Happy To Travel The “Black Road”

Trash Film Guru


One of the series, along with DMZ,  that made Brian Wood a “household name” among comic-book fans was his  Viking-era epic Northlanders, so when word got out that he was going to be returning to that same time period with his artistic collaborator from The Massive, Garry Brown, in tow, for a new book from Image called Black Road, folks — including yours truly — were pretty well stoked. Wood’s few carefully-chosen words on the (then-) forthcoming title indicated that it was going to be less a work of historically-plausible fiction and more just, well, completely made up, but no matter — if you feel the need to demand “accuracy” from your four-color “floppies” you’re about a hundred years too late, anyway.

Wood was going back to the proverbial well in terms of tone and temperament, to be sure, but the locales, personages, and even some…

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Late Night Cable Movie Review: Bad Girls Behind Bars (2016, Sal V. Miers)

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There! The first title card, or image on here I’ve had to black box. Thanks, Sal V. Miers! Seriously, I could use the title cards from Debbie Does Dallas (1978), Deep Throat (1972), and even Water Power (1977) just fine. Early 80s ones often look like the title cards for an ABC Movie of the Week for crying out loud! Why was this necessary? I mean that both ways.

That’s my first and last complaint about the director here because, just like his last film Bikini Model Mayhem, I enjoyed the movie. These very rarely turn me on, but Miers obviously knows that a lot of people who aren’t kids don’t watch most of these films for that reason. They watch for the laughs, the spoof, the jokes, the references, etc. He delivers. The central spoof here is of the Netflix show Orange Is The New Black. You knew that was coming because at least this time the title gives you an idea of what the film is going to be about. However, he works in several other references including one I’m really happy about because someone had to do it.

The movie opens up and we are introduced to Georgina (Jacqui Holland), Sarducci (Derrick Pierce), and what I’m pretty sure is a new breed of tribble. According to his credits on IMDb, Derrick here has played the porno version of Lex Luthor, Crossbones, Deadpool, and Bane.


Georgina is a reporter who is trying to get information from this mafioso type about what a Mr. Big did with $50 million dollars from a casino heist. He makes sure she isn’t wearing a wire, which means showing her breasts. We already saw that she is carrying a recorder and just put it in her purse. He’s not too bright. I think that tribble is leaching off his brain. She agrees to let him get his hands on her “fun bags”, but she would prefer a running joke of this movie…


be called the horizontal hula for now. Now we get an odd back and forth about saying yes and no. This guy plays it safe and is generally confused till she makes it clear that she really does mean yes. I really don’t know why it’s there other than to subtly put in a message here for people that unless the person explicitly says yes, then don’t take the chance. Of course they have sex now. The tribble decides to sit this one out. Georgina kindly tosses it on the floor.

Sarducci held up his end of the bargain and “filled [her] in.” Mr. Big has a mistress in prison named Renee Dobbins (Sarah Hunter) who is in jail and not taking interviews. That’s when I’m Shipping Up To Boston by Dropkick Murphys starts playing as we cut to jail because Georgina is going undercover to get the story she hopes will win her a Pulitzer.

Okay, I’m sure if Sal could have played it, then he would have. The movie does borrow the plot element from The Departed (2006) that you expect. She is lead down a hallway by a guy name Jenkins played by Andrew Espinoza Long. I’ve apparently seen every one of these he’s done. The best is easily when he played G.W. Bushwacker in Bikini Model Mayhem. He takes her to a cell, but is quickly whisked off to meet Warden Thorne.


Warden Thorne is played by veteran actor Katie Morgan. You may have actually seen her in mainstream fair such as Zack and Miri Make a Porno (2008) and L!fe Happens (2011). She’s here to tell Georgina about rough and tough prison life. She’s also here so Miers can begin the other running gag in this movie at the expense of director Jared Cohn and his stupid sexploitation film Jailbait (2014).


That’s right! Bras! This movie will make sure you know that women wear bras or bra tops. In Jailbait the lead actress would take off her top all the time. She never seemed to have a bra on. This movie makes sure you see it when the scene starts, often keeps them on for a portion of the scene, and has them put it back on afterwards.


