Film Review: Armor (dir by Justin Routt)


In rural Alabama, James Brody (Jason Patric) is a recovering alcoholic who makes his living as an armored truck driver.  He works with his son, Casey (Josh Wiggins).  Every day, James and Casey transport millions from bank to bank and usually, they’re able to do it without incident.  However, this day is different.  James and Casey find themselves trapped on a bridge with a team of thieves on every side of them.  James and Casey struggle to escape while working out their own personal issues.

Sylvester Stallone receives top billing in 2024’s Armor and, just by looking at the poster, you would probably be excused for assuming that Stallone was playing the hero of the film.  Instead, Stallone only has a few minutes of screentime and he plays one of the criminals, a tough guy named Rook.  Rook may be a professional thief but he has a conscience and he doesn’t believe in killing anyone who doesn’t need to be killed.  That sets him apart from the rest of the thieves.

One may wonder what a star like Stallone is doing in a low-budget, direct-to-video film like this.  The answer is that Armor was produced by Randall Emmett, a producer who specializes in getting big names to appear in small roles in B-movies.  Not much money may have gone into the budget of Armor but one can be sure but the majority of it was used to pay Stallone’s salary.  According to some comments left on Letterboxd by someone who claims to have worked on the film’s crew, Stallone shot his scenes in one day and was deliberately kept in the dark about the fact that the film was actually being directed by Emmett and not the credited Justin Routt.  Now, whether or not any of that is true, I can’t definitely say for sure.  However, it definitely has the ring of truth.  Randall Emmett himself is best known for producing many of Bruce Willis’s final films.  With Willis having retired and John Travolta perhaps busy, Sylvester Stallone ended up as Emmett’s star-in-name-only for Armor.

Give credit where credit is due.  Stallone dominates the few scenes in which he appears.  For all the criticism that Stallone has taken over the course of his career, this film reminds us that there’s no other actor who has quite the same screen presence as Sylvester Stallone.  As for the rest of the cast, Jason Patric is convincing as the haunted James.  Unfortunately, the film can never make up its mind whether or not it wants to be an action flick or a relationship drama.  Patric does his best but he’s let down by a script that never seem to be quite sure what it wants to say.

I appreciated that this film took place in the South.  The film opens with a news report about an armored truck crash in Dallas and, as soon as they mentioned the Thornton Freeway, I was like, “I was stuck there just a few days ago!”  The majority of the film takes place on a bridge in Alabama.  The scenery is lovely, even when the action is hackneyed.

6 Actors Who I Hope Will Win An Oscar In The Next Ten Years


Ethan Hawke

I should begin by saying that there’s a good chance that Ethan Hawke will win an Oscar later tonight.  He’s been nominated for Blue Moon.  When this Oscar season began, he was definitely the front runner.  As of late, the momentum seems to have shifted toward Michael B. Jordan or perhaps Timothee Chalamet but still, one should not totally discount Hawke’s chances.  If Hawke does lose tonight, I have no doubt that he will be nominated in the future and eventually, he will win.  It’ll be long overdue.  As you can probably guess by the picture at the start of this post, I’m one of those people who thinks that he definitely should have won for Boyhood.

Colin Farrell

Colin Farrell finally received his first Oscar nomination for The Banshees of Inisherin but he lost the award to Brendan Fraser.  Farrell is not an actor who has always gotten the respect that he deserves.  Especially early in his career, he was often miscast.  Much like Matthew McConaughey, he was often dismissed as just being a pretty boy until he met a director — in this case, Martin McDonagh — who truly understood how to best utilize Farrell’s screen presence.  As In Bruges, Banshees and The Penguin showed, Farrell is essentially a character actor in a leading man’s body.  My hope is that Farrell will win his first Oscar between now and 2036 and that he’ll give a memorable acceptance speech.

Brendan Gleeson

Speaking of The Banshees of Inisherin, how does Brandan Gleeson only have one Oscar nomination to his name?  Now, to be clear, I don’t begrudge the fact that Gleeson lost to Ke Huy Quan.  Quan had a wonderful personal story, gave the best performance in the overrated mess that was Everything Everywhere All At Once, and his acceptance speech was truly touching.  That said, my sincere hope is that the Academy understands that Gleeson is long overdue an Oscar.  Hopefully, that will be corrected soon.

Kurt Russell

Kurt Russell is one of those actors who I just can’t believe has never been nominated.  In a few days, Kurt Russell will be turning 75.  He’s been a popular actor for most of his life but he’s not getting any younger.  So, get with it, Academy!  I don’t care what his next film is.  I don’t care how big the role is.  Give Kurt Russell his Oscar!

