October True Crime: Ricky 6 (dir by Peter Filardi)


Filmed in 2000 but never given an official release (though it can now be found on YouTube), Ricky 6 takes place in the town of Harmony, New York in the mid-80s.  Harmony is an upper class community, a place where the houses are big, the yards are pristine, and every father expects his son to try out for the high school football team.  It’s a place that celebrates winners and exiles losers to the nearby woods.  It’s the sort of town that seems like it exists primarily to give teenagers something to rebel against.

Tommy Pottelance (Chad Christ) and Ricky Cowen (Vincent Kartheiser) are two of those rebels.  They both have long hair.  They both listen to music that is designed to terrify their conservative parents.  They both smoke a lot of weed and spend a lot of time obsessing on how alienated they feel from everyone else around them.  Tommy and Ricky are best friends, bonded by their mutual feelings of isolation.  They often talk about running off to California together and they’re not above committing a few minor crimes in order to do it.

Bullied by his father and laughed at by the local drug dealers, Ricky spends his time hiding out at the library and reading books on demons and magic.  He meets Pat Pagan (Kevin Gage), a self-styled Satanist who appears to live in the woods and who, despite being middle-aged, spends all of his time hanging out with teenagers.  Ricky starts to describe himself as being a Satanist, begging his friends to announce that they love Satan as a part of a ritual that he wants to perform.  Most of his friends humor him, not knowing that Ricky hears voice and has frequent hallucinations.  (The fact that his dealer keeps selling him dusted joints definitely doesn’t help as far as that’s concerned.)  Ricky starts out the film as somewhat passive and very much in Tommy’s shadow but, as his interest in Satanism grows, so does Ricky’s confidence and, soon, Ricky is the one giving orders.  Ricky goes from looking up to Tommy to being the one who issues the commands.  When Ricky becomes convinced that one of his friends stole some drugs from him, he decides to get a very violent and bloody revenge….

Ricky 6 is based on a true story, one that was examined in a documentary that Jeff reviewed earlier this year, The Acid King.  Because the film has never been given an official theatrical release and has mostly been distributed through bootleg tapes and DVDs, Ricky 6 has developed a reputation for being a bit more extreme than it actually is.  Yes, the murder scene is brutal and yes, the permanently stoned and occult-obsessed Ricky does have some memorably surreal hallucinations.  For the most part, though, Ricky 6 is more a study of Ricky and Tommy’s friendship than a straight horror and/or true crime film.  Ricky and Tommy are both angry at a world that doesn’t seem to understand them, with the main difference being that Tommy rejects the world while Ricky tries to bring some sense of order and meaning to his chaotic existence by worshipping Satan.  When Tommy angrily tells Ricky that there is no God and no Satan, Ricky rather innocently asks, “How could you want to live in a world without magic?”  Of course, for Ricky, part of the magic means dragging his friends into helping him commit a murder.

Ricky 6 is a well-acted film, especially by Vincent Kartheiser, Kevin Gage, and, in the role of Tommy’s girlfriend, Emmanuelle Chriqui.  Kartheiser plays Ricky as being someone who is so lost in his own head that he’s lost the ability to understand the enormity of his actions.  And yet, it’s hard not to have some sympathy for Ricky because one look at his homelife and his overbearing father reveals that he probably never had much of a chance.  There are a few scenes where Kartheiser flashes an appealingly vulnerable smile and, for a minute or two, it’s easy to forget that he is also a ruthless killer.

With a two-hour running time, Ricky 6 is a bit too long for its own good and the use of Tommy as the story’s narrator means that the film often tells us about things that it should be showing us.  It’s an imperfect film but, due to the strength of the cast and the way the film captures the atmosphere of suburban ennui, it’s not a bad one.

Lisa Cleans Out Her DVR: Guilty Pleasure No. 33: In the Mix (dir by Ron Underwood)


Back in January, I had to get a new cable box.  Sadly, when the boxes were switched, I lost everything that I had saved on the DVR.  Over a hundred movies and TV shows were wiped away!  However, I did not let this get me down.  Instead, I decided to take advantage of the fact that I now had a lot more free space by literally recording anything that looked the least bit interesting.

Well, the day of reckoning has finally arrived.  It is now March 21st and the DVR is nearly full.  So, for the next few weeks, I am going to clean out my DVR and review what I watch!  Now, I can’t say how long this is going to take.  In the past, I’ve always given myself unrealistic deadlines.  So, this time, I’m not giving myself a time limit.  Instead, I’m just going to start watching what I’ve got recorded and hope that I’m done by 2018.  We’ll see how it goes.

