but not so holier than thou that you want to knock his teeth in. Robert Redford’s choice to play the treacherous Alexander Pierce as a believably nonchalant master manipulator is solid, and everything about him oozes “old movie vet” professionalism. Sebastian Stan cuts a strikingly mysterious pose as the (sub-) titular Winter Soldier. Anthony Mackie is likable in the extreme as sidekick Sam Wilson/The Falcon. And it’s cool to see Toby Jones “back” — after a fashion, at any rate — as Arnim Zola, this time in an iteration somewhat closer to how Jack Kirby originally envisioned him. The main thrust of the story is pretty engaging, too, revolving as it does around a massive web of Hydra “fifth columnists” within S.H.I.E.L.D. itself. It’s reasonably — though far from overwhelmingly — interesting, and keeps you guessing just enough.

But there are some pretty glaring flaws here, as well. Samuel L. Jackson seems tired and played-out as Nick Fury, and while it doesn’t help that his entire “character arc” in this film is lifted note-for-note from that of Jim Gordon in The Dark Knight, the fact of the matter is that Sam doesn’t seem to be putting any more effort into this gig than he does in his credit card commercials. Scarlett Johansson remains horribly miscast as Natasha Romanov/The Black Widow, and while that’s not such a huge problem in movies where she’s peripheral (at best) to the action, it stands out like a sore thumb here, where she’s called upon to be much more central to the proceedings. And for a supposed future love interest, Emily VanCamp is entirely forgettable in her brief time on screen.

Still, those are minor quibbles compared to the main problem here, which is how hopelessly generic, and indeed formulaic, this whole thing feels from start to finish. Joe Johnston’s Captain America : The First Avenger remains my personal favorite Marvel Studios film, but as with Kenneth Branagh and the Thor franchise, DisMar has opted here to show a veteran director with his own ideas and authorial stamp the door when it came time for a sequel and bring in “talent” from the world of television (in this case brothers Joe and Anthony Russo) to hammer things into the dry, predictable “house style” best exemplified by Joss Whedon’s Avengers and Jon Favreau’s first two Iron Man flicks. The end result is a multi-million-dollar, CGI-heavy, clinically-paced, personality-free zone.

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About a half hour into things here, you start to get the distinct feeling that you’ve seen all this before, and there’s good reason for that — you have. The action sequences are progressively bigger, louder, and more destructive, but not much else. They don’t become progressively more thrilling or suspenseful, and while the stakes are nominally raised every time, their execution remains largely the same. You could probably run ’em all in reverse order with no real difference to the story.  And while there does, in fact, seem to be a kind of major shake-up Marvel’s “universe” at the end of this film, the fact that the Agents Of S.H.I.E.L.D. TV series remains a going concern week in and week out is all you need to know to figure out that any “ramifications” from this story are apparently very short-lived indeed. In other words, Marvel’s doing on celluloid what they’ve always done in print — providing, in the words of Stan Lee (who it pains me to even quote, but in this case I must) “the illusion of change” — but no actual change at all.

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In the end, in the eyes of this armchair critic at any rate, that’s what Marvel’s movies are all about at this point  : the status quo. If you’re happy with that, then you’ll enjoy the heck out of Captain America : The Winter Soldier. But if you’d like to actually see something that takes a few risks, dares to break the mold a bit, and maybe even matters — well, you’ll have to look elsewhere. That’s not the point here. The point here is to get you all hot and bothered for Captain America 3, or The Avengers 2 — or whatever the hell else is in the pipeline — before this one’s even over. Viewed from that angle — the one that shows the goal of every Marvel movie is nothing more than ensuring that there will be a next Marvel movie — then yeah, this one’s gotta be viewed as an unqualified success. So what?

What Lisa Watched Last Night #103: Death Clique (dir by Doug Campbell)


Bermuda Tentacles and Robot Vs. Aztec Mummy were not the only movies I watched on Saturday night.  I also DVRed Death Clique, a Lifetime original film.

Why Was I Watching It?

How can you not watch a film called Death Clique, especially when it’s on Lifetime?

What Was It About?

