A Movie A Day #312: Mata Hari (1985, directed by Curtis Harrington)


Europe, during World War I.  The beautiful dancer, Mata Hari (Sylvia Kristel), is in love with two different soldiers, one German and one French.  (The soldiers, played by Olivier Tobias and Christopher Cazenove, are also friends though they are now on opposite sides of the Great War.)  Forced into the world of decadent, high class espionage by Frau Doktor (Gaye Brown), Mata Hari sleeps with everyone, shares information with both the Germans and the French, and tries to prevent more people from dying.  Just as in history, Mata Hari ultimately has to face a firing squad but not before taking part in threesomes, voyeurism, and a topless sword fight.

The original Emmanuelle in a Cannon Film based on the life of the famed seductress Mata Hari?  It sounds like it should be great but Mata Hari is mostly dull.  I’ve read that Mata Hari was heavily edited before it was released in the United States so maybe that explains why the film is so choppy and nearly impossible to follow.  I was never sure who Mata Hari was spying for and, after a while, I no longer cared.  Sylvia Kristel is frequently naked, which explains why Mata Hari was once a Skinemax staple, but Kirstel later wrote that she was addicted to both cocaine and alcohol while making Mata Hari and maybe that partially explains why she seems to be so mentally checked out through the entire film.  I don’t blame her.  I checked out too.

One final note: About that topless sword fight, it sounds cooler than it actually is.

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Here’s Looking at You On The Big Screen, CASABLANCA!


cracked rear viewer

Longtime readers of this blog know CASABLANCA is my all-time favorite film. It’s blend of stars, supporting cast, script, direction, drama, romance, and humor is the perfect example of 1940’s Hollywood storytelling,  when Tinseltown was at the peak of its moviemaking powers . I’ve seen the film at least 80 times in many different formats, from broadcast television to cable and satellite, from VHS to DVD to DVR, but never before on the big screen – until this past Sunday, that is!

Fathom Events, in conjunction with TCM, presents classic films on a monthly basis in theaters across the country. In my area, they’re shown at Regal Cinemas in Swansea, MA, a half hour drive down the highway. I’ve been tempted to make the trip a few times, but never got around to it for one reason or another. But when I heard CASABLANCA was this month’s feature, I knew…

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There’s No Business Like “Night Business”


Ryan C.'s Four Color Apocalypse

So how does this work? I mean, you either know what you’re getting into with a Benjamin Marra book or you don’t — and if you know that much, you probably also know whether or not you’re going to like it. No artist in the comics medium this side of Steve Ditko has pursued such a singularly myopic and obsessive worldview, and whether we’re talking about outer-space barbarians, post-Civil War freed slaves, secret agents in the “War On Terrorism,” or “gangsta” rappers,  the basic formula really doesn’t change, does it?

“Characters” as we understand the term don’t really exist in Marra’s world(s), but caricatures abound : men are invariably square-jawed, misogynistic, super-powered, and either “all good” or “all bad” (usually the only difference being that the “bad guys” start the killing off while the “good guys” finish it): women are basically all T&A and can’t seem to help either throwing…

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Music Video of the Day: I’m Looking Up by Rich White (2010, dir by Garret Gray)


Hi there!  Lisa here with today’s music video of the day!

This is the video for Rich White’s I’m Looking Up.  It’s an undeniably low-budget affair but so what?  I love the song and the video actually goes along with it nicely.

By the way, just in case you don’t recognize the capital building in the background or the bars on 6th Street, Rich is walking around Austin.

Enjoy!