It’s a slow Friday night and once again boredom has hit him until I came upon a great idea. What better way to relieve myself of this boredom than to watch one of the funniest moments in NFL history. It also happens to be one of the most embarrassing moments for the NY Jets, their fans and their hapless and useless of a starting quarterback Mark Sanchez.
The scene is straight out of the late season game between heated AFC East rivals New England Patriots and the NY Jets. What makes this a favorite scene of mine even though I’m a diehard San Francisco 49ers fan is the fact that it’s a sequence that never gets old and continues to entertain.
I came across this AMV while browsing youtube and quite bored. I know the song comes from that Twilight thingamabob so I think this latest “AMV of the Day” will pull a tear or two from my co-founder Lisa Marie.
The latest chosen AMV is called “A Thousand Years” and it’s from YouTube user 93RokuStepperZ. It’s a simple romance-themed video that pretty much takes two of the most romantic and sappiest romance anime of the last couple years and melds it with the ballad by Christina Perri for that long-running sparkly vampire and his girlfriend series.
There’s no super bells and whistles in how the video was made. It’s just a well-edited AMV that focuses on the two couple from the two series. There’s Toyomi and Nagisa from Clannad and Clannad: After Story (BAWWWWWWWW) and then there’s Ryuuji and Taiga from Toradora.
One thing we won’t find in this AMV would be vampires, werewolves or any of that sort. Just moe anime and a tsundere shorty.
I’ve gotten to watch Black Lagoon once again and I must say that the more I watch it over and over the more I have put this anime series on my favorite list. It’s just an anime that hits all the right buttons for me. Hyper-kinetic action, loads and loads of gun play and the most diverse cast of psychotic, badass female characters ever. One of these said badass females is one Rosalita “Roberta” Cisneros who headlines the third season of the series.
“Careful What You Wish” is the latest AMV of the Day that shows this lonewolf former FARC assassin turned maid for one of Colombia’s ruling families as she goes on a warpath to avenge the killing of her master and protect his only son in the aftermath. The video was created by LasSamurai2011 and he does a great job of putting together the video to work hand in hand with Metallica’s “King of Nothing” track.
While some of the sequences look just a tad dark it still shows enough of how much a badass Roberta really is and in a series full of such character that’s an achievement in of itself. Fans of the anime know what mean and those who are interested in checking out the series should do so. It’s every action film from the 80’s multiplied to a factor of 1000.
Whether one loves, likes, hates or is indifferent when it comes to AMC’s The Walking Dead tv series I haven’t heard much complaint from most about the producers on the show’s taste in music. This show has done a great job in picking an eclectic selection of tunes that fit the mood of the show as a whole or a particular episode. This past weekend’s new episode hasn’t broken that streak of quality choices and it’s the producers’ choice for this past episode that makes our latest “Song of the Day”.
“Hold On” by Tom Waits would’ve made this list even if The Walking Dead didn’t use it to end their latest episode. I mean it’s Tom Waits. He’s the only reason why. Again, he’s Tom Waits, enough said. So, “Hold On” is the latest song in this long-running feature and it didn’t just fit in with The Walking Dead episode, but it’s also by Tom Waits.
Once again, it’s Tom Waits.
“Hold On”
They hung a sign up in out town “if you live it up, you won’t live it down” So, she left Monte Rio, son Just like a bullet leaves a gun With charcoal eyes and Monroe hips She went and took that California trip Well, the moon was gold, her Hair like wind She said don’t look back just Come on Jim
Oh you got to Hold on, Hold on You got to hold on Take my hand, I’m standing right here You gotta hold on
Well, he gave her a dimestore watch And a ring made from a spoon Everyone is looking for someone to blame But you share my bed, you share my name Well, go ahead and call the cops You don’t meet nice girls in coffee shops She said baby, I still love you Sometimes there’s nothin left to do
Oh you got to Hold on, hold on You got to hold on Take my hand, I’m standing right here, you got to Just hold on.
Well, God bless your crooked little heart St. Louis got the best of me I miss your broken-china voice How I wish you were still here with me
Well, you build it up, you wreck it down You burn your mansion to the ground When there’s nothing left to keep you here, when You’re falling behind in this Big blue world
Oh you go to Hold on, hold on You got to hold on Take my hand, I’m standing right here You got to hold on
Down by the Riverside motel, It’s 10 below and falling By a 99 cent store she closed her eyes And started swaying But it’s so hard to dance that way When it’s cold and there’s no music Well your old hometown is so far away But, inside your head there’s a record That’s playing, a song called
Hold on, hold on You really got to hold on Take my hand, I’m standing right here And just hold on.