Miers may not have been doing this for that reason, but I really like to think this movie is making fun of how ridiculous Jailbait was in that respect. Trust me. If you watch that movie, then you’ll understand.

The Warden tells Georgina that the person she is looking for is in solitary confinement and to keep all this on the down low. I love how they have Jacqui Holland basically do a porno version of Marilyn Monroe in these movies.


We never really believe that she’s an idiot, but she also never plays a character that is super savvy either.

Now Georgina returns to her cell and we meet Erika Jordan playing Crazy Ass. Aside from her numerous Late Night Cable movies, you just might have noticed her in a cameo appearance in Sharknado 3: Oh Hell No! (2015). Makes sense. I’ve seen at least two actors from these movies show up in SyFy films.


We find out Crazy Ass once lost her girl cause she went straight. Georgina knows her pain because her lover found out he was gay and ran off with her brother. She also mentions that she hasn’t talked to him since the wedding. Based on the two movies I’ve now seen directed by Miers, it’s obvious he has set his guns on current political issues and is quite opinionated about them.

Meanwhile, we cut to the gym from Sexy Warriors.


Once again, they keep those tops on to one degree or another for a good period of their scene. This is probably as good a time as any to mention that we have the return of that awful music from some of the worst of these. At least we don’t get the Johnny Wet Pants song here.

After cutting to a shot of the corner of a prison fence, Crazy Ass reminds us there is actually a plot of sorts here. Then she reminds us that this isn’t Drive (1974), despite her threat here.


Also, it wouldn’t pan out because Georgina already had her tonsils removed.

Back in the cell, Georgina needs to make a phone call, which in the universe of an Orange Is The New Black spoof means reminding us about the running joke of the movie.


Again, the movie reminds us that women do indeed wear bras.


They also put them back on.


Georgina makes her phone call, but finds out the person who knew she was undercover in prison has died.


Notice they made sure to put everything back on the desk. Let that be a lesson to you people. If you are going to have sex in somebodies office, then do the courteous thing by cleaning up your mess. We now return to the cell.


Holland, you already made that threat back in Bikini Model Mayhem. You aren’t Arachne from Drive. Plus, if you keep saying that in these movies, then I’m never going to be able to watch the Hallmark movie Flower Shop Mystery: Snipped in the Bud without thinking about that. We are again reminded that women wear bras and are not just waiting around to lift up their top.


Miers put a not so subtle reference to another movie he recently released this year called Vixens from Venus on the wall in the form of a poster of the solar system. At least it doesn’t say it’s from 1991. What the hell was that in Trancers 6 anyways?

Now Miers takes a pot shot at Clinton and his “definition of ‘is’ is” line before cutting to the lunch room so we can finally be introduced to the one other character you have to spoof from Orange Is The New Black.


That’s Sarah Hunter doing her impersonation of actor Laura Prepon’s character Alex Vause. It’s been about a year or so since I’ve watched Orange Is The New Black, but I think Hunter did a good job here. They not only got the look right, but Sarah does the voice as well and the way she carries herself in general. Kudos to you, Sarah. This is Renee Dobbins.

Now the film introduces how this movie is going to end.


No joke. French Toast that is hard as a rock will be Georgina’s salvation here.

After a conversation to mention there really is meant to be a plot here, Jenkins gets called into the Warden’s office so the movie can remind us that the new Star Wars movie has a porny title.



I love the storage cabinets next to him. Looks like something I could go downtown and buy at The Container Store.

Back in gym, Dobbins shows up to play guess who. Then they have sex because Dobbins needs to make sure that Georgina is going to choose to be with her. This is also part of the spoofing of Orange Is The New Black where the show always teased us whether Piper was a lesbian or bisexual. At least up till the point I stopped watching it.

I love how it now cuts to random shots of prison fences like it does throughout, but then immediately cuts to Georgina finishing burping the worm.


Jokes on him though because she won’t be there in the morning. Turns out Dobbins has been digging a hole with the hard French Toast. By a hole, I mean this.


