Brad reviews CRISIS NEGOTIATORS (2024), starring Lau Ching-Wan & Francis Ng!


My wife loves Hallmark movies and a handful of other movies that she tends to want to watch over and over again. That list of movies includes DIE HARD, VOLCANO, STRIKING DISTANCE and THE NEGOTIATOR. Every time we go to the family cabin for a weekend getaway, she insists that I pack our DVD of THE NEGOTIATOR to watch at some point over the weekend. It’s fair to say I’ve watched the film at least 10 times over the last 10 years or so, and I really do enjoy it. Did you know that filmmakers in Hong Kong remade THE NEGOTIATOR back in 2024 under the title of CRISIS NEGOTIATORS? It’s produced by superstar Andy Lau, who does a cameo. It’s directed by Herman Yau, who’s directed such successful and diverse films as THE UNTOLD STORY and the SHOCK WAVE franchise. It stars two of the best Hong Kong actors of the last 3 decades in Lau Ching-Wan & Francis Ng. Of course I had to see it!

If you’ve seen the original film, there aren’t a lot of surprises in CRISIS NEGOTIATORS. Lau Ching-Wan plays Man Wai, an expert police negotiator. After celebrating his latest birthday, he gets a message to meet a friend and co-worker whose investigation into thefts from the “Police Welfare Fund” seems to implicate fellow members of the police force. When he shows up at the meeting, his friend has been murdered and the cops are soon on the scene. Arrested and determined to prove his innocence, Man Wai escapes custody and makes his way to the Internal Investigations Unit. He takes his own set of hostages, one of which may be involved in taking money from the Police Welfare Funds. He has an interesting request… I’ll only talk to Tse Ka Chun (Francis Ng). Chun, a former police negotiator who left the force to become a social worker, is soon on the scene. As Man interrogates the hostages and talks to Chun, it becomes apparent that he’s been set up. But will he live long enough to expose the real killers?! 

As a huge fan of Hong Kong cinema, and after having seen THE NEGOTIATOR so many times, I thought it would be fun to compare the two films and look for things that stand out in the Hong Kong version. CRISIS NEGOTIATORS opens with a particularly interesting sequence where an unstable couple armed with knives takes the workers of a family services center hostage. It seems that their young son has been forcibly removed from their home and they want him back. Man Wai (Lau Ching-Wan) and Chun (Francis Ng) work together to try to resolve the situation. What makes this opening unique is that the actor playing the unstable man is Andy Lau, a true superstar of Hong Cinema and entertainment in general (he’s one of the 4 “Heavenly Kings of Cantopop). Lau is one of the producers of the film, so it makes sense he threw a little of his star power in front of the camera, even if the cameo is the exact opposite of many of his roles. In English language terms, it would be like Brad Pitt or Leonardo DiCaprio being in the opening scene of THE NEGOTIATOR. 

Another difference in the two films that I really appreciate is the character of Tse Ka Chun, played so well by veteran Hong Kong star Francis Ng. As good as Kevin Spacey is in THE NEGOTIATOR, I really appreciate the tweaks made for the Hong Kong version to Chun. In this version, Chun reluctantly comes back to help the police in this specific situation. He has dedicated his life to helping the poor and unfortunate souls who have found themselves on the lowest rungs of Hong Kong society. In other words, he’s just a really good guy. There are a couple of sequences where he interacts with this poor beggar of an old granny that makes my heart swell as he treats her with kindness and dignity while others do not. It also provides a hilarious payoff at the film’s conclusion. 

Lau Ching-Wan is great in the central role of Cheuk Man Wai. A 4-time winner (and 18 time nominee) of the Hong Kong Film Award for Best Actor, Lau is simply one of the best actors working in Chinese language cinema. While I don’t give him an edge over Samuel Jackson’s intense performance in the original film, Lau brings his talent to bear in the role and doesn’t miss a beat. Other performances that stand out to me are provided by veterans like Michael Miu as a corrupt superior officer and Kent Cheng as the older cop in charge of everything. Cheng’s character and performance isn’t anything special, but I just enjoy seeing him on screen. One character who can’t be replaced in the original movie is the smarmy Internal Affairs officer played by the late, great J.T. Walsh. Walsh was truly a one-of-a-kind talent, and I don’t think anyone else can do what he did so well. Veteran Hong Kong actor Michael Chow gives a solid turn as the corrupt II agent here, but it’s just too much of an uphill climb. Man Wai’s hostages are pretty good as well, but can’t really compete with the memorable work by Siobhan Fallon Hogan and Paul Giamatti in the original. 