“You once said this wasn’t a democracy. Now you have to own up to it.” — Hershel Greene
This Sunday wasn’t just the premiere of a new episode of The Walking Dead, but also the airing of the 85th Academy Awards Show. So, my ind was being pulled in two directions all night. This will account for the lateness for this latest episode review. When I finally was able to actually sit down and watch “I Ain’t no Judas” properly with no distractions I found the episode to be one of the better set-up and filler entries in this highly popular, but uneven series.
This latest episode finds Rick’s leadership being questioned by those in his group. Whether it’s Glenn who is still angry at the treatment he and Maggie received from the Governor and his lackeys. It didn’t help Glenn’s temper much that one of those lackeys happen to be one Merle Dixon and now becoming a part of Rick’s group by necessity. If it wasn’t Glenn then there’s Hershel who knows what Rick has been going through mentally and the cause of it and sympathizes, but at the same time wants Rick to cowboy up and take responsibility once more for naming himself their dictator. It was a nice moment to see Hershel voice what every fan of the show has probably been saying since the death of Lori in the first half of this third season. While Rick going through some mental instability does make for some interesting paths the show can take in the future it doesn’t help this current narrative where the prison group must now contend with the Governor and his army which has them outmanned, outgunned and literally put under siege.
The surprising part of this episode was to have Rick’s own son advice him to relinquish the role of leader to someone else. Let Hershel or Daryl take charge from now so Rick can find some peace and time to mourn what he has lost. Chandler Riggs as an actor still has a ways to go before one can call him a very good child actor, but this scene was another step towards that as we see him not just as a young child having to grow up quickly but as one of the grown-ups who has taken it upon himself to lead the group. That scene alone shows just how much Rick has fallen into despair and how much more tough-minded Carl has become. One could easily see the son taking over as leader in the future either sooner or later.
The rest of the episode was focused more on Andrea as she finally realizes that the two groups she has come to see as family were now gearing up for a bloody war that she knows there’ll be no winners. On one side is the people of Woodbury who she come to care about and want to see protected. Then there’s her previous “family” which some have called a band of killers, but who she knows better as misunderstood and scared enough to lash out violently at any hint of violence from the Governor and his people.
It’s interesting to note that while both sides were gearing up for a fight that could easily have been avoided as Andrea puts it to Rick and the Governor, this also makes her look so cluelessly naive. She might have learned how to survive alone in the wilds and take on zombies without flinching, but she still clings to the old ways that everyone should and could get along. Andrea continues to either ignore or hope for the best when it comes to the Governor and his inner circle when she knows deep down that the Governor instigated everything and put this war into motion. It was a nice moment when Andrea meets up with Michonne once more in the prison and the latter pretty much acts like she has been vindicated in her decision to leave Woodbury. Andrea was wrong and continues to make the wrong decisions. Sooner or later she will have to pick a side and the way the show has deviated from the comic books there’s no telling that she would pick Rick and her old group over the Woodbury group.
For a set-up and filler episode this was one of the better one for the series as regular series writer Angela Kang seems to have a better grip on the series narrative and the characters. While the episode was one of the so-called “talky ones” it didn’t drag the pacing down. Part of that has to be due to the reunion of Andrea and the old group and the tension that came with it being written and handled well by all involved. Then when things did look like it was about to slow down we got Greg Nicotero and his gore-wizards at KNB EFX come up with one of the more gruesome and disturbing zombie gore scenes for the show. For a series that’s been quite liberal in showing gore and violence on the screen the impromptu curb-stomping and limb-chopping done by Andrea and Milton on a zombie was even more gruesome than usual.
There’s now 5 more episodes left to this third season and we’re seeing the two sides begin to moves pieces on the proverbial board as the inevitable final showdown between Team Rick and Team Governor will resolve itself by season’s end. There’s a good chance not everyone will make it out alive by the time this third season ends. The question now is whether the writers will follow the comic book path and abandon the prison and go back on the road or will the survivors of the two warring parties finally unite to create a safe haven for everyone.
Notes
Tonight’s episode, “I Ain’t no Judas”, was directed by series regular and make-up effects maestro Greg Nicotero and written by series regular Angela Kang.