Teenagers Sara (Lexi Ainsworth) and Jade (Brittany Underwood) have been friends forever.  However, when new transfer student Ashley (Tina Ivlev) decides that she wants to be Jade’s new BFF, it leads to murder.  According to the opening credits, this is based on “true events.”  (There’s been a lot of speculation on the imdb message boards that Death Clique was based on the horrific murder of Skylar Neese but, while there are similarities, I don’t know that for sure.)

What Worked?

I’m not totally sure how closely Death Clique stuck to the true story that inspired it.  I’m going to guess that some parts of the film were heavily fictionalized, just by the fact that no “real” names were used.  But, even with all that in mind, Death Clique was a disturbing and effective movie about friendship, obsession, and murder.  When you watch as many Lifetime films as I do, you end up seeing a lot of melodrama in a lot of high schools.  Death Clique may not be the first Lifetime film to deal with this topic but it is unique in that it not only got the melodrama right but it got the little details right as well.

A lot of the credit for the film’s success has to go to the actresses who played the three friends — Lexi Ainsworth, Brittany Underwood, and Tina Ivlev were totally believable in their roles.

What Did Not Work?

It all worked.  This was an effective and well-made Lifetime film.

“Oh my God!  Just like me!” Moments

There were more than I would like to admit.  When I think back to high school and even to college, I can see that there were times when I was just like Jade and when I was just like Sara.  I’ve been the girl with the new and possessive BFF and I’ve also been the girl who suddenly discovers that she’s become the third wheel.  While I don’t think I’ve ever truly been an Ashley, I know what its like to be possessive of a new friend.  Up until the murder, every scene in this film had me saying, “Oh my God!  Just like me!”

There’s one scene, in particular, that struck uncomfortably close to home for me.  That was when Jade and Ashley slashed the tires of a car belonging to their hated Spanish teacher.  In my case, the car belonged to an algebra teacher and, without going into too many details, I was totally justified.

Lessons Learned

Choose your friends carefully.

An Extremely Short Review of The Robot Vs. The Aztec Mummy


The other night, the Late Night Movie crew and I watched The Robot Vs. The Aztec Mummy, a Mexican film from 1958 that featured an Aztec mummy guarding a treasure in a tomb and the robot that a mad scientist creates to defeat it.  I’ve rewatched the film twice and I still have absolutely no idea what the Hell’s going on.  However, the robot is kind of cute and the mad scientist looks like he might be distantly related to Orson Welles.

If you want to watch this short film and then maybe leave a comment explaining it to me, please feel free.

 

What Lisa and the Snarkalecs Watched Last Night #102: Bermuda Tentacles (dir by Nick Lyon)


Last night, the Snarkalecs and I turned over to SyFy so we could watch and live tweet the latest offering from the Asylum, Bermuda Tentacles!

Why Were We Watching It?

Because it was the first SyFy original film of 2014, that’s why!  Seriously, yesterday should have been a freaking national holiday.  (Sad to say but rumor has it that the SyFy network may be looking to phase out original films — like Bermuda Tentacles — in order to devote more time to episodic television.  I sincerely hope that the network will reconsider that plan.)

What Was It About?

The President (John Savage) has gone missing in the Bermuda Triangle.  It’s up to rebellious Chief Petty Officer Trip Oliver (Trevor Donavon) to save him!  But while Trip and his crew float around under the sea in a submarine, gigantic CGI tentacles attack Admiral Linda Hamilton and the entire U.S. Navy.  Could the two events be related?

What Worked?

What do I always say about Asylum films?  It all worked.  Asylum films are the epitome of low-budget fun and that was certainly the case here.  To be honest, those who criticize a film like Bermuda Tentacles are missing the point.

Asylum films are designed to be watched by large groups of snarky individuals.  That’s why I always look forward to watching them with the Snarkalecs.  And I have to say that we, as a group, were on fire last night!  We were all in full snark mood and it was a wonderful thing to behold.  Unfortunately, we weren’t able to get #BermudaTentacles trending, largely because there were thousands of tweens tweeting about fucking Ashton Irwin at the same time we were tweeting about the movie.   But still, it was a good effort and everyone should be proud.