Anyway, I started things off by watching the 2005 mafia romance film, In the Mix.

I recorded In The Mix off of Starz on March 16th.  I did this despite the fact that I’ve actually seen In The Mix quite a few times.  In The Mix, which is technically a beyond terrible movie, is a bit of a guilty pleasure of mine.  It’s a bit like From Justin To Kelly or On The Line.  Even though all my instincts as a movie snob tell me not to do it, I can’t help but watch it.

In the Mix stars Usher as Darrell, the hottest DJ in New York.  Every woman wants him and every man wants to be him.  However, all Usher wants to do is hang out with the family of the local mob boss.  It turns out that Don Frank (Chazz Palminteri) was friends with Darrell’s father and Darrell is now friends with Frank’s son, Frankie Jr. (Anthony Fazio).  Frank hires Darrell to DJ his daughter’s birthday party.

(Frankie, Jr. is a white kid who wants to be black.  Personally, I think there’s probably an interesting story in the idea of the son of an old-fashioned Italian mafia don who idolizes — or appropriates, depending on how you look at it — black culture but Frankie, Jr.’s characterization pretty much starts and ends with him saying, “Yo.”)

At the party, Darrell quickly falls in love with Frank’s daughter, Dolly (Emmanuelle Chriqui) and Dolly likes him too.  Especially after he takes a bullet that was intended for her father.  While Darrell is recuperating at the mansion, Frank tells Dolly that she can’t go outside unless she has a bodyguard.  Dolly says that’s fine as long as the bodyguard is Darrell.

And you know what that means!  It’s time for a makeover montage as Darrell gets a whole new wardrobe!  Yay!

Anyway, the plot is about as predictable as the casting of Kevin Hart as Usher’s comedic sidekick and Robert Davi as a sinister gangster.  Dolly and Darrell fall in love but you already knew that was going to happen.  You also probably already guessed that Dolly already has a boring boyfriend named Chad (Geoff Stults) and that Darrell has a crazy ex-girlfriend named Cherise (K.D. Aubert).  And, of course, Frank is not initially happy with the idea of Dolly leaving her rich lawyer boyfriend so that she can be with Darrell.  However, Darrell eventually gets a chance to prove himself by rescuing Dolly from some rival gangsters and he’s welcomed into the crime family.  Of course, he gets shot a second time.  “If the ghetto’s so dangerous,” he says as he lies on the ground, “how come I keep getting shot by white people?”  Everyone has a good laugh as they wait for the ambulance.  That’s the type of movie that In The Mix is.

As I watched In The Mix, I realized that it was actually a lot worse than I remembered and yet, I still enjoyed it.  Why?  To be honest, it all comes down to Usher and Emmauelle Chriqui, both of whom look really, really good and who have enough chemistry that they can overcome an amazingly clunky script.  You reallydo believe that the two of them actually are into each other and you hope that things will work out for them because they’re such a ludicrously attractive couple.  In The Mix is an incredibly shallow and silly movie but the stars both look good when they kiss and, ultimately, that’s what a movie like this is all about.

That said, in the future, I probably won’t bother to set the DVR for it again.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D

Guilty Pleasure No. 29: On The Line (dir by Eric Bross)


OnTheLineposter

Last night, as I watched Dead 7, I could not help but think about the 2001 film, On The Line.  Don’t get me wrong, On The Line does not feature any zombies and there’s next to no violence.  However, much like Dead 7, it does feature quite a few boy banders.  In fact, with the exception of JC Chasez, every member of *NSYNC makes an appearance in On The Line.  Lance Bass stars in the movie.  Joey Fatone plays his best friend.  Finally, at the end of the film, in a scene that is so homophobic that it practically screams 2001, Justin Timberlake and Chris Kirkpatrick show up as a flamboyant makeup artist and an even more flamboyant hairstylist.

Lance plays Kevin, a shy and somewhat nerdy advertising exec who lives in Chicago.  Kevin falls in love easily but he’s always been too shy to have a serious relationship.  One day, Kevin is returning home from work on the train when he starts talking to Abbey (Emanuelle Chriqui).  It turns out that they both love the Chicago Cubs and Al Green!  (Oh my God!  Who would have guessed that two people living in Chicago would both love the local sports team!?)  It also turns out that both Kevin and Abbey can name all the Presidents in order!  Obviously, they are meant to be!  The universe arranged for them to both be on the train at the same time so that they can get married, have children, and discuss the presidency of Rutherford Hayes while watching the Cubs and listening to Al Green.