Tom Cruise

Tom Cruise has had an interesting career.  He went from being a teen idol to a character actor to a somewhat disreputable celebrity to finally reemerging with the Mission Impossible films as one of our last true movie stars.  One need only watch Top Gun: Maverick to see the type of charisma that we’re going to miss once it’s gone.  Later this year, Cruise will be starring in Digger.

Sylvester Stallone

Seriously, how many times does this man have to play Rocky and Rambo before the Academy finally gives him the award that everyone secretly wants him to win?  Give Stallone his Oscar!

Scenes That I Love: Rambo Rages In Rambo: First Blood Part II


Today’s scene that I love comes from the 1985 film, Rambo: First Blood Part II.  In this scene, Sylvester Stallone’s John Rambo — having survived being abandoned yet again in Vietnam — let’s the CIA knew exactly what he thinks about their operation.  As directed by George Pan Cosmatos and performed by Stallone, this scene is pure 80s action.

If you ever meet James Cameron, remind him that he wrote the script for this film and see how he reacts.

Here’s a scene that I love:

Scenes That I Love: Lincoln Hawk Turns His Hat In Over The Top


In the wake of Zohran Mamdani’s victory in New York City and Graham Platner’s possible victory in Maine, I’ve become a lot more interested in watching anti-communist films.  And really, it doesn’t get more anti-communist than a movie about an independent, non-union trucker who has no interest in being an authoritarian and who only want to be left alone so that he can raise his son and make a little money arm-wrestling.

In this scene from 1987’s Over The Top, Lincoln Hawk (played by Sylvester Stallone) explains the importance of turning his hat.  That’s all it takes.

 

Guilty Pleasure No. 84: Last Action Hero (dir by John McTiernan)


Oh, Last Action Hero.

Ever since this film was first released in 1993, it’s usually held up as an example of a Hollywood fiasco.  The script was originally written to be a modest satire of action films.  The screenwriters wrote the character of Jack Slater, an movie action hero who comes into the real world, for Dolph Lundgren.  Instead, the film became an Arnold Schwarzenegger extravaganza and the studio ended up tossing a ton of money at it.  When the film was originally released, the reviews were mixed and the box office was considered to be disappointing.  (That it went up against the first Jurassic Park was definitely an underrated issue when it came to the box office.)  Ever since then, The Last Action Hero has had a reputation for being a bad film.

Well, I don’t care.  I like The Last Action Hero.  Yes, it’s a bit overproduced for a comedy.  (It breaks my own rule about how no comedy should run longer than two hours.)  Yes, it gets a bit sentimental with ten year-old Danny Madigan (Austin O’Brien) using a magic, golden ticket to enter the film world of his hero, Jack Slater.  If you want to argue that the film should have devoted more time to and gone a bit deeper into contrasting the film world with the real world, I won’t disagree with you.  But I will also say that Sylvester Stallone starring as The Terminator in Jack’s world was actually a pretty funny sight gag.  Danny knowing better than to trust a character played by F. Murray Abraham made me laugh.  Danny’s fantasy in which Arnold Schwarzenegger played Hamlet was made all the better by the fact that his teacher was played by Laurence Olivier’s wife, Joan Plowright.   Danny DeVito as Whiskers the Cartoon Cat makes me laugh as well, even if it is perhaps a bit too bizarre of a joke for this particular film.  (There’s nothing else about the Jack Slater films that would explain the presence of a cartoon cat.)

When you set aside the idea of the Last Action Hero being a symbol of Hollywood bloat and just watch it as a film, it emerges as an enjoyably goofy action movie, one that captures the joy of watching movies (because who hasn’t wanted to enter a movie’s world at some point in their life), and also one that features a rather charming performance from Arnold Schwarzenegger.  (Schwarzenegger, I should add, plays both himself and Jack Slater.  One of my favorite jokes is when the real Schwarzenegger is at a premiere and he mistakes the evil Ripper for Tom Noonan, the actor who played him in the previous Jack Slater film.)  Yeah, the golden ticket is a little bit hokey but who cares?  Underneath all of the special effects and action and money spent on star salaries, Last Action Hero is an action movie and comedy with a heart.  Danny meets his hero but also gets to become a hero himself.  And Jack Slater turns out to be everything you would hope your movie hero would be.  In the end, it’s obvious that a lot of the criticism of this film has more to do with the appeal of riding the bandwagon as opposed to what actually happens on screen.

