I finally got around to checking out Riki-Oh: The Story of Rickyover on Netflix Instant and It’s as great as the first time I saw it on VHS almost 15 years ago. It’s during the second fight Ricky finds himself in that I’ve picked the latest entry in the “Scenes I Love” feature.
This scene has Ricky in just his second day in prison (for a crime he did commit) and already gaining the attention of the prison gang leaders who control the different cell blocks. This scene has him fighting it out with Oscar who happens to be the leader of the gang that runs the North Cell. It’s a fight that has Ricky fighting unarmed against Oscar who wields a custom machete/saw-toothed sword. One would think that Ricky would be at a major disadvantage, but one would be oh so mistaken.
Ricky is not just a master of kung fu, but he’s got powers that Crouching Tiger and Hidden Dragon would kill babies and cook kittens to acquire. The scene best explains it all and having it dubbed in classic martial arts style makes it even better: “Alright! you got a lot of guts Oscar!”
Anyone who complains that all Hollywood does nowadays are sequels and remakes should think before they start to rant. Sequels and remakes are not exclusive to Hollywood (Bollywood anyone) and it’s been a tried-and-true practice both inside and outside the glitzy confines of Hollywood. Sergio Leone took classic Kurosawa samurai films and remade them into the classic spaghetti Westerns which made Clint Eastwood a household name (pre-RNC chair).
Now Japan is looking to take one of the best Westerns of the past quarter-century in Eastwood’s own critically-acclaimed and award-winning Unforgivenand remake it as a samurai film set in 188’s Japan. The film will star Ken Watanabe in the same role Eastwood had in his film with fellow actors Akira Emoto and Koichi Sato rounding out the cast. The remake will have the title of Yurusarezaru-mono and will closely follow the same story of Eastwood’s film with just changes in location and other cultural changes.
The film will be directed by award-winning Korean filmmaker See Sang-il and should see a release date sometime around 2013.
I, for one, am looking forward to see how this remake will turn out. Jidaigeki (samurai period films) have seen a resurgence in Japanese cinema these past couple years and it’s going to be interesting to see how one of Eastwood’s Western masterpieces will turn out as a samurai drama. Fans of both genres have a mutual understanding that the Western and the samurai films share similar themes and character traits so it shouldn’t have been a surprise that Unforgivenwill be remade into a samurai. What is a surprise is that Japan took twenty years to decide to do it.
Lisa Marie mentioned a particular film trailer that she sawfor a film coming out soon that reminded her of a classic John Carpenter scifi film. This film was Brandedand from looking at it’s official trailer one does see some major similarities between this Russian/American scifi production with the Carpenter subversive scifi film.
The premise looks and sounds interesting but I must admit that the CG aliens/monsters/overlords look to be very subpar in comparison to most CG-effects work nowadays. Another note of interest is that it stars Leelee Sobieski who was once seen by Hollywood as a rising superstar when she first hit the scene over a decade ago. I don’t think I’ve seen her in anything of note until this trailer came along.
Now I won’t say that this film is a straight rip-off of Carpenter’s They Livebut if it includes an extended scene between two men fighting it out in an alley then I shall declare shenanigans.
Brandedis set for a September 7, 2012 release date.
The next “AMV of the Day” comes courtesy of AMV-producer extraordinaire tehninjarox whose other works I’ve profiled here many times.
“Written in the Spirals” is the title of this latest AMV and is a play on the title of the song used for the video, “Written in the Stars”. The song is by Tinie Tempah with Eric Turner providing the chorus between Tinie Tempah’s rhymes. The video itself is pretty straightforward in that it rarely uses many of the video effects tricks other AMV creators have been using of late. This creator just does a great job of taking the scenes from the anime series Tengen Toppa Gurren Lagann and lets each sequence match the tempo and feel of the song. This particular video from this series has the producer focusing on one of the leads in the show, Kamina.
Kamina is sort of like the Han Solo of the series and also ends up becoming the mentor to the main lead of the show in Simon. This video is only the second one I’ve picked which uses the Tengen Toppa Gurren Lagann series as the backdrop. As much as I truly enjoy this video it’s still not the best I’ve seen using this series. That honor goes to Nighthawk’s “Spinning Infinity”.
Anime: Tengen Toppa Gurren Lagann
Song: “Written in the Stars” by Tinie Tempah feat. Eric Turner
Season 5 of HBO’s hit series True Blood just ended over the weekend and the verdict seems to be a season that was better than the previous one though still plagued with some slow moments and uninteresting subplots. It also had what many termed as a WTF cliffhanger that should make Season 6 quite interesting. But this post is not about focusing on the show, but one a particular actress in the show who plays one of my favorite characters since she arrived on the scene.
