4 Shots From 4 Films: Special Henry Fonda Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of Henry Fonda!  Fonda was born 115 years ago today and, over the course of his long career, he was often cast in role the epitomized everything great about America.  It’s rare to find a Henry Fonda film in which he played an out-and-out villain, though he did just that in Sergio Leone’s Once Upon A Time In The West.  (Leone, in fact, cast Fonda as the evil Frank because he knew audiences would be shocked to see Fonda coldly gunning down settlers and their families.)

In honor Henry Fonda’s legacy, here are….

4 Shots From 4 Films

My Darling Clementine (1946, dir by John Ford)

Fort Apache (1948, dir by John Ford)

Once Upon A Time In The West (1968, dir by Sergio Leone)

My Name Is Nobody (1973, dir by Tonino Valerii)

Music Video of the Day: Angel in Blue Jeans by Train (2014, dir by Brendan Walter and Mel Soria) (Happy Birthday, Danny Trejo!)


Happy birthday, Danny Trejo!

Today’s music video of the day features Danny Trejo riding a motorcycle through the desert and doing other badass, Danny Trejo-type things.  I know that a lot of people will watch this video and think to themselves, “My God, he can sing too!”  However, believe it or not, Trejo is just lip-syncing.  I know.  I was shocked to find that out, too.  That said, Trejo does a pretty good job lip-syncing and it’s possible that he may have been singing during the filming.

Seriously, who doesn’t love Danny Trejo?  Not only is he a good actor who appears to sincerely want to improve the lives of other people but he’s got a pretty inspiring personal story too.  So today, we happily wish the best of birthdays and we invite you to….

Enjoy!

 

4 Shots From 4 Films: Special Sofia Coppola Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of my favorite American directors, the one and only Sofia Coppola!  In honor of this day, here are….

4 Shots From 4 Films

Lost In Translation (2003, dir by Sofia Coppola)

Maire Antoinette (2006, dir by Sofia Coppola)

Somewhere (2010, dir by Sofia Coppola)

The Beguiled (2017, dir by Sofia Coppola)

TV Review: Chilling Adventures of Sabrina 3.4 “The Hare Moon” (dir by Viet Nguyen)


I have to admit that I groaned a bit when I discovered that the fourth episode of part 3 of Chilling Adventures of Sabrina was going to center around yet another holiday.  Seriously, how many holidays do these witches have to celebrate over the course of year?  This time, the holiday was the Hare Moon, which involves everyone dressing in white, going on a picnic, and not killing a rabbit.  The holiday itself doesn’t make much sense and, to the show’s credit, this episode opens with Sabrina telling her aunts that it doesn’t make much sense.

So, I wasn’t expecting much from The Hare Moon but, to my surprise, it actually turned out to be a pretty good episode.  At the very least, it held my interest and that’s more than I can say for the episode that came immediately before this one.  I think it helped that a good deal of this episode took place in the woods during the day, which meant that I could, for once, actually see what was happening without having to strain my eyes.  I know that I spend a lot of time complaining about how underlit and dark the majority of Sabrina‘s interior scenes are but I think this episode proved my point.  When I could actually see who was talking, it was a lot easier for me to actually care about what they were talking about.

The highlight of this episode came when, during the Hare Moon ceremony, the witches ran into the pagan carnival people, who were all celebrating a holiday of their own.  The interaction between the two groups was wonderfully awkward and, even more importantly, the carnival people seem like worthy adversaries to the witches.  The carnival people worship the Green Man and, by the end of the episode, they had delivered an ultimatum to the witches.  The witches can either worship the Green Man or they can die.  Since the covens powers have been weakened by a petulant Satan, the witches are momentarily at a disadvantage.

