Horror Scenes I Love: Salem’s Lot (Part 2)


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“Look at me teacher.”

Those were some of the most terrifying words I’ve ever heard growing up. It’s all because of one scene from the tv mini-series which adapted Stephen King’s vampire novel, Salem’s Lot. It was a scene in the novel that terrified me as a young boy reading King for the first time.

I’ve always been gifted (or I sometimes say cursed) with having a very overactive imagination. This is why horror has always been such a fascinating genre for me. Even where the horror is all up in one’s face with it’s gore and messy aftermath my mind’s eye would make things worst or just constantly play it on repeat in my head days after the film has ended. It’s even worst when the horror comes across less through gore and more through atmosphere and built-up dread moving towards a jump-scare or something more insidious.

This particular scene is my second favorite from the Salem’s Lot mini-series. The first one I had posted a couple years back which just barely lags behind this one for third. What made this scene so effective despite it’s tv-style production was Tobe Hooper’s direction. Despite working with the censorship inherent in broadcast tv, Hooper was able to create a palpable sense of dread as the old English teacher Matt Burke senses a presence up in one of his house’s rooms. It was the same room where one of his former students had passed away in his sleep.

As the audience we already have an idea who or what is in that second floor room. Matt Burke has an idea as well, but his morbid curiosity wins out as he decides to investigate. Yet, despite such a lack in judgement he does come armed with a crucifix in hand. The way the scene builds and builds as Burke climbs the stairs and hesitating before opening the door to the room was almost too much to bear.

The reveal of his former student, Mike Ryerson, back in the room sitting in the rocking chair as one of the undead only increases the horror of the scene. His snake-like mannerisms was a new take on the vampire behavior. It’s not the usual silk and lace bloodsucker we grew up watching. This was a vampire that behaved like a predator beguiling it’s next prey. From the way Ryerson (played by Geoffrey Lewis) hissed his words and undulated his body as he stood to face his former teacher was disturbing at the very least.

Just writing about it and seeing the scene for the umpteenth time still gives me the shakes.

Horror Song of the Day: Penny Dreadful Theme (by Abel Korzeniowski)


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It’s that time of the year. It’s October here in Through the Shattered Lens and that means one thing: horror-theme month.

October has become a sort of favorite month for us over here at Through the Shattered Lens. While other genres and topics will be posted and and get their time in the sun, this month always brings the site back to the shadows and things that made us fear the dark. Horror has been a common thing which drew Lisa and I to continue the site from it’s fledgling early months to going on almost 6 years.

I’d like to start my contribution to all-things horror by introducing those who haven’t experienced one of the best shows on TV which also has one of the most unique horror theme’s on either big or small screen.

The theme for Showtime’s Penny Dreadful was composed by Abel Korzeniowski. It’s a theme that gives an audience of hint at the show’s Victorian Age gothic setting with just the right amount of dark romance and psychological themes the show has become famous for.

So, here’s the latest “Song of the Day” set for the witching hour.

Scenes I Love: The Phantom of the Opera (Part 3)


Point of No Return

It’s time to finish off my triptych of Scenes I Love from 2004’s film adaptation of The Phantom of the Opera. The first two parts were my favorite solo and chorus scenes from film and now we finish it off with what has to be the top scene (IMO) from the film.

The characters of The Phantom and Christine have always been the focal point of the film. Even with the arrival of the wholesome and (as Lisa Marie would call him) vanilla Raoul, Vicomte de Chagny, the film continues to truly sizzle when it’s all about The Phantom and Christine moving their relationship from ingenue and mentor to unrequited lovers.

It’s the latter which this scene looks to portray through a duet written by The Phantom himself and where he swaps himself into the role of Don Juan. This duet has always been a fan favorite for those who love the musical and many different versions of it have played throughout the years. Yet, they all have one thing in common and that is the heated chemistry between the two characters once the duet begins.

The scene itself begins and comes off pretty much like foreplay between the two characters without having literal sex on the stage. The whole scene is so sexually charged that even those watching the duet who set the trap looked so transfixed that they fail to act. Even Raoul, Christine’s own fiance, finishes the scene with such a look of cuckold expression once he realizes that he could never have such a deep and personal connection that Christine has with The Phantom.