One thing that the Snarkalecs seemed to especially appreciate about Bermuda Tentacles was just how long, by Oval Office standards, the President’s hair was.

https://twitter.com/trinityskywlker/status/455164564212944896

Thank you, John Savage, for not getting a haircut!

What Did Not Work?

I have to admit that, unlike TSL editor-in-chief Arleigh Sandoc, I’m hardly an expert as far as military history or ranks are concerned.  However, it was obvious, even to me, that the Navy in Bermuda Tentacles didn’t appear to follow any sort of real-world protocol.  Quite a few people on twitter doubted that an admiral would be on a destroyer and some had issues with a scene where the President referred to Oliver as being a “soldier” as opposed to being a “sailor.”  This really wasn’t a big deal to me because, quite frankly, I hardly expect Asylum films to be documentaries.  However, judging from some of the comments on twitter, it was a big deal to quite a few people who had actually served in the Navy.

“Oh my God!  Just like me!” Moments

I had a harder time than usual relating to the characters in Bermuda Tentacles, largely because they were all career military whereas I majored in art history.  I was happy to see that the Admiral was a woman and that none of the men in her command had any problems with taking orders from her.  I would hope that, if I was an admiral, I would be just as effective.

Lessons Learned

There’s nothing quite as uniquely fun as watching a SyFy film with the Snarkalecs.  I’m already excited for the SyFy premiere of Big Ass Spider next Saturday.

What Lisa Watched Last Night #101: The Trials of Cate McCall (dir by Karen Moncrieff)


Last Saturday, I watched the Lifetime premiere of The Trials of Cate McCall.  (Okay, so technically I did not watch this last night.  Instead, I watched it on Saturday night.  However, if not for the fact that I came down with literally the world’s worst cold, I would have written this review on Sunday.  Cut a girl some slack, okay?)

Why Was I Watching It?

Because it was on Lifetime, of course!

What Was It About?

What isn’t it about?  Seriously, Cate McCall (Kate Beckinsale) has got a lot going on in her life.

Cate is a defense attorney.  She used to be a prosecutor but then she convicted the wrong man and she dealt with her guilt by becoming an alcoholic.  However, after being a few months sober and working under the watchful eye of her AA sponsor (Nick Nolte, of course), Cate is ready to take on the case of a Lacey Stubbs.  Cate is convinced that Lacey was wrongly convicted of murder and she is determined to get Lacey out of a prison.  Presiding over the case is Justice Sumpter (James Cromwell), who Cate had an affair with while she was a law student.

And, on top of all this, Cate is trying to get custody of her daughter and the innocent man she sent to prison wants to talk to her…

What Worked?

In the title role, Kate Beckinsale gave a great performance.  Due to the film’s somewhat disjointed editing, Kate had to basically carry the entire movie on her shoulders and she proved herself to be more than up to the task.

According to the imdb, Taye Diggs played the character of Austin Moseby.  However, at least in the version that was broadcast on Lifetime, there was no character named Austin Moseby and Taye Diggs was nowhere to be found.  I have to admit that I’ve had a lot of fun speculating about who Austin Moseby might have been and why Taye Diggs was apparently edited out of the film.  (Okay, technically, that’s not something that worked for the movie but it has worked towards keeping me amused.)

What Did Not Work?

Despite the snarky commentary that I posted on twitter while watching this film, I was really rooting for The Trials of Cate McCall.  Kate Beckinsale is one of my favorite actresses, I loved courtroom dramas, and I feel that I have something of a responsibility to support films that feature complex and multi-faceted female protagonists.  In other words, I so wanted The Trials of Cate McCall to be a good film.

Sadly, however, this film was never as good as I wanted it to be.  Whether it was the result of postproduction meddling or just inept filmmaking, The Trials of Cate McCall ultimately ended up feeling like a random collection of scenes that never quite added up to being a compelling narrative.  The film had potential but it just did not work.

Add to that, regardless of whether they were justified or not, Cate McCall’s actions towards the end of the film really should have gotten her disbarred.