Even with most of the group of the mind to take Merle out the back and feed him to the zombies for his actions while in Woodbury I actually do believe he’s the best chance this group has got against the Governor and, in his heart, Daryl knows this too.
Great to see Hershel doing more than just trying to channel his inner-Dale and actually letting it be known to Rick and everyone else that their leader needs to get his mind out of his ass and get to leading.
Which is what Carl seems to think Rick has lost the will and stomach for. Hershel and Carl are both right. Whether Rick listens to one or the other is a different matter altogether with the ghost of Lori leading him at the moment.
Tonight’s episode was Andrea-centric and I think it suffers not because of dealt with the story from her perspective but because the actor playing Andrea just seem to have lost any sense of portraying the character with any subtlety at all. Just how much better would the Andrea character would be if it was being played by someone else is something future pundits would be talking about for years to come.
Glenn, Glenn, Glenn…you seem to have become this season’s second half idiot with the way you’ve been acting. Nice work by Steven Yeun, but this current state of the Glenn character could easily derail one of the show’s more pragmatic and even-handed characters. He’s really toeing the line of turning into a hysterical character ready to pop-off at anyone at a moment’s notice.
Hate him or not, Merle’s a survivor and understands his best chance of living is with Rick’s group despite being outnumbered. Great scene between him and Hershel who looks to try and bridge the gap between the Merle he probably hates for putting Maggie and Glenn through the ringer while in Woodbury and the Merle he knows has the skills the group needs to weather the storm on the horizon that is Woodbury and the Governor.
Not many zombie kills tonight but there was one highlight scene that will go into KNB EFX’s growing portfolio of great zombie effects work. It’s a scene that has arms being chopped off and a curb-stomping sequence that would make those who winced at a similar scene on American History X turn away from the tv.
The episode ends with Beth Greene singing a song (she’s become like the groups bard or something) straight out of Tom Waits’ 1999 album, Mule Variations, and that alone makes “I Ain’t no Judas” worth watching.
Zombie Kill Count of tonight’s episode: 3 zombies (a very slow zombie-killing episode).
The series returned from it’s two month hiatus with even bigger numbers that still continues to surprise many tv pundits. The Walking Dead seems to be the show that no behind-the-scenes problems or storytelling and characterization problems can kill like other shows that has similar problems. The show is not on the same level as HBO’s Boardwalk Empire and Game of Thrones, FX’s Justified and Sons of Anarchy or even AMC stablemates Breaking Bad and Mad Men, but it’s a show that looks to have become must-see tv because of the very things tv pundits and critics have been complaining about.
Tonight’s episode, “Home”, was a microcosm of why the show has been such a frustration to hardcore fans of the comic book and the zombie genre, but also why the show still continues to bring in huge viewing numbers. Numbers that has begun to rival shows on the major networks and not just shows on cable. It was an episode that made me wonder if the season’s trip to redemption from season 2’s wildly uneven tone was suddenly being wasted. Then the second half of the episode arrived like a bullet to the head and we’re reminded why the show has gained such a huge following.
“Home” opens up with Rick still in the grips of the psychotic break we saw and experienced to end the previous episode. This part of tonight’s narrative is beginning to look like one of this season’s weaker ones. While I thought it was good to show the source of Rick’s growing mental instability the way the writers have gone about it makes Rick such a wildly uneven character when the “crazies” hit him. We understand that the burden of leadership has cost the poor man since he rejoined his family but whenever he begins to hallucinate it’s quite a glaring change. The same could be said about Glenn’s sudden rage-fueled need to avenge himself on the Governor for what he thinks was done to Maggie. We’ve seen leadership qualities in Glenn throughout the series’ run, but this need for vengeance for something that didn’t happen to him looks so out of character for Glenn. He’s almost channeling his inner-Shane and, despite what fans of TV Shane’s character might think, that’s never a good thing.
Tonight’s episode was all about the concept of the word “home” what it means to people surviving in a world where no place is safe. The prison and Woodbury are homes for two different survivors. On the one hand, we have Rick and his band of survivors who have survived some of the worst this zombie apocalypse has thrown their way and learned the hard way to survive. On the other side we have Woodbury where most of it’s population never learned to survive but relied on those in power to keep them safe. People in power who really do not have their well-being in mind, but just a resource to dominate and use when it suits them. One home has been invaded and it’s illusion of safety shattered by Rick and his people. Tonight we see the Governor repay that action in his own way.