CRISIS NEGOTIATORS would have no chance to work if it didn’t capture some of the intensity of the original film, and I think it was largely successful in that endeavor. Director Herman Yau does a fine job, and I did find myself really getting into the film as the pressure ratcheted up on the main characters. With that being said, outside of a couple of changes, the film sticks pretty close to the original so fans will definitely be in very familiar territory. 

The primary purpose for making CRISIS NEGOTIATORS was to take the excellent story of THE NEGOTIATOR into the lucrative Chinese language market. It had a respectable box office return in the summer of 2024, bringing in around $22 million in mainland China and around $11 million HK dollars in Hong Kong. With good, but not great numbers, the film mostly fulfills its purpose. At the end of the day, CRISIS NEGOTIATORS won’t replace THE NEGOTIATOR on my watch list, but I still enjoyed it very much. I appreciate the cinema and stars of other parts of the world, and this remake was time well spent!

CRISIS NEGOTIATORS is currently streaming on Tubi. 

4 Shots From 4 Films: Special Joseph Kosinski Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to director Joseph Kosinski!  It’s time for….

4 Shots From 4 Joseph Kosinski Films

Tron: Legacy (2010, dir by Joseph Kosinski, DP: Claudio Miranda)

Only The Brave (2017, dir by Joseph Kosinski, DP: Claudio Miranda)

Top Gun: Maverick (2022, dir by Joseph Kosinski, DP: Claudio Miranda)

F1 (2025, dir by Joseph Kosinki, DP: Claudio Miranda)

4 Shots From 4 Films: Special Lone Scherfig Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to Danish director Lone Scherfig!  It’s time for….

4 Shots From 4 Lone Scherfig Films

An Education (2009, dir by Lone Scherfig, DP: John de Borman)

One Day (2011, dir by Lone Scherfig, DP: Benoît Delhomme)

The Riot Club (2014, dir by Lone Scherfig, DP: Sebastian Blenkov)

Their Finest (2016, dir by Lone Scherfig, DP: Sebastian Blenkov)

4 Shots From 4 Films: Special Wes Anderson Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Texas’s own Wes Anderson!  It’s time for….

4 Shots From 4 Wes Anderson Films

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Rushmore (1998, dir by Wes Anderson, DP: Robert Yeoman)

Moonrise Kingdom (2012, dir by Wes Anderson, DP: Robert Yeoman)

Asteroid City (2023. dir by Wes Anderson, DP: Robert Yeoman)

Lisa Marie’s Way Too Early Oscar Predictions For April


These are all pretty much random guesses so take them with several grains of salt.

Check out my predictions for March here!

Best Picture

The Adventures of Cliff Booth

Digger

Dune Part Three

Fatherland

I Play Rocky

Mr. Irrelevant

The Odyssey

Project Hail Mary

The Social Reckoning

Wild Horse Nine

Best Director

David Fincher for The Adventures of Cliff Booth

Phil Lord and Christopher Miller for Project Hail Mary

Christopher Nolan for The Odyssey

Pawel Pawlikowski for Fatherland

Aaron Sorkin for The Social Reckoning

Best Actor

David Corenswet in Mr. Irrelevant

Tom Cruise in Digger

John Malkovich in Wild Hose Nine

Brad Pitt in The Adventures of Cliff Booth

Hans Zischler in Fatherland

Best Actress

Daisy Edgar-Jones in Sense and Sensibility

Sandra Huller in Fatherland

Mikey Madison in The Social Reckoning

Renate Reinsve in Fjord

Michelle Williams in A Place in Hell

Best Supporting Actor

Scott Caan in The Adventures of Cliff Booth

Willem DaFoe in Werewulf

Colman Domingo in Michael

Matt Dillon in I Play Rocky

Jeremy Strong in The Social Reckoning

Best Supporting Actress

Elizabeth Debicki in The Adventures of Cliff Booth

Scarlett Johansson in Paper Tiger

Tao Okamoto in All Of A Sudden

Parker Posey in Wild Horse Nine

AnnaSophia Robb in I Play Rocky

4 Shots From 4 Films: Special Phillip Noyce Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 76th birthday to Australian filmmaker, Phillip Noyce.  It’s time for….

4 Shots From 4 Phillip Noyce Films

Heatwave (1982, dir by Phillip Noyce, DP: Vincent Monton)

Dead Calm (1989, dir by Phillip Noyce, DP: Dean Semler)

Blind Fury (1989, dir by Phillip Noyce, DP: Don Burgess)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

4 Shots From 4 Films: Special Nico Mastorakis Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 85th birthday of Greek filmmaker, Nico Mastorakis.  And that means that it’s time for….

