Shannon Wilcox | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

After last week’s trip to “the future,” this episode returns to 1988.

Episode 4.10 “Out of the Past”

(Dir by Stan Lathan, originally aired on December 7th, 1988)

As a show, 1st & Ten has a weird habit of introducing new characters and pretending as if they’ve always been around even if they’ve never been seen or even mentioned before. In this episode, we meet Coleman King (Richard Lawson), the team’s veteran running back who fears that he’s on the verge of being dropped from the Bulls. Coleman is also an old friend of TD Parker’s (O.J. Simpson).

TD is conflicted. He knows that Coleman is past his prime. The Bulls are on the verge of signing a new running back and, when they do, TD knows that he’s probably going to have to cut Colman from the team. As a former player, TD knows how painful it is when your professional career is murdered and no one is held responsible for it. Complicating matters is the clear attraction between TD and Coleman’s wife, Della (Vanessa Bell Callaway).

While TD tries to figure out how to protect both the team and Coleman, Ernie Denardo runs into his ex-girlfriend, Brenda (Shannon Wilcox), at a bar. Brenda has some scary people after her because of her unpaid gambling debts. She tells Denardo that she has money on the next Bulls game. If the Bulls win by more than ten, her debt will be paid off and then she and Denardo can be together.

The next day, the Bulls are on the verge of winning by 9. With only a few seconds left in the game, Denardo has the team kick a field goal so that they can win by 12. Denardo returns to Brenda’s apartment and discovers that she’s gone. It was all a scam, hatched by Brenda and her real boyfriend.

In tears, Denardo tells TD that he has to quit as coach of the Bulls.

TD argues that Denardo didn’t do anything wrong because he didn’t have money on the game. TD points out that the field goal unit needed the practice and that the Bulls need as many points as possible to clinch home field advantage in the playoffs. The episode ends with TD embracing the sobbing Denardo. Awwww! Is there nothing an OJ Simpson pep talk can’t fix?

After last week’s bizarre episode, this was a traditional 1st & Ten episode. This episode served as a reminder of just how bland OJ Simpson was as an actor. That said, Reid Shelton did a good job as the grief-stricken Denardo and the gambling subplot at least did have a few interesting twists. By the standards of 1st & Ten, that makes this episode a success.

Charlie Smith (Jack Nicholson) gets a job with the Texas border patrol and goes from scrounging in a California trailer park to living the high life in a duplex in El Paso. His wife (Valerie Perrine) is looking forward to spending all the money that he’ll be making as a border agent. But then Charlie discovers that his bigoted superior (Warren Oates!) and his partner (Harvey Keitel) are running a human smuggling ring. When the baby of a young Mexican woman (Elpidia Carrillo) is kidnapped and sold to an illegal adoption ring, Charlie is finally forced to take a stand.

The Border seems to be one of Jack Nicholson’s forgotten films and it really can’t compete with some of the other movies that Nicholson was making around the same time. Compared to films like The Shining, Terms of Endearment, and The Postman Always Rings Twice, The Border really does feel and look like a poorly paced made-for-TV movie. British director Tony Richardson doesn’t really seem to know what type of movie he wanted The Border to be or what he wanted to say about immigration. This is the type neo-Western that Sam Peckinpah could have worked wonders with but Tony Richardson just doesn’t seem to have any feel for the material.

Still, Jack Nicholson is pretty good here, playing the type of weary character that he specialized in during the pre-Batman portion of his career. I especially liked the scenes that he shared with Valerie Perrine, who gave a good performance as someone who viewed buying a waterbed as being the height of luxury. Harvey Keitel’s performance sometimes felt too familiar. He’s played a lot of similar villains but he and Nicholson act well together.

And finally, Warren Oates in this movie, bringing his rough-hewn authenticity to his role. This was the last of Oates’s films to be released before his premature death. Blue Thunder and Tough Enough were both released posthumously. Warren Oates is an actor who was only 52 when he died. Whenever I see him onscreen, I think of all the great performances he would have given if he had only made it through the 90s.