Fast & Furious 7 – The Super Bowl Ad.


Universal is up again during the Super Bowl with this trailer for Fast & Furious 7, which has Vin Diesel’s Dominick Toretto and his family facing off against Jason Statham, who plays the brother of Luke Evans’ character in the last film. As usual, it looks like there will be some crazy car stunts, and there seems to be more in-air acrobatics (which is weird, for cars). We still don’t know how the story will deal with the passing of Paul Walker, but they appear to have their action scenes all set.

Fast & Furious 7 (or Fast 7) opens in cinemas on April 3rd.

 

Trailer: Furious 7 (Teaser)


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To much fanfare we finally have the teaser trailer to the latest adventures of Dominic Toretto and his band of misfit drivers.

Now officially titled as Furious 7, the latest film in the franchise goes further away from it’s street racing roots and into the spy thriller and superhero genres it drifted into with Fast Five. Even the title alone sounds like a superhero team straight out of Marvel Comics. It’s almost as if I expect to see Iron Fist, Luke Cage, Daredevil and Elektra plus three other furious heroes fighting the good fight.

The teaser pretty much teases the sort of over-the-top, physics-defying action scenes we’ve come to expect from this franchise. It’s almost as if with each new film they up the ante as to how much universal laws Dom and his crew will break in order to entertain it’s massive fan audience.

Furious 7 is set to ride and die this April 3, 2015.

Back to School #58: She’s All That (dir by Robert Iscove)


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She’s All That, a 1999 high school-set adaptation of My Fair Lady, has a lot to answer for.

When I, as an impressionable 13 year-old first saw this film, I left the theater believing that high school would be full of random, fully choreographed dance-offs.  That, after all, is what happened towards the end of She’s All That.  After watching as handsome jock Zack (Freddie Prinze, Jr.) spent almost the entire movie changing Laney (Rachael Leigh Cook) from an artist into a Prom Queen, the great prom dance-off made for the perfect climax.

I mean, just check it out:

Imagine how disappointed I was, once I finally did reach high school, to discover that it was actually nothing like She’s All That.  There were no big dance numbers for no particular reason.  I went to five different proms and none of them were ever as much fun as the prom at the end of She’s All That.

So thank you, She’s All That, for getting my hopes up.

As for the rest of the film, it’s a guilty pleasure in much the same way as Never Been Kissed.  I was recently doing some research over at the imdb and I was surprised to discover just how many films Freddie Prinze,Jr. made between 1999 and 2002.  For the most part, they’ve all got rather generic names.  What’s funny is that I probably saw most of them because, back then, I would get excited over almost any PG-rated movie that featured a cute guy and had a hint of romance about it.  But, with the exception of She’s All That, I can’t really remember a single one of them.  But you know what?  Freddie Prinze, Jr. may not be a great actor and his films may have basically all been the same but he had a certain something that, when you were 13 or 14, made him the perfect crush.  There was a hot blandness to Freddie Prinze, Jr. that prevented him from being compelling but did make him the perfect star for a film like She’s All That.

Along with featuring that prom dance-off and being the epitome of a Fredde Prinze, Jr. movie, She’s All That is also remembered for featuring Rachael Leigh Cook as one of the most unlikely ugly ducklings in the history of the movies.  Rachael plays Laney and the entire film’s starting off point is that Zack has made a bet with Dean (Paul Walker, as handsome here as he was in Varsity Blues) that he can turn Laney into a prom queen.  However, it should be a pretty easy bet to win because all Laney has to do is let her hair down, start wearing makeup, and stop wearing her glasses.

Myself, I’m severely myopic.  Usually, I wear contact lenses but occasionally, I may be running late or may not feel like putting my contacts in or maybe I just want to try a different look.  So, occasionally, I’ll wear my glasses and I have to say that, other than a few guys who always make “hot librarian” jokes, everyone pretty much treats me the same regardless of whether I’m wearing my glasses or not.  I do have to admit though that, when I take off my glasses and dramatically let my hair down, I always say that I’m having a She’s All That moment.

