Snake River Desperadoes (1951, directed by Fred Sears)


A young Indian brave named Little Hawk (Don Reynolds) runs across the countryside, hoping to run into the Durango Kid.  Instead, he runs into Steve Reynolds (Charles Starrett), who listens as Little Hawk explains that the Indians and the white men are about to go to war.  Steve promises to deliver the message to Durango.  That will be easy for Steve because he is Durango!

White bandits are disguising themselves as Native Americans and attacking stagecoaches.  The local townspeople are getting riled up.  Meanwhile, businessmen Jim Haverly (Monte Blu) is running a trading post and secretly selling weapons to the Indians.  Jim is hoping to profit from the upcoming war.  Jim is also the uncle to Little Hawk’s best friend, Billy (Tommy Ivo).  When Durango and his sidekick Smiley Burnette show up, they team up with Billy and Little Hawk and try to stop the war before it happens.

This is one of the many B-westerns that featured Charles Starrett as the Durango Kid.  The Durango Kid was always an agent of the federal government but he pretended to be an outlaw to make it easier for him to get information.  Sometimes, it really didn’t make sense for Steve to pretend to be the Durango Kid, like in this movie.  I guess no one wanted to give up the gimmick, just like no one wanted to give up Smiley Burnette’s musical comedy.

This one has all of the horse-riding and gun-shooting that fans of the genre would expect from a Charles Starrett western.  It also has a lot of stock footage that appeared in a countless number of other B-westerns.  Starrett is a convincing cowboy and Monte Blue is a good villain, as always.  The child actors can sometimes be difficult to tolerate but I imagine the kids in the audience preferred watching them to sitting through the romantic subplots that these films usually had.  Fans of the gerne will enjoy the film, if just on a nostalgic level.  Those who are not into westerns will still not be into them after watching.

Music Video of the Day: Bring Your Daughter To The Slaughter by Iron Maiden (1990, directed by Steve Harris)


With songs with titles like Bring Your Daughter To The Slaughter, who would have guessed parents would have gotten the wrong idea about Iron Maiden?  That really is the appeal of the band, though.  Underneath the occult imagery and controversial song titles, they really were just a bunch of hard-working English blokes who played well together.

This video features scenes from the horror film, Horror Hotel.  This video was directed by founding member, Steve Harris.

Enjoy!

Cadence (1990, directed by Martin Sheen)


In the 1960s, druken Pvt. Franklin Fairchild Bean (Charlie Sheen) punches an MP in West Germany.  The rebellious Bean is hoping he’ll be discharged from the Army.  Instead, he’s sent to the stockade for 90 days.  The stockade is run by an alcoholic tyrant named Sgt. Otis McKinney (Martin Sheen) and, shortly after arrival, Bean discovers that he’s the only white prisoner.  With McKinney determined to break him, Bean befriends his fellow prisoners, including Roosevelt Stokes (Laurence Fishburne), and the two white corporals (James Marshall and Ramon Estevez) who try to protect the prisoners from McKinney’s erratic behavior.

Cadence is the only film to have been directed by Martin Sheen.  Considering that it co-stars two of his sons, it’s unfortunate that Cadence isn’t a better movie.  Charlie Sheen gives a one-note performance as Franklin Bean but he still does better than his father, who is such a raging monster as Sgt. McKinney that it’s difficult to take him or the movie seriously.  As a director, Martin Sheen always goes for the most ham-fisted shot and it’s hard to see what he’s really trying to say about the Army or Franklin Bean’s rebellion.

The supporting cast is better, especially James Marshall and Ramon Estevez.  Laurence Fishburne brings his trademark gravitas to the role of Stokes.  The other prisoners are played by Michael Beach, Blu Mankuma, John Toles-Bey, and Harry Stewart and they all make a good impression.  Stewart plays the most saintly and innocent of the prisoners.  Guess what happens to him.

Back in the day, this movie was an HBO mainstay.  Somehow, I always seemed to catch the end of it but never the beginning.

Honor Amongst Men (2018, directed by Fred Carpenter)


Honor Amongst Men?

Don’t even ask.

John Halmo (Robert Clohessy) is a veteran cop who is been on the job for so long that he wears a dinosaur pin.  The film portrays one very long day on Long Island, as John deals with cocky young cops, squabbling drug addicts, his Alzheimer’s-afflicted father (Ed Asner), and a motorcycle gang war.  Chuck Zito plays the the main motorcycle baddie.  Joan Jett plays Stephanie, who spend a lot of time yelling.  It’s cool to see Joan Jett in a movie.

Why is Chuck Zito such an unconvincing biker in this?  He was a member of the Hell’s Angels for twenty-five years.  He did time for the gang.  If anyone should have felt authentic in this movie, it was Chuck Zito.  But Zito seems lost.  Maybe it’s the bad CGI that the movie uses whenever Zito shoots someone.  Bad CGI and a bad performance.

Robert Clohessy is good, though.  Clohessy’s been playing tough cops since the start of his career.  Hill Street Blues, Oz, Blue Bloods, NYPD Blue, Homicide, Ohara (a show the featured Pat Morita as a detective), all of them featured Clohessy as a cop.  Clohessy gives a great performance in Honor Amongst Men.  It’s too bad that the rest of this disjointed film isn’t as good.