Home is now a concept that doesn’t seem like a logical thing in this new world order and tonight’s episode went too talky about whether it was safe to remain in the prison or whether it was their best chance of survival. It didn’t help that Rick was on his crazytown jaunt through the woods outside the prison, Glenn was going all Shane on everyone and Hershel was starting to sound very Dale-like. Not very good combinations considering the writers on this show could never handle the quieter and philosophical moments on the show.
Where the episode was saved was when the bolts, bullets and blood flew in abundance in the second half. This first begun with Daryl doing something that Merle would never see himself doing on his own and that’s helping a band of strangers cornered by a large group of zombies. We see how much Daryl’s time with Rick away from the influence of his more volatile big brother Merle has made Daryl a better man without taking away his inherent badassness (yes that is a made up word that should be used more often).
The Governor’s payback against Rick and his people becomes a bookend to the midseason finale where Rick attacked Woodbury. The prison’s illusion of safety has been destroyed and with it one of their own who seemed to be finding his role. Axel was beginning to become a character of note then the Governor and his bullet happened and we’re once more left with the the core group which entered the prison.
If there’s one thing this show has done well since it first began two years ago it’s action and gore. I think it’s what this show does well that keeps people from tuning in for new episodes. There’s a chaotic feel to the action that makes them such a fun thing to watch. These people are not action heroes and not trained professionals in killing but it doesn’t keep them from trying to be both which goes to one of the core tenets of the zombie apocalypse genre. These people should be working together but the inherent mistrusts people have when put into extreme situations keeps that from happening. It’s why things got out of hand and things fell apart for everyone. It looks like it’s happening again but in a much more smaller scale with this war between Rick and the Governor.
With the season now putting the showdown between the two groups front and center it should keep things basic and that’s a good for this show. Basic and simple narratives keep the show moving at a fast-pace. It’s when everyone has some downtime to reflect on the nature of things that the show falters. Here’s to hoping that the first half of this episode was something that had to be done to set things up for the rest of the second half of this season. If it’s not then maybe there was reason why Glen Mazzara will not be returning as showrunner for season 4.
Notes
Tonight’s episode of was directed by series newcomer Seith Mann and written by series regular Nichole Beattie.
We have ourselves another cameo of a series regular killed off with Sarah Wayne Callies appearing as a figment of Rick’s fractured mind during the episode’s cold opening.
Interesting how this sequence is musically scored by the same music theme from way back in the series’ pilot. At first, I thought the return to this motif in the cold opening was announcing the announced return of Lennie James’ Morgan Jones character from the pilot.
Glenn trying to make up for Rick’s latest bout of craziness as leader of the group is both refreshing and, at the same time, funny as he’s clearly trying to overcompensate for what happened to him and Maggie during their time in Woodbury.
We may be starting to see one of the reasons why Glen Mazzara was replaced as showrunner for the upcoming season. Only two episodes into the second half of season 3 and we’re starting to see the bad habit of the show spinning it’s wheels as it rehashes some philosophical questions about survival and leadership.
Andrea being put in charge of Woodbury while the Governor “pulls himself together” would be a much more interesting turn of events if Andrea wasn’t such a broken character played by a performer who can’t seem to find that fine line between cocky and annoying that her character seems to be written as.
The best performance of this second half of the season seems to consistently be from Lauran Cohan as Maggie Greene. She has another fine performance tonight as Maggie as she pretty much puts Glenn in his place.
Good to see the writers resisted the temptation to revert Carol back to being an emotional mess once she found out about Daryl choosing to leave the group.
Speaking of the Dixon Brothers: it looks like Daryl really regrets choosing blood over his new family as Merle continues to be Merle. His attitude towards the Latino family besieged by walkers on the creek bridge is so hilariously racist yet something that continues to stay in character. It definitely helps in making the question of whether Daryl stays with Merle or goes back to the group not become a protracted affair as we see at the end of the sequence.
The first half of the episode was quite a bore that highlighted the very flaws this show has had throughout it’s current broadcast life, but the second half saved it by showing just why people continue to return to watch each new episode every Sunday.
Axel, we hardly knew you but at least you lasted longer than Oscar. I must say that his death mirrored very well the way he died in the comics.
It would seem that it’s easier to headshot zombies when they’re stumbling towards Rick and his people than to actually hit the Governor and his shooters when they’re standing still.
Zombie Kill Count of tonight’s episode: 35 (at least 15 more off-screen).