“Oh my God!  Just like me!” Moments

Who couldn’t relate to Cate’s struggles to balance about six hundred different things at one time?

Lessons Learned

Just because Taye Diggs is listed as being in a movie doesn’t mean that he’s actually in the movie…

Fear The Creature From The Haunted Sea


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I have this fear that someday I’ll meet Roger Corman and before I can compliment him for directing and producing so many entertaining films or praise him for helping so many women break into the film industry or talk about the subversive feminism of his 70s exploitation films, Corman will ask me something like, “So, what did you think of Creature From The Haunted Sea?”

Because, seriously…

Creature From The Haunted Sea, which the Late Night Movie crew and I watched after Space Raiders, was originally released in 1961.  It tells the story of a mobster named Renzo (Anthony Carbone) who flees Cuba with a bunch of stolen gold.  Renzo finds himself stranded on a boat with a group of revolutionaries, a guy who communicates by making animal noises, and a CIA agent (played by future Oscar-winning screenwriter, Robert Towne).  Anyway, Renzo plans to double-cross everyone by exploiting their fear of the legendary creature of the haunted sea.  However, the joke is on Renzo because it turns out that the creature is real.

In the past, I have defended Roger Corman as a director and I imagine that I’ll do so again in the future.  However, Creature From The Haunted Sea has got to be one of the most boring films that I have ever seen, a film that starts as a comedy and then tries to turn into a horror film but never really succeeds in being funny or scary.  So little happens in the film that it ends up becoming oddly fascinating.

That said, if you’re a fan of Roger Corman’s or a student of B-cinema, you should make time to watch Creature From The Haunted Sea.  While the film might not be exactly watchable, the story behind it is vintage Corman.  Reportedly, Creature From The Haunted Sea was produced because Corman had just finished directing The Last Woman On Earth in Puerto Rico and had some film left over.  So, he decided why not make another movie?  Regardless of the film’s final quality, it’s hard not to respect Roger’s refusal to allow any opportunity to pass by.

Beyond that, I would recommend Creature From The Haunted Sea for two reasons.  Number one, the opening credits feature some cute cartoons and you know I can’t resist a cute cartoon.  Finally, the creature itself simply has to be seen to be believed.  How can you not be somewhat charmed by a monster that appears to be made out of sea weed and ping-pong balls?

If you dare, check out Creature From The Haunted Sea below.

 

A Quickie In Space: Space Raiders (dir by Howard R. Cohen)


Space Raiders

Last Saturday was Roger Corman’s 88th birthday and what better way to celebrate than to watch one of the many low-budget but undeniably entertaining films that the great man has produced?

That’s just what I did on Saturday with my Late Night Movie friends.  The movie we watched was an obscure 1983 science fiction film called Space Raiders.  Now, technically, this film was directed by Howard Cohen but, from the first frame, it was obviously a Roger Corman film.  It was also a lot of fun.

Space Raiders takes place in the distant future, at a time when intergalactic corporations have colonized planets with sullen children and space criminals spend their spare time hanging out in dank space stations.  From the minute the film opens with a scene of robots doing menial labor in a factory while a the factory foreman assures the human workers that the next company picnic will take place on a planet where it doesn’t rain, there’s little doubt that the main message of Space Raiders is that the future sucks.

10 year-old Peter (David Mendelhall) lives on the planet of Proycon III (which, if nothing else, is a great name for a planet).  Neglected by his wealthy parents and apparently being the only child on Proycon III, Peter spends his spare time sneaking into robot-filled factories and capturing space bugs.  That’s what Peter is doing when he witnesses a daring raid by a group of — wait for it — space raiders!  Led by the surly but kind-hearted Hawk (Vince Edwards), the raiders steal a spaceship from the factory.  What they don’t realize is that Peter (and the bug that he had just captured seconds before the raid) has stowed away on the ship.

At first, Hawk is not enthusiastic about Peter being on the ship and Peter just wants to get home.  However, as the space raiders deal with both intergalactic cops and alien gangsters, Hawk and the kid start to bond and Peter gets to know the rest of the crew.

