“Human Holes” Short Film Review by Case Wright


I have been spoiled so far this year. I have yet to see a bad film or short. The AIs have been pretty good too. Are people getting better at making things? I think Gen-Z is really throwback generation. The stories have structure and order. I went to school with Gen-Z and they talked in hushed tones a lot about 2009 crash and the War; honestly, they all sounded like my Depression Era grandparents. The men sounded really conservative and the ladies were taking a sharp left turn. In all of their angst, they returned to clear storytelling. “Obsession” followed proper story structure to the letter and this short does too. It’s a sci-fi comedy, but it has a clear plot with good jokes.

The story takes place in the early 70s with a sleazy land developer and a waitress, who despise one another, are abducted by aliens. The aliens just want to probe and eat the two captives and then annihilate all of mankind. However, the Gotterdammerung is not until 2026 because today is all about probing and eating the captives. The land developer convinces the aliens to let them go, but the aliens insist on probing still – off screen.

It is a simple plot, but the jokes are funny and the acting is good. It’s weird for me to see actual people acting because I’m so used to seeing AI films. Human can still act! Who knew?! I recommend this highly. Enjoy it!

Brad reviews URBAN LEGEND (1998), starring Alicia Witt!


I’m not always successful, but I spend a fairly large part of my life trying to make my wife happy. One of the ways I do that is I try to find movies for us to watch that she will enjoy, and that I will have at least some interest in. So anytime I can find a movie starring Alicia Witt, most notable in our household for her voluminous work with the Hallmark Channel, I’m definitely heading in the right direction. I was looking through her filmography on IMDB the other day and noticed she was in URBAN LEGEND. I remember the movie coming out in the late 90’s, but I had never seen it, and I had no idea she was the primary lead! It being the spooky season, I thought now was the perfect time for the two of us to cuddle up on the couch with some popcorn and enjoy the show! 

Alicia Witt is Natalie Simon, a student with a dark, secretive past, who begins to suspect that a series of gruesome murders on the campus of Pendleton College are being committed by a killer obsessed with “urban legends.” Each murder seems to take a cue from those scary stories that pretty much all of us grew up hearing, and maybe even believing. As her friends are being picked off one by one, Natalie must do everything to find the killer before she becomes the next victim!

I must admit I had fun with this one. We watched it on a night where we just wanted to relax and see a bunch of obnoxious college students getting whacked in a variety of ways while we try to figure out who the killer is. I remember when SCREAM came out back in 1996 when I was 22 years old. Like so many others, I saw it in the theater and loved it. URBAN LEGEND is in that same tradition. It gives us some suspicious characters and some interesting murders inspired by stories I heard as a kid, and that late-90’s nostalgia kicked right in for me.

It was also fun looking back at the popular young cast whose careers have gone a variety of ways since the movie was made. Along with Witt, our cast of potential killers and victims include Jared Leto, Rebecca Gayheart, Joshua Jackson, and Tara Reid. I really enjoyed seeing veteran genre actors pop up as the movie goes along. The opening scene with Brad Dourif is very effective and lets us know immediately that we can’t trust our normal expectations. Robert Englund is also on hand to provide a creepy and suspicious professor. Heck, Danielle Harris is also in the cast, which was right at the beginning of her extensive career in horror movies.

Until I watched this movie, I didn’t realize just how universal some urban legends really are! A couple of freaky ones I remember as a kid include the story of the gang initiation where potential members drive around with their lights off just waiting for someone to flash their lights at them. Even more disturbing is the one where someone hides under your car ready to slice your Achilles tendon. Each of those stories are represented here. Building a scary movie around those legends, and many more, is a darn clever idea, and I enjoyed seeing what the filmmakers might come up with next.

URBAN LEGEND isn’t a horror masterpiece. It’s not very original, and it’s full of dumb characters making dumb decisions. But I still had a good time with it. For me, it’s a fun little slasher that takes an interesting premise and provides a few cheap scares.  And most importantly, it made my wife happy, and that means a lot!

Brad spends some time ON THE LINE (2022) with Mel Gibson! 


As far back as I can remember I’ve been a fan of Mel Gibson. I also truly believe that the LETHAL WEAPON series is one of the greatest action franchises of all time. Of course, part of that could be because it meant so much to me when I was growing up. I remember renting the original action classic with my family when we were on a spring break vacation at a resort in Hot Springs. I was 16 when part 2 became a huge hit in the late summer of 1989, and one of my first real dates was to see the film at the theater. Part 3 didn’t have as lasting an impact, but part 4 introduced me to the action legend Jet Li. Needless to say, if the long-rumored part 5 ever materializes, I’ll be there.

So, when I recently came across the thriller ON THE LINE (2022) on Netflix, I was happy to see Gibson back in a leading man role that appears to give him a chance to have some real fun. Here, he plays Elvis Cooney, a controversial late-night radio host whose show takes a serious turn when a distraught caller threatens to murder his family if he doesn’t play a dangerous game with him. What begins as any other night at the station turns deadly, with Elvis trying to figure out who he’s dealing with and just how far he’s willing to go.