The latest “Hottie of the Day” is none other than Deborah Ann Woll who plays the immature and naively, sweet baby vamp Jessica Hamby. Better known amongst the show’s fans as “Baby Vamp” the character played by Deborah Ann Woll continues to be a fan favorite. It elps that Ms. Woll’s performance as “Baby Vamp” ranges from alluring, sexy yet also sweet-natured. While she may be a gorgeous redhead to behold it doesn’t mean that Ms. Woll’s acting skills are lacking. She’s not just a pretty face for the audience to gawk at. As evidenced by this season’s episode where she says a final goodbye to her first love, Ms. Woll can act circles around her co-stars when allowed to do so.
I’ve also selected Ms. Woll as the latest hottie because sooner or later site co-founder Lisa Marie will complain that there’s not enough redheads being featured. Good thing True Blood reminded me that there is one hot ginger out there right now for me to pick and profile.
Japanese filmmaker Takashi Miike followed-up his 2010 critically-acclaimed jidaigeki film 13 Assassins with another foray into classical Japanese filmmaking with his reimagining of the 1962 classic by Masaki Kobayashi. Hara-Kiri: Death of a Samurai is not a straight out and out remake of the Kobayashi classic, but Miike’s film follow similar ideas and themes.
Miike’s latest first premiered at the 2011 Cannes Film Festival and is just now making it’s way to North America. The film is now available for viewing On Demand with Tribeca Film as it’s North American distributor. There’s one caveat about seeing the film On Demand and that’s not being able to see it how Miike filmed it and that’s in 3D which made it the first to make such a premiere at Cannes.
Here’s to hoping this film make’s it’s way into the late film festivals in Northern California so I get a chance to see it on the big-screen. Barring that I don’t mind watching it in the comfort of my new condo in 1080p HD.
Something quick and nostalgic for the latest “Song of the Day”.
I rarely put up hip-hop songs as “Song of the Day” since I rarely think back fondly on most of them, but this one I do think back and remember fondly. It’s one of those songs that just brings back memories of simpler days.
The track “Passin’ Me By” by the hip-hop group The Pharcyde came out in in the Spring of 1993 off of their full-length album, Bizarre Ride II The Pharcyde and gradually rose up the charts that season until it reached hit status. The group never had as big a hit as this track though it will continue to consistently make good to very good records since. I think what resonated to me and many fans of this song wasn’t just the beats but the lyrics themselves. It’s a song about young crushes and infatuation ranging from one’s schoolboy days to young adulthood. It’s those very same lyrics which continues to make this song as relevant now as much as they did in 1992-1993 when the song came out.
Passin’ Me By
Now in my younger days I used to sport as shag When I went to school I carried lunch in a bag With an apple for my teacher ’cause I knew I’d get a kiss Always got mad when the class was dismissed But when it was in session, I always had a question I would raise my hand to make her stagger to my desk and help me with my problem, it was never much Just a trick, to smell her scent and try to sneak a touch Oh, how I wish I could hold her hand and give her a hug She was married to the man, he was a thug, His name was Lee, he drove a Z, he’d pick her up from school promptly at three o’clock I was on her jock, yes indeedy I wrote graffiti on the bus First I’d write her name then carve a plus, with my name last, on the looking glass, I seen her yesterday but still I had to let her pass
She keeps on passin me by…
When I dream of fairytales I think of me and Shelly See she’s my type of hype and I can’t stand when brothers tell me That I should quit chasin’ and look for something better But the smile that she shows makes me a go-getter I haven’t gone as far as asking if I could get with her I just play it by ear and hope she gets the picture I’m shootin for her heart, got my finger on the trigger She could be my broad, and I could be her (nigga) But, all I can do is stare… Back as kids we used to kiss when we played truth or dare Now she’s more sophisticated, highly edu-ma-cated not at all over-rated, I think I need a prayer to get in her boots and it looks rather dry I guess a twinkle in her eye is just a twinkle in her eye Although she’s crazy steppin, I’ll try to stop her stride Cause I won’t have no more of this passin me by
And I must voice my opinion of not even pretending she didn’t have me Strung like a chicken, chase my tail like a doggie She was kind of like a star, thinking I was like a fan Dude, she looked good, down side: she had a man He was a rooty-toot, a nincompoop She told me soon your little birdie’s gonna fly the coop She was a flake like corn, and I was born not to understand By lettin her pass I had proved to be a better man
She keeps on passin me by…
Now there she goes again, the dopest Ethiopian And now the world around me be gets movin in slow motion when-ever she happens to walk by – why does the apple of my eye overlook and disregard my feelings no matter how much I try? Wait, no, i did not really pursue my little princess with persistance; And I was so low-key that she was unaware of my existance From a distance I desired, secretly admired her; Wired her a letter to get her, and it went: My dear, my dear, my dear, you do not know me but I know you very well Now let me tell you about the feelings I have for you When I try, or make some sort of attempt, I symp Damn I wish I wasn’t such a wimp! ‘Cause then I would let you know that I love you so And if I was your man then I would be true The only lying I would do is in the bed with you Then I signed sincerely the one who loves you dearly, PS love me tender The letter came back three days later: Return to Sender Damn!