In other developments, Harvey and Roz decided to investigate the carnival on their own, which led to Roz getting turned into a statue and …. well, I mean, it’s Harvey and Roz.  If either one of them had a personality beyond Harvey being amiably stupid and Roz having an overprotective father, it might be interesting but they don’t so who cares?  Nick also ended up setting Satan free because Nick’s main reason for being on the show is to do stuff like that.  Of course, the Spellmans were going to free Satan anyway so that they could get back their powers but Nick decided to go ahead and do it so now the Spellmans are still weak and even more screwed than before.  Way to go, Nick!

Anyway, this was actually a pretty entertaining episode.  The carnival people are wonderfully sinister and Will Swenson was well-cast as their leader. Kiernan Shipka remains the show’s greatest strength and even Miranda Otto and Lucy Davis got a few good lines in this episode.  There was still a bit too much filler but all in all, this was one of the better episodes.  If only every episode was this good.

TV Review: Chilling Adventures of Sabrina 3.3 “Chapter Twenty-Three: Heavy Is The Crown” (dir by Alex Pillai)


What’s this?, you ask.  Just now, you’re finally getting around to reviewing Chapter 23 of Chilling Adventures of Sabrina?

Admittedly, it has taken me a while.  The third season or third part or whatever the Hell you want to call it of this show was released on Netflix all the way back in January.  That’s a long time ago even by normal standards.  In May of 2020 (this is May, right?), January seems as if it might as well have been a decade ago.  You remember what the world was like in January — Iowa caucuses, open movie theaters, strong economy, and no social distancing — and it feels like some sort of lost age.  Case reviewed the first two episodes of Sabrina‘s third season back in February.  I was supposed to review episodes three and four as soon as I got back from my vacation in March.  Of course, as soon as I got back, the entire world went into lockdown and it was easy to get distracted from the latest Greendale drama.

Plus, I have to be honest.  So far, for the most part, I just haven’t enjoyed Chilling Adventures of Sabrina.  There have been a few tolerable episodes and Kiernan Shipka deserves to be a bigger star but the show itself often feels like a dead end.  The pace is often maddeningly slow and, other than Sabrina, almost all of the characters are rather flat and dull.  With the exception of Sabrina, everyone gets one defining trait and the show tends to beat viewers over the head with that trait.  As such, Aunt Zelda is always going to be arch and dismissive.  Hilda is always going to be naive and neurotic.  Ambrose is always going to decadent in the most boring ways possible.  Harvey is always going to be a dullard.  Roz is always going to be boring.  Beyond the one-dimensional characters, the whole look of the show bugs me.  Why does no one in Greendale ever turn on a light?  Why do I always have to strain my eyes trying to see what’s happening?  It gets frustrating.  Working up any enthusiasm to sit through another one of Sabrina’s adventures can be a struggle.

And yet, I will continue to watch the show because I do think that it has potential.  Now, to be honest, some of that is because the show is often so bad that it has nowhere to go but up.  But occasionally, there will be an interesting twist or a line of dialogue that doesn’t crash to the ground with a thud.  It doesn’t happen often but it does happen enough that I keep hoping Chilling Adventures will get things together.  My main hope is that, someday, the show will actually be worthy of Kiernan Shipka’s consistently excellent lead performance.

Just take the third episode of Part Three for example.  On the plus side, this episode features a trip to a wonderfully creepy carnival.  And even though the carnival itself is pretty obviously borrowed from Something Wicked This Way Comes and The Seven Faces of Dr. Lao, it’s still a lot of fun and effectively surreal and ominous.  However, to get to the carnival, we have to suffer through a lot of underlit drama featuring one-note characters.  We have to sit through Roz and Harvey having the least interesting relationship ever to appear in a Netflix drama.  We have to deal with Nick and his PSTD.  We have to deal with Miranda Otto delivering all of her lines in the same monotonous style.  We also have to sit through yet another quest.  In this case, Sabrina has to find three artifacts to hold onto the title of the ruler of Hell.  She manages to find Herod’s Crown but she still loses it to her rival for the throne, Prince Caliban.  So, I guess Sabrina is going to have to find the other two artifacts over the course of the season. I’d probably care more if Hell, as presented on this show, wasn’t so damn boring.  Presenting witchcraft as being tedious might make for an effective short film but making an entire series out of it is another thing all together.