For me, this duet pretty much sums up what the whole is all about.

Latest Trailer for The Revenant Comes Alive


The Revenant

We finally have the first official trailer for Alejandro G. Iñárritu’s follow-up to Birdman which won him a Best Oscar for Director in the 2015 Academy Awards.

He once again teams up with frequent collaborator Emmanuel Lubezki and has attracted the acting talents of Leonardo DiCaprio, Tom Hardy and Domhnall Gleeson. A film adaptation of the Michael Punke novel The Revenant: A Novel of Revenge which itself was based on and inspired by the incredible life of Wyoming frontiersman Hugh Glass (to be played by DiCaprio).

The film has been gaining some major buzz since even before the first teaser came out a couple months ago. Tom Hardy had to drop out of a major role in DC’s Suicide Squad when filming ran behind schedule on The Revenant. The film was also confirmed to be shot using only natural lighting which looks quite evident and beautiful just based on the scenes shown in the trailer.

Will The Revenant make it two in a row for Iñárritu? Or will another prestige films such as The Hateful Eight, also a western thriller set for December 25, 2015 release date as The Revenant steal it’s thunder?

We will just have to find out on Christmas Day (I know I’ll be watching one, the other or both that same day).

Scenes I Love: The Phantom of the Opera (Part 2)


Masquerade

Here we have the second of three scenes I love from the 2004 film adaptation of The Phantom of the Opera.

The first scenes was my favorite solo from the film with Emmy Rossum as Christine Daaé performing the solo “Think of Me”. It’s a powerful scene that more than holds it’s own against the other solos in the film. The second favorite scene from this film comes in the beginning of Act II.

“Masquerade” is really the one and only true full cast and chorus production in the film and in the stage musical. While both would have songs and scenes involving multiple characters and a large of background chorus, this one pretty much cements the film’s grandiose and epic visuals.

Director Joel Schumacher may have his detractors and critics, but he definitely nails the grand masquerade ball in the opera house to begin the second half of the film.

A Yakuza Apocalypse Is Upon Us


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Takashi Miike.

That name conjures up so much many different reactions. Miike has earned the reputation as one of the most dangerous filmmakers currently working. His has dabbled in so many different genres that one could never put a finger on which one he’s best at.

He’s done gangster epics, splatterpunk horror, psychological horror, kid’s fantasy, horror-comedy musical, dark fantasy, samurai period piece right up to video game adaptations. You name the film genre and he’s probably done one or two of it.

His latest, Yakuza Apocalypse, doesn’t really need to be described other than it has yakuza gangsters, vampires, martial arts and giant frog master (the final scene in the trailer makes this film worth the price of admission).

Yakuza Apocalypse made it’s premiere in Japan this past June 20, 2015 and should make the genre film festivals the rest of the year.

Scenes I Love: The Phantom of the Opera (Part 1)


Think of Me

Stage productions, especially musicals, have always drawn me. I think it goes back to my time in my final two years in high school when, on a lark, I decided to join the Drama production as part of my after-school activities. For a teenager whose never really had any experience watching musicals prior to joining one I was surprised as any to have fallen in love with the art when exposed to it.

Musicals range from classic Sondheim-style productions to the Andrew Lloyd Webber rock opera epics right up to the Matt Stone and Trey Parker comedy musicals. I love them all. One musical production that I was literally obsessed with during those late high school years was Andrew Lloyd Webber’s rock opera production of The Phantom of the Opera.

I knew the songs by heart and, even now, I still remember those final years of high school fondly because of this particular musical. So, finding out that they were going to make a film adaptation of the musical had me feeling both excited and hesitant.

How could a stage musical translate to film if they cast more for acting and less for singing?

My trepidation ended up being unfounded once I finally saw the film and was satisfied that all involved were more than up to the task of performing the iconic roles in the musical.