Now, to be honest, the majority of Hawk’s crew were pretty interchangeable but my friends and I quickly decided that our favorite was the one that we named Capt. Forehead (played by Thom Christopher).  Capt. Forehead was an alien who had psychic powers and who carried himself with the wounded dignity of a head waiter having a bad night.  It was hard not to like him.

Captain Forehead

Anyway, Peter’s parents want their son back and, since they work for an evil corporation, they have no problem hiring evil mercenaries to get their son back.  It all leads to a lot of people shooting lasers at each other and exploding spaceships.

Now, honestly, we can get all technical and picky about whether or not the plot of Space Raiders made any sense or whether or not any of the actors gave good performances.  We can even talk about the logic of the scene where Peter –upon realizing that Hawk is on a different spaceship than him — responds by attempting to yell, “HAWK!” across the far reaches of space.

But you know what?

That’s missing the point.

In the way that only a low-budget science fiction film produced by Roger Corman can be, Space Raiders was a lot of fun.  The movie moved quickly, the aliens were fun to look at, and the special effects were charmingly cheap.  Flaws and all, Space Raiders had more humanity than Man of Steel, more humor than Gravity, and it was a lot shorter than Avatar.

Watch it below and see for yourself.

 

Quick Review: The Raid 2 (dir. by Gareth Huw Evans)


 

the-raid-2-posterI didn’t know much about The Raid 2 (or The Raid: Berandal) prior to it’s release. Yes, I loved The Raid Redemption so much that after my initial viewing, I bought another ticket for the next available showing. I also saw the initial trailer, but other than that, I walked in blind. Truth be told, if the season finale of The Walking Dead wasn’t on the same night I saw this and the trains weren’t so damn slow, I would’ve gone right back in for The Raid 2. I know I’ll go back to it later this week, that’s for sure.

Here’s the short of it: The Raid 2 gives you all of the great martial arts from its predecessor (thanks to Choreographers and stars Iko Uwais, Yayan Ruhian, along with writer/director Gareth Evans). The fight scenes are incredibly fluid and well choreographed, some ramped up way past what the first movie delivered. The film also manages to build a story so big that it almost reaches levels akin to Michael Mann’s Heat.  That story length also threatens to hurt the film. Where Redemption was a tight package, the sequel has a 2 1/2 hour-long running time. It moves like an Opera, and as such, there maybe at least one chapter where you kind of wonder where it’s all going and why it’s moving in the chosen direction. The film does a great job of righting itself afterward and everything syncs up.

It’s an absolute fight to keep myself from going into every fight and saying “Did you catch that part when..?! Omigod, wasn’t that awesome!” No spoilers here, but this is one time where I wish I could. This review’s vague on purpose.

Taking place just hours after the events of Redemption, The Raid 2 finds supercop Rama (Iko Uwais) working undercover between 2 rival mob families and trying to weed out rogue cops. The premise sounds simple, but the movie is pretty layered.  Just how deep can Rama go without exposing himself or losing his humanity? In this sense, a lot of the writing pays homage to movies like Donnie Brasco, The Godfather and The Departed (or Internal Affairs, which The Departed was based on). This is all you really need to know about the plot itself, it’s a crime drama. How it conveys the story on-screen is something else entirely.

The balance between the action and drama is pretty even. Each dramatic moment seems to fit well to the ones before and after it. While there maybe one or two areas that require a huge suspension of belief (a person can bleed profusely and still manage to cause a wave of destruction), but depending on one’s mindset, these can be forgiven…or not. Evans chooses his shots carefully, and in some places it’s downright beautiful – especially in an area that focuses on three assassins with a particular skillset.

The fight scenes are rapid fire moments of hard-hitting shots and bloodshed that may have you wincing or even cheering (like my audience). People are sliced, shot, beaten to a pulp and your jaw may drop at the inventive ways a bat or hammer can be used. In some cases, it takes Close Quarters Combat in as tight as you can possibly get, using camera work that moves above, around and even inside the action when working with multiple fights. The camera isn’t so fast that it suffers from the Bourne Identity/Batman Begins fight blur, but it’s not static either. Remember that free roaming camera technique used in the car ride from Spielberg’s War of the Worlds? There’s a similar usage here that’s beautiful, but in the midst of all that stunt work, one has to wonder if anyone was seriously hurt. The audience lost their minds when Yayan Ruhian appeared, playing a character separate from Mad Dog in Redemption, and our showing ended with a half standing ovation. Not bad for a film focused on fighting.