4 Shots From 4 Nico Mastorakis Films

Island of Death (1975, dir by Nico Mastorakis, DP: Nikos Gardelis)

Death Has Blue Eyes (1976, dir by Nico Mastorakis, DP: Nikos Gardelis)

Blind Date (1984, dir by Nico Mastorakis, DP: Andreas Bellis)

In the Cold of the Night (1990, dir by Nico Mastorakis, DP: Andreas Bellis)

4 Shots From 4 Films: Special Alien Invasion Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

The aliens are here …. or are they?

4 Shots From 4 Alien Invasion Films

It Came From Outer Space (1953, dir by Jack Arnold, DP: Clifford Stine)

It Conquered The World (1956, dir by Roger Corman, DP: Fred E. West)

Starman (1984, dir by John Carpenter. DP: Donald M. Morgan)

Predator (1987, directed by John McTiernan, DP: Donald McAlpine)

Happy 63rd Birthday to Jet Li!


Back in the late 90’s, I remember seeing the trailer for LETHAL WEAPON 4 that shouted out Jet Li. As a person who was just starting to get into Hong Kong cinema, I thought he was absolutely incredible and the best thing about the movie. I was soon watching all of his Hong Kong films and having a ball! The American market loved Jet Li, and used him often in movies like ROMEO MUST DIE and THE EXPENDABLES franchise, but he never reached the quality of his best Hong Kong films like ONCE UPON A TIME IN CHINA and FONG SAI-YUK. 

Happy Birthday, Jet! You’re one of the all time greats!

Brad revisits the Hong Kong classic POLICE STORY (1985), starring Jackie Chan!


I knew who Jackie Chan was well before I discovered Hong Kong cinema in the early 90’s through the works of John Woo and Chow Yun-Fat. I had seen him in the CANNONBALL RUN movies, including part 2 in the movie theater, and I recognized the VHS for THE PROTECTOR (1985) at my local video store, but I had no idea just how amazing he was as a filmmaker and performer until I became obsessed with Hong Kong’s local film industry in the mid-90’s. As I read about the incredible work that Chan had done or was doing in books like “Hong Kong Babylon,” I made notes on all of his movies that I wanted to see. Of course, the original POLICE STORY was at the top of the list. 

In POLICE STORY, Chan plays Hong Kong cop Chan Ka-Kui. In the film’s opening scene, he takes part in a sting operation to bring down Chu (Yuen Chor), one of Hong’s major drug kingpins. After the plan goes awry, we get an incredible action sequence where cars crash through a shantytown, bullets fly, cops piss themselves, Chan hangs off of a bus with the handle of an umbrella, runs down a mountain, arrests the drug lord, and we’re just getting started! 

From that amazing opening, Chan is assigned to protect the key witness, Salina (the gorgeous Brigitte Lin), whose testimony is key to bringing Chu down. This doesn’t go well. Between corruption in the police force, false accusations, and Chan’s tenuous relationship with his girlfriend May (Maggie Cheung), the ensuing chaos seems to indicate that Chu is going to get off on the drug charges and Chan just may end up dead.

But let’s be honest, the plot is just a reason to get to the action. And once you’ve seen a few of Jackie Chan’s Hong Kong movies, you just settle in for a loose story, lots of goofy humor (that doesn’t always work), and some of the most insane stunt work you’ll ever see. POLICE STORY is a perfect example of that formula, and quite honestly, it’s one of the great action films. The stunts feel and look dangerous. The final sequence, set in a shopping mall, is some of the best action I’ve ever seen in a movie. I sat there with my mouth open and shaking my head as great stunt after grunt stunt takes place. I can’t help but wonder how many people got injured doing those scenes as glass shatters, bodies fly, and Chan puts himself through hell for the sake of the scene. It can’t be described… it needs to be experienced.

And yet, for all the amazing action, I can relate to Jackie Chan. He messes up. He gets hurt. He argues with his girlfriend. I’ve done all of these things, and I love it when he gets his stuff together and uses his unique set of skills to save the day!

As awesome as POLICE STORY is, viewers need to be aware of the serious tonal shifts that take place in the Hong Kong cinema of the 80’s. It can be a little jarring if you’re not used to it, as the movie goes from slapstick comedy to brutal action to melodrama, sometimes within the same scene. In some ways, that’s part of the charm, but these films can feel very strange for the uninitiated.

At the end of the day POLICE STORY isn’t perfect, but it is Jackie Chan at his best… fearless, inventive, and committed to giving the audience their money’s worth. If you’re interested in the unique and dangerous films that Chan made at this physical peak, this is as good as it gets.

POLICE STORY is currently streaming on HBOMAX.