One of the things I’ve always liked about Gibson is his ability to play characters who can be funny, obnoxious, and downright nuts, sometimes all at the same time. He brings plenty of that crazy personality to Elvis, who often comes off as a complete A-hole. But Gibson has a way of making even a real jerk entertaining to watch, and I enjoyed seeing him carry this film. I’ll just say this right now, if you don’t like Gibson, this is probably not the movie for you. He’s the primary reason to watch. I know Gibson has had some very public controversies over the years, and I certainly don’t condone some of his actions. But that doesn’t change the fact that this guy, his performances, and his movies were a staple of those early years when I was falling in love with cinema.

ON THE LINE reminded me a little of THE GAME (1997), the David Fincher thriller starring Michael Douglas and Sean Penn. Both films use the lead character’s birthday to set into motion an elaborate deception. I don’t want to give away this film’s surprises, and I’m certainly not suggesting that it’s nearly as accomplished as THE GAME, but I found it interesting that the two movies brought those same thoughts to my mind.

Is ON THE LINE a great movie? I wouldn’t go that far, and I’m sure there are plenty of folks who may feel cheated by the twisty ending(s). While I understand all of that, I’m the kind of viewer who doesn’t need every movie I watch to be a masterpiece. First and foremost, I’m a fan of actors, and I enjoy having a chance to see Mel Gibson being the true lead in a film that allows him to shine. That goes a long way with me. 

Happy Birthday to Elizabeth Shue, my first movie star crush!


The lovely actress Elizabeth Shue was born on October 6th, 1963. She is very special to me because back in 1984, an 11-year-old Brad Crain wanted to be Daniel LaRusso, aka the Karate Kid. He knew karate, beat the bullies in the All-Valley tournament, and had an awesome friend and teacher like Mr. Miyagi. But even more important than all of that, his girlfriend was the beautiful Ali Mills, played by Elizabeth Shue. I was smitten with her, and I can honestly say she was the very first movie character I had a crush on!

In honor of her birthday, and also recognizing that we’re in the midst of Horrorthon here at TSL, I thought I’d share this clip of her in the horror flick LINK, a movie that came out a couple of years after THE KARATE KID. It’s about Jane Chase (Shue), a zoology student who’s invited to a remote seaside mansion to assist primatology professor Steven Phillip (Terence Stamp) with his experiments involving chimpanzees. Soon, dangerous events begin to occur, all involving the intelligent 45-year-old chimp, Link. I’ve never actually seen this one before, but I do remember seeing the VHS box at my local rental shops back in the day. In the spirit of the season, I may just have to finally give it a watch!

“They Finally Found Us”, AI Short Film Review, By Case Wright


Ethan, the creator, never makes title cards and I find that… just ughhhhh, but the films are kinda … okay. I am reviewing this short because it was his most watched and he deserves to be judged by his best work; so, here we go!

This is NOT good, but people liked it; in fact, 500,000 people liked it. I want them to know that I am VERY disappointed in them and they will just have to live with that!

The short is voice over with AI Cthulhus that have taken over the Earth because we sent out messages into space to find us. Really, that is the whole film.

We don’t deserve nice things!

4 Shots From 4 Horror Films: October 6th


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

4 Shots From 4 Horror Films

Blood and Black Lace (1964, dir by Mario Bava, DP: Ubaldo Terzano)

Delirium (1987, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Dellamorte Dellamore (1994, dir by Michele Soavi, DP: Mauro Marchetti)

Sleepless (2001, dir by Dario Argento, DP: Ronnie Taylor)

 

Brad’s favorite horror thriller of the past decade…HUSH (2016)!


I may be contributing to our annual Horrorthon here at TSL, but I’ll be the first to admit that I’m not as knowledgeable about the horror genre as the rest of the crew. Most of the horror films I watched growing up were the edited versions that would play on my favorite local channel, Fox-16 out of Little Rock. If not there, I’d see scary movies at my friend’s bunking parties when I was in grade school or junior high. That’s how I first saw the FRIDAY THE 13TH series, and I even remember seeing Fulci’s HOUSE BY THE CEMETERY (1981) at one such party. I didn’t have a clue who Fulci was at the time, but I do remember a victim’s throat being ripped out! I’d go home and have a hard time sleeping. I’ve never been good with gore, and I’ve always preferred action films. With that said, I’ve been trying to up my horror game over the last few years. I try to take part in the weekly #ScarySocial live tweet event, and I’ll watch horror films periodically that my friends tell me about or that seem interesting for some reason. I’ve still got a large backlog to get through, and I’ll never watch the classic gorefests, but I know way more now than I did a few years ago. Horrorthon is an amazing place to learn more.