If you understand that The Raid 2 is hyper-violent, it’s perfectly okay. It’s almost expected, and it works out so very well.

Basically, if you either went to see the The Raid: Redemption and/or enjoyed that film, there’s no reason to avoid The Raid 2. I honestly didn’t think it could get better than the first film and am happily surprised that it has. The film is in a limited release in New York and Los Angeles for now, moving to a wider release on April 11th.

A Quickie With Lisa Marie: Cat-Women Of The Moon (dir by Arthur Hilton)


With Arleigh away in Boston, I originally thought that this weekend would present the perfect opportunity to turn Through The Shattered Lens into the web’s premier site for Twilight fan fiction and soulful Edward Cullen gifs.  I was even planning on writing a post about how, by simply using time travel as a plot device, one could do a massive Twilight-Divergent-Hunger Games crossover.  (Essentially, Katniss and Tris would work together to raise Bella’s self-esteem but there was a lot more to it than just that….)

It was going to be glorious but then I got distracted by a 1953 film called Cat-Women of The Moon.  

Cat-Women of the Moon attempts to imagine what will happen when mankind finally attempts to launch an expedition to the moon.  According to this film, it will involve four men and one woman sitting around on a rocket and trading sexist quips.

Among our crew:

Laird Grainger (Sonny Tufts) is the philosophical but tough captain who talks about the eternal mysteries of the stars.

Helen Salinger (Marie Windsor) is the ship’s navigator.  She also happens to be — GASP! — a female.  When asked why she should be allowed to step foot on the moon with the men, she replies, “Somebody needs to cook your meals!”  Because, you know, it’s 1953…

Then there’s Walter Walters (Douglas Fowley) who is secretly New Mexico’s biggest supplier of meth.  Oh wait — sorry, wrong Walter.  Walter Walters is just some guy with a mustache who won’t stop talking about how he’s going to use the moon to get rich.

And then there’s Kip (Victor Jory) and Doug (Bill Phipps), two all-American boys who deal with their problems by first considering their options and then shooting anyone who happens to be standing in their way.

Anyway, once the rocket finally does reach the moon, our intrepid crew discovers that not only does the moon have an atmosphere but it’s inhabited by both a giant spider (which looks a bit like an ill-conceived piñata whenever it dangles over the heads of our astronauts) and the Cat-Women of the Moon (played, the opening credits tell us, by “THE HOLLYWOOD COVER GIRLS”).

Now, if you’re like me, you probably saw the film’s title and then assumed that the film would be about women who were half feline.  You would be wrong.  Despite the film’s title, the Cat-Women don’t have much to do with actual cats.  Instead, they’re the last 8 members of an ancient race.  They all wear black leotards and, when Doug asks where their “menfolk” are, they reply that they have no need of men.

Oh, and get this — they spend all of their spare time dancing!

Seriously,whether they’re actually descended from cats or not,  the Cat-Women rock!  If I ever manage to trick Richard Branson into sending me to the moon, I’m joining up with the Cat Women!  Sorry, Earth men, y’all were fun and all but I’m a cat woman at heart…

Except, according to this film, the Cat Women might not be on the moon anymore.  Apparently, the moon’s atmosphere was evaporating and the Cat Women needed to steal the rocket so they could go to Earth and, as their leader puts it, convince all the women on Earth to rise up and destroy all the men.

Seriously, I was totally on her side.  Solidarity, sisters!

So, what do you think happened?  Did the Cat Women’s plot succeed or did our brave crew somehow manage to save the patriarchy?

You’ll have to watch to find out.  The film is only an hour and 8 minutes long and, if you’re like me and you enjoy watching movies that are so bad that they’re good, you’ll find a lot to enjoy in Cat-Women Of The Moon!