Battlestar Galactica (1978, directed by Richard A. Colla and Alan J. Levi)


In a distant galaxy, the humans and the robotic Cylons have been at war for a thousand years.  Due to the diplomacy of Count Baltar (John Colicos), it appears that a peace agreement has finally been reached.  On their homeworld, President Adar (Lew Ayres) and the leaders of humanity prepare to welcome to the Cylons to a signing ceremony.  Amongst the commanders of the fleet of ships that orbit and defend the homeworld, only Commander Adama (Lorne Greene) fears that the Cylons may be plotting a sneak attack.

Adama turns out to be correct.  Baldar betrays humanity and the Cylons launch a sudden attack, wiping out the human leadership and almost the entire fleet of Battlestars.  Only Adama’s Galactica survives.  After picking up the refugees who survived the attack, the Galactica sets out to find a legendary planet that might be home to more humans.  With the Cylons pursuing and brave men like Starbuck (Dirk Benedict) and Adama’s son, Apollo (Richard Hatch), fighting to protect the last of the human refugees, the Galactica searches for Earth.

With Star Wars still a cultural phenomenon in 1978, it made sense that a television network like ABC would greenlight a science fiction series.  When producer Glen A. Larson pitched the idea for Battlestar Galactica, ABC was eager to move forward with it.  However, when the pilot cost $8,000,000 to produce (which was then a record-setting amount for a television show), ABC decided to recoup their costs by releasing an edited version of the pilot in theaters.  In Canada and the United States, the “film” hit theaters before it was subsequently aired on television.  The film was then later released in Europe, where it was a huge hit.

In fact, it was such a hit that 20th Century Fox sued Universal Studios, claiming that Battlestar Galactica stole the majority of its ideas from Star Wars.  Universal responded by filing a countersuit, claiming that Star Wars stole the majority of its ideas from Flash Gordon.  The case was eventually settled in 1983, long after the original Battlestar Galactica television series had been canceled.

And while that is all very interesting, it doesn’t answer the question that is probably on your mind right now.  Is the edited theatrical release of the Battlestar Galactica pilot any good?

Yes and no.  The first part of the movie, which deals with the Cylon sneak attack and Starbuck and Apollo rescuing the human refugees is an excellent work of science fiction, a space opera that can stand up with the best of them.  Even after all this time, the special effects are still effective as is Lorne Greene’s authoritative performance as Adama.  Richard Hatch and Dirk Benedict are also strong as the two main fighter pilots, even if both of them are obviously meant to be television versions of Luke Skywalker and Han Solo.  (Benedict’s Starbuck was the coolest character on Battlestar Galactica.  He was the best pilot, he was the best poker player, and he even smoked a cigar.)  The Cylons are chilling victims and the pilot even features some effective human drama along with all of the space battles.  After the Cylon attack, the story follows the Galactica as it makes a stop on a planet that’s also a casino that’s being run by untrustworthy space insects.  That part betrays the film’s television origins and feels like one of those episodes of Dr. Who that people try to forget.  The pilot features everything that made Battlestar Galactica work but, unfortunately, it also features everything that didn’t work.

Watching it today, though, it’s impossible not to feel the welcome pull of nostalgia.  In a time of cynicism, the pure idealism of Battlestar Galactica and its quest for Earth provides a nice and needed relief.  To quote Commander Adama:

“Fleeing from the Cylon tyranny, the last battlestar, Galactica, leads a ragtag fugitive fleet on a lonely quest… a shining planet known as Earth.”

Music Video of the Day: Don’t Tread On Me by Metallica (2021, directed by ????)


Metallica has never released an official music video for Don’t Tread On Me so, for our purposes, we’ll have to settle for this live performance.  The band was performing in Kentucky when this video was filmed.

Don’t Tread On Me was originally included on 1991’s Metallica.  When asked about the song, James Hetfield replied, “America, it’s a good fucking place.”

I couldn’t have said it better myself.

Enjoy!

