A Movie A Day #322: CHiPs (2017, directed by Dax Shepard)


Based on the campy 70s cop show that will live on forever in syndication, CHiPs is about two unlikely partners who, after a rough beginning, work together to catch a cop’s killer and capture a gang of armed robbers.

Officer Jon Baker (Dax Shepherd) is a flaky former motocross champion who joins the California Highway Patrol to try to impress his estranged wife (Kristen Bell).  Baker pops painkillers like candy, throws up whenever he enters an unfamiliar house, and has a knee that randomly goes out.  Baker can’t shoot, fight, or think but he sure can ride a bike.

Officer Francis Llewelyn “Ponch” Poncherello (Michael Pena) is actually an FBI agent named Castillo who has been assigned to work undercover to investigate corruption in the CHP.  Ponch is a sex addict who is obsessed with yoga pants and who keeps accidentally shooting his former partner (Adam Brody).

Both Baker and Ponch are given one identifying characteristic.  Baker’s thing is that he always says the wrong thing and then apologizes.  Ponch’s thing is that he always says the wrong thing and then doesn’t apologize.  That is about as deep as things get.

I’m not really sure who this movie is supposed to appeal to.  Michael Pena and Dax Shepard have been good in other productions but they’re both awful here, let down by a script that does not have much to offer beyond tepid bromance and dick jokes.  The humor is too deliberately lowbrow and raunchy to appeal to the people who were fans of the quaintly innocent TV show but it’s also neither meta nor clever enough to appeal to the audience that made hits out of 21 and 22 Jump Street.  I guess the ideal audience for this film would be people who still find gay panic jokes to be hilarious because CHiPs is full of them.  If the last movie you saw was made in 1999 and starred Adam Sandler and David Spade, CHiPs might be right up your alley.

CHiPs is a terrible fucking movie but what really distinguishes it from other terrible movies is the amount of contempt that it seems to have for its source material.  The Jump Street movies might have poked fun at the TV series that inspired them but it was still obvious that the films were being made by fans.  CHiPs can’t even be bothered to use the original’s theme music as anything other than a way to punctuate a few cheap jokes.  Erik Estrada, the original Ponch, does have a cameo but only so he and the new Ponch can talk about eating ass in Spanish.  Otherwise, there is nothing that links the movie to the TV show.  A more accurate title would have been Two Assholes On Motorcycles, except the motorcycles really are not that important to the film.  So, I guess the title would actually just have to be Two Assholes.  That sounds about right to me.

CHiPs proves that not every stupid cop show needs a movie version.  Now, excuse me while I get back to work on my T.J. Hooker spec script…

I’ll Be Superamalgamated!: DOC SAVAGE, THE MAN OF BRONZE (Warner Brothers 1975)


cracked rear viewer

I used to devour those Doc Savage pulp novels reissued as paperbacks by Bantam Books. You know, the ones with those cool James Bama covers? They were filled with action, adventure, intelligence, and good humor, as written by Lester Dent under the pseudonym ‘Kenneth Robeson’. Doc himself was a paragon of goodness, trained from birth in the arts and sciences, a perfect physical specimen adept at all the fighting disciplines with near super-human strength. In fact, one could make a case for Doc Savage as the world’s first mass-market superhero, the Man of Bronze predating DC’s Superman (The Man of Steel) by a good five years.

Doc’s amazing adventures screamed for a screen treatment, but it wasn’t until 1975 that producer George Pal bought the character’s rights from Dent’s widow Norma and made DOC SAVAGE: THE MAN OF BRONZE. Pal, whose credits include sci-fi classics like WHEN WORLDS COLLIDE, WAR…

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Art Profile: The Many Adventures of Steve Holland


Who was Steve Holland?

He was one of the most familiar faces in the world of the pulps.  An actor and a model, Holland’s rugged good looks inspired a countless number of magazine and paperback covers.  Over the course of his career, Holland served as the model for everyone from tough private investigators to prehistoric warriors to futuristic adventurers to suburban husbands.

Check out just a few of the adventures of Steve Holland below:

by David Bergen

by James Elliott Bama

by George Wilson

by Jack Faragasso

by Stanley Borack

by Mort Kunstler

by Robert Maguire

by Robert Maguire

by Stanley Borack

by Victor Prezio

Music Video of the Day: Something by Lasgo (2001, directed by Alex Diezinger)


Lisa’s off the grid tonight so I’m filling in with the today’s music video.  Before she left, she told me to “just pick something.”

Can you tell where this is heading?

Most of this video takes place at a train station.  As a photographer, I love train stations.  Train stations are a romantic link to the past and you’re less likely to get in trouble for taking pictures near a train station than you are near an airport.

Unfortunately, I don’t live near any romantic train stations.  Here’s the closest thing that we have to a romantic train station down here:

It’s a nice station and I’ve taken some good pictures there but there’s nothing really romantic about it.

That’s why I like the train station in this video.  According to Wikipedia, this was filmed at a station in Prague.  It looks like it would be a great place to hang out with my camera and people watch. That would be something!

Enjoy!