The world of cinema lost one of it’s own with the death of British filmmaker Tony Scott (brother of filmmaker Ridley Scott). The circumstances of Tony Scott’s death has now been confirmed and could be found and read easily on most on-line news site.
This post is not to focus on Tony Scott’s death but on the life he lived and how his contribution to the art of filmmaking. Tony Scott has been a major influenc on me and those who grew up during the 80’s and 90’s. His films were huge commercial successes but also unique in that he tried to advance the genre of action filmmaking beyond the bullet point steps on how to make them that other filmmakers could never get beyond.
Tony Scott experimented and innovated with the action genre these last ten or so years to mixed results, but no one could ever say that his visual style was ever boring. Just like his brother Ridley, Tony Scott was a visual director first and foremost, but he also had a way in getting the most out of the cast he was given. It didn’t matter whether they were award-winning veterans like Denzel Washington or up-and-coming stars like Keira Knightley and Chris Pine. His action films weren’t just all about the visual and auditory overload his contemporaries only focused on. Tony Scott used his actors and got from them good to great performances which raised what would’ve been your typical action film to something more.
One of my favorite scenes Tony Scott ever did was also from one of his films I consider one of his best. It’s the last main sequence for his 2001 spy thriller, Spy Game, which starred Robert Redford and Brad Pitt. It was a film that was the passing of the torch from one blue-eyed star of Hollywood’s yesteryear to the current blue-eyed star. This film could’ve been all about action and explosions and techno-spy babble, but it instead became a great exercise in how to create an action-thriller that allowed for dialogue to become the engine that moved the action.
This scene is a favorite because it was the culmination of the machinations and secret plannings of Redford’s aging spymaster, Nathan Muir, to try and save his wayward protege in Brad Pitt’s Tom Bishop. While it would be best for people to watch this scene having watched the rest of the film beforehand, even just watching Redford take control of the room is a clue to how well Tony Scott allowed his actors to work the scene instead of forcing them to do it his way. It’s no wonder that Denzel Washington, considered to be the best actor of his generation, kept working with Tony over and over for the past decade.
The latest AMV of the Day is actually one I just stumbled onto on youtube while looking for something that wasn’t even related to AMV’s. I know I would take a hit by admitting that I like the song this video ended up using but dagnabbit it’s a catchy and sweet song.
“The Way You Are” is the title of the AMV by editor xwiz89 who takes scenes from two anime series, Bakemonogatari and Nyan Koi!, and ends up with an anime music video that does a great job highlighting the two relationships which occur in both series. While the video makes the coupling sweeter than how they really appear in the series the way xwi89 edits the video makes that sweetness feel natural.
The title itself was taken from the title of the song by Bruno Mars, “Just The Way You Are”, and while it’s a song that has had it’s legion of detractors it’s still one that I ended up liking when first hearing and I’m going to assume that the AMV’s editor felt the same way. The song just fits the video and, if any, it helps sell both anime series to those who might not have heard about it and still not sure whether to give it a look see.
One of my most anticipated game titles is just hours away from release. The game is the sequel to the surprise hit of 2010, Darksiders, and where that first title had the Horseman of the Apocalypse War as the playable character this time around it’s his brother Horseman Death who players get to control.
Darksiders IIis set to occur concurrently to the events of the first game. Where War tried to figure out who framed him for starting the Apocalypse prematurely thus causing mankind’s extinction, this time around Death tries a different tack while War goes on his quest. Death is not as honorable as War and will do whatever it takes to prove his brother innocent of the crime he’s being accused of even if it means rebooting reality, so to speak.
August 114, 2012 will see the release of this title and for myself and those fortunate enough the video above will be something we would be doing in the next couple days with huge grins on our faces. I may have to wait a week or two before playing with my move to a new apartment taking precedence, but I shall play this game. Oh yes, I shall play this game.
Through the Shattered Lens 