Proud Men (1987, directed by William A. Graham)


During the Vietnam War, Charley McLeod, Jr. (Peter Strauss) deserted from the U.S. Army.  He has spent the last several years living in France with his wife Adrienne (Maria Mayenzet) but, when he learns that his father (Charlton Heston) is ill, Charley returns to the ranch where he grew up and tries to make peace with the old man before he dies.  It’s not easy.  Charley, Sr. never agreed with his son’s decision to desert and the local townspeople, including Charley’s former friend Brian (Alan Autry), view him as either being a coward or a traitor.

Proud Men was made for television and it’s clearly a product of a time when people were still coming to terms with both the war in Vietnam and the protests that surrounded it.  Strauss isn’t the most convincing rancher that I’ve ever seen but, not surprisingly, Heston is totally believable as Charley’s old-fashioned father.  Not much really happens in Proud Men.  Charley, Jr. tries to prove himself by working on the ranch.  Charley, Sr. holds back his emotions until the inevitable scene where he finally admits that he still loves his son.  Probably the best performance comes from Alan Autry, whose character is written to be a bully but who also has a point when he point out that not everyone had the opportunity or the money necessary to just desert and start a new life in another country.

This is definitely a Dad film.  It’s about working hard, doing what you have to do even when its difficult, and knowing how to throw a punch when someone in a bar disrespects your wife.  It’s a minor film but I actually liked it.  Heston may not have had the widest range as an actor but he was capable of very good work when he was cast in the right role, like he is here.

Music Video of the Day: You Don’t Know How It Feels by Tom Petty (1994, directed by Phil Joanu)


Shockingly enough, this song and video was actually considered to be controversial in 1994.  Today, we just wish that Tom Petty was still here to roll another joint.

This video was directed by Phil Joanu, who directed several videos for both Tom Petty and U2.  He also directed films like State of Grace and Gridiron Gang.

Enjoy!

Almost Heroes (1998, directed by Christopher Guest)


Harry Shearer narrates the story of Leslie Edwards (Matthew Perry) and Bathowlemew Hunt (Chris Farley), the leaders of an expedition that competed with the more famous Lewis & Clark expedition to see who could first to reach the Pacific Ocean.  Edwards is foppish and naive.  Hunt is illiterate and loud.  Included in their expediton is French pirate Fontenot (Eugene Levy) and Fontenot’s Indian wife, Shaquinna (Lisa Barbuscia).  The journey leads the expidition to multiple whorehouses, an angry Eagle, and a group of arrogant conquistadors led by Hidalgo (Kevin Dunn).  Edwards tries to teach Hunt how to read but Hunt gives up after learning “A.”  Hunt, however, gets a chance to not only prove his worth but also to get a haircut from a taxidermist.

Given the talent involved, it’s too bad that this is neither a good comedy nor a good movie.  Christopher Guest directs with none of the wit that had made his improvised films so memorable.  Apparently, the film was originally envisioned as being an ensemble piece but, once filming began, the studio insisted on just focusing on Farley and, to a lesser extent, Perry.  This was also Farley’s last leading role, with the film itself being released several months after his death.  Today, if the film is remembered for anything, it’s for featuring two comedic actors who struggled with similar demons and who both died too young.  Unfortunately, neither Farley nor Perry are really at their best in this film.  Farley yells but with little of the energy that made Tommy Boy a hit.  Matthew Perry resorts to playing Chandler Bing in the 1700s.  For that matter, this film also features what may be Eugene Levy’s worst performance.  It’s a disappointing effort all around.  (Would the film have worked better with Farley’s usual foil, David Spade, in the role of Edwards?  Probably not.  I don’t think any combination of actors could have saved the script.)

What is unfotunate is that the premise had promise.  The early years of the United States was full of eccentric characters, quite a few of which were involved in exploring the still-largely uknown continet.  Christopher Guest really does seem like he should have been the ideal director for a project liket this but instead, Almost Heroes is overly broad and features its two leading actors giving performanes that fill more appropriate for a sitcom than a motion picture.  Almost Heroes was a misfire all the way around.

Music Video of the Day: A Farewell to Kings by Rush (1977, directed by ????)


It’s Canada Day so let’s give our neighbors up north a shout-out by featuring Rush.

To quote Neil Peart, this song “seems to encapsulate everything that we want Rush to represent.”  The song is about dealing with the hypocrisy and finding your own truth, away from the demands of the establishment and the so-called “kings” who think that it is their place to tell others how to live their lives and what to believe.