This first of three of my favorite scenes from The Phantom of the Opera comes early in the film as Emmy Rossum’s understudy, Christine Daaé, gets a chance to show just how much she has learned from her mysterious tutor. “Think of Me” is the one of the signature solos in the musical (the other being the Phantom’s own) and Emmy Rossum nails the scene and song. The expression on the skeptical managers in the beginning quickly turns to surprise as does the rest of the cast and crew who never realized they had a genuine ingenue in their midst.

While I will admit that the song and the scene has been pulled off better on stage, Emmy Rossum’s own experience singing as a member of the Metropolitan Opera as a child leading up to being chosen for the role of Christine Daaé more than makes her hold her own against those who came before her.

Meet Halo 5 Guardians’ Team Osiris and Team Blue


Halo 5

Video games are something I will probably never outgrow.

While I’ve slowed down in the amount of time I play them, I still put in the time when it comes to some of the more classic and iconic video game franchises. One such franchise is set to mark it’s return to the video game world with the release of it’s first title on the Xbox One. The game I speak of is Halo 5: Guardians.

Halo was a franchise that helped revolutionize the first-person shooter on the console platform and added a touch of the cinematic to what in the past were just your typical run-and-gun gameplay. As console platforms become more and more advanced the very gamers who buy them demand better graphics, gameplay and, for some, a much more immersive experience.

I will say that I am a huge Halo fan so this upcoming title in the franchise is very much in wheelhouse. As more and more information filters out of Microsoft Studios and 343 Industries (producer and developer) about this title I’m more than hyped to see how they plan on making Halo 5: Guardians stand out from the previous titles in the series and from the multitude of other first-person shooters set to come out this holiday season.

For now, time to meet the two rival teams that the game will focus on during the games very cinematic campaign gameplay: The upstart Team Osiris and the old-school Team Blue.

Team Osiris Opening Cinematic

This cinematic literally will open up the game’s campaign and the action is very reminiscent of the opening action scene in this past summer’s Avengers: Age of Ultron with it’s sweeping camera angles that moves in concert with the characters. The only thing missing is a slo-mo reveal of Team Osiris.

Team Blue Opening Cinematic

Where the Team Osiris opening cinematic showed just how badass the genetically-modified Spartan-IV members of Team Osiris act when in concert against a large number of enemy forces, we get with Team Blue’s opening a more subdued, but no less kick-ass opening. Where Team Osiris was all about shock and awe. Team Blue’s older Spartan-II super-soldiers show that one doesn’t need to overpower an enemy force to defeat them. Sometimes a battle could be won with a minimum amount of fuss.

4 Shots From 4 Films: Stephen King Edition


With just minutes left til the end of the day I thought it was time to wish one of my favorite a happy birthday.

I pretty much spent my junior high and high school years reading everything that Stephen King had written and published up to that point. The habit followed me after high school graduation and I’ve picked up on other authors since.

While Stephen King has slowed down some when it comes to the amount of novels he has released in the last decade or so, he is still one of the few authors whose books I will buy without even knowing what it’s about.

Here are just four films adapted from his stories that I consider favorites of mine. They’re just stories about a boy’s first car, a man waking up from a long sleep, a cat named Church and a grocery store full of people.

4 SHOTS FROM 4 FILMS

The Green Inferno’s Eye-Popping Red Band Clip


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It would be difficult to call Through the Shattered Lens a film blog that appreciates grindhouse filmmaking if we didn’t mention something about the cannibal subgenre of horror once in awhile.

Once a huge thing during the 70’s and right up to it’s demise during the early 1980’s, the cannibal films from Europe (especially by exploitation filmmakers from Italy) would compete with Italian giallo film and Euro-zombie knock-offs for on which one could be the most gory and grotesque. It was like a grand guignol royal rumble.

As founders of the site there’s one particular cannibal film that both Lisa and I have some sort of admiration for. This film is Ruggero Deodato’s Cannibal Holocaust. It would go down as one of the video nasties that kept the film as one that new fans of horror were told they must see if they were to complete their journey into the dark side.

After two years of distribution limbo, Eli Roth’s homage to the cannibal films of the 70’s and 80’s finally gets to show it’s wares up on the bigscreen and this red band clip will give audiences a brief taste of what to expect.

The Green Inferno is set for a September 25, 2015 release date.