Last Action Hero is a movie that I’ll happily defend.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor

Avenging Angelo (2002, directed by Martyn Burke)


When mob boss Angelo (Anthony Quinn) is assassinated on the orders of the son of a former rival, bodyguard Frankie Delano (Sylvester Stallone) takes it upon himself to protect Angelo’s daughter, Jennifer (Madeleine Stowe).  The problem is that Jennifer, who was adopted by a normal couple, doesn’t know that she is the daughter of a mobster.  Her life and her marriage are already falling apart even before Frankie reveals the truth to her.  All she wants to do is disappear into the pages of a romance novel written by her favorite writer, Marcello (Raoul Bova) but Marello is not quite what he seems.

Sylvester Stallone has had a long career, full of high points (Rocky, First Blood, The Expendables, Creed) and low points (too many to list).  Avenging Angelo, made at a time when it was assumed that the aging Stallone would never again play Rocky Balboa or John Rambo, is a moderate low point.  It’s no Rocky but it’s still better than Stop!  Or My Mom Will Shoot!  Overall, it’s not very good and a lot of the humor falls flat but Stallone and Madeleine Stowe are both likable and they have a few moments that display what seems like genuine chemistry.  It’s still a slow movie that awkwardly mixes comedy and action but it was not the disaster that I was expecting it to be when I first found it on Tubi.  It’s more forgettable than bad.  If there is anything to really regret when it comes to Avenging Angelo, it’s that Anthony Quinn did not get a more memorable swan song.

Avenging Angelo was Stallone’s second movie to go straight to video.  It’s easy to forget not but the conventional wisdom in 2002 really was that Stallone was washed up.  There were jokes about whether or not he would follow Schwarzenegger’s lead and go into politics.  Stallone, however, proved all the naysayers wrong, proving that he could still throw punches as Rocky Balboa and John Rambo while The Expendables revealed a Stallone who could finally laugh at himself.  Avenging Angelo turned out to be not the end of Stallone’s career but instead just a detour.  Say what you will about the man and his movies, Sylvester Stallone is an American institution.

Brad’s “Scene of the Day” – Chuck Norris saves the Expendables!


When I reviewed THE EXPENDABLES 2, I shared that one of my favorite parts of the movie was the inclusion of “Lone Wolf” Booker (Chuck Norris) in the cast of action legends. This scene is the perfect example of why I enjoy the movie so much. It’s cheesy, corny and incredibly fun!

Happy Birthday, Sylvester Stallone! Thanks for a lifetime of fun movies and memories!

Demolition Man (1993, directed by Marco Brambilla)


File written by Adobe Photoshop¨ 4.0

In the near future, law-breakers and other destructive types are not put in prison but are instead cryogenically frozen and left in suspended animation until they’ve served out their sentences.  The most fearsome criminal in the world, Simon Phoenix (Wesley Snipes) has been frozen but so has his nemesis, Detective John Spartan (Sylvester Stallone).

In the far future, Los Angeles is a part of a megalopolis named San Angeles.  Envisioned and watched over by a seemingly benign dictator named Cocteau (Nigel Hawthorne), San Angeles is a wannabe utopia where cursing leads to an automatic fine and all of the restaurants are Taco Bell.  When he’s thawed out for a parole hearing, the suddenly super-powered Phoenix makes his escape.  The police, no longer knowing how to deal with violence, make the reluctant decision to thaw out John Spartan.  Assigned to work with the enthusiastic Lenina Huxley (Sandra Bullock), Spartan must navigate this strange future to defeat Phoenix.

For some reason, Demolition Man never seems to get the respect that it deserves.  Made at a time when both the Rambo and the Rocky franchises appeared to be over, Demolition Man features one of Stallone’s most appealing performances as he deals with a society where just saying a bad word can cause a scandal.  Just as Spartan proves that his brand of destructive police work still has its place in the future, Stallone proved that he could still carry an action movie in 1993.  There’s a lot of knowing humor to Stallone’s performance.  After a series of failed comedies in the 80s, Demolition Man was the movie that proved that Stallone could be intentionally funny.  Stallone is also surrounded by one of his strongest supporting casts.  Wesley Snipes attacks his villainous role with gusto while Denis Leary breaks out his stand-up routine as Edgar Friendly, the leader of San Angeles’s rebels.  This is also the film that led to Sandra Bullock getting cast in Speed and she’s so incredibly adorable here that even Stallone breaks out into a smile while acting opposite her

(In 1993, you couldn’t turn on television without seeing Sandra Bullock saying, “All restaurants are Taco Bell.”)

Demolition Man is an action film and it lives up to its name, with all the demolition that a viewer could want.  Even more so, It’s also a satire, of both Stallone’s previous films and what was then known as “political correctness.”  Demolition Man’s portrayal of a sterile society where everyone had been programmed to be docile and inoffensive wasn’t that far off from what a lot of politicians were then promoting for America at large.  Luckily, John Spartan was around to put an end to that.  The end result is one of Sylvester Stallone’s most memorable films.