And yet, Kiernan Shipka gives such a good performance in the lead role that you can almost overlook how annoying the show itself tends to be.  Shipka brings so much sincerity to her role that you want Sabrina to succeed.  I just wish the show was more often worthy of the talents of its star.

Oh well.  Fear not!  I actually liked the episode that came after this one.  I’ll be rewatching and reviewing it soon!

 

 

Music Video Of The Day: Keep The Streets Empty For Me by Fever Ray (2009, dir by Jens Klevje and Fabian Svensson)


Before anyone makes the obvious assumption, allow me to assure you that I did not pick this song as a way to comment on whether or not people should be sheltering in place.  I just like the song and I like the atmospheric music video.

Watching this video reminds me of this time when I woke up at 3 in the morning and discovered that a huge fog had rolled into town.  Even though it was probably totally foolish of me, I threw on a robe and then I went outside and walked around in the fog for a while.  It was the thickest fog I had ever seen, too.  It was ominous and frightening but kind of beautiful too.  I felt like I was walking through someone else’s dream.  This video brings back that memory.

Enjoy!

Scenes That I Love: Winston Wolfe Says Goodbye In Pulp Fiction


Today is Harvey Keitel’s 81st birthday.

Harvey Keitel is one of those actors who has given so many great performances that it’s difficult to pick which one is his best.  He’s almost always great, even when the film sometimes isn’t.  That said, I’ll always have a lot of affection for the character of Winston Wolfe, the cleaner that Keitel played in Quentin Tarantino’s Pulp Fiction.

Keitel doesn’t show up until the final third of Pulp Fiction but once he does, he pretty much takes over the entire film.  For me, though, my favorite Winston Wolfe moment comes at the end of his story, when he says goodbye to John Travolta and Samuel L. Jackson and essentially reveals himself to be kind of an old-fashioned, almost dorky (if impeccably dressed) guy.

Happy birthday, Harvey Keitel!

4 Shots From 4 Films: Special Katharine Hepburn Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Yesterday was the birthday of one of the most iconic screen legends of all time, the one and only Katharine Hepburn!  In honor of her life, career, and legacy, here are….

4 Shots From 4 Films

Bringing Up Baby (1938, dir by Howard Hawks)

State of the Union (1948, dir by Frank Capra)

Suddenly, Last Summer (1959, dir by Joseph L. Mankiewicz)

Long Day’s Journey Into Night (1962, dir by Sidney Lumet)

Music Video of the Day: Woke Up This Morning by Alabama 3 (2000, dir by Kevin Godley)


Earlier this week, I watched The Sopranos on Prime.  I started with the very first episode and then I watched all the way up until that famous black out at the end of the final episode.  It took me about 6 days to watch the whole series.  In case you were curious why I haven’t posted many film reviews over the past few days, it’s because my mind has been preoccupied with the New Jersey mafia.

Needless to say, I’ve now got the Sopranos theme song — Woke Up This Morning — stuck in my head and it only seems appropriate to select it for today’s music video of the day.  Now, I should point out that Alabama 3 did not write Woke Up This Morning for the show.  (And the version in this video is, needless to say, a bit different from the version that most people know from the opening credits of The Sopranos.)  In fact, Woke Up This Morning is not about the mafia at all.

Instead, the song was based on the true story of a woman who, after years of being abused by her husband, finally killed him.  She stabbed him to death but “got yourself a knife” doesn’t have quite the same impact as “got yourself a gun.”  The song was a minor hit when originally released.  It became a much bigger hit once it was featured on The Sorpanos, though its doubtful that Tony Sopranos and his misogynistic crew would have approved of the song’s actual theme.

Originally, David Chase, the creator of The Sopranos, wanted to start every episode with a different song but he was overruled by HBO, who felt that viewers would be confused unless they heard the same song at the start of each episode.  However, Chase did end each show with a different song.

Enjoy!