Song of the Day: Theme From The Third Man by Alex Karas


Today’s song of the day is the haunting zither theme of The Third Man.  Whenever I hear this music, I immediately think of Orson Welles, emerging from the shadows with that charming smile on his face.  I also think about poor Holly Martins (Joseph Cotten), being chased through Vienna by that little kid who wouldn’t stop yelling at him.  And, of course, there’s that famous final shot….

4 Shots From 4 Films: Special David MacKenzie Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Scottish director, David MacKenzie!  It’s time for….

4 Shots From 4 David MacKenzie Films

Young Adam (2003, dir by David MacKenzie, DP: Giles Nuttgens)

Starred Up (2014, dir by David MacKenzie, DP; Michael McDonough)

Hell or High Water (2016, dir by David MacKenzie, DP: Giles Nuttgens)

Outlaw King (2018, dir by David MacKenzie, DP: Barry Ackroyd)

Live Tweet Alert: Watch The Texas Chainsaw Massacre With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting the original Texas Chainsaw Massacre!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

The Texas Chainsaw Massacre (dir by Tobe Hooper, DP: Daniel Pearl)

 

Late Night Retro Television Review: Friday the 13th: The Series 3.12 “Epitaph For A Lonely Heart”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s just Jack and Micki!

Episode 3.12 “Epitaph For A Lonely Heart”

(Dir by Allan Kroeker, originally aired on January 22nd, 1990)

Eli Leonard (Neil Munro) is a mortician who uses a cursed embalming needle to bring the dead back to life.  Of course, he has to kill someone for the needle to work.  Eli has fallen in love with the corpse of a young woman and …. EEK!

The dead woman’s fiancé is Steve Wells (Barclay Hope), a friend of Micki’s who let’s her know that he thinks something strange is happening at the funeral home before he himself is killed by Eli.  Micki and Jack investigate!  It all ends with a big and convenient fire, which not only kills Eli but also the two women who he has recently brought back to life.

Johnny Ventura was not in this episode and, as much as I’ve complained about the character, he actually is missed.  Having Micki just working solely with Jack threw off the show’s balance a little.  Jack is so much older than Micki that, in this episode, it felt as if Micki was Jack’s apprentice as opposed to being an equal partner in the search for the cursed items.  As a character, Micki works best when she has an impulsive guy like Ryan or Johnny to play off of.  Both she and Jack tend be cautious so this episode just felt a bit off.

(That said, there was an enjoyable scene of Jack and Micki having to host a gathering of all the other local antique dealers, none of whom knew that Jack and Micki spend all of their time fighting the Devil.)

The mortician was one of the least sympathetic villains that this show has ever featured.  He was lonely but he also an obsessive creeper with no people skills.  Friday the 13th has often featured villains who were tragically misguided or seduced by the cursed antique.  The mortician was just a creep.  Neil Munro did a good job playing him, making him into a villain who you couldn’t wait to see meet his fate.

In the end, though, this episode just felt off.  I guess this show really does need Johnny screwing up and accidentally giving away the cursed antiques.  Who would have guessed?

Retro Television Review: St. Elsewhere 1.21 “Baron von Munchausen”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week’s episode is a much better Dr. Craig episode than last week’s.

Episode 1.21 “Baron von Munchausen”

(Dir by Victor Hsu, originally aired on April 19th, 1983)

Anthony Rizzo (Louis Giambalvo) seems like a nice guy.  He’s admitted to the hospital with complaints of stomach pain and a high fever.  Dr. Morrison can’t find anything wrong with him but he does notice that Rizzo has a lot of scars.  Rizzo explains that he’s had a lot of surgeries over the course of his life and he’s got a story to go with each one of them.  Morrison brings in Ehrlich for a consult.  Ehrlich, who loves to perform surgery, suggests opening Rizzo up and doing an exploratory.  Morrison thinks it’s too early for that,  Rizzo, however, loves the idea.  Rizzo then proceeds to die on the operating table.