I came across a horror movie ten years ago that I loved, and I still watch it every year. That film is HUSH, which I see as more like a nightmarish thriller than a straight on horror film. The setup is incredible as our lead character Maddie, who’s both deaf and unable to speak, finds herself being stalked at her remote home. There are some early visuals that illustrate the psychopathic evil of “The Man” (John Gallagher, Jr.) as he turns his attention towards Maddie, while also showing us how vulnerable her inability to hear or speak make her in this situation. There’s also a sequence involving the Man sending current pictures to our heroine’s laptop that show her being watched. It’s here that she first realizes something horrific is going on, and it’s a truly chilling scene. The movie hooked me right there, and I was completely invested as the psycho played his cruel games with her.

I thought Kate Siegel was exceptional in the lead role. I didn’t know a thing about the actress going into the film all those years ago, and I’m not sure I’ve watched any of her work since, but I still don’t think anyone could have been better. She proves herself to be smart, resourceful, and not near the fun, easy target our killer thinks she’s going to be.  After being put through hell both physically and mentally over the first couple of acts, I can only describe her character as a total bad-ass as the film races towards its conclusion! She also co-wrote the film with its director, Mike Flanagan, which helped me appreciate her work even more as she helped craft the amazing character. John Gallagher, Jr. is effectively creepy as the killer. This character could have walked straight out of an 80’s horror film, as we never understand why he’s so evil, which makes him more terrifying as far as I’m concerned. I don’t have to understand his motives to want him to die by the end.

As a warning for the more squeamish viewers like me, some of the violence is extremely difficult to watch, with various hands and necks being the most susceptible to extreme harm. The violence is realistic and personal, and I still look away because I know it’s coming and can’t really handle it. It also is one of the reasons the movie stays with me year after year. Just writing about it now is making my toes curl up a bit.

If you’ve seen HUSH before, I hope this makes you want to watch it again. If you’ve never seen it, I’ll let this serve as my recommendation that it’s a movie I love and think you probably will too. And if you want to know even more about the film, check out Lisa’s REVIEW from when it first came out back in 2016. It has more detail about her own personal reactions to the film, as well as her unique critical insight.

4 Shots From 4 Films: Special Ti West Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to director Ti West!

It’s time for….

4 Shots From 4 Ti West Films

The House of the Devil (2009, dir by Ti West)

X (2022, dir by Ti West)

Pearl (2022, dir by Ti West)

MaXXXine (2024, dir by Ti West)

Brad’s thoughts on the rural nightmare, MACON COUNTY LINE (1974)! 


Max Baer, Jr. co-wrote, co-produced and co-starred in this southern fried thriller about a couple of good ‘ole boys (brothers Alan & Jesse Vint) who break down in the wrong county. The sheriff (Baer), who’s somewhat suspicious of the boys, goes after them with a fierce vengeance when his wife is murdered.

I’m a big fan of this classic drive-in film. Baer is excellent as the small town sheriff who eventually goes mad with rage, which he directs squarely onto a couple of brothers who happen to be passing through. The film takes its time with the story and the characters, and when everything goes to hell near the end, you can somewhat understand why the sheriff goes nuts. It’s a nightmare scenario built around the suspicion of outsiders and then jumping to the wrong conclusions when a tragedy occurs. It definitely seems like something that could happen, and that’s one of the things that makes it so good. The marketers of the film definitely agreed. In a move that was very hot at the time (THE LEGEND OF BOGGY CREEK, WALKING TALL, THE TEXAS CHAINSAW MASSACRE, etc.), the ads for the film implied that the film was based on true events. While that may not be true, the plan worked as the film was made for roughly $250,000 and would go on to earn over $30 million worldwide. Interestingly, I’ve read that Baer wrote the film’s story on the backs of his BEVERLY HILLBILLIES scripts during breaks in filming on the television classic. Eager to break free from his Jethro typecasting, he took matters into his own hands and made it happen!

I’m also a big fan of the Vint Brothers, Alan and Jesse. Both are good here as the drifting brothers looking for a little fun before reporting in for some military service the next week. Their fun turns into a horrific struggle for survival when they find themselves the target of the sheriff’s misplaced wrath. As part of the “This Week in Charles Bronson Podcast,” I was blessed to be part of an interview with Robert F. Lyons, who’s close friends in real life with the boys. He told us a fun story about them all making these motorized airplanes that they would then fly around and try to knock each other out of the sky. Robert would laugh and giggle while he talked about it. Alan had an important role a year after this was made in the Charles Bronson action hit BREAKOUT. In the film, he stands up to Bronson at a critical moment and lives to tell about it, which is not something every actor can say!

And what can I say about Jesse. Over the last few years, he’s actually become a fun acquaintance in real life. If you enjoy these 70’s “redneck” movies, I recommend one called BLACK OAK CONSPIRACY (1977) that Jesse co-wrote and stars in, with his buddy Lyons playing an over the top villain. Jesse’s a great guy, and he’s very proud of MACON COUNTY LINE. He told me one day that Tarantino has said it was one of “the best stories in cinema!” In the first season of his Video Archives podcast, I personally heard Tarantino brag on Jesse’s performance in THE FORBIDDEN WORLD. I love it when good things happen to good people.