Anyway, She’s All That is okay.  I like it but I don’t love it and, to be honest, the film’s main appeal is a nostalgic one.  Freddie Prinze, Jr. and Paul Walker both look good, Rachael Leigh Cook and Jodi Lynn O’Keefe will keep the boys happy, and Matthew Lillard has a few good scenes where he plays an obnoxious reality tv celeb.

And there’s always that dance number!

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Back to School #55: Varsity Blues (dir by Brian Robbins)


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“I don’t want your finger.”

Bleh!

The 1999 high school football film Varsity Blues has been showing up on cable fairly regularly lately and, seeing as how I’m currently in the process of reviewing 80 of the best, worst,  most memorable, and most forgettable high school films of all time, I decided that I might as well watch the whole thing.

Don’t get me wrong. I had seen bits and pieces of it over the years.  I knew that it was set in Texas.  I knew Jon Voight played a fanatical football coach.  I knew that James Van Der Beek played an idealistic quarterback who clashed with the coach.  I knew that there was a fat guy named Billy Bob, mostly because every time an out-of-state director makes a film about Texas, there’s a fat guy named Billy Bob.  I knew about as much as one could learn from that episode of The Office where Michael Scott shows the film during “Movie Monday.”

"I don't want your truck."

“I don’t want your truck.”

But I had never seen the whole film so I decided, why not?  After all, I had already decided to review several other Texas-set high school films — The Last Picture Show, Dazed and Confused, Dancer, Texas, and Rushmore.  And hey those films were all good so maybe Varsity Blues would be good too!

Bleh.

One of the big clichés about Texas is that the entire state is obsessed with football.  (The other big cliché, of course, is saying that “everything is bigger in Texas.”  As if being a tiny state like Vermont is somehow preferable…)  I’ve always found the whole “Texas worships football” thing to be amusing because I’m a Texas girl and I don’t know a thing about football.  People tend to talk about Texas and football as if there aren’t any fanatical football fans in New York or California.  Ultimately, of course, it has little do with football and everything to do with the fact that the rest of the country loves to hate my home state.  If Vermont was known for being obsessed with football, there’d probably be thousands of articles about the “proud history of Vermont football.”  But since it’s Texas, we end up with movies like Varsity Blues.

"I don't want your painfully obvious at social commentary."

“I don’t want your painfully obvious attempt at social commentary.”

Anyway, Varsity Blues tells the story of Mox (James Van Der Beek), who is a backup quarterback for the championship-winning West Caanan High School football team.  However, Mox isn’t just your average jock.  For one thing, he’s seen reading Kurt Vonnegut’s Slaughterhouse Five.  (It’s indicative of this film’s approach to characterization that we never learn whether Mox actually understands or even likes Slaughterhouse Five.  We’re just supposed to be impressed by the fact that he owns a copy of the book.)  Mox wants to leave Texas to go to an Ivy League school.  He doesn’t want to play under the legendarily abusive Coach Kilmer (Jon Voight).  (How evil is Kilmer?  So evil that he poses for pictures like the one above.)   And Mox resents the pressure put on him by his football-crazed father.  (“You throw that fucking pigskin!” his dad shouts at one point.)  As Mox puts it, “I don’t want your life!” and the line is just hilarious because Van Der Beek’s attempt to sound like a Texan is hilarious.

(Tip for actors: If you can’t do the accent, don’t try.  Because I guarantee, if I ever meet James Van Der Beek, I’m going to tell him that his accent sucked and then I’m going to laugh and laugh.  It probably won’t do much for his self-image.  Sorry, James.)

"I don't want James Van Der Beek's career."

“Get me on Hawaii 5-0 because I don’t want James Van Der Beek’s career.”