We also find out that Dobbins was Mr. Big the whole time. She has $50 million dollars waiting on the outside for them. We also find out that the Pope may “shit in the woods”, but Georgina isn’t sure. Then they escape, but not before making a joke that it’s funny for a lesbian convict to tell Georgina to keep going straight. The next morning, Jenkins shows up for his burping, Crazy Ass says they’re not there, and she’s happy for them. End of sort of story.

This one isn’t as good as Bikini Model Mayhem. This one does do far less spoof and more sex. That’s unfortunate. However, this one does something I haven’t seen in any of these. It shows a blooper.

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Apparently, he did use the force. Too much force.

The Fabulous Forties #14: The Stork Club (dir by Hal Walker)


For the past two weeks, I have been reviewing all fifty of the films to be found in Mill Creek’s Fabulous Forties DVD box set!  It’s been four days since I reviewed the 13th film in the set, Scared Stiffwhich is probably the longest bloggng break that I’ve ever taken in my life.  However, I am proud to say that I am back and ready to review the 37 remaining films!

Yay! Lisa’s back!

Now, I know what you’re asking.  Why, if I am about to review a film from the 1940s, am I sneaking a random Degrassi GIF into this review?  Well, unfortunately, the movie that I’m about to review isn’t that interesting and there’s not a whole lot to be said about it.  I’ve found some enjoyable and interesting films in the box set — The Black Book, Trapped, the original Jungle Book — but I’ve also found a few that are pretty forgettable.  So, why not liven things up with a shout-out to my favorite show?

Anyway, the 14th film from The Fabulous Forties Box Set was 1945’s The Stork Club.


When I saw that this film was called The Stork Club, my first thought was that it would be a comedy about pregnancy.  But it turns out that I was totally wrong.  Apparently, The Stork Club was a very popular New York nightclub in the 1940s and this film was meant to take advantage of that popularity.  (That said, according to the imdb, The Stork Club was not filmed at the actual Stork Club but instead on a Hollywood soundstage.)

As for the film’s story — well, this isn’t going to make much sense but here’s what happens.  A millionaire named J.B. (charming, Irish-accented Barry Fitzgerald) falls into a pond and nearly drowns.  Fortunately, his life is saved by Judy (Betty Hutton).

J.B. wants to reward Judy but, for some reason, he doesn’t want her to know that he’s rich.  So, with the help of his lawyer (Robert Benchley), he anonymously arranges for Judy to get both a new apartment and an unlimited credit line at all of New York’s best stores!

But J.B. also wants to keep an eye on Judy and make sure that she’s happy.  But he still doesn’t want her to know that he’s a millionaire or that he’s her benefactor.  After he finds out that she’s a hatcheck girl at the Stork Club, he arranges to get hired on as a busboy.  However, he gets fired after just one night and, believing him to be poor and homeless, Judy invites him to stay at her new apartment.

J.B. agrees and, in the film’s best, non-musical moment, he watches as Judy recklessly spends his money on new clothes.  It turns out that Judy thinks that the apartment and the credit line are all gifts from the owner of the Stork Club and she’s offended because she thinks the owner is trying to steal her away from her boyfriend, Danny Wilson (Don DeFore).

Danny is a bandleader but he’s been serving in the U.S. Army.  When Danny finally returns home, Judy is excited about arranging for him to get an audition to play at the Stork Club.  However, Danny is more concerned about the fact that Judy has a mysterious benefactor and that she’s now living in a luxury apartment with a mysterious old man.

Could Judy be a kept woman!?  Both Judy and J.B. insist that she is not but Danny refuses to believe them because Danny is kind of a jerk.  Of course, Danny isn’t meant to be a jerk but, by today’s standards, he’s definitely a jerk.  Judy could do so much better!

Anyway, the plot’s not really that important.  It’s mostly just an excuse for Betty Hutton to sing a few songs and that’s when the movie is at its best.  Check out some of Betty’s performances below:

Anyway, The Stork Club was pleasant but not particularly memorable.  When it works, it’s largely due to the endless charm of Betty Hutton and Barry Fitzgerald.  It may not seem like much today but I’m sure that, for audiences dealing with the contemporary horrors of World War II, The Stork Club presented a nice diversion.