Honor Amongst Men is a film that wants to say something about how the world is changing and how there’s less room for honorable men like John Halmo.  John is being pressured to retire.  His father is losing his ability to remember the past.  Even Chuck Zito is just a man looking for old-fashioned revenge.  A lot of good movies have been made about honorable men suddenly finding themselves in a world where honor is disappearing and Clohessy’s performance is good enough that this movie’s message sometimes comes through.  But the movie itself is disjointed and features too many scenes that just don’t work, either because everyone other than Clohessy’s is overacting or because the director lets them drag on for too long.  Good intentions can only go so far.

 

Music Video of the Day: Sure Know Something by KISS (1979, directed by John Goodhue)


Like many music videos from the days before MTV, the emphasis here is on the band and the performance.  This is a “they-sure-can-play” music video.

John Goodhue also did music videos for Tom Petty and the Heartbreakers, Juice Newton, and Hanks Williams, Jr.

Enjoy!

White Ghost (1988, directed by B.J. Davis)


In 1972, Lt. Steve Shepherd (William Katt) disappeared in the jungles of Vietnam.  He was listed as being MIA and he was mistakenly presumed dead.  Instead, he survived in the jungle and continued to fight his own war against the North Vietnamese.  Eventually, he “married” a Thai woman named Thi Hau (Rosalind Chao).  The North Vietnamese began to call him the “White Ghost.”

16 years later, Major Cross (Reb Brown) hears the legend of the White Ghost and arranges for a group of elite rangers to parachute into the jungle and retrieve Lt. Shepherd.  However, Thi Hau has been captured by the Vietnamese army and is being held at one of their torture camps.  Shepherd is determined to rescue her.  As well, one the rangers (Wayne Crawford) has a personal issue with Shepherd that goes back to their time in Vietnam.  He determined to get his revenge, no matter what the cost.

White Ghost came out at a time when films like Rambo: First Blood II and Missing In Action were bringing in the big bucks at the box office.  Like those movies, White Ghost gives audiences a chance to watch as the Vietnam War is refought, this time with America as the victor.  What sets White Ghost apart is that Shepherd not only has to destroy the Vietnamese prison camp but he also has to avoid his fellow Americans while doing it.  This is a violent movie with an astronomical body count.  The action is pretty much nonstop and, for once, not even the hero can escape without a scratch.  Director BJ Davis was a stuntman and, not surprisingly, he gets fantastic work from the film’s stunt team.  This film also owes a debt to Predator, with its jungle locations and its emphasis on booby traps.  Karl Johnson appears as one of the Rangers and he looks so much like Jesse Ventura that I actually checked to make sure that it wasn’t him.

At first, William Katt seemed miscast as Steve Shepherd and he seemed to be in surprisingly good shape for someone who has spent sixteen years living in the jungle.  By the end of the movie, though, Katt had won me over.  He looked convincing shooting a machine gun and throwing grenades and his scenes with Rosalind Chao had enough depth that you cared whether or not he was able to rescue her.  Reb Brown fans will probably be disappointed that he spends most of the movie behind a desk but, in the gloriously frenetic finale, he does finally get to do his trademark yelling.

White Ghost is an exciting slice of Namsploitation.  At one point, there was a sequel planned that would have featured Shepherd fighting crime in America but unfortunately, it never happened.

 

Music Video of the Day: This Is Why We Ride by Body Count (2015, directed by Treach)


Body Count never gets the respect that it deserves.  Though it may have started out as being Ice-T’s side project, it developed into an important band of its own.

This video was directed by actor and rapper Treach, who also directed three videos for his own group, Naughty by Nature.

Enjoy!

Gentlemen With Guns (1946, directed by Sam Newfield)


In the old west, Billy Carson (Buster Crabbe) gets a letter from his old friend, Fuzzy Q. Jones (Al St. John).  Fuzzy writes that he’s in “a little trouble” and requests that Billy “mosey on over” if he has time.  When Billy shows up at Fuzzy’s ranch, Fuzzy explains that Jim McAllister (Steve Derrell) wants his land and his water rights.  McAllister not only his own gang but he’s got the sheriff in his pocket as well.  When two of McAllister’s men show up at the ranch to try to force Fuzzy out, Billy is there to throw a punch in the defense of his good friend.

Billy is surprised to learn that Fuzzy is getting married to a woman that he’s never met for.  Fuzzy gotten to know Matilda Boggs (Patricia Knox) only through the letters that they’ve exchanged as members of a lonely hearts club.  By the time Matilda arrives in town, McAllister has already arranged for Fuzzy to be framed for murder and arrested.  Fuzzy is sitting in jail, hoping that Billy can clear his name.  Matilda is only after Fuzzy’s money and if they get married and Fuzzy gets hanged for murder or shot after breaking out jail to see her, that’ll just make it easier for her to get all of it.  Billy can see through Matilda’s schemes but Fuzzy is blinded by love.

This was an interesting and engaging B-western.  It had all the usual fist fights and horse chases that you expect to find in these films but there was also some unexpected emotional depth.  Usually, Fuzzy was the just comedic sidekick in these movies.  In this one, he’s not only facing the hangman’s noose but he’s also looking for love.  Life gets lonely on the frontier.  Buster Crabbe is his usual dependable and likable self.  Buster always looked convincing throwing a punch and both he and Fuzzy get to throw a lot of them here.

For many, B-westerns like this will always be an acquired taste but, for fans of the genre, Gentlemen With Guns is a superior example.