Ehrlich is shaken.  Morrison is angry.  However, Westphall and Craig take one look at the case and deduce that Rizzo suffered from Munchausen’s Syndrome.  For whatever reason, he was addicted to going to the hospital and having surgery.  He knew all the tricks, from using a light blub to make it look like he had a fever to pricking his finger with a needle to convince the doctors that there was blood in his urine.  It turns out that he died because of the drugs that he had been taking to help him fake his symptoms.  Both Morrison and Ehrlich are relieved to learn that Rizzo’s death was not their fault.

“So, Ehrlich lost his first patient today,” Craig says to Westphall.  “It won’t be his last.”

This was a good episode for Dr. Craig, especially after all that nonsense last week.  When Westphall finds himself in need of a doctor to speak to a group of inner city medical students, he is horrified to discover that Mark Craig is the only one available.  Craig accepts, saying that Westphall should have asked him earlier.

Westphall’s concerns are justified.  Dr. Craig is opinionated, wealthy, and more than a little prejudiced against …. well, everyone.  “My ancestors came here on the Mayflower!” Craig is quick to say.  And yet, the students love him, specifically because he doesn’t pretend to be anything that he isn’t.  Unlike Westphall, who tries give an inspiring pep talk, Craig is open about the reality of practicing medicine in what this episode refers to as being “the ghetto.”  When asked if his medical student son will be working in a ghetto clinic, Craig replies, “Why would he?”  Craig gets a standing ovation from the students, which felt like a bit much but whatever.  It was nice, for once, to see the show admitting that Craig’s blunt honesty can sometimes be more effective than Westphall’s noncommittal style of encouragement.

Afterwards, in a wonderfully acted scene, Craig asked Westphall why people don’t seem to like him,  Westphall shrugs and then says that Craig can be arrogant, rude, prejudiced, intolerant of other worldviews …. “Thank you, Donald,” Craig cuts him off.

Meanwhile, back at the hospital, a crazy woman (Micole Mercurio) is sent to the psych ward after threatening to kill Nurse Daniels.  (No, leave Shirley alone!)  Dr. Wendy Armstrong, who is one of the worst characters on this show, promptly discharges the woman and lets her leave the hospital.  “She threatened to kill me!” Shirley says while Wendy shrugs, unconcerned.  Fiscus also proves to be of no help, as he is once again feeling attracted to Kathy Martin.

Finally, Dr. White goes to a drug addict support group and walks out when things get too emotional.  Booo!  Dr. White is even worse than Dr, Armstrong!

This was a good episode.  Next week, the season finale!

Live Tweet Alert: Join #FridayNightFlix for Street Fighter!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1995’s Street Fighter, with Jean-Claude Van Damme and friends!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Street Fighter is available on Prime!

See you there!

Scenes That I Love: Albert Finney Hates People In Scrooge


Today would have been the 89th birthday of the great British actor, Albert Finney!

And today’s scene that I love features Albert Finney in the role of history’s most famous miser.  In 1970’s Scrooge, Finney played the title role and, early on, his worldview was perfectly captured by a song called I Hate People.  Finny was only 34 when he played Ebenezer Scrooge but he does a wonderful job of bringing the character to life and he’s just as convincing when he’s being good as he is when he’s being bad.  Finney is the main reason why Scrooge is my personal favorite of all of the versions of A Christmas Carol.

4 Shots From 4 Films: Special J.A. Bayona Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to the great Spanish director, J.A. Bayona!  It’s time for….

4 Shots From 4 J.A. Bayona Films

The Orphanage (2007, dir by J.A. Bayona, DP: Oscar Faura)

The Impossible (2012, dir by J.A. Bayona, DP: Oscar Faura)

A Monster Calls (2016, dir by J.A. Bayona, DP: Oscar Faura)

Society of the Snow (2023, dir by J.A. Bayona, DP: Pedro Luque)