For only the rare times when we get more than one “Song of the Day” posted in the same day. This time it’s for that special day we call Valentine’s Day. Resident editor of all things art and photography Dazzlin’ Erin posted earlier tonight a song that tells one and all to love the one we’re with. It’s a celebratory song.
To help close out 2013’s Valentine’s Day I’ve chosen a much more intimate ballad that speaks of the love that survives the trials and tribulations of distance and being far apart. The song is Metallica’s power ballad from their Black Album and has become one of their signature songs. “Nothing Else Matters” remains one of the more popular power ballads and, coming from the band’s pre-rock era which most younger listeners know them more nowadays, quite a lovely song from the kings of thrash.
I’ve chosen the live and symphony-backed version of the song conducted by the late Michael Kamen. Part of the set-list for their metal and symphony show, S&M, the song takes well to the addition of a 100-piece symphony orchestra that doesn’t just repeat the same notes, but adds so much more nuances to the song. This could be heard quite clearly when the song reaches the guitar-solo part. This time around we get the string section, especially the violins, giving voice to the emotional aspect of the song. It’s my favorite part of the song and can listen to it over and over.
Happy Valentine’s Day…til next year.
Nothing Else Matters
So close, no matter how far Couldn’t be much more from the heart Forever trusting who we are and nothing else matters
Never opened myself this way Life is ours, we live it our way All these words I don’t just say and nothing else matters
Trust I seek and I find in you Every day for us something new Open mind for a different view and nothing else matters
never cared for what they do never cared for what they know but I know
So close, no matter how far Couldn’t be much more from the heart Forever trusting who we are and nothing else matters
never cared for what they do never cared for what they know but I know
Never opened myself this way Life is ours, we live it our way All these words I don’t just say
Trust I seek and I find in you Every day for us, something new Open mind for a different view and nothing else matters
never cared for what they say never cared for games they play never cared for what they do never cared for what they know and I know
So close, no matter how far Couldn’t be much more from the heart Forever trusting who we are No, nothing else matters
Today we see the release of Skyfall on Blu-Ray and DVD. This latest James Bond film surprised quite a bit of people who weren’t sure the franchise would be able to recover from the missed opportunity that was Quantum of Solace. So, it came out of left field that this follow-up ended up being one of the best films of 2012. From the acting, direction and writing the film was top-notch. One other thing which truly stood out about this film was it’s theme song.
“Skyfall” by Adele wasn’t just one of the best film songs of 2012, but most like going to turn out to be in the top 5 of best James Bond theme songs when all has been said and done. This is why to commemorate the release of the film on video I’ve chosen the Adele sung theme song of the same name to be the latest “Song of the Day”.
The song harkens back to the true James Bond classic theme songs by Shirley Bassey like “Goldfinger” and “Diamonds are Forever” right up to my personal favorite, Paul McCartney’s “Live and Let Die”. Maybe it was destiny that Adele would end up doing a James Bond theme song. Her soulful vocal range just shouts early James Bond and her “Skyfall” easily holds it’s own against the classic Bond themes of the 60’s and early 70’s.
The song itself has a very simple melody that incorporates the iconic 007 theme. Almost sung like a mournful ballad that hints at the danger and death awaiting the intrepid 007 and those around him, the song spends much of it’s running time with Adele singing in a very subdued fashion until we hit the final third of the track when she finally lets her inner diva shine….and shine she does.
Skyfall
This is the end Hold your breath and count to ten Feel the Earth move and then Hear my heart burst again
For this is the end I’ve drowned and dreamt this moment So overdue I owe them Swept away I’m stolen
Let the sky fall When it crumbles We will stand tall Face it all together
Let the sky fall When it crumbles We will stand tall Face it all together At skyfall At skyfall
Skyfall is where we start A thousand miles and poles apart Where worlds collide and days are dark You may have my number You can take my name But you’ll never have my heart
Let the sky fall When it crumbles We will stand tall Face it all together
Let the sky fall When it crumbles We will stand tall Face it all together At skyfall
Where you go I go What you see I see I know I’d never be me Without the security
Of your loving arms Keeping me from harm Put your hand in my hand And we’ll stand
Let the sky fall When it crumbles We will stand tall Face it all together
Let the sky fall When it crumbles We will stand tall Face it all together At skyfall
It’s been months of waiting since the exciting mid-season finale of The Walking Dead‘s third season. This season has been quite a revelation in that it put some of the lost faith fans of the show had after the very uneven 2nd season under the split caretakers of Frank Darabont (fired after the first half of season 2) and Glen Mazzara (took over after Darabont’s departure). Under Mazzara’s guidance as the show’s showrunner the show has done a great job at fixing some of the major issues the show had been criticized about throughout season 2.