Anyway, when star quarterback Lance (Paul Walker) is injured, Mox is suddenly the team’s starting quarterback.  And you know what?  Mox is going to play the game his way!  Soon, he is standing up the cartoonishly evil Coach Kilmer and challenging small town Texas’s obsession with high school football.

And here’s the thing: this is a film that wants to have it both ways.  It wants to challenge the philosophy of winning at all costs and it also pretends to be about the unfair pressure that high school athletes are put under.  But you better believe that the film ends with Mox leading his team to victory.  And it’s not so much that Mox wins as much as it’s the fact that you know the film would never have the courage to actually have Mox lose.  The film wants to be celebration of rebellion but, ultimately, it’s just a standard sports film.

And, even beyond that, it’s just not a very good film.  I was shocked, when I checked with the imdb, to discover that Varsity Blues was actually filmed in Texas because the film feels like it was made in California.  It has no authentic Texas flavor to it.  What it does have is some of the worst fake accents that I’ve ever heard in my life.

Mox may not want his father’s life but I don’t want this stupid film.

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“Well, we don’t want your review!”

Quick Review: Fast & Furious 6 (dir. by Justin Lin)


url-6Thinking back on the original Fast & Furious film, I still find it hard to believe it’s done so well over the years. The longevity of the films owe a lot to the Saw series, which seems fitting considering that the original director of that film will take over the reigns for the next installment. Both series have managed to take events from all of their films and weave this strange tapestry with it. Once you think one story is over, the writers somehow jump back to an earlier scene and pull out a new thread for everyone to follow. Gimmicky? Perhaps, but it works, at least for this tale.

To sum up Furious 6 in a nutshell, Dominic Toretto’s team has to help Hobbs (the lawman who was after them in Furious 5) stop a former SAS agent who is using cars to facilitate his acts of terror. Why get involved, one asks? Hobbs sweetens the deal by showing Dom that his formerly believed dead girlfriend Letty (Michelle Rodriguez) is…wait for it….not dead, and is working with these bad guys.

It’s like General Hospital with Cars. I’m such a sucker for this franchise.

If you’re new to the Furious films, the opening credits sum up the last 5 movies in a Spider-Man 2 like montage. You have your main heroes, Dominic Toretto (Vin Diesel) and Brian O’Connor (Paul Walker), who are kind of like criminals only they take down bad guys to better others (or themselves). Along with them is Dom’s sister Mia (Jordana Brewster), who is the mother of Brian’s baby boy, Jack (not to be confused with Jack Jack from The Incredibles). Then there’s the crew, made up of most of the characters from all of the Furious films leading up to 6:

From 2 Fast 2 Furious, Chris “Ludacris” Bridges and Tyrese Gibson return as two friends of Brian’s. Tej (Bridges) is the team hacker (wouldn’t be complete without one) and Roman (Tyrese) is the comic relief.

From Tokyo Drift (the 3rd and my personal favorite) comes Sung Kang, who plays Han. While he met his end in that film, every movie after the 3rd takes place somewhere before this film, believe it or not. This makes the ending of Tokyo Drift a little baffling when you see Toretto at the end of it. No matter what the writers decide to do with future installments, they’ll eventually have to circle back to how Dom got there.

From Fast & Furious. (No. 4) – We have Gal Gadot as Gisele, a former IDF member who was an accomplice to a drug cartel leader. Ironically, Gadot actually did some work with the Israeli forces, which I found interesting. She is the only member of that film to come back to the series as Don Omar and Tego Calderon sat this one out.

And finally from Fast Five, you have Hobbs (The Rock) and his former partner from Brazil, Elena (Elsa Pataky).

So, you have the setup. One of the things to understand about this (and some of the earlier ones) is that you’re working in a “Popcorn Reality”. The action’s all well and good, but in the course of all the driving, you’ll almost expect to see at least one or two action scenes or stunts that just don’t make any kind of practical sense. These GTFO moments are in great supply in Furious 6 – A runway chase that lasts a good 15 minutes, yet seems impossibly long for any plane to actually use for a take off. A “flip” car with the ability to send other cars launching into the air. In any other movie, most people would scoff and walk out. For this, it’s almost the norm and if you don’t care, it’s actually fun. Lin has been able to take the chase scenes about as far as they can possibly go, and I can’t really imagine what else they could try to push things, really.