Both the song and the music video are filled with imagery that harkens back to the Middle Ages, a reminder that hypocrites have always been there and they always will be but that the people will always find a way to be free.

Enjoy!

Music Video of the Day: My Head’s In Mississippi by ZZ Top (1991, directed by Tim Newman)


With this music video, ZZ Top show that they were about more than just legs and fast cars.  This video and song sees the band putting their own spin on the blues.

Director Tim Newman directed most of ZZ Top’s best-known videos.  He also worked with Lou Reed, Huey Lewis & The News, and a several other bands of the 80s.

Enjoy!

Relentless (1948, directed by George Sherman)


Earlier today, I was searching for an old Johnny Mack Brown Western called Fronteir Agent.  I found a video on YouTube that claimed to be an upload of Frontier Agent but, when I started watching it, I discovered that the movie, while a western, was definitely not a Johnny Mack Brown programmer.  Instead, it was a movie called Relentless and it was about as different from Johnny Mack Brown’s cheery B-westerns as you could get.

Robert Young plays Nick Buckley, a drifter who is more comfortable riding the range than spending time with “civilzation.”  He rides into town on a rainy night, looking for shelter for him both him and his pregnant mare.  At the local saloon, two prospectors invite him to stay at their cabin for the night.  Another man, Tex (Barton MacLane), suggests that Nick and his mare should instead stay in Tex’s stables.  Tex isn’t just being altruistic.  He and Jim (Frank Fenton) murder the prospectors at their cabin and steal their map to a gold mine.  Tex then kills Jim and frames Nick for all three of the murders.  The entire town wants to either hang Nick or turn him in for the reward or force him to draw the map that they think he killed the prospectors for.  Only the owner of the traveling general store, Luella (Marguerite Chapman), believes Nick when he says that he’s been framed.

Dark and moody, Relentless is almost as much of a film noir as a western.  At first, Robert Young seems like a strange choice to play a drifter but he actually does a good job of showing how Nick is someone who has spent so much time on the frontier that he’s not really sure how to deal with civilization.  One reason that Tex is able to frame Nick is because Nick is a stranger.  He has no history and, at first, his main concerns seems to be taking care of his mare and her foal.  Nick was unlucky enough to ride into town at the wrong time and soon, he’s worth more dead than alive.  Nick’s quest to both clear his name and get revenge becomes an obsession (you might even call it relentless) and it takes him from the town to a barren desert.

One thing that sets this western apart from so many others is the relationship between Nick and Louella.  Louella is also a loner but, as a store owner, she’s accepted by the town in a way that Nick is not.  Louella and Nick come across as two mature people who have been hardened by life in the old west but who still haven’t surrendered their morals to greed like so many other characters in the movie.

Relentless is a superior western, featuring good acting and interesting characters.  I may never find Frontier Agent but I’m glad I found Relentless.

 

Music Video of the Day: Paradise City by Guns N’ Roses (1988, directed by Nigel Dick)


Paradise City seems to be the Guns N’ Roses song that’s liked even by people who don’t like Guns N’ Roses.

Paradise City is a good song and a good video.  The video keeps things effectively simple, with clips of the band performing the song at Giants Stadium mixed in with behind-the-scenes footage of the band.  All of the members of the band look like they’re getting along and, at no point, do Slash and Axl look like they’re about to come to blows.  It’s a look at Guns N’ Roses that definitely goes against their later reputation for intraband strife.

This is what I like to call a “They sure can play” video because the emphasis is on the band as professional musicians who know what they’re doing and who aren’t just spending all of their time doing drugs and entertaining groupies.  I’m usually not a fan of these type of videos because they often feel phony but it works for Guns ‘N Roses because they really could play.

Enjoy!

Music Video of the Day: Heart and Soul by Huey Lewis & The News (1983, directed by David Rathod)


It doesn’t get more 80s than Huey Lewis and The News.  In this video, we discover that even Huey sometimes feels out of place.  The woman who catches Huey’s eye is played by actress Signy Coleman.

Director David Rathod also did the video for I Want A New Drug.

Enjoy!