Season 3 has been faster-paced and didn’t rely too much on the use of exposition info-dumps to explain what was going on in the show. The action during the first half of season 3 wasn’t just for the thrill that fans wanted more of, but also allowed the show to show rather than tell the episodes. This was something that had been a major problem under Darabont’s guidance. Mazzara realized the problems and did some major course-correcting on the show’s narrative that even major detractors of the series had to concede that the show had breathed new life to what had become something that stagnated.
The Walking Dead broke for it’s mid-season winter hiatus with the excellent “Made to Suffer” episode. With two months of waiting to go through some things occurred behind-the-scenes on the show that could affect the series going forward with the second half of season 3 and the show’s future, in general. First, AMC announced that a fourth season of the show was being greenlit (worst kept secret), but the second news was more of a downer as the network announced that showrunner Glen Mazzara was leaving the show. Rumors as to why he was leaving has been flying since the announcement with creative differences between Mazzara and the show’s executive producer and comic book creator Robert Kirkman. We may never know the full details on what occurred behind-the-scenes, but it looks like The Walking Dead as a series may go through another course-correction that may help of hurt the show. Time will tell and hopefully incoming showrunner Scott Gimple (also one of the series’ veteran writers) will keep the show going on the positive end of the ledger.
“The Suicide Kings” marks the second half of season 3 and we pick up pretty much where the mid-season left-off with the Governor pitting the Dixon brothers against each other to appease the Woodbury mob who has just been violently woken up from their “idyllic” existence inside the walls of the town. The scene itself was milked for tension as we’re not sure (once the deathmatch began) whether Merle was actually going to kill Daryl in order to prove his loyalty to the Governor. Fortunately, this doesn’t last too long as the two brothers soon fight back-to-back against the Woodbury guards leading shackled walkers towards them. But it was the timely intervention of Team Rick and his well-trained “commandos” who finally broke the Dixon brothers out of the precarious situation and also shatter whatever illusion of safety the Woodbury residents had been holding onto even after the initial raid by Team Rick.
The bulk of the episode showed the two opposing groups having to deal with the effects of the raid and rescue by Rick’s group against the Governor and the town of Woodbury.
For a cold opening this one is pretty up there in setting the tone for a show’s return. We see how much Rick values Daryl as a member of his group that he would be willing to return to a place that hates him right now in order to rescue his right-hand man. It also helped showed how much the events that took place prior to this episode was affecting the Governor. With tear gas spreading and chaos reigning he calmly walks through it all with no care as to the safety of the people he declared himself as their protector or even as to his own safety. We see in these early moments a man who has lost everything he has cared about and just want blood from those he blames for his loss. The Governor during the rest of the episode looks to be setting himself up for a war and one he intends to win. He’s not out to rule over a grateful flock. In fact, he seems relieved to not having to pretend to be a benevolent leader anymore.
Rick, on the other hand, continues to crack under the weight of leadership. His decision concerning the Dixon brothers has begun to cause dissension amongst his own people not to mention that whatever psychological toll the death of Lori during the first half of the season really has gone away but has gotten worst. Andrew Lincoln’s performance as he becomes unhinged at the end of the episode was quite telling as it helps the viewers look at him less and less as a badass leader, but one with concern that he might be as big a danger to the group as the Governor. Even his own son Carl looks to be setting himself as a better leader of the group than his own father. Carl still mourns and worries about what he had to do to Lori, but at the same time we can see that he’s able to move on from such a traumatic event to help protect the group.
Will Carl be able to go against Rick when the time comes and a decision has to be made as to who should lead the group? We shall see if the writers will explore this aspect of the father-son dynamic as the season rolls onto it’s season finale.
As for the rest of the cast we get to know a bit more of Tyrese and his people. One, Tyrese seems like a genuinely good person just looking for a safe place for his sister Sasha and the rest of what had been a group of 25 people. Two, we learn that Allen and his son Ben of Team Tyrese are setting themselves up for a rude awakening if they think Carl and Carol will be easy to overpower for their guns thus take over the prison for themselves. If these two only knew what Carl has had to do since the end of season 2 they’d be backing away in fear of the original Lil’ Asskicker.