Of particular note is Luke Evans, who plays the villain, Shaw. I didn’t really care for him in Tarsem’s Immortals, but  was good here, trying to be as much a Bond baddie as he can. Another addition is Gina Carano, who takes the place as Hobbs partner this time around. She’s a bit more light hearted here than she was in Haywire, and gets to showcase her fight skills. However, in a movie that’s already packed with stars performing particular roles, she doesn’t really have much to truly do other than to be Michelle Rodriguez’s sparring partner. Not a terrible thing, just something I noticed.

Is it worth it? Well, considering that most of the movies that came out since Fast & Furious 6 was released haven’t fared too well (Yes, I’m looking right at you, After Earth), it’s a safe bet if you also understand that this all revolves around cars driving very smooth and fast with near unlimited shift points. If you don’t like cars or racing, this might not be your cup of tea. There’s a lot of shooting at some points, which might  round things out for action fans. It’s a quick way to burn 2 hours. If you also managed to see at least the last film in the cinema, then this is a given – though you’ll probably be able to put 2 and 2 together before the story’s half done.

Also, do stick around once the credits start, as there’s a scene that will come up to help lay the groundwork for the next installment.

Trailer: Fast and Furious 6 (Extended First Look)


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During this year’s Super Bowl XLVII one of the films whose trailers were premiered was the latest and upcoming entry to the Fast and the Furious series. Since that day a new and much more extended look and version of that trailer has been released by Universal Pictures for everyone to look over.

When I say extended first look I mean extended. This trailer is over 3 minutes long and pretty much acts like a major sizzle reel that’s usually reserved for special screenings at conventions or trade shows. I was mistaken from the earlier post when I said the film has an M-1 tank in it to ramp up the epicness. It looks more like the newest French main battle tank, the Leclerc. I shall keep my opinion about the French Leclerc to myself….

Now, enjoy the extended first look of Fast and Furious 6.

Trailer: Fast and Furious 6 (Super Bowl Exclusive)


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Fast Five was a big surprise when in came out in 2011. The franchise finally broke away from the street racing template of the previous entries in the series. The huge success of Fast Five meant it had given the franchise a new template by which to keep it going for the foreseeable future.

Fast and Furious 6 continues the action film rebirth of the Fast and Furious franchise by dumping all the street racing aspect of the series and just going all out action. We have Justin Lin back as director with the cast of Fast Five returning en masse. Joining this group is Luke Evans, Gina Carano and Michelle Rodriguez (thought dead after the fourth film). From the Super Bowl tv spot that just got released it looks like Fast and Furious 6 will be even bigger than the previous film.

M1 main battle tank and C-5 Galaxy transport plane means way bigger than a bank vault.

Fast and Furious 6 is set for a May 24, 2013 release date.

Quickie Review: Fast Five (dir. by Justin Lin)


It would seem that the summer blockbuster film season starts earlier and earlier with each passing year. It used to be that the film which premiered during the Memorial Day weekend was the one which began the season, but now films which come out first weekend of May get to have that honor. Then 2011 decides to change things up and herald the summer blockbuster season not in May but the last weekend of April. The film which gets to do the honor this year looks to be Justin Lin’s fun and very action-packed fourth sequel to the undying street-racing franchise which began with 2001’s The Fast and The Furious. This fifth entry in the franchise was simply titled, Fast Five.

The series had always been about the world of illegal street-racing whether it was set in Los Angeles, Miami or Tokyo. There was always that aspect of the story which tied all four previous films together. It would have skilled, beautiful women who followed the scene and, of course, the fast cars themselves. Things began to change a bit with the fourth film, Fast and Furious, as the street racing became not the main focal point of the story but just an aspect of it. The franchise began to take on an action-thriller role. While it was good to see changes to the franchise that began to get stale that fourth film didn’t pull off the necessary changes as well as it should’ve. It would seem that Justin Lin was just testing the waters and finally got what he wanted with Fast Five.