Unfortunately, despite being a single guy who has just totally hit it off with a single girl who is obviously attracted to him, Kevin forgets to get her phone number.  The movie explains this by saying that Kevin is shy but if he’s so shy that he can’t even give out his phone number then how did he ever find the courage to tell Abbey that he loves Al Green in the first place?

(Actually, Abbey isn’t really single but her fiancée is such a jerk that she might as well be.  Anyone who has ever seen a movie knows that Abbey is not meant to marry a guy who spends all of his time on the phone, yelling, “Sell!  Sell!”)

Of course, if Kevin had gotten her phone number, there wouldn’t have been a movie.  So, instead, he recruits his loser friends (including Joey Fatone) to help him track down Abbey.  He puts up flyers all over Chicago.  A story about him appears in the newspaper.  Soon, the entire city is obsessed with whether or not Kevin will find this girl that he talked to for ten minutes.  However, Abbey apparently never watches TV or reads the newspaper because somehow, she doesn’t know all of this is going on…

There’s an interesting subtext to On The Line.  Lance Bass himself produced the film.  Five years after On The Line flopped at the box office, Lance officially came out as gay (and, it must be said, that whenever Kevin talks to Abbey, he comes across less like a future lover and more like every girl’s ideal gay best friend).  Lance has said that he was still deeply closeted when he made On The Line and there are times when the film seems to be almost desperate to convince us of Kevin’s (and, by association, Lance’s) heterosexuality.  In this context, that end credits scene with Chris and Justin, limp-wristed and speaking in exaggerated falsetto, is even ickier.  “Gay?” the film says to be saying, “If there was a gay person in On The Line, would Justin Timberlake be playing a makeup artist?  Would Chris Kirkpatrick be willing to appear as a hairdresser named Angelo?”

On The Line is not a particularly good film and yet, oddly, it’s one that I always find myself watching whenever I come across it on cable.  Lance may be miscast and he’s obviously uncomfortable in the majority of his scenes but he’s also likable.  You never believe for a second that Kevin and Abbey will last as a couple but Lance seems like a nice guy and Emmanuelle Chriqui is so pretty that you’re happy that they at least got to go on a date or two before breaking up and never seeing each other again.  They’re both pretty and it’s fun to watch pretty people talk to each other, even if they do lack a certain romantic chemistry.  As well, though his character is pretty obnoxious, Joey Fatone is still always fun to watch.

On The Line is no Dead 7 but it’s still watchable in its own stupid way.  I would suggest, however, skipping the end credits

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan

ThunderCats: WonderCon Trailer


Lo, there do I see my youth.

Lo, there do I see my past.

And the joys and happiness of childhood.

Lo, there do I see the line of cartoons

Back to the beginning.

Lo, do they call to me.

They bid me to tune into Cartoon Network

this month of July…

Where the new ThunderCats will live once again.

That’s right. You heard me. Anyone who grew up in the 80’s know the power of the word: ThunderCats.

We know the of the Sword of Omens. The doomed planet of Thundera and, of course, the refuge that will be Third Earth. We know of Mumm-Ra the Everliving. We know of the Mutants, the Lunataks and Hammerhand and his Berserkers who harry our feline heroes.

We know of the Ro-Bear Berbils (and what kid didn’t want their very own Ro-Bear Berbil). We know of Hachiman, the Warrior Maidens, the Wollos, the Bolkens and the Tabbuts. We know of other Third Earth allies such as The League of Third Earth, Mumm-Rana, Mandora the Evil-Chaser, Sondora and Hook Mountains’ Snowman.

So, this coming July on Cartoon Network, Warner Brothers Animation in conjunction with Japanese animation house, Studio 4.C, will reboot and bring back one of the gloriest of glories of my youth. This new ThunderCats animated series looks to bring in the nostalgic older fans who remember the original series with differing levels of fondness. It also looks to introduce the kids of these parents to a piece of their parent’s childhood, but with new millenium sheen.

The trailer released during WonderCon 2011 says it all. This series looks to have epic battles between the ThunderCats and the Mutants. A mash-up of technology and magic. It also has Cheetarah, now with a new, more modern hairstyle instead of the 80’s big-hair style she had in the original series. I must wonder if the boys today will wonder with awe when they see Cheetarah in action for the first time the way their fathers did 20 or more years ago. We shall find out in three months.

Thunder!

Thunder!

ThunderCats! HO!