There’s also the interesting subplot developing between Glenn and Maggie. The two lovebirds look to be going through a personal crisis since their escape from Woodbury and the attentions of the Governor. Where Maggie seems to be holding up quite well considering the near-rape she had to go through with the Governor, Glenn on the other hand looks to be playing up the role of the furious significant other who wants revenge on the Governor and Woodbury for what they put his lover through. Maggie, as we can see from her reaction to Glenn’s behavior throughout the episode is none too grateful for being treated like she’s helpless. It looks like there’s some interesting times in store for the show’s resident couple.
“The Suicide Kings” is an apt title for tonight’s episode as we see the opposing kings of the show looking like they’re heading down a path of suicide to punish those they think has caused them heartache and loss but also to finally end the suffering they’re going through. The Governor wants war while Rick just wants and end to everything as a way to get away from the demons and heartache he’s currently going through this season. Time to see which king will finally get their wish by season’s end.
Notes
Tonight’s episode was written by series regular Evan Reilly and directed by newcomer Lesli Linka Glatter.
While he comes off as quite the mad scientist during the early episode of the season it looks like Milton (played by Dallas Roberts) doesn’t seem to be quite sure of the Governor as a leader to follow especially during the “fight club” sequence in the beginning of the episode.
Nice to see Merle being Merle (funny and great performance by Michael Rooker) by rewarding Rick and his group rescuing him from Woodbury by mouthing off. Seeing Rick pistolwhip Merle then seeing the look of silent thanks from Daryl was a great moment. Daryl may be sticking with Merle because of their shared blood, but Daryl understands how much more of a big brother Rick has been to him. This makes his reluctant choice to side with Merle in the end to be so bittersweet. Daryl knows his true place is with Rick, but blood calls much stronger.
Glenn, Glenn, Glenn….why are you being such a dumbass. Just goes to show that when it comes to man trying to stand up for their woman (or man) sometimes they let their balls do the thinking instead of their brain.
When it looked like Carol was about to revert back to being useless, catatonic Carol when she found out about Daryl’s decision to leave the group she surprised me (and probably many) by taking things in stride after having a cry over the initial news. I do hope that the season continues to explore the unique relationship and bond which seem to have grown between Carol and fan-favorite Daryl Dixon.
Chandler Riggs continues to improve as an actor this season though at times hints pop up just how much of a newbie he is to the craft. Yet, when it comes to being the silent, badass type he does seem to pull off the type well.
When Rick was holding baby Judith in his arms once he got back to the prison there was a moment, just moment, when the look on his face made it seem like he didn’t like what he was seeing when looking down at her and wanted to bash her wee baby head against the wall. Maybe he thought he saw some Shane in her or maybe he thought it would be better off if she never grew up in a world as uncaring and horrific as the world this show has created.
Andrea is a character that seems like the writers continually on the cusp of finding the role for, but always comes off as unforgivably stupid or just irritatingly cocksure of herself despite always making the worst decisions each and every time she’s confronted by hard choices. Maybe it’s not the character but the actor Laurie Holden’s performance that’s hampering what should’ve been one of the show’s bedrock, badass characters. Instead, it looks like she’s just a character that’s now on borrowed time with the show’s writers just looking to find a way to give her the proper exit.
Rick, my man, looks to be unraveling before our eyes, not to mention in front of the rest of the group, with his hallucination of what could only be Lori’s ghost in the end of the episode as he’s contemplating the decision to whether let Tyrese and his people stay or leave.
Zombie Kill Count of tonight’s episode: 13 seen (possibly 8 more off-screen)
I’ve always wanted to profile a singer for latest “Hottie of the Day” but wasn’t willing to settle for the pop diva of the moment. Then it hit me. Metal is not all about angry frontmen. There’s some very fine ladies who front metal bands of all kinds. One of them is the latest “Hottie of the Day” in the form of the lovely Simone Simons.
Simone Simons is the frontwoman for the symphonic metal band Epica. This lovely redhead is a Dutch mezzo-soprano whose vocal range will surprise the uninitiated to the metal scene for being quite vast. She can sing circles around any of the pop divas doing shows during Super Bowl halftimes and whatnots. Some singers like to bale themselves with an alternate persona named Sasha Fierce, but they have nothing on the level of fierceness that Simone can bring to her performances on stage in addition to more subdued and emotional introspection.
Simone Simons is definitely a worthy and lovely addition.
Through the Shattered Lens 