This latest film in the franchise barely has any street-racing in the film. There’s a short sequence 2/3’s of the way in and Lin also inserts a couple of obligatory slo-mo scenes of street-racers gathering to show-off their rides and women, but Fast Five is more of a caper film than a street-racing one. It actually owes a lot more to the Ocean’s 11 films than anything else. We have returning character in Vin Diesel’s Dominic Torreto and his sister Mia (played by the radiant Jordana Brewster). Paul Walker as his erstwhile ally Brian O’Conner returns as well. It’s these three who anchor the heist team which would include returning characters from the previous four films. There’s the hothead Vince (Matt Schulze) from the first film. Roman Pearce (Tyrese Gibson) and Tej Parker (Chris “Ludacris” Bridges) come in from the second film. Sung Kang’s character Han from the third film appears so does Gisele, Tego and Rico from the fourth film. These returning character make-up what I would only call as Torreto’s Ten.

Fast Five begins just as the previous film ended as O’Conner and Mia break Dom out of the prison bus taking him to prison. From there the film moves to Rio de Janeiro, Brazil where these three fugitives take on a job to earn themselves some money only to realize that they’ve inadvertently gone to work for Reyes, Rio’s most powerful crimelord (Joaquim de Almeida), who now has his sights on Dom’s crew. Not to make Dom’s life any easier is a Federal Task Force sent in to take him back to the U.S. in the form of Hobbs (played by Dwayne Johnson) and his elite team of agents. Dom and his crew will now have to escape not just Reyes and his thugs but Hobbs and his men. It’s the plan to do just both that make up most of the film’s story.

Justin Lin does a great job in not just explaining the details of the heist beforehand, but he does so without getting the film into too much of an expository exercise. He shows just as much as tell the job Torreto’s Ten must pull off if they’re to ever win their freedom. It’s the set-up to the heist and the execution of it which tie-in all the many, well-staged action sequences the film has. While street-racing has been relegated to just obligatory short scenes this film doesn’t lack for exciting carmeggedon and mayhem. From the prison bus escape to begin the film to the daring train robbery which follows it right down to the bank vault heist which takes up the last 10-15 minutes of the film. That sequence alone makes this film worth seeing as we see a 10-ton bank vault being hauled at high-speed through the streets of downtown Rio. Buildings get totaled and cars get tossed and smashed like tinker toys. Yet, as the PG-13 rating would point out we don’t know or see if anyone actually dies.

It’s that rating which keeps this film from ever joining the exploitation and grindhouse pedigree of such car mayhem films as Vanishing Point, Two-Lane Blacktop and Dirty Mary, Crazy Larry. But despite the limitations a PG-13 rating puts on Justin Lin’s Fast Five the film ends up becoming a very fun and exhilirating action-heist film that gives some new life to a franchise that was down to fumes. It helped that we get some good performances from most of the leads (Paul Walker still can’t do anything outside of performing as a surfer from California). It was also the addition of Dwayne Johnson as Federal Super-Agent Luke Hobbs which gives the film some of it’s fun. Johnson was able to match Diesel’s Dominic Torreto for the title of most badass in the film. In fact, the fight between the two was one of the highlights of the film (even though I still think Johnson probably would kick Diesel’s ass 100 out of 100 times).

Fast Five doesn’t disappoint and more than earns the honor of starting up 2011’s summer blockbuster season. Justin Lin has delivered a film in this franchise which stands out from the rest and more than likely reboots the series from a street-racing one and into just a plain old action series. His work in this film and how he handled the action also adds some credence and justification in him being given the next film in the Terminator franchise. He may just be the one to bring back some life into that dying franchise. So, strap on the seat belt and grab onto to something because Fast Five may just be one of the few films this summer that delivered on everything it promises in terms of action and fun.

Fast Five (Super Bowl TV Spot)


I know that the Fast and Furious franchise has been milked for as long as decent, but this latest tv spot for the fifth film in the series has made me rethink about not seeing it when it first comes out.

It looks to be concentrating more now on the action and less on how cool the cars are though from the looks of it they’re still driving around i some cool ass cars. Plus, this fifth one has the Rock back. I don’t mean Dwayne Johnson, but the Rock. Ever since he dropped the Rock moniker he had relagated himself to family-friendly films. He was truly cool on-screen when he was just the Rock.

Fast Five comes out this April 29, 2011.

Quickie Review: Running Scared (dir. by Wayne Kramer)


Director Wayne Kramer’s follow-up to his directorial debut (The Cooler) shows that he has a flair for drama and suspense that borders the line between reality and surrealism. Running Scared has such a gritty, washed out look right from the get-go that one starts to think it’s a film lifted right out of the 70’s. But that is only part of what Kramer does in creating a look and feel for Running Scared. Kramer actually uses every kind of trick in a director’s book to give his film such an over-the-top sense that the audience really doesn’t know what to expect just around the next dark corner.

Running Scared‘s first ten minutes sets up what the rest of the next two hours are going to be like. Kramer direct’s this ten minutes like a man possessed. The direction and editing is frantic and frenetic. Some have said that it’s all been done before by Tarantino, Woo and a dozen other action-stylists out of Hong Kong, but I disagree. Kramer’s style owes alot more to the grandfather of excessive film violence and that’s Sam Peckinpah. I’m not comparing Running Scared to Peckinpah’s seminal classic The Wild Bunch, but the pace and look of the chaotic shoot-out in the tiny apartment to start the film brings to mind the opening and closing shoot-outs of Peckinpah’s film.

Kramer knows he’s not making a social statement or even an intellectually relevant film. What he does know is that he wants to tell a fairy tale of one man’s hectic day and all the craziness he has to go through during that day. And this is what Running Scared really has turned out to be. A fairy tale set in an modern, dank, urban landscape where our hero (though anti-hero is more like it) and the two kids in his life must travel a surreal place filled with mack-daddy pimps, hooker with a heart of gold, corrupt cops and even a pair of child pedophiles who also turn out to be husband and wife. Running Scared is a like Grimms fairy tale as seen and told in a modern setting.

The cast of actors Kramer has assembled all do a good job in populating this violent, profane modern fairy tale. I’d be the last to think that Paul Walker was an actor who had any talent, but his performance in this film has given me pause to think that maybe its not him, but the projects he’s been doing that’s given him a bad reputation as an actor (which continues to this day as he continues to put himself in bad projects). Gone is the California surfer dude persona he seems to saddle himself with in most of his roles. He actually inhabits the low-level mobster soldier he plays as Joey Gazelle. This film may not be his breakout performance but it will open up some eyes. The boy’s got some skill he’s never been able to show before. The other actor who makes a standout performance is one Cameron Bright who plays Oleg. The neighbor kid whose theft of a mob gun Joey is suppose to make disappear turns Joey’s life upside down. Cameron’s almost like Pinocchio in that its through him that we see all the crazy characters he runs across. It’s a testament to Kramer’s direction that he’s able to get such good performances from Walker, Bright and the rest of the cast in a film that’s as confusing, complicated and surreal as this film turned out to be.

Running Scared was a wonderful surprise of a film for 2006. It’s an unabashed fun, thrilling urban fairy tale that goes for broke in everything it does. Wayne Kramer’s direction shows that his very good work in filming The Cooler wasn’t a fluke and one-time deal. He’s no Tarantino and surely not in the same league as Sam Peckinpah whose films this one owes alot to in style and feel, but he’s slowly making a name for himself as one who can do good work. Oh, Paul Walker does a good job in it as well.